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Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Volunteering Ballarat - United Way", 5/04/2018 12:00:00 AM
... "Volunteering Ballarat - United Way"... United Way... 2013, titled "Volunteering Ballarat - United Way", advertising... Ballarat - United Way" Newspaper cutting page, 6 of The Courier ...Newspaper cutting page, 6 of The Courier, Ballarat, 6 June 2013, titled "Volunteering Ballarat - United Way", advertising for volunteers for various operations, including the Ballarat Tramway Museum and Geoff Gardener and Chris Phillip's phone numbers. Part of National Volunteer Week. volunteers, btm, advertisements, united way -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Volunteering Ballarat - United Way", 5/05/2015 12:00:00 AM
... "Volunteering Ballarat - United Way"... United Way... 2013, titled "Volunteering Ballarat - United Way", advertising...Volunteers BTM advertisements United Way Newspaper cutting ...Newspaper cutting page, 16 of The Courier, Ballarat, 6 June 2013, titled "Volunteering Ballarat - United Way", advertising for volunteers for various operations, including the Ballarat Tramway Museum and Geoff's phone number. .1 - as for above - published 5 March 2015. Added 28/3/15. volunteers, btm, advertisements, united way -
National Wool Museum
Poster, Give the United Way through your Community Chest
... Give the United Way through your Community Chest...United Way...-and-the-bellarine-peninsula Poster Give the United Way through your ...Community chest appeal poster, from Collins Mill.united way -
Stawell Historical Society Inc
Memorabilia - Realia, 1913
... W.A. Way United Grand Lodge Certificate 1913... grampians Realia Memorabilia W.A. Way United Grand Lodge Certificate ...W.A. Way United Grand Lodge Certificate 1913 & Correspondencestawell -
Mission to Seafarers Victoria
Furniture - Pews x 18 with kneelers and pew fronts, c. 1917
... decimated the population. Then home again, visiting the United... decimated the population. Then home again, visiting the United ...The pews (18 small and 1 large) with 3 fronts were donated by Mrs E.W. Outhwaite in memory of her father, Nicholas Maine, who died in 1915. Nicholas Maine biography was published in the Australian on 11 September 1915 : "Nicholas Maine, whose paternal grandfather was rector of the Church of England and Ireland, parish of Dunaghy, County Antrim, came of a family of very considerable repute as merchants in Belfast. He was born at Ballymena on New Year's Day, 1826, and received his earlier education at the Diocesan School, Ballymena, and at Dr. Bryce's Academy, Belfast. After a three years' apprenticeship in a merchant's office, in Belfast, he ventured forth into the world as supercargo in a vessel belonging to one of his brothers, and so performing two voyages to Brazil. Ashore once more, he joined a broker's office in Liverpool, and whilst there was specially chosen out of a large staff as the man to take charge of a fleet of ships on a guano quest on the coast of Patagonia. Having determined on a suitable rendezvous for his ships, he sailed for the River Plate in a handy vessel, and from Monte Video south- wards minutely searched and examined the coast, chiefly in boats, as far as Santa Cruz, near the Straits of Magellan. At Sea Bear's Bay, in lat. 48deg. S., he landed his men, and pitched his tents, &c. After 10 months of extreme hardship and risky adventure on the coast in open boats, and loss of many men from scurvy, he loaded up all the ships sent to him, and returned to the River Plate. While there he met Captain Hotham, R.N., of H.M.S. Gordon (afterwards Governor of Victoria), and also saw Garibaldi, who was then making himself famous by his daring adventures against the enemy, though with inadequate means. (There was war going on in the river at the time.) From Monte Video he returned to Brazil, where he opened a direct trade with Russia, by shipping the first cargo, of sugar and cotton from Pernambuco to St. Petersburg. For so doing the Emperor Nicholas allowed his vessel (the Urgent), belonging to his brothers, trading under he name of N. Maine and Sons, to enter Russia free of port charges. Shortly after this Nicholas Maine went ashore, spending three years in a Liverpool brokers office, when, sailing again as super cargo, he went on a trading voyage to Chili and Peru. He was present at Panama for six months during the rush to California, and crossed the isthmus on muleback and by canoe, a severe journey in those days. Thence he went to Jamaica, his ship's company carrying with them the cholera, which decimated the population. Then home again, visiting the United States by the way. After another year in Liverpool, he sailed again for Brazil, at one day's notice, bought a cargo of coffee at Rio Janeiro, took it to San Francisco, and settled there, where he had three years of a most exciting life — 1851-2-3 —also making speculative voyages down the coast to Mexico and Nicaragua, at which latter place he took the fever and so on to the South Sea Islands, where he suffered shipwreck, and thence on to Chili. He arrived in Melbourne from New Zealand in 1854; made one more voyage to Chili (his last venture at sea), and on his return sold his vessel. After refitting a dismasted clipper ship, called the Flying Arrow for his brother Crawford, with what was considered in those days unusual dispatch, when the port had not many conveniences for the purpose, he quietly went again into harness ashore. He managed Mr. T. S. Martin's large business in Melbourne for five years, till he broke down, from excessive work and anxiety. After winding up the business, he sailed for England in 1862, and idled at home, in Italy, and other parts of the Continent till, his health being restored, he returned to Melbourne in 1867, and went to Queensland to buy into a station along with his brother and others; but, not being satisfied, came back to Melbourne, and began to work as a mercantile broker. Soon after this he was induced to apply for the resident secretaryship of the Australian Mutual Provident Society, and got it in 1868, though, at the time, several professionals thought him unfit, and prophesied failure. He retired after a long term of eminently profitable business transactions in 1895, owing to a rule of the society to retire secretaries at the age of seventy. He accordingly left on the 1st January, 1896, after twenty-seven years' service unbroken by a single holiday, save for a trip to Europe in 1891. A letter was written him by Sir Joseph Abbott, chairman of the board, in which he said:- "I need hardly assure you that the board is extremely sorry that the, society is obliged to lose your services, which have been so highly appreciated by us during your long connection with the society," and enclosed a grateful resolution passed by the board." Margaret Isabella Maine was born in 1871 and was the only daughter of Nicholas Maine. In 1897, she married Edward Walter Outhwaite, a layer from New South Wales who had studied at the University of Melbourne. Edward was the brother of Arthur Grenbry Outhwaite, husband of artist Ida Rentoul. Margaret and Edward had three children: a son, Maine Outhwaite and two daughters, Helen Margaret and Jocelyn. The pews on the left side of the nave have been moved to make room to a baby grand piano (date tbc.) therefore 2 of them have to be moved elsewhere in the mission and the pew front has been brought backwards..gifts, st peter chapel, pews, edward walter outhwaite, margaret isabella outhwaite nee maine (1871-1964), arthur grenbry outhwaite (1875-1938), nicholas maine (1826-1915), heritage listed, gifts-1917, kneelers, genuflection, praying -
Flagstaff Hill Maritime Museum and Village
Domestic object - Clock, late 1900s early 20th Century
In 1850 the Ansonia Clock Company was formed as a subsidiary of the Ansonia Brass Company by Phelps and two Bristol Connecticut clock makers, Theodore Terry and Franklin C. Andrews. Terry & Andrews were the largest clock manufacturers in Bristol at the time with more than 50 employees using 58 tons of brass in the production of about 25,000 clocks in 1849. Phelps decided to get into the clock making business to expand the market for his brass, while Terry and Andrews got access to better quality brass at better prices. They had then sold 50% of their business to Phelps and moved the business to Ansonia, Connecticut. In 1877 the clock company purchased a factory in New York and moved most of its production thereafter being spun off from the brass company. Henry J. Davies of Brooklyn, himself a clock maker, inventor and case designer, joined the newly reconstituted company as one of its founders. As President, he is thought to have been largely responsible for the figurine clocks, swing clocks and other unusual and desirable novelties for which the Ansonia firm became known. By 1879, a second factory was opened in Brooklyn, New York and by June 1880 employed 360 workers, while the Connecticut factory continued producing clocks as well with a workforce of 100 men and 25 women. Hence, clocks marked "Connecticut" were generally produced before 1879, while those marked "New York" were all produced after 1880 After the New York factory burnt down in 1880 the company rebuilt the factory on the same site, and reopened the expanded factory in 1881, with a capacity to exceed that of the Connecticut factory which by 1883 had closed. By 1886, the company had sales offices in New York, Chicago and London, with more than 225 different clock models being manufactured. In 1899, Phelps' grandson William Earle Dodge Stokes commissioned architect Duboy to build the "greatest and grandest hotel in Manhattan, New York” which became the city's first air-conditioned building. In 1929 the majority of the timekeeping machinery and tooling was sold to the Soviet government's US trading company Amtorg, just before the stock market crash. The parts, machinery and key skilled workers were shipped out of the USA to form the basis, along with the remains of a watch company purchased a year later, of the clock and watch industry in Moscow such as Poljot and Sekonda. In 1969, the rights to the use of the name, trademarks, and goodwill were transferred to Ansonia Clock Co., Inc., Lynnwood, Washington. The item marks the beginning of mass produced clocks in the United States, cheaply priced and available to all. The company had many innervation's during it’s life regards clock and later wrist watch making that led the way for other companies in many different countries to emulate.Clock, pendulum mantle model. Carved scallop "Ginger bread house" cottage clock. Oak case, white enamel face, floral etched glass door. Clock has an hour bell chime. Glass front opens to allow rewinding. Made by Ansonia Clock Co, New York. Marked "Manufactured by Ansonia Clock Co. New York, USA"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mantle clock, clock, pendulum clock, time keeper, horology, ansonia, ansonia clock co, america -
Kiewa Valley Historical Society
Tape Measure, mid 1900s
This item predates the change of Imperial measure (England -1824) to decimal measure (Europe) in Australia (1970 to 1988). This item was manufactured in England as, was the majority of measuring tool and equipment. It was not until the late 1950s that other countries e.g. United States and Europe provided the same type of manufactured tools for the Australian market. World War II, when Australia had to defend its own boarders that the political push for self sufficiency of manufactured goods started local production. Workers in the Kiewa Valley had always relied on the high quality of tools and manufactured goods coming from England. From the middle to late 1950s migration by skilled workers from a war torn Europe provided the source of manpower for the expansion of the manufacturing industries in Australia.The requirement of an accurate measuring tool has always been critical. This item was used at the time when Australia was using the British Imperial measurements. Accurate measurements by carpenters and other trades people for both town and rural needs was just as critical as for the larger cities. The transition period from Imperial to metric was a period of over four years but it still presented those who had used the Imperial measurements for a longer period in their trades with a dual system of measurement for a longer time(usually up to their retirement) Other nations still using Imperial measurements kept the transition from Imperial to metric alive (the UK and USA still uses Imperial measurements in 2012)Retractable metallic wired tape measure within a leather casing. Length of tape is 66 feet. Brass fittings on casing(winder and back plate)Tape on one side marked in inches and feet and on the other in links. Winder lever marked "66ft No 401" on front and arrow with"wind this way". Leather cover marked "John R A Bone & Sons Birmingham England" on reverse side "Metallic wired tape R A Bone & Sons"wired tape measure, tool, mobile tool, construction tool -
Kiewa Valley Historical Society
Book - Reference Botany, Botany - A Junior Book For Schools, 1927
This book was a highly regarded reference book for students in primary and lower secondary schools within Victoria from the late 1800s to the mid 1900s. The book provided students with the fundamental knowledge of botany for the era in which it was produced. As this book was targeting a junior schooling level (basic), it could cover a greater and extended reader population. Teaching institutions could, because of its straight forward, basic written information, retain this book's circulation for a greater length of time, thereby optimising the return against the greater initial costs of importing it from England.This book was produced in a time where learning was at a relatively slower pace (due to a smaller source and supply of material). The availability of a large range of cheap reference books such as that offered from 1971 on wards via the internet "Project Guttenberg" in the form of electronic books, has dramatically provided a larger source of reference material. The significance of this book on botany, is that it was highly effective for the era in which it was produced and in particular the students at a rural based school. Being in a rural area students were able to identify local vegetation to the various life cycles of plants presented in this mainly United Kingdom/European referenced book. The students in the Kiewa Valley and attending a rural school, where in a position to study all the fundamental teaching that this book encompassed. This in one way provided students in the valley a slightly better appreciation between book and real life (on the land, in the field and by the river). Later publications of this book had additional Australian references in them.This hard covered book(cloth strengthened) is faded(aged) beige in colour and consists of 204 pages. It is printed in English (black print) on both sides and contains illustrations of both free hand sketches and photographs of plants, both foliage and roots systems. The book is arranged in three sections: three pages of preface, two of contents (28 chapters). The last four pages contain the appendix and index.On spine "BOTANY" underneath "R.H. YAPP" and at bottom the Cambridge coat of Arms and below this "CAMBRIDGE" The front cover "BOTANY" underneath this "A JUNIOR BOOK FOR SCHOOLS" and below this a an illustration of a four leaf petal(flower of Germander Speedwell) the same as appears on the cover of edition 2, however this book is edition 3. At the bottom is "R.H. YAPPschool, botany, text books, science experiments, nature -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Mercantile Marine War medal, abt 1918
The Mercantile Marine War Medal was awarded by the Board of Trade of the United Kingdom to members of the Merchant Navy for one or more voyages through a war or danger zone during the course of World War I. Miniature with ribbon. Description of full size medal: A circular, bronze medal, 1.42 inches in diameter. The obverse has a bareheaded effigy of King George V, facing left, with the legend: GEORGIVS V BRITT : OMN : REX ET IND : IMP : The reverse shows a merchant ship ploughing her way through stormy seas, an enemy submarine sinking and a sailing vessel in the background. The base of the reverse has the inscription FOR * WAR * SERVICE / MERCANTILE MARINE / * 1914 - 1918 * in three lines. Around the edge of the rim is a laurel wreath. The ribbon is 1.25 inches wide and is coloured green, white (thin middle stripe), and red (represent starboard and port running lights with the masthead steaming light in the centre). medal mercantile marine -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. United States of America Pavilion, Montreal Expo '67, Canada. (Architect: Buckminster Fuller.)Made in Australia / 14 / FEB 67M2 / 22 (Handwritten)expo 67, montreal, robin boyd, slide -
Port Fairy Historical Society Museum and Archives
Domestic object - Tin, c.1910
This tin was bought to help tell the story of this company’s connection with Glaxo. In 1715, Silvanus Bevan opened a pharmaceutical business in London. He was later joined by his brother, Timothy. The business grew to be well respected by the local as well as international community, especially in the United States. In 1792, William Allen joined the business and worked his way up the ranks. His wife was a Hanbury, and upon his death, the business passed to the Hanbury’s. Allenbury’s manufactured pastilles, a sweet, medicated lozenge. In 1958, Allenbury’s became part of Glaxo Laboratories. Tin Box Sugarless Fruit PastillesPatented The "Allenburys" Jujubes & Pastilles manufactured in England Trade Mark AD1715 Allen & Hanbury Ltd London E.2commercial, glaxo, allenbury's, allen and hanburys ltd, london, port fairy -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Inside the United States of America Pavilion, Montreal Expo '67, Canada. (Architect: Buckminster Fuller.)Made in Australia / 15 / FEB 67M2expo 67, montreal, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. United Nations Pavilion, Montreal Expo '67, Canada. (Architect: Eliot Noyes.)Made in Australia / 29 / MAY 67M6 / 51 (Handwritten)expo 67, montreal, robin boyd, slide -
Kew Historical Society Inc
Photograph, Horse Tram, Boroondara General (Kew) Cemetery, 1910
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Black and white photograph of the horse tram in High Street, Kew, outside the Boroondara (Kew) General Cemetery. The horse tram was a form of public transport linking the Cemetery with Victoria Bridge.The reverse of the photo identifies the year as 1910. The photo is one of a series of postcards / photographs donated to the Kew Historical Society by L. Bennett in 1980.Reverse: "1910. Donated by L. Bennett 1980. Reg No. KH-402"horse tram -- kew (vic.), boroondara general (kew) cemetery, public transport -- kew (vic.) -
Kew Historical Society Inc
Postcard, General View of Collins Street From Treasury, 1907-1915
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting Collins Street looking west from Spring Street. Reg-No-KH.392 (obsolete number). Donated by L. Bennettcollins street -- melbourne (vic.), postcards -
Kew Historical Society Inc
Postcard, Post Office and Police Court Kew, 1907-1915
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting the Kew Post Office and Court House (built 1888) on the corner of High Street and Cotham Road. In front of the Post Office is a large Moreton Bay Fig tree. The later Kew War Memorial (opened 1925) necessitated the removal of the tree and the relaocation of the Queen Victoria Jubilee Fountain. "No-KH-388. 1888. Donated by Mr. L. Bennett. Later buildings joined. Fig tree + Queen Victoria Jubilee Fountain moved to make way for World War I Memorial 1920."kew court house, kew post office, postcards -
Kew Historical Society Inc
Postcard, Xavier College, 1907-1915
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Sepia photo postcard showing Xavier College quadrangle and side of main hall."Reg. No. KH-395 Opened 1878. Xavier College! Donated by Mr. L. Bennett, 1980". xavier college _ kew, schools - kew, postcards -
Kew Historical Society Inc
Postcard, Macauleys' Boat Shed on the River Yarra at Kew, 1907-1915
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Monochrome photo postcard of Macauleys' Boat Shed in Kew and its position on the Yarra at the end of Molesworth Street."KH-393. Macauley's Boat Shed, Kew. Lower Molesworth St, Donated by L. Bennett"boat sheds - kew (vic), river yarra - kew (vic), macaulay's boat shed - kew (vic), recreation - yarra river - kew (vic) -
Kew Historical Society Inc
Postcard, River Yarra, Kew, 1918-1930
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Colour-tinted postcard of the River Yarra at Kew, showing the Kew Lunatic Asylum in the distance.KH-395 .Donated by L. Bennett, 1980river yarra - kew -
Kew Historical Society Inc
Postcard, Oastler (Leading Stationer), Alexandra Gardens, Kew, c.1910
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Historic postcard of local significance showing the layout of the Alexandra Gardens in Kew. The gardens were opened in 1908 and designed/planted by the Pockett Brothers, so the planting reflects their horticultural style as well as that of the period. The postcard also depicts the Kew Jubilee Rotunda (later demolished and replaced by a second structure in 1988).Monochrome postcard showing the original 'Jubilee Rotunda' in the Alexandra Gardens in Cotham Road.Alexandra Gardens, Kew Oastler Leading Stationer, Kew / Printed in Saxonypostcards -- kew (vic.), alexandra gardens -- kew (vic), rotunda -- alexandra gardens -- kew (vic.), oastler -- stationers -- kew (vic.) -
Kew Historical Society Inc
Postcard, Princess Bridge, Melbourne, c.1907
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Rare variant version of this view of Princes Bridge, from the south-east bank of the Yarra River, looking towards the city of Melbourne, showing landmarks of the period.Polychrome postcard of Princess Bridge in Melbourne.Princess Bridge, Melbourne Miss McGilivray, "Oak Bank", Peterborough, _____. princess bridge -- melbourne (vic.), river yarra, postcards -- melbourne (vic.) -
Kew Historical Society Inc
Postcard, Bourke Street, Melbourne, 1920-1920
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Monochrome postcard of Bourke Street, Melbourne, looking west from Swanston Street. The costumes of the women in the photograph would indicate the use of an earlier photograph dating from the 1885-1895.Mrs L. Clark, Ecclesbourne, Harp Road, East Kew / Wishing you many happy returns of the Day, M. Boylebourke street - melbourne, postcards -- melbourne (vic), photographic postcards -
Kew Historical Society Inc
Postcard, Collins Street (looking West), Melbourne, 1907-1914
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Early postcard of MelbourneSepia tinted postcard of Collins Street, Melbourne, Th postcard design includes a line separating the address from the message on the reverse, which dates it after 1902. The stamp on the card is a red Victorian stamp with the head of Queen Victoria in use 1901-1911.Front title - Collins Street (looking West), Melbourne Reverse. - Mrs Garahy, Creek Parade, Clunes, Vic / Dear Mollie / All join with me in wishing you and our dear mother a very prosperous and happy New Year. I am enjoying my holidays very much. I heard Melba last week and went to the pantomime Humpty Dumpty. - it was all lovely. I’ll tell you all about them when I return to Clunes. We were all home for Xmas Day. The first time for 17 years. Fondest love. N.C. / I cut my right hand very badly last Monday and have not been able to write till today. N.C.postcards -- melbourne (vic.), collins street --- melbourne (vic) -
Kew Historical Society Inc
Postcard, Kew Gardens, The Rockery, 1902-1912
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Colour postcard of the Rockery, in Kew Gardens, London. Front - Kew Gardens, The Rockery / Copyright F.F. & Co. Reverse - POST CARD / FOR INLAND POSTAGE THIS SPACE, AS WELL AS THE BACK, MAY NOW BE USED FOR COMMUNICATION. FOR FOREIGN POSTAGE THE BACK ONLY (Post Office Regulation) /THE ADDRESS ONLY TO BE WRITTEN HERE. Dear Henry. Many thanks for Birthday greetings received today the first one to remember me. Hope you are well as this leaves all. Thi sis the only postcard in Sea Lake so excuse. No more just now with kind regards from Estherpostcards -- uk, postcards -- kew gardens, kew gardens -- the rockery -
Kew Historical Society Inc
Postcard, Paul Ahearne, St Paul's Cathedral, Sanctuary, 1950-1965
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Colour postcard of the interior of St Paul's Cathedral, Melbourne by Max Ahearne, Renwick Pride, Gravure Print.St Paul's Cathedral, Melbourne, Australia - Sanctuary / Foundation stone, 1880; Consecrated 1891; Spires computed 1931. Exterior length, 276 feet. Moorhouse spire, 317 feet in height. Architect, William Butterfield, 1814-1900. / Colour photo by Max Ahearne, Renwick Pride, Gravure Print.st paul's cathedral -- melbourne (vic.), postcards -- churches -- melbourne (vic.) -
Kew Historical Society Inc
Postcard, Rose Stereograph Company, View at Ferny Creek, Vic, 1925-1939
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.A Rose Series postcard of Ferny Creek in the Dandenongs to the north of Melbourne. The monochrome postcard is numbered P. 3811.Front: THE ROSE SERIES P. 3811 COPYRIGHT / VIEW AT FERNY CREEK, VIC. Reverse: POST CARD / THE ROSE SERIES DELUXE / A REAL PHOTOGRAPH PRODUCED IN AUSTRALIA / PUBLISHED BY THE ROSE STENOGRAPH CO., ARMADALE, VICTORIA / [Inscription] Many Happy Returns of the day, Mum.ferny creek - victoria, postcards -
Kew Historical Society Inc
Postcard, Rose Stereograph Company, "Labrador," Ferny Creek, Vic, 1920-1939
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.A Rose Series postcard of "Labrador" in Ferny Creek in the Dandenongs to the north of Melbourne. The postcard is numbered P. 1511.Front: THE ROSE SERIES P. 1511 COPYRIGHT / "LABRADOR' FERNY CREEK, VIC / THE ROSE SERIES DELUXE / A REAL PHOTOGRAPH PRODUCED IN AUSTRALIAferny creek - victoria, labrador - ferny creek, postcards, guest houses -- ferny creek (vic.), labrador -- ferny creek (vic.) -
Kew Historical Society Inc
Postcard, Rose Stereograph Company, View at Ferny Creek, Vic, 1920-1938
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.A Rose Series postcard of Ferny Creek in the Dandenongs to the north of Melbourne. The postcard is numbered P. 2880.Front: THE ROSE SERIES P. 2880 COPYRIGHT / VIEW AT FERNY CREEK, VIC / Reverse: POST CARD / THE "ROSE' SERIES DELUXE / A REAL PHOTOGRAPH PRODUCED IN AUSTRALIA / PUBLISHED BY THE ROSE STEREOGRAPH CO., ARMADALE, VICTORIArose stereograph company postcards, ferny creek - victoria, postcards -- ferny creek -
Kew Historical Society Inc
Postcard, Oastler (Leading Stationer), Tramway Terminus, Kew, c.1913
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.A monochrome postcard of the tram terminus beside 'The Block' in Cotham Road, KewOastler, leading stationer, Kew / Printed in Saxonypostcards -- kew (vic.), trams -- kew (vic.), cotham road -- high street --- kew (vic.), the block -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Postcard, Murray Views, Murray Views No.13 - Goulburn Valley, Alexandra, Vic, 1920-1955
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout. Murray Views is an Australian company, founded in 1908 by Fred Murray in Gympie, Queensland.Monochrome postcard of the Goulburn Valley near Alexandra, Victoriaalexandra - victoria, goulburn valley - victoria, postcards -- goulburn valley (vic.)