Planning Minister Rob Maclellan at the launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in 93 Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests. April 19981 images; digital file only; created from scan undertaken by EDHS of a set of 30 colour 10 x 15 cm prints arthur street, eltham, houses, jelbart property, kinloch gardens, rob maclellan, woodridge estate

Gift of Ian and Marjorie Fitzgerald

Postcard with portrait of woman"Scottsdale. Dec 18th 1917 Wishing all at "Sanchieburn" a happy Xmas & New Year. Love from Nellie"sanchieburn, scottsdale, xmas, new year, 1917, nellie, chatham-holmes collection

Mike Butcher Collection - One of fourteen half plate glass negatives collected from Bartlett's (Vincent Kelly) studio, Pall Mall, Bendigo by donor. 11072.5a Unknown Womanphotos, bendigo, mike butcher collection, unknown woman

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.marysville, victoria, australia, carlisle guesthouse, harold james robert coney, portrait

A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.marysville, victoria, australia, carlisle guesthouse, harold james robert coney, portrait

A black and white photograph of an unknown woman and child in the swimming pool at Roseleigh in Marysville. The photograph was taken in 1954.A black and white photograph of an unknown woman and child in the swimming pool at Roseleigh in Marysville. The photograph was taken in 1954.marysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph

A black and white photograph of an unknown woman that was taken at the Fruit Salad Farm in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in 1954.A black and white photograph of an unknown woman that was taken at the Fruit Salad Farm in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in 1954.FRUIT SALAD FARMmarysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph, fruit salad farm

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.golf: sport; west sydney; australia

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Pippy, outside Father Inghams Tarree 22.2.47west sydney: car; 1947; 1940's; aaustralia

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Barney Grimes, Mum, Mary Grimeswest sydney; australia; melanesia; polynesia; holiday;

Studio photograph of unidentified man and woman. The Photo is taken at Yeoman Co, Bourke Street East, opposite the Eastern Market, they advertisements can be found during 1888.Digital copy of black and white studio photograph.

Head and shoulders of unknown woman.On back: "21"glen iris presbyterian church

Head and shoulders of unknown woman.On back: "23"glen iris presbyterian church

Studio portrait of unidentified female, taken circa 1897. From the Partington collection. The Vanduck Studio was opposite the General Post Office in Bourke Street and was known to be operating in 1897. This photo was found in 1998 by Wyn Partington in a lost album under the house. Many of the names of Partington people in the photo album were lost to all viewing them in 2000.Sepia studio portrait of unknown womanpartington family, studio portraits

A black and white photograph of an unknown boy, woman and man in Taggerty. The photograph was taken in 1954 during a stay at Roseleigh in Marysville.A black and white photograph of an unknown boy, woman and man in Taggerty. The photograph was taken in 1954 during a stay at Roseleigh in Marysville.TAGGERTY 1954marysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph, taggerty

Photograph - black and white - Portrait of looks like mum and 2 girls and 2 boys standing outside the front of their home. The home is weatherboard, chimney, grape vine on front verandah.William F.Bond, Landscape Photo Artist, King St.West Bendigo.person, family, family, unknown family. woman and 4 children.

Photograph, black and white. Portrait of a young woman, leaning on a rock, looks like in a garden.She has curly/wavy short hair, wearing earrings(sleepers).Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph, sepia. Portrait of a young woman. Standing next to lattice, looks like back of a house/garden,holding a umbrella, on the ground in front of the woman a straw hat. She has very long hair and it's out.Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph, sepia. Portrait of a young woman, chest up. Hair tired back, but you can see that her hair was a tight curl/frize.A.S.King, Pall Mall, Bendigo.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph, black and white. Portrait of a woman.Bartlett Bros. Sandhurst.person, individual, portrait female, photograph. portrait of a woman. unknown family collection.

Photograph - black and white. Portrait of a man and a woman. Resting against a pillar, both very well dressed.Bartlett Bros. Sandhurst.person, group, man and woman, photograph. portrait of a man and woman. unknown family collection.

Photograph - black and white. Portrait of a young woman. Dressed in a dark coloured dress, embroidered on the bodice, sleeves and on the skirt part of dress. She has curly hair.Pall Mall Studio, Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph - Black and white. Portrait of a woman, from shoulders upward, wearing a high neck, velvet type material, puffed sleeves. She has tight curly hair.Alan Spicer, Bendigo.person, individual, female portrait, photograph. portrait of a woman. unknown family collection.

A black and white photograph of an unknown man and woman at Steavenson Falls in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in Marysville.A black and white photograph of an unknown man and woman at Steavenson Falls in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in Marysville.STEVENSONS FALLSmarysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph, steavenson falls

Image of an unknown young woman playing a Hammond organ.On back: "29"glen iris presbyterian church

Dodge was house at Ballarat between 1939 and 1960B&W photograph of 1938 dodge pumper taken in Barkly street beside the Ballarat Fire Station. Dodge has a brigade member in the drivers seat and an unknown woman sitting in the rear of the appliancenil