Station Porters platform Luggage Trolley - two smaller unpainted ones Historic - Victorian Railways - Station Porters platform Luggage TrolleyStation Porters platform Luggage Trolley - two smaller unpainted ones - made of wood and wrought ironstation porters platform luggage trolley, puffing billy, victorian railways

unpainted wagon wheelchurchill island, farm machinery

The stationary hay baler was introduced to farms around 1930's. Prior to this hay was collected and stored in the barn to be distributed later. From the mid 1800's some farms used balers in the barn which dropped weights onto the hay for compacting but this required many trips back and forth to collect and store hay. This hay baler could be towed to each paddock by horse or tractor. Grasses would be forked into the chute by two workers. The engine would force the hay into bales and feed it out onto the parallel shelves seen in the photo.They would be hand tied by two other workers .The baler saved time and labour. The manufacturer cannot be identified, but this baler is similar to the H.V. McKay Massey Harris Hay Presses built in Sunshine Vic. and operating in farms around the 1940's.Unpainted, rusted, stationary balerfarm, machinery, hay, chaff, baler, horse drawn, machine driven, churchill island

Unpainted metal drawbar, rusted churchill island, drawbar

unpainted wooden handles, surface rust on wheelfarm machinery, soil cultivation, wheel hoe, hand operated

Spike toothed harrows were commonly used in Australia after 1870 to prepare land for sowing seed. The panel’s metal tines covered seed with a light layer of soil and they could also be used to break down clods or lumps of fertiliser and help with weed control. Frequent light tillage was useful for reducing the evaporation of moisture from the soil. The irregular shape of the pictured harrow was suitable for rough surfaces while backward sloping tines helped prevent accumulation of weeds. The chain would have connected the panel to a draw bar that was pulled by a horse. Draw bars might take one, two or more panels. By the early 1900’s this type of harrow was largely replaced with other implements.Diamond (spike) harrowswith chain, unpainted metalfarm machinery, harrowing, diamond harrows, tractor drawn

Grinder wheel, sandstone on wooden stand unpaintedfarm machinery, grindstone, hand operated

Unpainted iron whell designed for heavy loadsfarm machinery, wheel, iron wheel

Winnowers were used in the late 1800’s and early 1900’s. Winnowing is a process by which chaff is separated from the wheat grains. A separate machine called the “stripper” would cut and thresh the grain which would then be dumped into piles ready to go into the winnower. Some years later these two machines would be combined into what became known as a “combined” or “stripper harvester”Hand operated winnower with handle and hopper unpaintedfarm machinery, winnower, hand operated

Unpainted metal wheel on square metal axlechurchill island, axle, wheel

Wooden handles, unpainted metal wheel, hoe and fittingsfarm machinery, soil cultivation, hoe scarifier, hand operated

These presses were used in shearing sheds around the country to create bales of wool by hand in preparation for transport to the wool markets for purchase and distribution. Bales have been used to store and were a standard trading unit for wool for centuries. A standard wool bale holds about 60 compressed wool fleeces and weighs a minimum of 120 kgs. The square shape and weight enabled them to be stacked on wagons or in warehouses, and a large pack horse could carry one on each side. With technological advances, the bales are now formed in electrical and hydraulic presses.All metal wool press, unpainted, surface rustfarm machinery, wool, wool press, hand operated, shearing

Butter Churns were commonly used on farms to turn cream into butter. The cream was placed inside the container and the lid was placed on top to prevent spillage. Turning the handle on the side of the box would move a paddle inside to agitate the cream and turn it into butter. This process would require approximately 20-30 minutes of consistent work to produce results. The Cherry & Sons model butter churn was used in the early parts of the 20th century and could make up to 6kgs of butter.Unpainted wooden box, with brass handle and wooden lidfarm, machinery, dairy, equipment, butter, churn, hand operated, churning, churchill island

Ploughing is a major part of soil conservation, and until 1945, it was mainly done with the aid of horses. The plough cuts into the soil with a coulter, and is followed by the share. The latter digs deeper and pushes up the soil which is then turned over by the mould board. This buries weeds, and exposes the soil to the elements whilst creating a furrow. The stump jump plough was initially invented and developed by two brothers, Richard Bowyer Smith and Clarence Herbert Smith, on the Yorke Peninsula in South Australia in the 1870s. A lot of the farming land in this country was cleared from natural bush through extremely hard manual work and burning. Often there would be residual stumps and roots in the soil which played havoc with long-standing traditional ploughing equipment. The stump jump plough was designed to lift over the obstruction and down again and continue ploughing the soil. It was hailed as a revolutionary change in the way Australian farmers ploughed their land.Unpainted metal stump jump plough with information signagefarm machinery, soil cultivation, stump jump plough, horse drawn

Unpainted metal ship. Possibly battleship. Crude depiction.toys, general

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted brick house. Other features include a central porch, tiled roof, square paned windows and a low unpainted brick fence in the foreground.murrumbeena, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area

The family-owned Furphy company has been manufacturing agricultural equipment in Kyneton and then Shepparton in Victoria from the 1860s to the present day. In the late 1800s the company developed the Furphy Water Cart to help farmers transport water to and from and around their properties - especially in time of drought. At the beginning of World War One, the carts were used to distribute water amongst the thousands of soldiers completing their basic training at Broadmeadows. They were also used for the same purpose in the camps and battlefields overseas. As the soldiers gathered around the water carts they would often chat, share information and gossip amongst themselves. These practices resulted in the term Furphy evolving in to the Australian vernacular as meaning a statement or fact that isn’t quite true or a little bit dubious.Furphy water cart, unpainted with traces of red on embossed endOn side of tank in black paint "CHURCHILL ISLAND" Embossed on end: Furphy water cart; makers Furphy & Sons, Shepparton and other inscriptions.farm machinery, water, furphy cart, horse drawn, furphy, churchill island, shepparton, kyneton

The hand seeder was designed to enable a more efficient method of seed sowing for farmers. It was manually pushed along the furrowed ground and a feeder, which was situated in the middle of the seeder (missing from this example) would drop the seed into the prepared furrows. Unpainted metal hand seeder, one large wheel, surface rustfarm machinery, planting, seeder, hand operated

In the 1800's and early 1900's milk was delivered to homes in horse-drawn carts. The milk was placed into churns by the vendor and the churns put into the cart. On arriving at the homes, the milk would be poured into containers the householders had provided.Unpainted wooden milk vendor cart, rubber inflatable tyres ( perished)"Milk Vendor" painted on right sidefarm machinery, horse drawn vehicles, milk cart

Fourteen unpainted boards, metal ends; swingle trace on galvanised chainfarm machinery, historic, sled, horse drawn

Horse drawn, burgundy and white hopper, unpainted shafts, rubber wheelsfarm, machinery, fertilizer, super spreader, horse drawn, churchill island

Unpainted timber pole; single metal swingle tree, surface rustfarm machinery, swingle tree, horse drawn

This type of plough was used to turn the soil for planting. In Australia, the horse was the chief source of power till the 1930's so in this case it would be hitched to the front of the plough and the farmer would hold the plough handles at the rear. As the horse pulled the plough along, the soil would be turned over and a single furrow created. The farmer, as he followed, would throw the seed or potatoes into the furrow.Single furrow mould board plough, green metal, unpainted woodchurchill island, farm machinery, soil cultivation, mouldboard plough, horse drawn

Long square unpainted pole, red swingle tree, leather fittingsfarm machinery, swingle tree, horse drawn

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. The presence of marine worm, or wood borer, holes point to a hand-carved, light but dense, wooden material used in its construction (rather than rubber as suggested in earlier cataloguing). Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette shaped ‘flats’ early in the century; then Mignot of France released three dimensional ‘solids’; and later (1893) Britain of England made ‘hollowcast’ figures. These innovations were designed to make sets of toy soldiers more affordable for middle and lower class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, especially carved and unpainted ones, were therefore not particularly common at the time when the LOCH ARD went down on Victoria’s south west coast. Mignot were the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. If a similar attitude is assumed for the two virtually identical figures in the Flagstaff Hill collection, it is possible they were part of a new set intended for sale, rather than part of a passenger’s existing collection. The light but dense wood from which they were carved also makes them distinctive. A similarly light composite material of sawdust, glue and linseed oil (press-moulded onto a metal frame) was used by the German firm O & M Hausler to create toy soldiers, but this type of modelling was not commercialised until after 1912. The first heat-moulded plastic toy soldiers did not become available until after 1945. The LOCH ARD shipwreck is of State significance ― Victorian Heritage Register S417An unpainted wood-carved replica or toy soldier, presented in a Napoleonic Wars era uniform. The figure is in a standing posture, and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It is ‘dressed’ in a plumed helmet, short-fronted coat with longer buttoned tails at the back, button fastened bib-front trousers, a pair of crossed bandoliers, and tasselled shoulder epaulettes. The figure is cream in colour with reddish brown and greenish black stains on the head and shoulder. The carving is detailed and sharp, and the piece is in fair to good condition considering its prolonged period of submersion in seawater. Although classified at one stage as made of rubber from a pressed mould, the evidence of sharp edges on the boots and epaulettes, and of marine worm or wood borer holes in the figure’s right leg and musket butt, indicate it is more likely hand-carved from a light but dense timber. There is a companion piece to this unpainted wooden toy soldier in the Flagstaff Hill collection, which suggests it was originally part of a set of similarly styled military figures. Both examples were retrieved from the LOCH ARD wreck site. Made subsequent to manufacture (superimposed on completed piece): “6599” on rear of left trouser leg; “PWO 2308” on sole of left boot, (partially obscuring “R122” written in biro); “2218” on sole of right boot. These are formal ‘cataloguing’ labels inscribed in black ink and sealed with lacquer.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, toy soldier, loch ard, wooden soldier, napoleonic uniforms

Unusual objectHand pushed two drum tiller, unpainted wooden handle, metal drumsfarm machinery, soil cultivation, hand tiller, hand operated

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with unpainted brick features. Other features include a porch, tiled roof, window boxes and low unpainted brick fence in the foreground with "1" on the brick pillar beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, housing estates, builders, jennings group limited, land subdivision, gardens, beauville historic area, brick fences

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with unpainted brick features. Other features include a porch, tiled roof, and low unpainted brick fence in the foreground with "26" on the letterbox on top of the brick pillar beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, letterboxes, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted brown brick house with decorative brickwork. Other features include a porch with 2 arched entrances, tiled roof and low unpainted brick fence in the foreground with "17" on the brick pillar beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, plans, jennings group limited, land subdivision, gardens, beauville historic area, brick features, brick fences