A small oil painting set in an ornate gold-gilded frame with a small brass plaque detailing donor information. The painting depicts a Katoomba urban streetscape featuring a parked delivery van.Inscription on the brass plaque. "DELIVERY VAN KATOOMBA / By HARRY SHERWIN / Presented by Douglas Joseph Dean 1980–1982"art, artwork, painting, streetscape, urban art, urban sketching

A black pen drawing mounted in a large white board set in a plain black wooden frame, depicting the front facade of the Royal Australasian College of Surgeons (RACS) building.Handwritten on bottom left corner. "Royal Australasian College of Surgeons" Framer's label on reverse. "JARMAN / THE PICTURE FRAMER / 158 BURWOOD RD. HAWTHRON 3172 / PHONE 318 7751"art, artwork, illustration, drawing, royal australian college of surgeons, building, urban sketching

Sketches by Boz. (Illustrative of Ever day Life and Every day People) .Author: Charles Dickens. Publisher: Chapman & Hall Ltd, London. Date: 1892. (See note section this document for more information on Edition). Blue leather hardcover with title on spine in gold lettering. The spine has a Library label.fictionCharles Dickens (1812–1870) was one of the great English novelists of the Victorian era, famous for vivid characters, social criticism, and stories that were first published in serial form. He began as a journalist, rose to enormous popularity during his lifetime, and wrote major works such as Oliver Twist, David Copperfield, and Great Expectations. Sketches by Boz is Charles Dickens' first published book, a collection of fifty six short sketches originally appearing in periodicals from 1833 to 1836 under his pseudonym "Boz." It captures everyday London life through vivid observations of ordinary people and scenes. The book is divided into four sections, "Our Parish," "Scenes," "Characters," and "Tales." The first three offer non narrative portraits of urban life, while "Tales" includes fictional stories. Illustrated by George Cruikshank with forty plates, it blends humor, social commentary, and realism. Published by Chapman & Hall, London, the specified full title matches the "New Edition, Complete" or first one-volume combined edition from 1839, compiling two earlier 1836 series. Earlier parts issues ran 1837-1839; Chapman & Hall took over rights in 1837. "Ltd" likely indicates a later reprint by Chapman & Hall Ltd., but core content remains unchanged.book, the old curiosity shop, charles dickens, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, flagstaff-hill-maritime-village, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road

An attempt to define Melbourne's character. Boyd sketches a history of Melbourne's architectural periods. He muses on the importance of public taste as necessary for periods of architectural flourish. He thinks Australia is in a "trough between the waves of progress."Typewritten, foolscap, 5 pagesmelbourne, urban conservation, robin boyd, manuscript

Norma Bull in a window of 'Medlow', 1920s Her brother (Ronald) Richard was a keen photographer and is believed to have taken the photographs of the family and in the grounds of 'Medlow'. Norma Catherine Bull (7 September 1906 – September 1980) was an Australian painter, printmaker and etcher best known for the paintings and sketches she made in Britain during World War II. Norma was the daughter of Richard Joseph Bull (1874-1927) and Catherine Grace Perrier (1884-1972). Her father was the Director of Bacteriology at Melbourne University. Richard and Catherine had 2 children. Norma was born in Hawthorn in 1906 and her brother Ronald Richard was born in Surrey Hills in 1912, where in 1911 Richard bought a property at 42 Warrigal Road, Surrey Hills developed by Colonel William Cairncross, known as ‘Willcyrus’ and renamed ‘Medlow’ by the Bulls. As a child, Norma was a high achiever both intellectually and artistically. She was educated at Fintona, where she matriculated as Dux of the School and winner of an exhibition in French. She won a scholarship to attend the University of Melbourne where she studied French, Zoology, Philosophy, English and History, leading to a Bachelor of Arts in 1929. Following this she studied painting and drawing at the National Gallery Art School for seven years. Whilst most of the students of the 1930s were inspired by Modernism, Norma followed more traditional styles and became known for her etchings and realistic depiction of urban scenes. Her work was strongly influenced by the conservative nature of the National Gallery Art School under Bernard Hall, and she remained a traditionalist all her life. In 1938, she was awarded the Sir John Longstaff Scholarship in Fine Art. This enabled her to travel to England to study at the Royal Academy in London. She arrived in April 1939 and after the outbreak of war, she worked as a volunteer at a First Aid Clearing Station and applied to become a war artist. In 1941, she was given a sketching permit by the War Artists Advisory Committee to record bomb damage in the Bristol area. In 1947, an exhibition of her 205 wartime works entitled “Two Hemispheres”, opened at Australia House in London. Many were acquired for major collections in England including the Victoria and Albert Museum, the Imperial War Museum and the Royal Collection. The “Two Hemispheres” exhibition toured Australia in 1948 and for over twelve months she followed Wirth’s Circus around the country, painting aspects of circus life. From then on she lived at Medlow’, From 1960 she was secretary of the Fellowship of Australian Artists. She was a finalist in the Archibald Prize on 2 occasions and is remembered through a biennial Art Prize, ‘The Norma Bull Portraiture Scholarship’ which is administered by The Victorian Artist’s Society. She continued to paint landscapes and seascapes in her traditionalist style. She had holiday homes at Anglesea and Bright. After she died in September 1980, 31 of her works were bequeathed to Bright Art Gallery. A black and white photograph of a lady holding a sun umbrella and sitting in a window frame.miss norma bull, medlow, house names, warrigal road, surrey hills, mr ronald richard bull