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Ringwood and District Historical Society
Book, Valerie Polley, War & Warrandyte 1914-18 - Valerie Polley, 2016
The story of the township and its enlisted men during the Great War, by Valerie Polley, Warrandyte Historical Society.This book has been compiled from posters exhibited in the Warrandyte Historical Society's exhibition entitled War & Warrandyte 1914-18, made possible by a grant through the Anzac Centenary Community Grants (Veterans Fund) from the Victorian Government and the Victorian Veterans Council. -
Federation University Art Collection
Ceramic, Valerie Marshall, Shingle Style Hand Built Pot by Valerie Marshall, 1985, 1974
Valarie Marshall was a Diploma student at the Gippsland Institute of Advanced Education from 1972 to 1974.Shingle style hand built pot with clay pellets lightly coloured with copper oxide. gippsland campus, jan feder memorial ceramics collection, ceramics, valerie marshall, gippsland institute of advanced education, alumini -
Whitehorse Historical Society Inc.
Article, Valerie Marshall Obituary, 30/04/2015 12:00:00 AM
Death announcement of Valerie Marshall.Death announcement of Valerie Marshall.Death announcement of Valerie Marshall.marshall, valerie j -
Eltham District Historical Society Inc
Folder, Valerie Crawford
Folder of information on Valerie Crawford, artistvalerie crawford -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Valerie Sloan, 1947
CRTS students "C" Course Nov 1947. Provenance T.H. Kneen. Appears to have been used for a display.Handwritten on reverse, "Valerie Sloane (sic)CRTS "C" Course Nov 1947." Faint stamp, "Australian Official Photograph…? Information."valerie sloane, crts, students, trainees, commonwealth reconstruction training scheme -
Ringwood and District Historical Society
Book, Valerie Polley, Wonderful Warrandyte - A Portrait, 2014
Soft-covered book by Valerie Polley, Warrandyte Historical Society, featuring photographs, sketches and text outlining early and contemporary development of Warrandyte township and community, first published in April 2014.Front cover - Peace Day celebrations in Warrandyte, July 1919. Acknowledgements: The book project Wonderful Warrandyte-A Portrait was made possible by a grant under the Australian Government's 2012-2013 Your Community Heritage Program (Your Community Heritage - Sharing Community Heritage Stories). Several members of the Warrandyte Historical Society were involved in this book project which evolved after several years of development ideas. Valerie Polley wrote the text and selected photographs. Special thanks go to the Steering Committee of Margaret Kelly, Andy Bevan-Jones, Richard Morton and Wayne Rankin for their knowledgeable input and beneficial editing advice, Murray Houghton for his specialised historical knowledge and advice on further references, and Diane Baird for editing. The book would not have been possible without all the dedicated work of the Society's members, past and present, who have contributed to the Society's substantial archive. All proceeds from the sale of this book go to the Warrandyde Historical Society. Photographs: Stephen Reynolds, Austin Polley, Valerie Polley, Wayne Rankin, Ron Harris, Merv Naughton. Flora and Fauna photography by Nth Warrandyte, Osborne Peninsula, Landcare, Inc. Maps: Jock Macneish -
Eltham District Historical Society Inc
Photograph, Pam Ingram (on bike) and Valerie Feldbauer at Thomas Street, Eltham, c.1948
Pam is on the bike which belonged to her cousin Valerie Feldbauer (later Waller) Thmas Street was named after their grandfather, Thomas Teagle and many of the Teagle family homes were in this street.pamela lorraine ingram, eltham, thomas street, valerie feldbauer, pamela thoonen (nee ingram), valerie waller (nee feldbauer), pam thoonen (nee ingram) collection -
Greensborough Historical Society
Book, Valerie J. Wilson, The Names on the Mornington Honour Roll 1914-1918: Who were they? / by Val Wilson, 1914-1918
This book retells the lives of the 120 names on the Mornington Honour Roll, men and women who served in World War I.150p., illus.To Noel & Cath, Best Wishes, Valerie J Wilsonmornington, world war 1, war memorials mornington, mornington historical society -
Stawell Historical Society Inc
Book, Valerie Ross, Over the Sea from Skye
Martin Family History: Forced Migration during Highland Clearances to the Colony of Victoria. One of the Descendants was in the Stawell Gift RacesSoft Cpver Bound Book. Black rear Cover Colour Photo of Skye with BoatsOver the Sea From Skye: John Martin & Annabella McNab, Valerie Ross, J.C. Talcode Pty Ltd -
Greensborough Historical Society
Genealogical Document, Maternal ancestors of Valerie Joan Wilson (nee Rolfs) 1936, 02/11/1936o
Val Wilson's family had a 146 year connection to the Greensborough area beginning with James and Susan Chapman in 1849, Family connections include the Poulter, Brown, Splatt, Kennedy and Memmott families. Val has illustrated her story with family photographs and relevant newspaper clippings.The story of family connections in Greensborough district.37 pages, illus. (some col.). Bound in green folder with clear cover.val wilson, james chapman, poulter family, splatt family -
Ringwood and District Historical Society
Photograph, Ringwood High School - 1954, Form 2B. Boys standing (L-R): 1. Robert Buchan, 2. Rupert Macaw, 3. Ron Moxam, 4. John Barker, 5. John Thornbury, 6. Barry Mills, 7. Victor Greensill, 8. Robin Pratt, 9. Jack Ritch, 10. Des Benjamin, 11. Denis Higginbotham, 12. John Stevens. Girls standing: 1. Margaret Bould, 2. ?, 3. Helen Burden, 4. Beverley Wigley, 5. Elaine Fryer, 6. Jeanette Pease, 7. Gwen Ward, 8. Florence McKay, 9. Jean Hull, 10. Coral Skurrie, 11. ?, 12. Judith Morris, 13, Beverley Sutherland. Girls seated: 1. ?, 2. ?, 3. Taty Senik, 4. Valerie Peck, 5. Jeanette Melvin, 6. Janet Casimir, 7. Sandra Harrison, 8. Pam Ternouth, 9. Corinna Taylor, 10. Lynette Koeford, 11. Marie Anderson. Boys seated: 1. Garry Norris, 2. Laurie Watnall, 3. ?, 4. Kerry Brennan
(No identification of students or class or year). -
Eltham District Historical Society Inc
Book, Warrandyte Historical Society, Wonderful Warrandyte - A Portrait by Valerie Polley, 2014
The Warrandyte Historical Society aims to collect, preserve and present the town's history. This books draws on the archival and memorabilia resources of the Society and other sources to paint a portrait of the township, its landscape, buildings, organisations and community.Warrandyte holds a significant place in Victoria's gold mining, art and settlement history.ISBN 9780992429102warrandyte, anderson's creek -
Rutherglen Historical Society
Document - School Records - Individuals, Higher Elementary School, Rutherglen, Wilkinson, Valerie Joyce, 1952
From School records, some more complete than others. Reports should contain information on the pupil's school work and give details of what they did when they left school. They should also show the name of a parent and the occupation. All sheets are indexed on a spreadsheet at the Common School Museum.Individual school records of the pupils of the Higher Elementary School, Rutherglen.pupils, students, school reports, rutherglen higher elementary school -
Rutherglen Historical Society
School Records - Individuals, Higher Elementary School, Rutherglen, Edwards, Valerie May, 1952
From School records, some more complete than others. Reports should contain information on the pupil's school work and give details of what they did when they left school. They should also show the name of a parent and the occupation. All sheets are indexed on a spreadsheet at the Common School Museum.Individual school records of the pupils of the Higher Elementary School, Rutherglen.rutherglen higher elementary school, pupils, students, school reports -
Rutherglen Historical Society
School Records - Individuals, Higher Elementary School, Rutherglen, Humphreys, Valerie, 1948
From School records, some more complete than others. Reports should contain information on the pupil's school work and give details of what they did when they left school. They should also show the name of a parent and the occupation. All sheets are indexed on a spreadsheet at the Common School Museum.Individual school records of the pupils of the Higher Elementary School, Rutherglen.rutherglen higher elementary school, pupils, students, school reports -
Rutherglen Historical Society
Document - School Records - Individuals, Higher Elementary School, Rutherglen, McPherson, Valerie Marion, 1950
From School records, some more complete than others. Reports should contain information on the pupil's school work and give details of what they did when they left school. They should also show the name of a parent and the occupation. All sheets are indexed on a spreadsheet at the Common School Museum.Individual school records of the pupils of the Higher Elementary School, Rutherglen.rutherglen higher elementary school, pupils, students, school reports -
Rutherglen Historical Society
Document - School Records - Individuals, Higher Elementary School, Rutherglen, Muir, Valerie, 1934
From School records, some more complete than others. Reports should contain information on the pupil's school work and give details of what they did when they left school. They should also show the name of a parent and the occupation. All sheets are indexed on a spreadsheet at the Common School Museum.Individual school records of the pupils of the Higher Elementary School, Rutherglen.rutherglen higher elementary school, pupils, students, school reports -
Colac RSL Sub Branch
Book - Autograph Album, Autograph Album belonging to Valerie Jean Thompson from 1940
Autograph bookDark coloured book with pattern on the front cover and green stringnon-fictionAutograph book -
Melbourne Legacy
Photograph, Melton 29/4/2006, 2006
Colour photo of Valerie Rae (in green coat) and another lady at a Legacy function, possibly a theatre. Was donated with three other photos after Valerie Rae passed away. The note with the photos was dated 2014 and it said she died in 2009.A record of activities that Legacy provided for widows.Colour photo print of Valerie Rae and another lady at a widows function in 2006.Printed on the front is 'Melton 29/4/2006'.widows, widows clubs -
Kew Historical Society Inc
Photograph - Digital Photographs [Series], Robert Baker, Display: Kew High School, Kew Library, 2013
The Kew Historical Society mounts regular exhibitions at venues throughout Boroondara. These generally relate to Kew's History and use items from the collection.Three born digital images of an exhibition of items significant to the history of Kew High School. The exhibition was curated by Val Bourke of the Kew Historical Society, and located in the Kew Library.kew high school, exhibitions -- kew (vic.), kew library -
Victorian Aboriginal Corporation for Languages
Book, Valerie Marlborough, Go see Australia road atlas, 2000
Contains state by state maps and details about each state.Maps, colour photographsatlases, road maps, australian travel -
Wangaratta Art Gallery
Textile, Valerie Kirk, Gum Leaf + Root
I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a gum leaf and a singe root system handwoven in a colour palette of black, grey, and white.valerie kirk, tapestry, textile -
Wangaratta Art Gallery
Textile, Valerie Kirk, Roots + Leaves
I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of roots and leaves handwoven using a colour palette of black, grey, and white.valerie kirk, textile, tapestry -
Wangaratta Art Gallery
Textile, Valerie Kirk, Tree + Roots
I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a tree and its root system handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile -
Wangaratta Art Gallery
Textile, Valerie Kirk, Caught Fish, PANGASIANODON GIGAS, 2010
Caught Fish, PANGASIANODON GIGAS” is a miniature version of the larger tapestry described below and it embodies the same ideas: The giant Mekong Catfish is under threat of extinction due to over-fishing and loss of habitat. It is beleived that the fish used to reach sizes over 3 metres, but the largest recorded catch to date is 2.7 metres – a monster fish caught in Thailand in 2005. As its fame and the mythology surrounding it increases, so does the number of game fishermen keen to land a record catch or earn a sizeable amount of money in the exotic food marketplace. However, the water flow of the river is increasingly more controlled by China, changing the natural habitat of the river. It seems that survival of the great catfish is being left to chance and the fish’s ability to avoid nets, lines and traps in the murky green waters of the Mekong. My exhibition piece is a giant, woven Pangasianodon Gigas – made as a shaped tapestry which will hang the way a fisherman would hold up his catch to display or be photographed as his trophy. The drawing was made from photographs of very large fish I observed in Laos and the detail on the body of the fish is deliberately ambiguous scales/nets. The piece will be woven on cotton seine twine (which was originally made as a string for fish netting) with mixed weft yarns. Artist statement about the work: The final work is an abstraction of fish and nets – an image made with a hand drawn quality suggesting the personal observation that goes with looking and responding with ink on paper. The tapestry technique mimics the original marks to a certain degree but is also very obviously a woven form with its stepped edges and shapes, blending of tones through hachure and broad set of warp and weft.Wangaratta Art Gallery CollectionA small tapestry of a caught fish handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile, fish -
Stawell Historical Society Inc
Book, Valerie L. Transfield nee Garrard, John Garrard of Brockford - Suffolk, 1999
stawell -
Gippsland Art Gallery
Mixed Media, Ino, Valerie, Soft Sculpture (Old Lady), 1979
Purchased with the assistance of the Crafts Board of the Australia Council, 1979Textilegippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Artwork, other - Tapestry, The Portland Fibre Group & Valerie Kirk et al, From the Land to the Sea, 1996-2004
Woven by The Portland Fibre Group, proposed for installation in the foyer of the Glenelg Shire Council Offices, opposite the entry to the Council Chambers.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms features two birds standing on grey platforms, either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of the shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale. -
Canterbury History Group
Book, Graeme Disney et al, Bayside reflections : history & heritage of Sandringham, Hampton, Black Rock & Beaumaris, 1988
A collection of stories from the history of the communities of Sandringham, Hampton, Black Rock and Beaumaris. The stories are illustrated by large photographs which span the years.viii, 220 p., [4] p. of plates : ill. (some coloured)non-fictionA collection of stories from the history of the communities of Sandringham, Hampton, Black Rock and Beaumaris. The stories are illustrated by large photographs which span the years. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Auer Valerie, Tubbut - Notes on History of Tubbut district - Prepared for School Jubilee 1941-1991, 1991
Notes on the settlement of Tubbut, East Gippsland, Victoria, particularly since 1929 when the Land Board opened this isolated area for selection. Extracts from minutes of Tubbut Hall Committee, reminiscences of school teachers, some photograph.settlers, schools