Velvet soap, commonly used for washing of both hands and items such as dishes and clothingTwo cakes of Velvet soap"Velvet" molded on face, J. Kitchen and Sons Pty Ltd on obverse; colour yellowsoap, laundry soap

Velvet soap used for wash daysBlue box with yellow, red and white. Has sour cakes of soap in box. Box has Velvet and Pure Soap written on box. Net weight when packed 500g Australian made and ownedAs abovesoap, laundry, velvet, pental, washing

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of fashion accessories, inherited, owned, used and or donated by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Black velvet belt with metal and bakelite clasp, 1930sfashion accessories, clothing accessories, belts

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk velvet, long-sleeved, waisted padded winter bodice with black lace and beading at cuffs and at basque. women's clothing, bodices, fashion - melbourne - 1880s, netta fuller

Circular metal medal with gold coloured rim, in brown leather case with red velvet cushion and white lining in lid.On lid: Exclusive Presentation Medal; On medal: The Ringwood Clocktower (on back) Ringwood Clocktower Diamond Jubilee 1928 - 1988

Velvet soap was a household name in 1930s and 1940s for launderingLarge bar of Velvet soap, comprising five bars soap, wrapped in the old red, blue and cream coloured wrapper - economy size, pure soap.Velvet economy pure soapdomestic items, laundering

An excellent example of Australian ladies fashion of the time.Exceptional two piece dress with fitted and boned bodice and bustle skirt and train. Bodice features many panels and internal whaleboning with cotton lining. Waist tape to secure. Pointed waistband to the exterior, trimmed in panels of velvet and lace inserts. Pleated sleeves and high, stand up collar with white cotton insert. Row of metal hooks and eyes to secure at the centre front, covered with a row of small metal and enamel buttons with butterfly design (all present) and hand finished button holes. Another row of hooks and eyes over the top. Skirt is full with the gathers focused on the centre back with a row of cartridge pleats and metal hooks and eyes to secure at the waist. Row of cotton tape sits under the hips to be gathered into the desired fullness. Ornamental panels of velvet provide a faux wrap styling to the front. Underskirt of silk faille with a box pleated trim to the hem. Underneath is a third hem finished in a row of white cambric and lace trim. Train falls from the waist and displays the same hem treatments as the dress. The dress has been mostly machine sewn but with large amounts of hand sewn finishing.none

Envelope containing velvet heel grip'The Superb' Velvet Heel Gripcostume accessories, footwear accessories

Velvet Soap was a widely used laundry bar soap launched in 1906, produced by J. Kitchen & Sons, owned by John Ambrose Kitchen (1835 - 1922). Kitchen was born in Britain and emigrated to Victoria in 1854. After a less than successful period at the Caledonian and Blackwood diggings, Kitchen returned to Melbourne and joined his father and brothers in establishing a tallow candle making works. Through merger and expansion the company became the pre-eminent manufacturer of soap and candles in the eastern colonies in the mid to late 19th century. Kitchen also speculated in a number of enterprises but suffered financial setbacks as a result of the 1890s bank crashes. Despite this, the company continued to grow in the early twentieth century with the introduction of products such as Velvet Soap and Solvol. The company merged with the British company Lever Bros in 1914 who eventually took full control of the company in 1924, becoming Lever and Kitchen. Advertising for Velvet Soap in Australia was extensive and pervasive. All manner of surfaces were used to advertise the product such as building walls, roofs, and most commonly, enamelled sheet metal signs which were fastened to any available surface internally and externally. The most common form of sign that Velvet Soap used was the words 'PURE VELVET SOAP' in white lettering within a vivid dark blue, elongated Maltese cross. On the enamelled metal signs the Maltese cross sat on a red background with a yellow border. While this was the dominant form for Velvet Soap signs, there were variations from the standard. The Velvet Soap sign is of historical significance as a representative of painted signs that were once a common form of advertising during the nineteenth and early twentieth centuries. - : http://vhd.heritagecouncil.vic.gov.au/places/14447#sthash.Vb6KAUWl.dpufHistoric - Advertising Sign - Velvet SoapTin sign with white, yellow, red and blue enamel. Pure velvet soap.puffing billy, enamel sign, pure velvet soap

Donated with journal by Mrs Betty Geddes, granddaughter. Note incorrect spelling of 'Mackinlay'.+Additional Keywords: McKinley, W Mayor, J.P. / Geddes, Mrs Betty'Memorial Clock Tower Trustees - 4.8.1928'; and on the obverse side: 'W. McKinley J.P. Mayor, Ringwood.'

Heel grips are used inside shoes to prevent the feet slipping and rubbing against the leather and so preventing blisters. They also protected the stockings from wear thus giving them longer life - an important factor when nylons were expensive or difficult to obtain eg wartime, depression.Heel grips help obtain a firmer shoe fit, prevents slipping, chaffing and blisters, restores the worn lining of favourite shoes and give extra life to hosiery. In 1912, Wittners Shoes Pty Ltd started as a family business with one Melbourne retail store and has grown to over 75 Australia wide, dedicated to designing high quality fashion footwear. A 'Superb' velvet heel grip insert for a lady's shoesTHE "SUPERB" / VELVET / HEEL / GRIP / ASSURES COMFORT / AND EXTRA WEAR / FOR YOUR HOSIERYshoes, footwear, moorabbin, bentleigh, cheltenham, hosiery, stockings

Floral spray worked in petit point possible worked through canvas and black velvet.Label on reverse - Petit point in silk, worked in silk velvet. Donated by the late Miss C. Sargoodpetit point, embroidery, picture, 1900-20, canvas work

Family of heather McNamara.- Mauve silk velvet scarf, lined with darker contrasting satin.clothing, velvet, c 1950's/60's

These vintage soap savers were used by the frugal housewife to use up pieces or slivers of leftover soap by swirling the soap saver in the water using up every last piece of soap.Three vintage wire mesh dish or clothes washing soap savers with a rectangular basket to contain the pieces of soap and a sliding wire clasp which allows opening and closing of the basket. Each holder has a thick long double wire handle to enable the user to froth the soap in a dish. Two have old soap pieces inside: one has Velvet soap, the other has half a piece of yellow soap with part of the brand ...TRY at the end of it.'Velvet' is stamped on one piece of soap and the broken piece has ...'TRY' on it.washing dishes, washing clothes, soap, soap savers, household item

Smoker's cap c 1889. Made by Jane Tyark (Mulder), grandmother of Isobel McNamara for her stepfather John Doran to keep his head warm as "he had little hair".Smoker's cap - black velvet, embroidered, padded & lined in pink satin.Nilsmoker's cap, velvet, embroidery, jane tyark, john doran, heather mcnamara

This velvet bonnet hat is believed to have belonged to Ellen Dowsett (1858-1953), who lived in Maidstone, Victoria in the late nineteenth century. It was donated by an Emerald resident who received it from Ellen's daughter, Ruby May Selina Wallace. The hat was likely worn between 1880 and 1910, and is an adorned, likely handmade example of the bonnet hats that remained popular at that time. This bag is an example of handmade fashion from late 19th century Australia.A black velvet bonnet hat. The front is adorned with a black velvet bow, complemented by a small section of lace and a petal-like velvet section reaching upwards. The rear features two black velvet ribbons, made to tie together below the wearer's chin and secure the hat on the wearer's head. Other layers of velvet decorate the top of the hat. The inner lining uses a different black fabric and is unadorned.No inscriptionsclothing, fashion, hats, 19th century

This item would have been used to apply rouge to the face to make the cheeks red. This rouge holder was made to fit into a purse or pocket for quick and easy application of the rouge. Variants of rouge or reddening materials are still used in cosmetics today. This item is of minor interest as an example of a cosmetics holder in use in the 20th century. It will be useful for display. This is a small brass container. It is rectangular in shape and has curved sides with ridged lines along the top and bottom edges. It opens via a small clip to reveal two compartments hinged in the middle. One compartment has an oval recess containing rouge powder and the other compartment has an inset mirror which is broken in two. A cloth pad for daubing the rouge on to the cheeks is also inside the container. ‘Velvet Grape’ cosmetics, history of warrnambool

Metal medallion and engraved tie pin in blue velvet presentation box; awarded to Brian McRae, winner of the Medallist Medal 2009. Round metal medallion and engraved tie pin in blue velvet presentation box. Obverse “Medallist medal 2009” and logo. On reverse “Brian McRae”heidelberg golf club, medallist medal, medallions, awards, brian mcrae

Eye wear - metal, shark skin covered, velvet lined case Wire rimmed glasses, b-focal lens1) Metal shark skinned covered glasses case, velvet lined 2) Wire rimmed glasses- bi-focal lensColes & Garrardeye wear

Photograph of a bride and two bridesmaids. The bride is Laurie Dean who was married in Mildura in August 1934. The crushed velvet, wedding gown that she wears in the photo is also part of the collection.Crushed velvet wedding gown worn by Laurie Dean, nee Jenkins at her wedding in Mildura, August 1934. Donate day her daughter Mary Deane.laurie dean, wedding photographs