I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape

Veronica O'HEHIR After graduating with a degree in fine art and a diploma in education, Veronica established herself as a practicing and exhibiting artist in Melbourne during the ‘90s-2000s. Veronica co-founded and directed RIPE gallery then later founded and directed KRAM gallery, she was also part of the Maribyrnong River Edge Arts Movement (MREAM); the studio where she met and worked alongside Faye. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paintingart, artwork, veronical o'hehir, flora

Joan Richard was a speaker at the Surrey Hills Historical Society meeting in November 2013. A watercolourist, she has been a long standing member of MSWPS, Past and Recent President in 2017 and a Life Member. The Melbourne Society of Women Painters and Sculptors was founded in 1902 by women who had been students at the Art School of the National Gallery of Victoria, to provide a forum for artistic discussion and an opportunity to view and comment on each other's work. Originally named the Students' Art Club, it became "Woomballana" (meaning either 'everlasting beauty' or 'search for beauty') Art Club, The Women's Art Club, the Melbourne Society of Women Painters and finally, in 1954, the present title was adopted. The history of the MSWPS and its members’ achievements, issues of the workplace, family and art commitments, the economic survival of artists, migrant artists and prejudice against women are also explored. Much of the information in “More Than Just Gumtrees” has not been available in previous publications; it includes hitherto unpublished sources - oral history interviews, minute books, reviews, letters, early photographs. There are includes biographies of over 300 artists, with individual exhibition lists, representation in public collections etc REF: MSWPS website. Artist Mabel Pye, who lived in Surrey Hills, is one of the featured artists.A history of the Melbourne Society of Women Painters and Sculptors and of the women who have belonged since 1902. Some of these women have become well-known to the art world, other have slipped by un-noticed. Incl. index, bibliography.To the Surrey Hills/Historical Society/Presented by/Joan Richard/19th November/2013melbourne society of women painters and sculptors, women painters, women sculptors, mabel pye, joan richard

Photocopies of pp17-22 of Buried History 2013 on Veronica Seton- Williamsnon-fictionaustralian archaeologist, seton-william margery veronica, merrilees robert, egypt

Two books of poetry and writings by women of East Gippsland. 1833.1 is Volume 2 and has a red cover. 1833.2 is Volume 3 and has a blue cover. Both books are edited by: Marie Munday, Betty Ory and Dorothy Watt.literature women's-writing literature-east-gippsland

Booknon-fictionHistory of the Society, founded in 1902, told through the stories of three generations of artists. Includes original research, unpublished primary sources and photographs and over 300 biographies of members. china painting, portraiture, self-portraiture, flower painting, sculpture, print making, art and craft

Majory Seton-Williams, (1910-1992) was the daughter of Gordon Nixon Seton-Williams, lawyer/ solicitor and lived at the Uplands, Terrara Rd Vermont. She was an archaeologist who conducted excavations in Egypt and Near East. 12 page A4 document detailing the life of Australian archaeologist Marjory Veronica Seton-Williams (1910-1992) including living at Uplands, Vermont. Also 5 pgs about Uplands, and 4 photocopied articles from Herald (1934), Sunday Mail (1938), Mercury (1938) and Women's Realm/Mercury (1938).seton-williams, the uplands, archaeololgy, seton williams

book non-fictionCompiled by the Visual Arts Committee of Women150 to mark the 150th celebrations for the establishment of state of Victoria in 1985. Represents many established and emerging artists of the time.feminism, painting, printmaking, drawing, photography, textiles

Lists 20 new inductees into the Victorian Honour Roll of Women in 2016 and outlines the contribution each has made in their area of expertise. Of particular interest is Sherryl Garbutt, former Member for Greensborough in the Victorian Parliament.36 pages, colour illustrationsvictorian honour roll of women, sherryl garbutt

Ticket for House Raffle 1/-: 1st prize Brick house; 2nd prize Suite furniture; 3rd prize Wireless set. Drawn Melbourne Stadium 9 pm. 31/1/1948.Small raffle ticket, printed in red on white paper one side onlyraffles, australian legion of ex-servicemen & women, black family

A Tribute to the varied lives of Women of Chelsea & District .Commitee Included. Margaret Diggerson, Val Hambridge, Margaret Jacobs, Dorothy Meadows OAM, Linda Meadows, Shirley Simpson, Leonie Taylor. Limited publication 2010.Only 500 published. Contains localised information about women of Chelsea.Blue & white Cover, Lower Right Corner creased. Several People paddling in Patterson River. 184 pages. 14. M X 210m.Women of Chelsea & Districtchelsea & district historical society inc., book, women, women of chelsea

Eureka's Women was published by BHS Publishing and written by Dorothy Wickham. The book tells wonderful stories about the women who were at Eureka. Wickham wrote a PhD on the Women at Ballarat Goldfields, and a book Women of the Diggings: Ballarat 1854, published by Ballarat Heritage Services in 2004.An illustrated booklet on women associated with Eureka.eureka stockade, women, dorothy wickham, eureka's women

The photograph is of members of the Governing Council of Greek Women in Melbourne in 1917. A number of the women were from Ithaca. The organisation was created to offer social interaction for Greek women who had settled in Australia in the early years of the twentieth century and was part of the Greek Orthodox Community of Melbourne and Victoria. Back row L-R: Mrs. A Raftopoulou, Miss Sigala, Mrs. E. Peppa. Middle row L-R: Miss E. Nomikou, Mrs. K. Kyriazopoulou, (President), Mrs. K Mavrokefalou (Vice-president), Mrs. N. Mari. Front: Mrs. B. Zografou. A black and white portrait style photograph of eight young women. The translated caption is printed below the photograph in Greek: THE GOVERNING COUNCIL OF GREEK WOMEN, MELBOURNE 1917 gocv, committee, auxilliary

Colour photograph of a timber holiday home built over the water at Box's Creek MetungBox's Creek House by Veronica Curtis Metunghouses, metung, land settlement

First Nation Women of the Richardson Tribe Victoria 1868 Copyright Museum of Victoria printed on back Writing on this photograph is the same as no 5563-1 in records and possible the group is from Carrs Plains.Black and white photograph of a group of First Nation women in European dress. Five adults one younger and one child.Women of the Richardson Tribe Victoria March 1868. Topsy, Annie, Agnes. Caroline Maggie Polly Little Kitty Copyright of Victorian Museum (printed on back)stawell aboriginal portrait

Black paperback with gold text. Front cover depicts Sepia toned photograph of six women having tea. Back cover is black with recommendations and information about contents of the book.non-fictionStudy of the place and life of middle-class Victorian era women.victorian, middle-class, women, nineteenth century, women’s health education, modernization, warrnambool

50th Anniversary of WWII. Photos and brief captions of enlisted, voluntary and social occupations of women during WWII.Two pages, back to back, from a magazine with black and white images of former magazine covers, black and white photos, captions and text. Most images and photographs depict women and men in uniforms or working clothes from WWII. Part of a four page article.wwii, world war 2, world war two, wwll, women's roles, women, australian women's weekly

Three women sit by a piano, whilst another leans in, all wearing Easter Bonnets. A variety of items decorate their hats, including a soft toy, feathers, ribbon and flowers. At least two women are residents, whilst the woman standing is a staff member.Black and white photograph of four womenelanora home (brighton), association for the blind

Celebrates the achievements and careers of 1,430 Australia women whose lives span three generations of struggle and success. Includes Australian Women from all walks of life.Celebrates the achievements and careers of 1,430 Australia women whose lives span three generations of struggle and success. Includes Australian Women from all walks of life.women-biography, women-directories

Sepia photograph. Two unidentified women standing in front of a Marquee (at Burnley?), probably a professional photographer.women, j.l. provan, special occasion

An excellent example of Australian First World War recruiting posters aimed at women, rather than potential soldiers. The poster suggests that in helping defeat Germany, women were really defending themselves.During the First World War, governments needed to convince their citizens to contribute to the war effort. In the absence of radio and film, the poster was the most effective method of mass communicationDepicts a woman with arms raised, her clothing torn and right breast exposed. Two children lie dead on the round at her feet, while the town behind her burns. Full poster text: 'Women of Queensland! Remember how women and children of France and Belgium were treated. Do you realise that your treatment would be worse? Send a man today to fight for you'poster, ww1, women of queensland