Print of a painting by Bill Walls. Fortuna Villa was the home of the Army Survey Regiment from 1942 - 1996. This print was printed by the Army Survey Regiment. A number of prints were produced at various sizes including the Unit Christmas cards.Print on heavy paper, laminated and printed by the Royal Australian Survey Corps, Army Survey Regiment, BendigoLabelled "Fortuna Villa" signed by Bill Wallsroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This publication is a result of funding made to the Corangamite Arts Council in 1990-91. Its aims were to identify and research the dry stone walls of the region, to raise their profile and through workshops continue the skills of those wanting to learn more about the craft. The book gives the history of the practice in the area and the various different styles with photographs to illustrate the different features. It also has a number of first- hand accounts written by stonewallers.This study has social, historical, artistic and interpretive significance as the walls are an important feature of the district. The account written by former builders of the walls provides an interesting insight into the various styles and reasons for their construction.Light green card cover. Front cover has 4 photographs of dry stone walls with title and other text in black. Back cover is plain. 144 pages. It contains a large number of black and white photographs of stone walls from around the district as well as maps. Report of the Corangamite dry stone walls Conservation project.dry stone walls, corangamite stone walls, warrnambool and district history, constructing dry stone walls

Dry stone construction as a technique is used for much more than paddock walls. Across the volcanic plains of western Victoriaare marvelous sheep dips, stock loading ramps, huts, dams, retaining walls, and the rich and largely undiscovered heritage of indigenous dry stone structures. Dry stone walls indicate many aspects of our rural environment; the geological beginnings of the way the landscape was created, the patterns of early settlement by pastoralists and squatters, the types of stock that grazed the land and the methods of cattle and sheep management, of the efforts to thwart the spread of rabbits .... "For the casual but interested observer dry stone walls are good to look at, to photograph, to get up alongside and see the way they are constructed, to appreciate the varying shapes and sizes of stones and learn of the techniques of keeping often quite rounded stones in place. Apart from walls and other dry stone structures on grazing land we can also see dry stone techniques used in other places and in other phases of our history. Indigenous Australians have built, and continue to build, structures for shelter or hunting or trapping eels and fish in rivers and estuaries around the country. At spots around our coast line there is evidence of simple stone structures built by early maritime explorers. Prospectors in early mining encampments used dry stone construction to build retaining walls or the low walls of rudimentary shelters. If the future of dry stone walls in the Australian landscape is to be assured. wall owners and local governments have to accept and embrace their custodial role in assuring the preservation and celebration of walls. This is not an easy task, but, along with putting the necessary statutory mechanisms to ensure their retention, it is a task that must be pursued. The Dry Stone Walls Association of Australia has as its primary goal the increase in awareness of wall owners and local governments of the importance of dry stone walls. It also seeks to increase the level of training of skilled and semi skilled wallers, and the gaining of rudimentary skills by farmers so that they can maintain their own walls". Melton Star Weekly article about the Stone Wallslandscapes of significance

The original photo is part of an album taken by W. Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.A nurse, holding a cup and saucer and a teapot, is standing in a quadrangle in front of a building. Unmounted black and whitewalls, w., walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.This is a creek scene with a hill in the background. Unmounted black and whitewalls, w., walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.There are two large two storey buildings with return verandahs built on a clifftop overlooking the sea. Two smaller houses are on the right hand side of the pictire. Unmounted black and whitewalls, w., walls album, george evans collection

This locker door was used by the Carlton Premiership player of 1968, 1970 and 1972, Robert Walls. Walls played 218 games for Carlton between 1967 and '78. The locker carries his name because he wore the No.42 into 100 senior games for the club - the minimum number of games required by a player to earn that honour. This item is one of the few of its type remaining with the club, and Robert Walls is an important figure in Carlton FC history as both Carlton Premiership player (1968, 1970 and 1972) and Senior Coach (1987). The locker room is considered the inner sanctum of the players, hence the significance.1.5m x 25m x 2.5cm steel louvred dark navy blue locker with white enamel No.42 and R. Walls, silver handle. At rear on left side below louvre, white powder coated, with inscription GOOD BOY BANGER! in fading black fineliner, and GOOD BOY POTS AND PANS!, plus various other markings. Slight rust. At rear on left side below louvre, white powder coated, with inscription GOOD BOY BANGER! in fading black fineliner, and GOOD BOY POTS AND PANS!, plus various other markings. locker, no.42, robert walls, carlton football club, robert heatley stand, locker room

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.The photo of St Mary's Anglican Church has been taken from Stawell Street, Sunbury. There is a picket fence along the street line and trees in the churchyard and along the roadway. Unmounted black and white.walls, w., sunbury asylum, walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.Two woman are playing tennis on a court which is surrounded by a wire fence. In the background there are trees and a building with a paling fence. Unmounted black and whitewalls, w., sunbury health library, walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.A high wooden foot bridge spans a river with a man standing in the foreground of the picture. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.Eight people are gathering hay and putting them into stooks. They are under supervision. There is a line of trees along the fence line and birds are flying in the sky. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.A man is driving a horse drawn dray. There is one passenger on the dray and another is standing at the back of the dray. A garden is in the foreground with trees in the background. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection

The building in the sketch is the former Manse for the Bulla Presbyterian Church. The artist was Bill Walls who did a number of similar sketches of historic buildings and sites in the Sunbury and Bulla area in the 1970s.A photograp[h of a coloured sketch of a house with bluestone walls and a slate roof. There is a closed-in addition building on one side and a verandah across the front with a lean-to structure on the other end of the building.bulla, presbyterian church, manse

1850's Gold Rush Police Precinct, later adapted for industrial use, and then used as Council Depot.B/W photo, west wall of brick Butter Factory (c1890), sandstone rear and south walls of Warden's Office (c1859) on right. Cornish St. Buninyong near Yuille St. buninyong, warden's office, butter factory, depot, couthouse, police

gold rush era historic building, social/legal historyColour photo, Interior, South and West walls and bench of 1886 Buninyong Courthouse.buninyong, courthouse, town hall, shire council

2 Colour Photographs: Remains of stonework walls of a house at Deep Lead (Chinaman's). He was a Market Gardenerdeep lead, chinaman's

2 Colour Photographs: Remains of stonework walls of a house at Deep Lead (Chinaman's). He was a Market Gardenerdeep lead, chinaman's

Postcard, Brough-Flemming Comedy CompanySepia postcardThe Walls of Jericho" by The Brough-Flemming Comedy Company, Post card, stamped: D.J. Taggart, 38 Glen Huntly Rd, Elwood 3184

Black and white photograph of the walls of the former Ballarat Gaol and the Ballarat School of Mines Amenities Building, now part of the Federation University Australia SMB campus. ballarat school of mines, former ballarat gaol, governor's residence, amenities building

Crusher plant with walls and winch track right of centre to pull truck to hopper at top.An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of 2 black and white photographs, two of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery

Heidelberg Golf Club: Clubhouse renovations 1997-98 - demolition complete, Concrete walls for basement works have been installedColour photographs x 4 and caption in albumclubhouse redevelopment 1998, hgc clubhouse 1997, hgc old clubhouse, demolition of old clubhouse, basement

The original painting of Waylett's Cottage was done by the artist Bill Walls. He did many paintings of buildings and places in and around Sunbury and further afield. James Waylett is thought to have built and settled in the cottage in Greenvale in the 1850s. The cottage is one of three mud-brick buildings build in the area in the early days of European settlement.A scanned copy of a watercolour painting of an old slab and mud-brick cottage with a verandah across the front of the building.waylett's cottage, greenvale, james waylett, mud-brick cottages, bill walls

Portrait of John Wall, who was treasurer for the Association for the Blind between 1970-1989. This photograph was taken for an annual report based upon the ruled lines on the back of the photograph.Col. photograph of John Wall, treasurer at the Association for the BlindJohn Wall, treasurer 1970/1989association for the blind, john wall

Bill Walls is the artist who did the original watercolour of the small building, that was originally a gaol sited at The Gap settlement. The Gap, on the Calder Highway, preceded Sunbury's settlement and the gaol was used during the 1850s gold rush era, when the precious metal was being brought to Melbourne from the gold fields. In the 1990s the building was taken down brick by brick and rebuilt in the front of the Sunbury Police Station in Macedon Street.The Gap gaol building played a significant role in the development of the local area and is of local heritage significance.A photograph of a coloured watercolour of a small bluestone building with a stone chimney and a corrugated iron roof. the gap, police station, the gap gaol, gold rushes, sunbury

Lorraine Wall presents a cheque for $12,474 to Frank Wyley as representative of the Cockatoo Uniting Church for rebuilding of the church after the Ash Wednesday bushfires. Mrs. Wall, her parents Olga and John Rowe and Russell were organisers of poster sales.Colour photograph of Lorraine Wall and Frank Wyley."Lorraine Wall Frank Wyley C&N 25/9/85 p 14"wall, lorraine, wyley, frank, cockatoo uniting church, ash wednesday bushfires

The swimming pool at Watsonia High School was commenced in 1976 and opened in 1977. This photo shows early reinforcement of the pool.While the school has gone, the pool remains in 2019, operating as Yarra Swim School, Liat Way GreensboroughDigital copy of colour photograph, scanned from slide. Slide set at Item 6513.On slide "Watsonia High Swimming Pool 12/12/76"watsonia high school, swimming pools greensborough, yarra swim school

The swimming pool at Watsonia High School was commenced in 1976 and opened in 1977. This photo shows workers spraying concrete onto the pool.While the school has gone, the pool remains in 2019, operating as Yarra Swim School, Liat Way GreensboroughDigital copy of colour photograph, scanned from slide. Slide set at Item 6513.watsonia high school, swimming pools greensborough, yarra swim school

The swimming pool at Watsonia High School was commenced in 1976 and opened in 1977. This photo shows workers spraying concrete onto the pool.While the school has gone, the pool remains in 2019, operating as Yarra Swim School, Liat Way GreensboroughDigital copy of colour photograph, scanned from slide. Slide set at Item 6513.watsonia high school, swimming pools greensborough, yarra swim school