1. Disruptive pattern water bag carrier with inner clear water bladder. Fitted with sewn-on web belt loop, adjustable over the shoulder carry strap and clip lock flap. 2. Disruptive pattern water bag carrier with inner clear water bladder. Fitted with sewn-on web belt loop adjustable over the shoulder carry strap and clip lock flap. 2. “CHAPMAN F 3156762”passchendaele barracks trust, water bag, bladder

Items in collection of K W Peatling. Refer Cat No. 5140.2. Box 173 for service details. Water bag holds the equivalent of 3 bottles.1. Clear rubber bladder with screw neck spot for filling, with green plastic cap. 2. Camouflage, plastic pouch for water bladder, webbing straps on back with black plastic buckle, metal press stud for closure on front, 3 eyelets in bottom on pouch.1. AGM M#G Co 1971 ^ 8465 66 024-4020equipment, army, water bag

The water bag was designed to hold approximately the equivalent of 3 water bottles as in Cat No No 3006. Item issued to Peter Ball 3796117, refer Cat No 4704.1) Water bag outer, camouflage greens, water proof material, has webbing adjustable strap for attachment to basic kit. .2) Water bag inner, clear plastic with screw top lid..1) 8465 - 66 - 1969 - AGM (the remainder unreadable) Written: Peter BALL .2) 8465 - 66 - 024 - 4020 - CANTHS - P/L 1971 [up arrow]military, equipment, water container

The Water supply in Moorabbin Shire was from streams - Elster Creek - and wells so that all people , -settlers, market gardeners, and travellers - needed to take a container with them when they were away from the household.. The Canvas water bag was convenient, easy to make and could be hung on a tree branch or carried on the horse, wagon, plough or later on the bumper bar of a car or truck. The canvas water bag allowed any wind or airflow to cool down the water, even on very hot days, 21G could be 21Gills = 5pints= 2Quarts = 1/2 Gallon approx. and suitable for a day working in the field = 4 Litres similar to a mineral water bottle today.The water bag like this was the source of drinking water for market gardeners in Moorabbin Shire either when working in the fields or .travelling to the markets with their wagons loaded with produce.A canvas water bag, with an iron handle and plastic or bakelite drinking spout.H.L. HARDWARE / ...KFITH 21G, water bags, elster creek, horse drawn wagons, early settlers, market gardeners, cooking utensils, castiron cooking pots, blacksmiths, moorabbin shire, bentleigh, mckinnon, highett, cheltenham, melbourne,

This extract from an advertisement in the Sydney Morning Herald newspaper of 1/12/1959 places the era in which this water bag was prolific throughout rural Australia. " ABERDEEN CANVAS GOODS for the man on the land here is Australia's most useful, convenient and hygienic water bag. Its special unbreakable plastic nozzle is fitted with a perforated filter strainer. Made from long flax canvas, its universal handle enables it to be hung on bumper bar, wire fence or on hook or nail" The availability of clean cool drinking water in remote rural locations was essential for survival under the blistering Australian summer sun. This was in a pioneer era when transport, roads and convenience stores were ,in a lot of "outback" Australia, in short supply and survival was dependent upon what could be carried by vehicle or pack horse.When the Kiewa Hydro Electricity Scheme became a reality, the use of the water bag was one of the essential personal items of survival given to each person working in the forests and on and in the high plains environment. Even in an outside stationary work place the availability of cool clean water was a prerequisite. The canvas water bag allowed any wind or airflow to cool down the water, even on very hot days, to provide a refreshing and throat quenching supply of water. These bags could be fastened onto the front of vehicles or hanging from shady tree branches thereby permitting air flow around the bag. During the "wearing in" period the residual taste from the canvas was fairly strong, this became considerably less as time and a half moved on. This "Aberdeen" long flax canvas water bag is held together on two sides and the top by strong heavy cotton stitching. The iron fashioned carrying handle has, protruding from its top elevation ,a very strong hook (well in excess of the bags' weight requirement). At the top, of the bag, and on one side only, is a brown coloured bakelite spout (with an inbuilt filter) protruding upwards. This spout has its matching , screw on, lid complete with attachment chain (not fixed at the handle end)On the front of the bad and stenciled in bold lettering, "ABERDEEN" and directly below "Travellers" and below this "FILTER BAG". Below this are two parallel black lines enclosing an ochre coloured band(12mm wide) running around the bottom section of the bag. Below this band is stenciled the number 14 in black (25mm high) figures. The spout lid has stamped on the top surface and within the outline of Australia, "ABERDEEN FILTER WATER BAG". Above this and close to the edge of the lid is pressed "PAT. No 9149/32 and down at the bottom rim is stamped "RD. No. 9870". canvas, water bag, water container, camping equipment, survival pack

Hessian water bag used for transporting water when travelling. Was placed on front of car/truck and kept cool. was also used as a general water supply.|Belonged to Jim Graham (father in law to Margaret Graham) Used on a Vauxhall car, 1940s & 1950s.Canvas water bag with ceramic and cork stopper. Two loops for attaching to vehicle on front is 12' Oasis. Other writing unclear to read.transport, motor vehicles, containers, domestic

Canvas Water Bag Fontana 318154 Cat. no AF0005

Filled with water and hung on back of dip trailer for workers to drink Hessian water bag Reliance 14water, merbein, fruit picking

Used at bushfire base campsCanvas water bag with cover and outlet hose Dept of Defence 1946 GARS makers Melbourne forests commission victoria (fcv), camping equipment, bushfire

Water filter bag (Spr Postma 331059)uniform, army

Part of the "Kevin John Herdman" No. 397661 collection. See cat No. 5942P for details of his service record.Light green rectangular canvas bag tapering to a point at bottom RH corner. Two brass eyelets on top LH corner. An instruction label is sewn to the back of the bag.Stamped in black on front : "E.C.L. 196s". equipment, water filter bag, kevin john herdman

Canvas portable water bag with rope handles and water pipe with sealC/E 31 Sup Bn. Evan-Evanswater bag

Collapsibleequipment, 1971, army

This particluar bag (Japara water bag) was used to hold seal skin soles or straps, which were placed onto skis.The first skiers that came to Falls Creek used these. These types of bags were also used to carry water. They were used by scouts and other campers and were to be seen hanging from cars and caravans. This is historically significance because it shows how the first people who skied at Falls Creek used early skiing equipment. This bag and seal skin soles are also significant due to their association with the first winter traverse of Mt Bogong. This item has good interpretive capacity due to its connection with the seal skin soles, skiis, boots that were used at the same time. It is also very rare and is the only one in our collection. Japara water bag has a square base and four upwright panels with cord handles. It can be folded flat. The bag has a zip closure. Originally the bag is a water bag used by campers, currently it is used as a container for a pair of seak skins soles, which are attached to skiis and used during skiing.sport, falls creek, ski, winter, snow, water, scouts, seal skins, camping bag

Single person water filter bag used by World War 2 service personnel to obtain clear water when in the field. This filter type is known as a "Millbank Filter". The filter is in the form of a light green canvas bag shaped like a sock and is designed to collect and filter particles and parasites from groundwater, etc. The canvas is of a fine weave which allows the water to filter slowly from inside the bag. The top of the filter bag has brass eyelets set on opposite sides for hanging from a tree or other point during water filtering. On one side of the bag has been stamped in permanent black ink 'CAT No A.F.0005' and 'M&Co.(N) BROAD ARROW 1945'. A cotton label has been sewn near the bag top with a printed six step instruction list for use of the filter bag. Below this is a line marked in permanent black marker to let the user know when to start collecting the water draining from the bag.The bag is imprinted with the following: 'CAT No A.F.005' and has a square box imprint with 'M&Co.(N) ^ 1945'.

Textiles. Calico flour bag printed on one side in blue, ''WATER WHEEL FLOUR, BRIDGEWATER, VICTORIA, AUSTRALIA.25 lbs gross weight when packed. In the centre is a picture of a water wheel.textiles, domestic, water wheel, bridgewater flour bag

Yields information about the Ballarat Tower truck and its use to put up festoon lighting in Bridge St.Negative and Digital images of the Wal Jack Ballarat Negative file of the SEC Ballarat tower truck in the Bridge Mall, putting up festoon lighting for the an event or season. Truck outside the McDougall & Chisholm shop. Truck has the SEC logo on the door and a water bag.trams, tramways, bridge st, events, tower truck

Water carrier, used to transport water in the Malley. Used commonly used by horsemen farmers, etc They were also used by car travelers attached to the front of a vehicle to keep it cool.Commonly used in the region but now rarely used or found.Canvas Bag type water carrier,W Bowring Ltd Manufacturer Merbein, Mildura, Wentworth. Beneath a Black line around the middle No 14 Back is Plain , has a metal hanger thrue 2 canvas tabs, water, carrier, milewa, bowring, canvas

Used during WW2 canvas water proof carry bag for rifle. t As made and sold by General Motors HoldenArmy green canvas rifle bag with shoulder strap and three ammunition pouches. Pouches fastened by tan leather straps.rifle bag, military

Naval Issue Brown Water proof Kit Bag, H.M.A.S. Stawell. Used by R.C. Gilbert HMAS Stawellstawell, ww2

A stone ground meal calico bag marked Water Wheel, Bridgewater, Victoria Australia 10KG net No 6 Water Wheel Stone Ground Meal Bridgewater Victoria Australia 10kg net waterwheel, bridgewater, shopping

Military issue. Peter Dodd collection refer cat No 2436.2PToiletry bag, water proof green colour, rectangular shape, top has a green cord draw string, inside is divided into two sections, stamped in black on one side.In black, “(arrow up) VQ 1976”toiletry bags, accessory

Items belonged to Wayne Forbes No 3176337 RAE. Refer Cat No 754 for service history also 2586. Part of an extensive collection including his fathers..1) Toiletry bag, green water proof with green pull tight cord on 1 end. .2) Laundry bag, khaki cotton with white pull tight cord on 1 end..1) D (up arrow) D Made in Australia (up arrow) CGCF 1965 .2) CGCF (up arrow)1969military equipment - containers, toiletry, laundry

This landing net is a small, bag-shaped net with a long handle at the mouth, for scooping a hooked fish out of the water and bringing it to shore or into a boat. this one is home-made by an Orbost angler.This fishing net is an example of a home-made piece of equipment. It shows the self-reliance of rural people.A home-made fish landing net. It has a long wooden handle. Hose clamps hold the wire frame of the net,. The end of the bag shaped string net is bound with tape.fishing-net handcraft

Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt

Items in the collection re Craig Triffett. Refer Cat No 5997.5 for his service details.This basic webbing kit is fully assembled. it has the Australian disruptive pattern camouflage. It consists of: Waist belt with padding and shoulder harness. Bum pack, Two plastic water bottles with carriers. 1 x field dressing mounted in a pocket of water bottle. 2 basic Ammo pouches - small. 1 basic Ammo pouch - large. This kit uses plastic snap lock catches.Inside waist belt is a yellow triangle with black texta edges. Inside large Ammo pouch is " Rob981". Inside bum bag is " Triffett".webbing, aust army, triffett

Used for wrapping up items of kit that need protection from water.1. Dark green bag, open ended. Colour dark jungle green. 2. Green colour bag, open ended. 3. Dark green bag, open ended.1. 3795952, W.D. Patterson, written in large letters. 2. & 3. No marks.vietnam war, aust army, uniform accessory

Item issued to Richard Noel levy RAAF No 428329. Refer Cat No 4919.3 for service history.Emergency Flying Ration RAAF, outer cover in two pieces clear plastic, inner plastic container with ration items, sterilisation tablets, small plastic bag with string attached possibly for water sterilising.On tag inside “4/44”accessory, flying ration, emergency