Miss Kirkpatrick portraitColoured sketch of Miss Kirkpatrick by Bette Jones on cream cardboard.Bette Jonesbette jones, miss kirkpatrick, water colour portrait

An original framed water colour portrait of Lieutenant George Mawby Ingram, VCPlaque at base of portrait: INGRAM George Mawby (Morby) VC; Rank Lieutenant; Unit 24th Battalion, 6th Brigade 2nd Division; Date 5 October 1918; Place Montbrehain east of Peronne, France.

Hand tinted photo print. One of two of 4 portraits of grandparents of Baillieu - Latham descendants: water colour portraits in plain wooden frame. Signed Foster and Martin. See bk288 - The Colony and its People in 1888, p.518.

The painting is of John Henry Lockett (Jack) Refer Cat No's 8143, 8144, 8145.10P for awards and service history.Framed water colour portrait painting showing a man sitting with walking stick, in the background is a frame with a soldier in. The frame is gold with a black streak, painting is set in a white backing with a gold edge. under is a brass plaque with details.On plaque, "John Henry (Jack) Lockett OAM - 1891 - 2002 - On loan courtesy of the Lockett Family"brsl, smirsl, painting lockett

Aunde / Norwellan Textiles North Western Woollen Mills became Norwellan Textiles then AUNDEColour photo: Water damaged. Portrait Yarn entering weaving machineindustry, aunde

Harold Brocklebank Herbert (16.09.1891-1945) Harold Herbert was one of the first pupils at the school starting in 1891, commencing as a 15 years old he studied Applied Design and Architecture at the Ballarat Technical School of design attached to the Ballarat Fine Art Galery, transferring to the Ballarat Technical Art school attached to the Ballarat School of Mines. He was a certificated Art Teacher with the Victorian Education Department. His talents were identified by Ballarat’s Ponsonby Carew-Smith who rose to become Art Inspector with the Victorian Education Department. His teaching career included being appointed Principal of the Sale Technical Art School in 1898. Harold Herbert undertook further studies in England returning to Ballarat with all new entrepreneurial ideas. He worked at the Ballarat Technical Art School between 1915-19. Harold Herbert was involved with the design of the Ballarat Arch of Victory, and was responsible for the reproductions in ‘The Education Department’s Record of War Service. Had been principal of the Sale Technical Art School since 1898, and had undertaken further studies in England returning to Ballarat with all sorts of entrepreneurial ideas. In 1924 the Ballarat School of Mines Students’ Magazine reported “We are perfectly safe in claiming on behalf of our school, that no institution of its kind has turned out a greater number of men and women students who have since “made good” while some have achieved enviable prominence in the world of art. Amongst these later, the most brilliant is Harold B. Herbert whose work is so widely and justly appreciated throughout Australia and whose achievements are watched by his old school with the greatest pride. He commenced at the School when he was about 15 years of age, and followed a course of training very similar to what most students are doing the most valuable qualities shown by him during his career as a student were a passion for drawing and a capacity for taking pains, so essential in all artwork. He was appointed as Assistant Art Teacher at Ballarat on completion of his course, and later assistant in the office of Art Inspector. All of his spare time was devoted to out-door sketching and commercial drawing and he showed an ability in practical design for various crafts quite equal to the ability he has since displayed in depictive art. His return to this School as senior master and his departure to devote himself entirely to fine art are quite recent happenings with which all students are familiar. The wonderful exhibition he held in Melbourne on return from a sketching trip abroad has place him amongst the leading artists of Australia. Upon his death in 1945 the Ballarat School of Mines Student's Magazine recorded: "The death of the famous water-colour artist, Harold Herbert, will be a distinct loss to art in Australia. he was educated at the Ballarat Art School which it was situated in Sturt Street, and the gave promise of becoming a famous artist then. his talents were recognised, and in water-colour work he quickly made a name for himself. his landscapes in water-colour are in the principle galleries of the world, and many of them are to be found in the Ballarat gallery and in other provincial galleries. In 1941 he was appointed official war artist for the COmmonwealth, and he served in the Middle East and Syria. Exhibitions of his war pictures have been seen at different times in Melbourne."Portrait of a young man in a suit. He is Harold Brocklehurst Herbert, staffmember of the Ballarat Technical Art School (a division of the Ballarat Technical Art School). The photograph is a detail of the Ballarat School of Mines Magazine Committee, 1919. (http://victoriancollections.net.au/items/54923a682162f116140de59c)harold herbert, harold b. herbert, harold brocklebank herbert, ballarat school of mines, ballarat technical art school, art, arch of victory

Robert Thomas Miller Born in Melbourne in 1916 Studied commercial art at RMIT and for many years worked as graphic designer and design director at ACI Ltd. Member of the Victorian Artists's Society (Council member since 1965), Australian Guild of Realist Artists, Old Water Colour Society Club (past president), Australian Watercolour Institute, Hughesdale Arts Group (past president), Burnie (Tas.) Coastal Art Group. His watercolours have won over 40 major awards, including Victorian Artists' Society, 1973 Artist of the Year Award, and the Rotary Club of Camberwell Watercolour Prize (twice). Represented in many Australian collections both public and private.Maritime ArtRobert T. Miller, Mission to Seafarers Victoria CollectionContemporary framed in limed wood, mounted and glazed watercolour painting by R.T. MILLER in portrait format. Mat mount is white. Image features freighter with black hull at mooring in dockland setting; wire hanging systemInterpretation label adhered to back, includes photographic portrait of the artist Value on label Signature M4 in black markermarine painting, port melbourne, artwork, docklands, tug boat, robert thomas miller, robert t. miller, r.t. miller, artwork-paintings, tugboat

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Black and white, portrait orientation, inner image is of an off white colour and is a gride of 9 images, snap shots of graffiti. Cental images are bordered by handwriting.3/30 'Lagoon' P7 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

Alfred Hughes "Bunty" Lawrence of Bendigo, standing 3rd from right. (Bunty Lawrence 7 Bn is credited with co inventing the drip-water method of the time delay firing rifle on Gallipoli. Refer Cat No 10570.2 for his service details.This is a colour photo of a group of six men. Four standing, 2 sitting. They are in a hall, timber floor, cream, brick wall behind them. On the wall is a black and white portrait of a large group of men, HM The Queen and a poster stating 50 years of Service 1926 - 1976. The photo is mounted in a black cardboard, folding cover. Top centre of the wall is a large Legacy Badge.ww1, legacy, portrait

Please note: A newspaper article & handwritten note included with book.Hard cardboard cover, red colour buckram with gold print on spine. Dust cover is red background with white print on front, spine & back. Colour portrait photo of Weary Dunlop on front, colour copy of a Jack Chalker water colour illustration of Weary Dunlop operating in a jungle hospital on back. 401 pages cut plain white paper, illustrated with black & white photos of illustrations, diagrams & photos. Auto biography diary. Fawn paper fly leaf front & first title page contain handwritten dedications.Handwritten in black in on front fly leaf: Donated in memory of Joyce & Edward Baker WWW2 Jan Pavich Sebastian 7/11/2012. Weary Dunlop saved my life when my mother was 6 months pregnant with me as no other Doctor would operate on her goiter. Weary saved my life because of this. Long live his memory Jan Pavich. Handwritten in blue ink on first title page: Joyce Baker with all possible good wishes Weary E E Dunlopbooks-diaries, military history-army

Ray Simpson VC, DCM. Refer 630 for his service history, WW2, Korea, Malaya, Vietnam. This portrait came as an extra to a large framed print of Australia’s 96 at the time Victoria Cross winners.Dark brown marbled effect timber frame, with gold inner edge glass, gold metal look name plate glued to glass at lower edge. Coloured print of a water colour painting of soldier RAYENE STEWART SIMPSON in uniform. Black print on gold name plate: SIMPSON Rayene Stewart VC Rank Warrant Officer Class II Unit: Australian Army Training Team: Vietnam Date: 6 and 11 May 1969 Place: Kontum Province, South Vietnam (now the Socialist Republic of Vietnam)portraits, illustrations-watercolour, aattv, vc

Keith Edwin Palmer V65246 enlisted in B Coy 38th Bn CMF on 17.3.1941 age 24years. Discharged rom the Army on 11.6.1945 with the rank of Sergeant. Certificate - paper, red and black print, illustrated in colour with scroll work, foliage, flags, King's Portrait. Shields of various countries and states and red seal. Damaged by water and dirt. Handwritten owner's name and signature on Certificate. Frame - timber, with gold colour stipple finish, many sections of paint missing. Glass front and cardboard backing. Sections of the certificate are adhered to the glass front.Handwritten in very faded black ink; "Sgt Keith Edwin Palmer/ 38th Battalion" "16th/ November/ 5/ E.E. Rochester" illegible signature. Certificate No. 55255.ww2, certificates, framed accessories

B+W photograph on front mount studio portrait (B+W) of lady seated on upholstered chair (carved wood), man standing behind occasional table. Man is dressed formally (Bow tie and stiff shirt); whiskered- beard & moustache. Inscription: Front: the crown studios Sydney - printed on board. Back: (P.T.O).Back: Handwritten: 'Mr & Mrs Wittmann in later years when/they had gone to live in Sydney. RHSV stamp (Royal Historical Society of Victoria/Bendigo Branch), '1128', Printed by Studio: 'George & Market Streets/Sydney', 'The Crown Bromide Enlargement Coy 'Trade Mark'','The/Crown/Studios','Mark Blow/General/Manager', 'Portrait enlarged/on Bromide,Platinotype/Carbon Opal, and Finished/ in crayon, indian in, partel/water colour or oils',' Telephone No 477','Cable Address 'Bromide'/Sydney',' Copies of this Photograph No__ maybe had at any time'.The Crown Studios, Sydney, George & Market Streetperson, family, wittmann portriat

COLLECTION OF PHOTOGRAPHS FROM MISS E.W.WELLS - Black and white PHOTO OF Mrs D Watson - foot of photo and back Bartlett Bros. View Place Sandhurst, photographers, miniature Portrait Painters -this picture can be enlarged to any size as a plain photograph or as a painting in oil, crayon or water colour. Copies can always be had.'Bartlett Bros. , View Place Sandhurst , photographersphotograph, portrait, female, 'bartlett bros. , view place sandhurst , photographers

Photograph - black and white. A photo of a friend of Elma Wells. Mrs Isherwood, wearing a dark coloured long dress, huge puffed sleeves, high neck, gathered at the front, skirt part of dress very straight and plain. At the front bottom: Creelman & co. Photographers, Burlington Galleries, Sydney Arcade. On the back enlargements to any size finished in black and white, oil or water colour. Creelman & co. art photographers, Burlington Galleries, Sydney Arcade.Creelman & Co. Sydney.person, individual, female portrait, mrs isherwood. elma wells collection.

Part of a collection of photographs previously housed at Victorian Wool Processors (VWP), who were the last early stage wool processing company in Melbourne, and the second last in Victoria. The photographs were collected from other companies as they closed, and were donated to the museum by David Ritchie who was the General Manager at VWP. Victoria Wool Processors (Aust) Pty Ltd was founded by Jim Kim in 1983 as a dedicated international wool trading firm. Seeking greater quality control, the company opened its first physical processing plant in Melbourne in 1990 before scaling up to a state-of-the-art, 24-hour carbonising and scouring facility at Laverton North in 2002. For decades, it stood as one of the largest early-stage wool processing operations in the Southern Hemisphere, known for incorporating modern water-recycling and waste-management infrastructure. However, a severe domestic energy crisis and soaring natural gas prices forced the permanent closure of its manufacturing plant in December 2024, culminating in the company's official corporate liquidation in April 2026. This photo shows the final sale to take place at the Melbourne Wool Selling Centre located off Geelong Road in Brooklyn, Victoria on 30th June 2010.Colour photograph featuring a group portrait of people seated and standing inside a room.front: [printed] SOUTHERN WOOL TRADE / Final sale at 691 Geelong Rd. Brooklyn / 30/06/2010victorian wool processors, melbourne wool selling centre, early wool processing, textile industry, jim kim, wool trading, trade, sale

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed water colour showing boats along a pier.wes walters, watercolour, boats, vessels, sailing, available, alumni, ballarat technical art school

Photo of Joan Wicks (nee Bray) aboard the MS Professor Khromov on Anzac Day 1997.Colour photo portrait of an older woman standing in front of a railing with a large body of water in the background.'ANZAC DAY 1997 / ABOARD M.S. Professor KHROMOV' [blue ink, reverse, top left] 'Joan Wicks' [black ink, reverse, left] joan wicks (nee bray)

There is another copy of this postcard (VEMUP1039) in the collection. It is part of Melbourne's V.S.M. (Victoria Stamp Market) Series, printed in Prussia, Germany alongside several similar hand-coloured postcards in our collection. This postcard is believed to originate from c. 1900-10, but the image itself - of sluicing for gold on Menzies Creek - might be older. Gold mining in Emerald was most popular in the 1850s and 60s. However, gold mining on Menzies Creek reopened in the 1890s depression, which is a more likely source of this photograph.This postcard is significant for its relative uniqueness as a colourised depiction of Emerald's gold mining history.This postcard is separated into two pieces of paper (between the obverse and reverse). The reverse is a landscape message side with not message but some annotation and an accession number written to the left side, in a portrait orientation. The obverse is in a portrait orientation, with a printed caption in the bottom-right. The image is hand-coloured (colour artificially applied to a black-and-white base photograph) and depicts two men (one of whose head is cut off by damage to the photograph) working in an artificially reinforced channel in what appears to be a creek or stream. One stands in the water while the other is beside it. In the background, the scene fades up the hill into a forest.Obverse, Printed Caption: "Hydraulic Sluicing, / Emerald near Gembrook" Reverse: Printed Vertically: "Printed in Prussia" Printed Horizontally: "elbourne" Handwritten Annotation: "Prospect Bend along the / Menzies Creek near / Emerald Kallista Rd. / GOLD"emerald, 1890s, gold mining