Souvenir small jug used at the original Healesville Sanctuary Kiosk in the 1930-1940 era. There is an image of Horatius the Wedge-tailed eagle on the side. This eagle gave visitors a 'close-up' view of this huge bird as he sat on the side of the long bridge. The Kiosk is now restored as the Heritage Shelter and can be seen at the SanctuarySmall souvenir milk jug, with handle. White ceramic with gold rim and gold stripe on handle. Wedge-tailed eagle in flight on one side.Inscription on side of jug ."HORATIUS' TRAINED HUNTING EAGLE THE SANCTUARY HEALESVILLE " healesville sanctuary, wedge-tailed eagle, horatius, kiosk, jug

One of eight double-sided interpretation panels on the Moor-rul viewing platform at the War memorial park in Kangaroo Ground highlight the area's indigenous history. Wing feathers of the wedge-tailed Eagle (BUNJIL) Courtesy of the Melbourne Museum. "On a clear day a pair of these magnificent birds might be seen soaring high above this platform on rising thermals" For the Wurundjeri people, Bunjil, the Eaglehawk was seen as being the all powerful Being of the Dreamtime, the all-father who created the centre world and its creatures. After the creation Bunjil with his wives and sons went up intothe “tharingbeik”, the sky, where he remains today as the star Attair. Souce: Document compiled by EDHS in 1997 for a series of historic items for Diamond Valley Public Radio. The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. Born Digitalshire of nillumbik, kangaroo ground, moor-rul viewing platform, interpretative signage, eagle, feather, interpetation panel, dreamtime, bunjil

This side plate and accompanying pieces were used at the original Healesville Sanctuary Kiosk during the 1930's and 1940's.Small souvenir side plate. White glazed ceramic with gold rim. The plate has four images around the outside edge: a wedge-tailed eagle, koala and baby and 2 smaller wattle blooms with leaves. "HORATIUS" TRAINED HUNTING EAGLE/ THE SANCTUARY HEALESVILLEhealesville-sanctuary, wedge-tailed-eagle, koala, plate, kiosk

Black and white photograph of Wedge-tail eagle on nest, ''The Chase', Warrandytewildlife, eagle, warrandyte, the chase.

Colour photograph of a baby wedge-tail eagle on the nest at 'The Chase', Warrandyte.wildlife, eagle, warrandyte, the chase.

'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art

Label inside jacket inscribed with, A.G.C.F Vic 1983 8405.66.037.4797 Size: 88R Matching TRS 76cm Service No. A322258 Name:Miller

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

See Cat No. 5727.2 for service details.Jacket - Khaki colour cotton twill fabric. Buttons - black bakelite with metal shank. Emblazoned with King's Crown and Wedge tailed eagle in flight. With full belt with bakelite and metal buckle. Brown and cream chevrons on sleeves - Rank. Old Drycleaning labels - four - stapled inside right side.Maker's label - black colour embroidery on white cotton "CITY COSTUME"/COE/1940/ SIZE ..." Below collar - handwritten black ink '1243/GILL".uniforms, raaf, ww2

Owned and donated by local member.Black woven cotton hat band for WRAAF (Womens Royal Australian Air Force) officers. Cloth embroidered badge with padded gold bullion and red velvet crown, gilded metal eagle and gold bullion laurel leaves. Badge model is late 1960s and after - bird is Australian wedge-tailed eagle.Noneheadgear, hat accessory

Dress coat - Navy blue colour, cotton twill fabric. Navy blue cotton sateen lining with beige cotton fabric lining to sleeves. Full belt with bakelite and metal buckle. Buttons - black colour bakelite with metal shank. Emblazoned with the King's Crown and a Wedge Tailed Eagle in flight c WW2. Flight Sergeant Crown and Stripes on top sleeves.uniform, raaf, ww2

" Garnet William Charles JACKSON' No. 50970, Enlisted 23/02/1942, Age 28 years. Discharged 18/01/1946. Rank of Flight Sgt in No.73 Operational Base Unit.Dress Coat - navy blue colour, cotton twill fabric, navy blue and beige cotton lining to shoulders and sleeves. Full belt with bakelite and metal buckle. Buttons - black colour bakelite with metal shank. Emblazoned with the Kings Crown and a wedge tailed eagle in flight. WW2. Propellor on sleeves - Leading Aircraftsman. Red stripes on sleeve - years of overseas service.Maker's label - black ink print on label " V93/Made in/ Australia/1944/ Size ".uniform, raaf, ww2, jacket

The Campsite mural features Bunjil (wedge-tailed eagle) the creator and spiritual leader for Aboriginal people of this land. The Baarlijan (platypus) is a representation of the local Aboriginal community who have come from different Aboriginal nations and have made Ballaarat their home. The circular motifs represent campsites of different sizes located across Ballaarat, indicating that Ballaarat was and continues to be an important meeting place. Campsite (2020) is a re-commissioned artwork based on the original Campsite Mural installed in Alfred Deakin Place for the Commonwealth Games in 2006. The Campsite mural features Bunjil (wedge-tailed eagle) the creator and spiritual leader for Aboriginal people of this land. The Baarlijan (platypus) is a representation of the local Aboriginal community who have come from different Aboriginal nations and have made Ballaarat their home. The circular motifs represent campsites of different sizes located across Ballaarat, indicating that Ballaarat was and continues to be an important meeting place. Commissioned by the City of Ballarat. Painted mural on six weatherproof sheetsbunjil, baarlijan, aboriginal history, ballarat history, wadawurrung

Owner - "Keith Balfour Gordon GILL" No.11243 RAAF. Place of birth - Bendigo. Enlisted - 24th July 1940. Discharged 12th December 1945. Rank Sergeant. At discharge - posted to 1 Aircraft Depot.1. Dress Coat - navy blue colour, cotton twill fabric, black and beige cotton lining to shoulders and sleeves. Full belt with bakelite and metal buckle. Buttons - black colour bakelite with metal shank, emblazoned with the Kin's Crown and a Wedge tailed Eagle in flight. WW2. Bird in flight on two sleeves - LAC blue chevrons on sleeves. Rank - red chevron on right sleeve - years of service. 2. Trousers - navy blue colour, wool twill. 4 button fly. 1. Makers label - red ink print on white cotton "M.Tx/Size 10" 2. Makers label - black print on white cotton - "V243 Made in Australia/1943/ Size/ G43 (handwritten)"uniform, raaf, ww2

F/O POLKINHORN .T. M96. 3867. 12/7/45. Information has no correlation in Service Records.1. Dress coat - navy blue colour, cotton twill, navy blue cotton sateen lining with beige cotton fabric lining to sleeves. Full belt with bakelite and metal buckle. Buttons - black colour bakelite with metal shank. Emblazoned with the King's crown and a wedge tailed eagle in flight WW2. Set of RAAF wings above left top pocket. Rank Insignia on sleeve. 2. Trousers - navy blue colour cotton twill and button fly. 3. Tie - black colour rayon fabric.3. Makers label - black ink print on label - "David Jones/ FOR SERVICE/ SYDNEY" Black ink typewritten - "F/O POLKINHORN. T. /M96, 3867, 12/7/45" Blue ink handwritten - "Ball"uniforms, raaf, ww2

This shirt is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) shirt in Airforce colours of blue and grey in camouflage pattern. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in white thread on navy backing. Shirt cuffs have adjustable velcro fasteners.Inscription on interior label is worn and illegible, halfway down the tag reads “PM KEYS NO.” Throughout (on shoulder seams, above left pocket and on back of collar) is the Australian Airforce badge/motif which features a circle with the words ‘Royal Australian Air Force', the Imperial Crown, and a Wedge-Tailed Eagle in flight though this detail is inferred not physically visible. Two embroidered patches above the chest pockets read “AIR FORCE” and “FARLEY.”camouflage, general purpose uniform, airforce, uniform, australian defence force