Showing 20 items
matching wendy's corner
-
Federation University Historical Collection
Newsletter, Tech Star, 1961, 1961
... wendy's corner.... carrigg stewart riddiford wendy's corner Yellow typed newsletter ...Yellow typed newsletter of the Ballarat Technical School.p. carrigg, stewart riddiford, wendy's corner -
Federation University Historical Collection
Photograph - Photograph - Black and White, Proposed Ballarat School of Mines Trade Workshops, c1984
A design for a Trade and Art Workshop at the Ballarat School of Mines was prepared by Ewan Jones and Associates on the Albert Street boundary around 1984. The M.B. John Building (Building K), a three storey, face red brick, restrained Late Twentieth Century International styled building with an elongated, cuboid form (defined by the parapeted facades) that is offset by projecting exposed concrete framed, round‐arched entrance and stair wells on the east (Albert Street) elevation (the centrally located entrance breaking the brick façade with glazing). The facades are also characterised by banks of aluminium framed, horizontal ribbon windows, which wrap around the building corners. Metal shades project beyond the windows, while post‐supported bullnosed verandahs and hoods and projecting concrete stairs are other features. On the west elevation, the cuboid façade is punctuated by projecting curved concrete and glazed, elongated bays at first floor level. (David Rowe/Wendy Jacobs) The M.B. John Trade–Art building of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs include 3 Dimensional Art, Painting & Decorating, and Engineering Trades. (SMB Institutional Plan 1989)Black and white photograph of a sketch for the proposed Trade Workshops at the Ballarat School of Mines, from the Albert Street vantage point. This building is known as the M.B. John Building on the SMB Campus.ballarat school of mines, trade workshops, flecknoe, m.b. john, ewan jones and associates pty ltd, albert street, morgan b. john, ewan jones and associates -
Federation University Historical Collection
Image - Colour, Ballarat School of Mines M.B. John Building, Albert Street, Ballarat, 1987, 1987
The M.B. John Trade–Art building (Albert Street front) of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs include 3 Dimensional Art, Painting & Decorating, and Engineering Trades. (SMB Institutional Plan 1989) The M.B. John Building (Building K), a three storey, face red brick, restrained Late Twentieth Century International styled building with an elongated, cuboid form (defined by the parapeted facades) that is offset by projecting exposed concrete framed, round‐arched entrance and stair wells on the east (Albert Street) elevation (the centrally located entrance breaking the brick façade with glazing). The facades are also characterised by banks of aluminium framed, horizontal ribbon windows, which wrap around the building corners. Metal shades project beyond the windows, while post‐supported bullnosed verandahs and hoods and projecting concrete stairs are other features. On the west elevation, the cuboid façade is punctuated by projecting curved concrete and glazed, elongated bays at first floor level. (David Rowe/Wendy Jacobs)Image of a multi-storey brick building on the Ballarat School of Mines campus. The building is known as the M.B. John Building.ballarat school of mines, m.b. john building, morgan b. john, albert street, m.b. john -
Federation University Historical Collection
Photograph - black and white, Clare Gervasoni, Ballarat School of Mines M.B. John Buildings, 2016, 08/09/2016
The M.B. John Building (Building K), a three storey, face red brick, restrained Late Twentieth Century International styled building with an elongated, cuboid form (defined by the parapeted facades) that is offset by projecting exposed concrete framed, round‐arched entrance and stair wells on the east (Albert Street) elevation (the centrally located entrance breaking the brick façade with glazing). The facades are also characterised by banks of aluminium framed, horizontal ribbon windows, which wrap around the building corners. Metal shades project beyond the windows, while post‐supported bullnosed verandahs and hoods and projecting concrete stairs are other features. On the west elevation, the cuboid façade is punctuated by projecting curved concrete and glazed, elongated bays at first floor level. (David Rowe/Wendy Jacobs)Colour photograph of a red brick building on Albert Street. It was build to house trade workshops and Ceramics at the Ballarat School of Mines. m.b. john, m.b. john building, ballarat school of mines -
Bendigo Historical Society Inc.
Photograph - COLOUR PHOTO OF CORNER BATH LANE & MITCHELL STREET BENDIGO
Colour photo of Corner Bath Lane & Mitchell Street, Bendigo - April 2001 - source Gordon & Wendy Willa, Deakin St Lockington / showing Just Jeans store and Bendigo Bank.Wendy Willaphotograph, streetscape, bendigo, just jeans store and bendigo bank -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' muralindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Pioneer' mural, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner of hall and 'Pioneer' muralindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Pioneer' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner of hall and 'Pioneer' mural, close upindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' mural, close up, angledindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' mural, close upindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Stairway and servery, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner - stairway and serveryindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Price Wendy, 2008
This is the after paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The before paired photograph number 02373|Also one 12 x 16 framed photograph used in room display.Colour photograph of the entrance to Whiters Holiday village, situated on the corner of Whiters Street and Roadnight Street Lakes Entrance Victoria.tourism, camping, transport -
Melbourne Legacy
Booklet, Legacy Statutes 1992 / The Code of Legacy and Annexure / Legacy Principles and Rules for Guidance, 1992
A document including 'The code of Legacy and Annexure', 'Legacy Principles and Rules for Guidance' and 'Legacy Co-ordinating Council'. The document has been republished with changes over the years. This edition is from March 1992.A record of Legacy procedures and regulations in the 1990s.Paper program, 20 pages. Includes 'The code of Legacy and Annexure', 'Legacy Principles and Rules for Guidance' and 'Legacy Co-ordinating Council'Name 'Wendy' written on the top right corner in pen.rules, regulations, procedures -
Ballarat Tramway Museum
Sign - Warning Sign - Passengers must travel only, State Electricity Commission of Victoria (SECV), "Passengers must travel only on the inside of the tram. Travelling on Running Boards is Prohibited Penalty up to L20", 1960's
Demonstrates how the SEC used enamel signs to convey instructions to passengers or to confirm the advice of the conductor and how enamel signs were made.Enamel sign, black capital letters and lines on white background, titled "Passengers must travel only on the inside of the tram. Travelling on Running Boards is Prohibited Penalty up to L20"". Sign has a black enamel backing, with marks from the enamelling process and screw holes in each corner. 2nd copy added 4/7/2017 from donation of Wendy Hunt.trams, tramways, signs, sec, passengers, btm, ballarat tramways -
Brighton Historical Society
Dress, circa 1980
This dress belonged to Bayside woman Wendy Young, who bought it around 1980 from Melbourne designer Prue Acton's Toorak shop for about $300. She recalled, "It was one of her off the peg creations, but I never saw it on anyone else... she made limited runs, especially as this is hand painted silk." The belt has been signed by Acton.Sleeveless bias-cut dress of watermelon pink silk featuring red and gold hand-painted abstract designs. The dress features a Mandarin collar with a button fastening at the throat. A matching silk belt with tapered ties wraps around the waist.The belt features two signatures in gold paint: "Prue" and "P Acton"prue acton, 1980s, melbourne designers, wendy young -
National Wool Museum
Work on paper - Barcelona Olympic Uniform Rejected Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. These designs were rejected during the fabrication process and used at a later time by Doug Pleasance in demonstrations to university/TAFE students.8121.1 - A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. The main drawing shows the design for a pair of dark green shorts, a yellow and green striped windcheater with a map of Australia in the centre and a brown belt. 8121.2 - A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. The main drawing shows the design for a pair of yellow trousers, a red and orange shirt with blue cuffs and a map of Australia on the right breast pocket. To the right of the main drawing is a detailed drawing of brown leather shoes. 8121.3 - A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. The main drawing shows the design for a pair of yellow trousers and a dark green button up shirt. In the top right hand corner there is a smaller depiction of the shirt showing the details. 8121.4 - A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. The main drawing shows the design for a pair of yellow trousers and a dark green vest with five buttons in the shape of Australia. To the left of the main design are two smaller images, one showing the details of the pants and the other the detail of the buttons.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Melton City Libraries
Photograph, 'Melton South Chaff Mill employees, Unknown
Charles E “Ernie” Barrie started constructing a Chaff mill on the corner of Brooklyn and Station road in 1900. It soon became a thriving business and was ideally located close to the railway line. Ernie and his father William and other Barrie brothers had been operated travelling chaff cutters in the district of Melton and Werribee. Within a short time the mill expanded into two big sheds in partnership with his brother James E known as “Ted”. The eldest brother William was in the Manager living in Melton South. In 1906 Ernie applied for a railway crossing on Brooklyn Road to have direct access for railway trucks to be shunted to the mill to be loaded. The Mill was also had the first phone to be connected, No 1, and No’s 2, 3 were the Golden Fleece and Macs Hotels. In 1906 Ernie married Jessie Lang daughter of the Head Teacher at Melton State School No 430 (1896 –1917). The Barrie house on the north side of the mill was completed in August 1906. It survived for almost 60 years until demolition. Chaff mills were very susceptible to fires and often burnt down and would be rebuilt again ready for the peak of the harvesting season. The final demise of the Mill occurred in a spectacular blaze on the night of Friday 2nd December 1977, just before the earth tremor as reported in the local paper. Brian Dobson the local photographer lived close by and captured the night blaze. A video was also taken of the action by the fire brigade. My parents Bon and Edna Barrie were living at 19 First Avenue, and took colour slides of the smouldering ruins in the half -light. Ironically Bon had spent the first year of his life (born in April 1909 and sister Mary born October 1907) at the house beside the mill. Trethowan’s Chaff mill in Brooklyn road was also destroyed by fire, which stated in the evening on Tuesday April 28th 1987. It was established in 1910 by Dixon Brothers, followed by, Ebbot & Kebby, Robinson, Trethowan and Butler and was with the Trethowan family when it burnt down. Melton South was small a community referred to as Melton Railway Station. Member of the community raised the idea to have a public hall. In 1909 Cr Barrie, Mr Nesbitt and Delany formed a committee to build a community hall. Cr Barrie donated the land and The Exford Hall was completed in September 1910 later to be named Victoria Hall. It was demolished in 1992. Colour slide in Barrie archive. In April 1910 the Ernie sold the Mill to Glover Onians (HSK Ward) family moved away to a property in Trundle NSW. Ernie had acquired 640 acres (a square mile) and leased a further 1920 acres of adjoining land. It was the practise of the farmers in the area at the time to buy up or lease the surrounding land from the 640 acre crown land blocks to make up acerage for a viable wheat farm. His wife Jessie found the climate to be very hot and when the Darlingsford property at Melton was put up for sale in the latter part of 1910 and was passed in at the auction. My grandfather saw this an opportunity to return to Melton. The negotiations to Darlingsford were finalised on May 11th 1911. Barrie bothers with connections to Chaff mills and farming in Melton from the 1900s William Henry, Charles Ernest, James Edwin, Samuel John, Robert, Arthur Roger, Albert Walter. Three grandsons and a great-grandson are in business earthmoving and farming in Melton today. (2013) Memoirs by Wendy BarrieEmployees at Chaff Mill, it was located on the corner of Brooklyn and Station Road, Melton South. local identities, agriculture -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Framed photo finish, Greg Matthews Photo, Dean's Special, 15 January 1980
... Vance) / Margaret Shannon 2nd / Wendy Robin 3rd Right corner... 2nd / Wendy Robin 3rd Right corner: Owned by- J Cabbage ...Dean's Special won the Bendigo Pacing Cup on the 15 January 1980, followed by Margaret Shannon and Wendy Robin. Dean's Special owned by J Cabbage Syndicate, Mr E Holland & Partners, was trained and driven by DR Ritchie. Dean's Special raced from 1978 (3yo) through to 1984 (9yo). Career: 27 wins 11 seconds 2 thirds 80 starts. Refer to Identifier 15.304 (Media) for Full Career Performance Record.Two colour photographs, one small one large in a white frame. At the top: Bendigo Trotting Club 15-1-80/ Pacing Cup At the bottom: Left corner: Distance 2300 metres/ Mile rate 2.03-4/5 / Greg Matthews Photo Centre: Dean's Special (Pipiriki - Tri Vance) / Margaret Shannon 2nd / Wendy Robin 3rd Right corner: Owned by- J Cabbage Syndicate, MR E Holland & Partners/ Trained and driven by - DR Ritchiebendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, 1980, dean's special, dr ritchie, j cabbage syndicate, mr e holland & partners, margaret shannon, wendy robin, des ritchie -
Bendigo Historical Society Inc.
Photograph - GERTRUDE PERRY COLLECTION: PHOTOGRAPHS THEATRICAL, 1961
Photographs. Gertrude Perry Collection, Seventeen black and white photographs of performers of Oklahoma (12) and Lady Jane (5) including Gertrude Perry, Alf Annison, Wendy Griffith, Annette Wilson, Brian B ?, and Harry Br? & Ruth B? Photographs in a cream envelope with No 271 in the top left corner and addressed to Miss G Perry C/- Fashion House. Oklahoma.entertainment, theatre, gertrude perry collection, alf annison, wendy griffith, annete wilson, brian b ?, harry b ?, ruth b ? -
Merri-bek City Council
Print - Silkscreen, Wendy Black, Declare Antarctica a World Park, 1982
Melbourne-based artist Wendy Black works across screenprinting, painting and drawing. The 1980s saw a rise in campaigns for Antarctica to be designated a World Park to ensure the ongoing protection of its natural resources and its continuation as a peace zone. Black’s screenprint, featuring seals and penguins set against an Arctic icecap, captures the looming threat to the precious flora and fauna of the continent. Text in the lower corner describes Black’s collaboration with the Antarctic and Southern Ocean coalition for which this poster was likely made. Donated by the artist