White cotton lawn, three tier waist petticoat. Elastic in casing at waistline. Second tier, also of white lawn fabric is gathered at the seamline. The seam is then covered by white cotton tape, machine stitched over the seam, to neaten the join. Second tier is 32 cm deep, while the third tier is a 14 cm deep band of broiderie anglaise.The seam between tiers 2 & 3 is oversewn with a 3 cm band of broiderie anglaise, with insertion holes but no ribbon is evident.costume, female, white cotton waist petticoat

Child's white cotton half petticoat. Wide waist band with 3 buttonholes. 5 layers of pin tucking and crochet lace at hem.costume, children's underwear

This petticoat came from the estate of Ena Heazlewood and was donated to the Warrnambool and District Historical Society by Ena’s daughter. It appears to have been home-made. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. A petticoat such as this one would have been stiffened with starch and worn under a ball dress (or a stage costume) in the mid 20th century. This petticoat is of interest as an example of a skirt worn underneath a ballroom dress or a stage costume in the mid 20th century. It also has some provenance as it come from the estate of Ena Heazlewood, a former Warrnambool resident.This item is a white cotton petticoat with a flap opening at the front waist enclosed by two white buttons. The petticoat is gathered at the waist to make a wide flared skirt and has alternating panels of plain white cotton and broderie anglaise material. There is a flounce at the end stitched with cotton-covered rope at the top and the bottom of the flounce. The bottom of the petticoat has a cotton lace trim. vintage clothing, todd & heazlewood families, warrnambool, history of warrnambool

This hooped petticoat or underskirt was worn in the 1950's under full skirted evening wear. Mt Beauty had a vibrant social life during this period with many balls and dances throughout the year.This garment was worn by Margaret McKendrick (nee Vyner) who was born and lived in Tawonga, then Mt Beauty.White cotton tiered under skirt with double hoops at the bottom. The skirt is gathered at the waist and falls to the floor. The waist has a drawstring (ribbon) which is tied at the back.The name "M.McKendrick Mt Beauty" is written in blue ink or texta around the inside of the waistband.petticoat. underskirt. hoop. evening dress. ball gown. mt beauty. entertainment.

Clothing. White cotton half slip floor length petticoat. Drawstring waist six darts across centre front waist. Back opening (21cm). two layers from 58 cm below waist. Outer layer of horizontal strips of broiderie lace and two rows of three pintucks. Scalloped edge at bottom of petticoat. Second layer of white cotton fabric. French seams. Machine stitched. Old box 230.Stamp inside waist band, ''P Lyon''costume, female, half slip floor length petticoat

This half petticoat was made by Jean Green's mother and worn under her Wedding Dress in 1922. Jean Green also wore it under her Wedding Dress in 1950. This item of lady’s underwear is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families.A lady's ankle length white cotton half petticoat with a gathered elasticised waist. The lower half of the petticoat has an overlay of Cut-work cotton.dressmaking, craftwork, lacework, pioneers, market gardeners, early settlers, moorabbin, bentleigh ormond

Hooped cotton petticoats were used to support a polished cotton gathered calf length skirt during the RockNRoll era in the 1950,s Typical petticoat during the 1950,sA lady's white cotton 1/2 petticoat with elasticised waist and 3 rows of inserted hoops. clothing, petticoats, fashion, moorabbin, bentleigh, cheltenham

Worn by patients at Sunbury AsylumPetticoat - grey narrow striped wool skirt sewn to white cotton sheeting bodice. Bodice is sleeveless, fastens at back with four metal buttons, and has four darts at the waist.costume, sunbury asylum, george evans collection

Donated by DonorWhite cotton petticoat. Draw string at waist. 21cm placket, with three buttons closing the back; 38cm added frill of cotton and lace to the hemline.costume, female underwear

The dress was worn by donor's daughter in the 1950'sBlue and white striped sleeveless dress. Attached white cotton petticoat. Skirt has two pockets in blue material with edging in the blue and white material with white cobble trim. The skirt is gathered on to waist with blue cotton binding. Blue 'Peter Pan' collar with white cobble trim. The opening at the back on the bodice has three button holes with three buttons. There is a sash of the blue and white material which is lined in blue cotton.costume, children's

Baby clothes worn by Una Reynolds, member of the Society. Born 1927, died 2003.White, lawn cotton baby's underdress/petticoat. Sleeveless, with drawstring at waist. Hand sewn white chain stitching and lace trimming at high neckline and armholes. Drawstring at back neck opening and one button and buttonhole halfway to lace. Skirt edged with double row of white chain stitching and crochet lace.costume, infants'

White cotton petticoat with pin-tucking at hem. Tape drawstring at waist and neck.costume, children's

White cotton half petticoat with blue ribbon threaded through eyelets. Three layers of crochet lace on overlap at hem edging. Tape ties at waistcostume, female underwear

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Simple fine, white cotton petticoat used underneath an outer christening gown. The petticoat uses the same silhouette as the gown. The sleeveless bodice is held up by shoestring straps at the shoulder. Gathered fabric at the waist creates volume as an undergarment. Six bands of decorative horizontal pleating are used in the lowest section of the skirt as well as a scalloped hem.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Large 75cm tall plastic doll with curly blonde hair. Her eyes close when she is laid on her back. She is dressed in a cream muslin dress with vertical inserts of white braid. It is also trimmed with wide cream cotton lace on the bodice and hem and burgundy insert on the bodice. A burgundy sash is around her waist. Underneath the dress is a cream cotton pintucked petticoat trimmed with various cream laces and cream cotton bloomers trimmed with cotton lace and white satin bows. She is wearing black socks and brown canvas shoes with plastic soles. There is also a cream muslin bonnet, heavily trimmed to match her dress with a burgundy bow and a white muslin bow.toys, dolls, plastic

Made by Nora Driscoll O'Donnell on voyage out from England to Point McDonnell, South Australia about 1843White cotton half petticoat with drawstring waist. Deep 'over' flounce of broderie anglaise lace.costume, female underwear