Photographed in the 1900s, the postcard depicts six young women seated in a canoe. They are all wearing white dresses, and three of them are holding Japanese umbrellas.Black and white rectangular postcard printed on card.Reverse: 3710 / POST CARD / KODAK / 29 / 3710 / CORRESPONDENCE / | / ADDRESS ONLY / AUSTRAL / 15 / AUSTRAL / KODAK /entertainment album, 1900s, canoe, lake, postcard, japan, japanese umbrellas, white dresses

Donated after Les Hooper served 33 years with Royal Artillery.00038.1 Royal artillery mess jacket of staff sergeant. Jacket is black with red piping. 00038.2 White dress mess gloves with button. 00038.3 Royal artillery dress mess trousers.00038.1 Dress mess jacket with gold buttons, showing staff sergeants rank and Corps. 00038.2 White dress gloves. 00038.3 Black trousers with red piping.

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This lingerie dress is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from the first years of the 20th century.Long white cotton muslin lingerie dress with inserted panels of white lace and additional white and black embroidery applied to the shoulders, waist and hem. australian fashion - 1900s, women's clothing, white muslin dresses, embroidery, tea dresses, lingerie dresses, rosemary vaughan-smith

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This lingerie dress, donated by Jane McIntyre is part of the wider McIntyre Collection. While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from 1912-1918.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Three-quarter-length, white cotton voile lingerie dress. The dress feature extensive embroidery on the bodice and skirt, probably constructed from pre-embroidered fabric, rather than hand embroidered. In addition to the embroiderd panels, there is extensive use of white lace insertions. The dress has short sleeves to teh elbow and lace cuffs. The dress is date after the Edwardian Period due to the absence of tucks and frills. Its high-waisted design is simple and yet elaborately ornamented with embroidery.women's clothing, white muslin dresses, tea dresses, australian fashion 1910-1920, lingerie dresses, annie mcintyre, mcintyre collection, fashion design, fashion -- 1910s

In 1972 Designed Noeline King designed a new uniform for the Northern District School of Nursing. Yellow and White dress with a yellow jacket. 1st worn by School 80 (31/07/1972) Students nurses wore this distinctive uniform in wards and were affectionately known as "Yellow Canaries"The Uniform was worn to the forced school closure in July 1989 as a result of transfer of nursing education into Colleges of Advanced Education. School 108 (4/8/1986) was the final school. 30cm Miniature Doll - Yellow and white dress with yellow jacket. Worn 1972 - 1986Name Tagnursing history, nursing uniforms, northern district school of nursing

A black and white photograph taken at Mary-Lyn Guest House in Marysville. Mary-Lyn was part of the Mary Chain of guest houses built by Eric Dowdle in the Depression years. The photograph shows two ladies wearing white dresses and holding tennis rackets standing in front of the guest house.A black and white photograph taken at Mary-Lyn Guest House in Marysville.Marysville/ Doris Wagon Brown. 24 SHERRY COLLINS STUDIOS/ SAME DAY FILM SERVICE/ 81 McBRIDE AVE., WONTHAGGImarysville, victoria, australia, mary chain guest houses, mary-lyn guest house, eric dowdle, photograph

This Man's White 'Silk' Dress Scarf, with a black and white silk fringe, was worn with a dress suit as part of the formal wear for men in City of Moorabbin c 1960 for special occasions, events and ceremonies This Man's White 'Silk' Dress Scarf was worn with a dress suit as part of the formal wear for men in City of Moorabbin c 1960 for special occasions, events and ceremonies Man's White 'Silk' Dress Scarf with a black and white silk fringe . Tootal Scarf / Wash as Silk / Men's Wear Centre / Smythes / 115 Glenhuntly Rd E'wick clothing, evening wear, dinner suits, formal wear, scarves, collars winged, tailcoats, bow ties, cheltenham, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, maynard dennis, post world war 2 estates ,

RAN White. Dress.uniform, 1989, ran

Shirt white dressuniform, 1980, general

Lanyard white dressuniform, vietnam, army

Lanyard white dressuniform, vietnam, army

White dress jacket

exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, white, textured

exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, white, textured

Uniform Womans White dress with beltuniform, 1990, ran

Young women white dresses and sashesblack and white photographLeggetts Ballroom

This petticoat dress was sewn by Mrs. van den Heuvel and her friend M/s Jos Tersteeg for Marjo van den Heuvel to wear under a white dress on the occasion of her cousin Peter Beeker's First Holy Communion.The material was obtained from one of the many parachutes that became available during the Allied offensive of 1944/45. This material was very welcome after the deprivations suffered during the 5 year German occupation. Petticoat to be worn under child's white First Communion dress, made of white parachute silk sewn in extremely tiny stitches by machine and hand. French seams are used for the sides and shoulders; the hem is handsewn. The garment is fastened at the neck with a narrow white satin ribbon.dutch, migration

from Schneider family history of Great Westernthree women in white dresses standing in front of a car Ada Carra & family

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard is a scan of an image of a baby in a frilly white dress.On back, printed: 'POST CARD Write here for Inland Postage only / The Address to be written here'postcard, 1900s, "green postcard album"

painted wooden Asian female doll with red and white dress

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of young child in white dressA Merry Christmas and a Happy new year W.J. Chapman

Black and white Photo of Letitia McGlone ( behind girl in white dress)mcglone, letitia

Edith Sarah Pickford was born and raised in Clunes, Victoria. She is the only daughter of John Pickford and Betsey (Robbins) Pickford and sister of Henry Pickford, John Pickford, William Harold Pickford, Horace Pickford DCM, Arthur Pickford and Charles Alexander Pickford. [ Research by Edith;s granduaghter Jane Dyer (nee Chatham)] Edith's maternal grandmother was a descendent of Donald Cameron, the first recorded European settler in the Clunes area.The Pickford family's pioneer settler legacy in the Clunes- Glendaruel district is commemorated with a Pickford Road and displays in the Clunes Museum. A collection of Edith's song music was donated to the Clunes Museum by her great grand-daughter in 2023. Edith married a local farmer, Henry Smerdon Holmes from "Sauchieburn" Ascot, Victoria. Henry was a descendant of the family who had inherited their maternal ancestor's, Catherine Coghill (nee Holmes), Ascot - Coghills Creek property. This branch of the Coghill Family descended from the district's pioneer settler, Captain Coghill. Edith and Henry spent all their married life, and raised 4 children Jack [John], Bill [William], [Mary] Elizabeth and David, at Ascot. She was buried in the Coghills Creek Cemetery with her husband, Henry Smerdon Holmes, and their son, David, in 1967. Her children, Bill Holmes and Elizabeth Chatham, and their spouses are buried nearby.Social and historicalMounted black and white photo of a young girl wearing a white dress and ribbon.chatham holmes collection, holmes, pickford

Moira Bird Oliver (nee Good) daughter of Rev Good of St Jude's Carlton first met Frank Oliver circa 1915. They were engaged for some 7 years while Frank did wartime service and then on return to Melbourne completed a Theology degree at Trinity College and was then ordained. They married on the 18th of July 1925 at St Jude's Church in Carlton. Frank Oliver was then naval chaplain on the HMAS Platypus. After various postings the married couple eventually arrived and were appointed to the Chaplaincy to the Mission to Seamen based at 717 Flinders St from 1930-1960. The Olivers weathered many significant issues between 1930 and 1960, a depression, WW2, strikes and waterfront unrest in the 1950s and financial struggles resulting from changed shipping patterns. This photograph was gifted by a descendant who told us that Mrs Oliver was a very enthusiastic photographer. Mrs Oliver was a well loved and respected woman and is memorialised by a window in the Mission Chapel. It is possible she is one of the many anonymous photographers who contributed various photographs especially of the 1930s and forties that make up a substantial part of the Mission Heritage Collection. Mrs Oliver died in 1969 see elsewhere this database for memorial plaque and window.Mounted studio b & w photograph portrait of a bride in white dress and trainpadre oliver, reverend good, st. jude's church, reverend frank leslie oliver, moira bird good, moira oliver, hmas platypus, royal australian navy, r.a.n. chaplain

Black & white photo of three young women in white dresses in front of a tree

IDENTITY UNKNOWNORIGINAL PHOTOGRAPH OF BABY. SITTING ON CUSHION, WEARING WHITE DRESS, BIB AND BOOTIES.local history, photography, photographs, costumes - child

From the Chapman family photograph albumBoy infant in white dress, barefoot on floral cushions on chair with crochet rug to side. Stawell Photographic Co. Close Railway Station C. Hewitt Manager