Colour photograph of an entrance arch at the White Hills Botanical Gardens.botanic garden, white hills, white hills botanic gardens, war memorial, arch, commemoration, bendigo

Newspaper article by Jack Perry. Published in the Bendigo Weekly 6.3.1998. Includes a description of the Gardens.white hills gardens, sunday school picnic, bendigo creek

As early as 1947 there was a request to have a swimming pool in the White Hills Botanic Gardens, and while the proposal was rejected by Council for many years, continued lobbying from the local community eventually saw it approved. The land had originally been reserved for botanic garden purposes only and it was required to be re-reserved for botanic and recreation purposes, to allow a different use. The gardens, in which the pool is situated, is one of the earliest botanic gardens in regional Victoria.Thelma Randles Collection. Booklet outlining different aspects of the White Hills Garden - including (but not limited to) plantings, history, gardeners/curators, and Arch of Triumph. Soft cover. 19 pages. Black and white and color photos. Compiled by Judy Milner on behalf of Bendigo Botanic Gardens. Published in 2008. Thelma Randles was a member of the Pool Committee for many years.white hills swimming pool, white hills botanic gardens

As early as 1947 there was a request to have a swimming pool in the White Hills Botanic Gardens, and while the proposal was rejected by Council for many years, continued lobbying from the local community eventually saw it approved. The land had originally been reserved for botanic garden purposes only and it was required to be re-reserved for botanic and recreation purposes, to allow a different use. The gardens, in which the pool is situated, is one of the earliest botanic gardens in regional Victoria.Thelma Randles Collection. Flyer outlining different aspects of the White Hills Garden for a tourist. Contains brief history of the gardens, and attractions within the garden - including the Samuel Gadd Centre, Arch of Triumph and animal enclosures. Single page, but print/photographs on both sides. Text and photographs. Thelma Randles was a member of the Pool Committee for many years. Funded by the City of Greater Bendigo and Victoria's Heritage Grants. white hills botanic gardens

Four hundred and forty three page report titled 'White Hills Botanic Gardens, Bendigo - Heritage Significance Assessment and Strategy Project by Lee Andrews & Associates Heritage Consulting, dated 31 October 2006. Contains History of White Hills Botanic Gardens, Physical Survey ad Analysis, Comparative Analysis, Analysis and Assessment of Cultural Significance, Developing the Conservation Policy, Conservation Policy, Conservation Guidelines, Conservation Actions,References and Appendices. Also contains a number of photos, copies of plans and documents, and a plan of the area with the trees marked and identified.document, white hills botanic gardens bendigo - heritage significance assessment and strategy project, bendigo historical society, jim evans, tim buykx, greater bendigo city council, lee andrews & associates heritage consulting, bendigo advertiser, the bendigonian, bendigo independent, argus, bendigo homes and property, mal gregory, mitch kemp, anthony sheean, casey ely, vicki johnson, sandra crump, friends of bendigo's botanic gardens, jane cleary, judy milner, jan orr, heritage victoria, john hawker, department of sustainability and environment historic places, norm stimson, bill dundas, janette hodgson, royal botanic gardens melbourne, roger spencer, university of melbourne burnley campus, greg moore, goldfields research centre, bendigo library, vivien newton, rita hull, state library of victoria, matheson library monash university, mueller correspondence project, sara maroske, library of the royal botanic gardens melbourne jill thurlow, helen cohn, gwen pascoe, john dwyer, larritt and russell

18 page soft cover booklet 'White Hills Botanic Gardens Bendigo 1857-2007'. An illustrated history of the Botanic Gardens compiled by Judy Milner on behalf of friends of the Bendigo Botanic Gardens. Published 2008 and printed by BMP total image management.Judy Milnerwhite hills, botanic gardens

Family group black and white photo. Captioned 'Taken at The White Hills Gardens about 1914'. Reverse ditto, plus 'Nana Fitzgerald' Front 3rd on Right. Mrs J Kane c/o Mrs I Rowe, Epsom. Photograph related to catalogue No 8215 'Kernan Group' donour.bendigo, education, epsom primary school

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

As early as 1947 there was a request to have a swimming pool in the White Hills Botanic Gardens, and while the proposal was rejected by Council for many years, continued lobbying from the local community eventually saw it approved. The land had originally been reserved for botanic garden purposes only and it was required to be re-reserved for botanic and recreation purposes, to allow a different use. By 1956 the land was officially re-gazetted, excavation started in 1957 and the pool was completed by 1959. The gardens, in which the pool is situated, is one of the earliest botanic gardens in regional Victoria. It was included on the Victorian Heritage Register in 2001. Thelma Randles Collection. Single page A4 letter inviting individual to three publications in relating to White Hills Botanic Gardens - Booklet commemorating 150 years of the Gardens, Illustrated Tourist Brochure and Guide, and White Hills Botanic Gardens Website. Logo of 'City of Greater Bendigo' and 'Friends of Bendigo Botanic Gardens' at top. Dated 5th August, 2008. Thelma Randles was a member of the Pool Committee for many years.white hills swimming pool, friends of bendigo botanic garndens, white hills botanic gardens

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Bendigo Botanical Gardens, Napier St, White Hills. Commonly referred to as the White Hills Botanical Gardens. 1990.slide, bendigo, botanical gardens, bendigo botanical gardens, napier st., white hills, bendigo. commonly refered to as white hills botanical gardens.

Bendigo Botanical Gardens, Napier St White Hills, Bendigo. Commonly referred to as White Hill Botanical Garden. 1990.slide, bendigo, botanical gardens, bendigo botanical garden, commonly referred to as white hills botanical gardens

Sepia toned photograph of a large group of children and several adults, on the back is written ' Bendigo Baptist, Junior Endeavour picnic at the White Hills Botanical Gardens '.person, group, junior endeavor picnic, bendigo baptist junior endeavour picnic, white hills botanical gardens, church groups