Chris WHITE Chris White is a sculptor and installation artist This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Welded metal sculture.art, artwork, sculpture

The White-throated Treecreeper is a commonly small bird of the Climacteridae family, that has a loud, piping, whistle-like call. Living in permanent territories and rarely seen on the ground, this species is found in forested areas of south-east and southern mainland Australia. The name tree-creeper comes from their foraging patterns, in which they spiral up the trunk of trees (usually eucalypts for their preferrable rough bark) head-first, probing for ants or nectar with their long, curved beak.The females are distinct from males through orange marks on the sides of their face. The colour of these specimens differ from white-throated tree-creepers, whose plummage on the head and back is usually a dark gray-brown. The beaks of these specimens are also an orange-brown colour whereas these birds usually have a black beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This mount includes two White-throated treecreepers secured on a stick, one above the other. The top specimen is female, distinguished by a distinctive orange mark on the sides of its face underneath the eyes. Both specimens have white throat, chest and streaks on the flank. The top of the head and back are both a brown to dark-brown colour, with streaks of those colours on the flank as well. The stick and specimens are mounted on a wooden platform and a swing tag is secured around a part of the stick.Swing tag: 67a. / White-throated treecreeper / See catalogue, page 20 / Wooden Mount: 85taxidermy mount, taxidermy, burke museum, beechworth, bird, treecreeper, australian birds, white-throated, white-throated treecreeper, reynell eveleigh johns

White Flat was an early gold diggings. As early as 1856 the White Flat Drainage and Mining Co. constructed water races, drained the swampy land, and changed the course of the Yarrowee Creek. This may be remnants of that work. See http://bih.ballarat.edu.au/index.php/White_Flat_Drainage_and_Mining_Co.#cite_note-0 Five colour digital imaged of a bluestone drystone wall at White Flat, Ballarat. The drystone wall is on the steep embankment between Hickman Street and Armstrong Street South. ballarat, white flat, white flat sports ground, hickman street, south street, armstong street, oval, cricket, football, white flat drainage, yarrowee creek drystone, bluestone

In 1925 there was a group known as the White Flat Improvement Committee. The White Flat Sports Reserve was officially opened on 18 March 1925 at which time Sir Alexander Peacock said that 'a wonderful change had been brought about at White Flat , and those who had brought it about would have the gratification of knowing that they were providing inestimable pleasure for the children and young people.' In 1934 the grandstand was moved to White Flat from the defunct Buninyong Racing Club. Albert Edward (Sonny) Mark was a foundation member of the Golden Point Cricket Club in 1910/1911 and part of the first Premiership side. He was a prominent A grade player and committee member for many years, including being Treasurer of the Club from at least 1933/34 to 1938/39. He acted as Golden Point delegate to the Ballarat District Cricket Association from 1934 to 1938. Sonny served as a Member of the White Flat committee from 1932/1933 to 1948/1949. Every year from the year 1933 until the Club went into recess in 1942 he took the chair for the election of President at annual meetings, an honour now reserved for Life Members. The B.D.C.A. B Grade shield named in Sonny Mark's honour for his contribution to the Golden Point Cricket Club and also to Ballarat cricket . He was instrumental in having the Grandstand at White Flat constructed and it was named in his honour. (http://goldenpoint.cricketvictoria.com.au/lifemembers.html)Five digital photographs of the grandstand at the White Flat Oval, Ballarat. Known as the A.E. 'Sonny' Mark Stand, it was opened in May 1934. ballarat, white flat, white flat sports ground, hickman street, south street, armstong street, oval

Captain John E D White, Australian Army Training Team in Vietnam (AATTV) took over command of 11 Mobile Strike Force (Mike Force) Company in Da Nang, Vietnam, in February 1968. He was 26 years old. The 2 NVA Division was moving from Laos into South Vietnam and his mission was to establish contact with the division and trace its movements south. In mid-March the company was air lifted to the Special Forces camp of Kham Duc, near the Laotian border. They used an old French Foreign Legion fort as a temporary base from which patrols could be sent out. White called it Ngok Tavak after a nearby mountain. Initially, patrols failed to find the enemy, but in late April a patrol clashed with the enemy. At the same time, White received intelligence that the NVA division was closing in. At night they could hear explosions in the distance heading toward them. White decided their best chance was to leave the fort and take to the jungle to adopt guerrilla tactics. However, in the meantime a platoon of United States Marine Corps artillery arrived bringing with them two howitzers and a stockpile of ammunition. To abandon the fort was to abandon the guns. White contacted Da Nang, explaining the predicament, and was ordered to remain where he was. A Civilian Irregular Defense Group (CIDG) platoon was sent to reinforce his numbers. This was a para military force comprised mainly of indigenous highlanders, trained by United States Special Forces. They also brought with them two mortars and their crews. At 3.15am on 10 May 1968 some members of the CIDG chose to assist the NVA to attack the fort instead of supporting Mike Force, and close hand to hand fighting followed, along with grenade attacks and heavy machine gun fire. Air support offered a brief respite from the NVA attack, and some NVA forces were pushed back outside the perimeter by counter attacks, but at 9am White contacted Da Nang to advise that his position was untenable. A second attack was imminent and they could not withstand it, so they would have to withdraw. The wounded were evacuated by helicopter (under orders from Major Mai, the NVA had not attacked the previous medical helicopters that collected the wounded under the cover of air strikes) and at 1pm the rest of the force evacuated east, into the jungle. The NVA did not notice their withdrawal, and continued mortar attacks on the fort for another ninety minutes. Seven kilometres from the fort White called for a helicopter withdrawal of his forces. The force was successfully lifted to Kham Duc and then Da Nang. (Credit AWM)Coloured image of John (Jed) White, aged 26 arriving at Tan Son Nhut Airport in full uniform, bag straps over left shoulder. Close- up of chest and head with plane visible in the background.AWM - p 11058,001capt john (jed) white, aattv, battle of ngok tavak

This is a collection of information re: the Snowy River Campaign 1995 to 2006. It is divided into sections titled A: Pre Damming of the Snowy River. B: 1995 C: 1996 D: 1997 E: 1998 F: 1999 G: 2000 H: 2002 I: 2003 J: 2004 K: 2006 It bought together many communities up and down the Snowy River. About their concerns, about the effects of the much reduced water volumes in the River, as a result of the dams up-river built by the Snowy Mountains Scheme.This item is significant because it is a record of a major campaign to increase water flow into the Snowy River down stream from the Jindabyne dam. A blue folder containing a collection of photos, paper clippings, reports, printed documents.The Snowy River, Max White Collection, Snowy River Alliance notes; Inquiry papers; Newspaper cuttings; pamphlets.snowy river, campaign

Enid Johnston was an student at the Ballarat School of Mines Technical Art School. The work depicted was reproduced in the Ballarat School of Mines Students' Magazine, 1939. White Flat is in close proximity to the Ballarat School of Mines so would have been a favoured site for drawing 'en plein air'.Line drawing with a tree as the central focal point. I post and rail fence runs from the left to the centre and a number of miners cottage are in the mid and back ground. ballarat technical art school, ballarat school of mines, art, johnston, enid johnston, white flat, e. gribble, max coward, enid johnston, r. mchutchison, violet d'angri, marian peirce, f.p. manning, w. rowe, kookaburras, caricatures, graham hopwood, geoege crawley, assaying room, don refshauge, ballarat technical art school, linda baily, nornie gude

Kevin WHITE Born England. Kevin White studied Ceramics in England and Japan, obtaining an MA from the Royal College of Art, London. He has lectured in Ceramics at RMIT. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Demonstration piece undertaken while conducting a workshop at the Ballarat School of Mines. art, artwork, kevin white, ceramics

Clive MURRAY-WHITE (20 February 1946 - ) Born Walton-on-Thames, Surrey, England Arrived Australia 1959 With an impressive career that has included sculpting marble for over 25 years Clive Murray-White has informed his at practice by studying at Brisbane Central Technical College, Guildford School of Art, United Kingdom, Royal Melbourne Institute of Technology and Preston Institute of Technology, Monash University. His early work used welded and cast metal objects. In the 1980s he transitioned to marble sculpture Clive Murray White was Head of Sculpture at the Monash University Churchill (now Federation University Gippsland). He established the Cowwarr Art Space with Carolyn Crossley.Marble sculpture of Hygia, the Greek goddess of health and healing. Daughter of Asciepius the God of Medicine, Hygeia symbolises the preservation of good heallth and prevention of illness. Presented to the Gippsland Medical School from the Campus. churchill, gippslands campus, clive murray white, sculpture, clive murray-white

Colour photograph of an entrance arch at the White Hills Botanical Gardens.botanic garden, white hills, white hills botanic gardens, war memorial, arch, commemoration, bendigo

The Boer War Memorial was created by sculptor James White in honour of Australian Soldiers who fought in the South African War (1899-1902). White used the electrolytic copper deposit method to produce this large statue, which is sometimes mistaken for a cast bronze work. The Foundation stone was laid on 18 May 1901 by H.R.H The Duke of York (George V). The sculpture was unveiled on the 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia and then Mayor of Ballarat, J. J. Brokenshire. Bravery and mateship are beautifully captured in depiction of a scene taken straight from the battlegrounds. Today the memorial is a much-photographed tribute and exploration of the friendships and struggles of men at war. A proud cavalry horse bears the weight of two men in the chaos of the battlefield. The Boer War in Africa was an early example of the Australian Colonies sacrificing men and equipment for Britain to defend it’s Empire against colonial insurgence. The memorial is of historical and aesthetic significance to the people of Ballarat.Horse and figures, bronze mounted on bluestone base and granite plinth, plaques list the war dead. The artwork depicts two soldiers and a horse. A British soldier is being succoured by an Australian mounted rifleman. In honour of Australian Soldiers who fought in South Africa 1899-1902. Foundation stone laid 18th May 1901 by H.R.H The Duke of York (George V). Unveiled 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia. J. H. Barker Chairman. J. J. Brokenshire Mayorboer war, south africa monument

Written for the centenary of Shire of Phillip Island and WoolamaiHistoricalHard cover book with dust cover in pale blue. Black and white with photos.Stamped 'Phillip Island & District Historical Society'. Signed by ? 11 councillors?phillip island, victoria, history, woolamai, shire, bass, joseph white, local government, phillip island shire councillors, grantville

560-page hardcover book subtitled 150 Years In Australia 1849-1999. The book traces the lives and descendants of Henry and Elizabeth White from the time leading up to their marriage in Melbourne in 1852 and subsequent move to the Doncaster district where they established a farm and orchard known as Deep Creek Farm in Doncaster East. Compiled & edited by the White Family Tree Committee 1993-1999 - Dorothy Aumann (Hill), Barry Fischer, Betty Geddes(Ford), Jean Gillinders (Dempster), Alice Latimer (White), Bill Latimer, Robert Latimer, Raney McAlpin (Mackinlay).

The Golden Whistler is native to coastal areas of Australia, from Queensland around to Southern Western Australia, including Tasmania. It usually lives in dense forested areas. The males have bright yellow plumage, whilst the females have only pale yellow plumage. The males and females work together to build the nest and raise chicks. They eat spiders and insects. The taxidermy specimen is not a good example of a Golden Whistler. Its feathers are very faded and ruffled. There looks to be some damage on the throat of the specimen. The Golden Whistler has usually vibrant colours, whilst this one is almost white. The colour markings on the bird indicate that it is male; the specimen should be a bright yellow. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Golden Whistler has a black head and stripe on chest, brown-grey wings and tail and white patches on throat and neck. The belly is a white-yellow, though significantly faded. Its feathers are quite ruffled and there is sign of damage to the throat. The specimen stands on a wooden stand and has an identification tag attached to its leg. Label: 24a / white throated Thickhead / See catalogue, page 11taxidermy mount, taxidermy, golden whistler, beechworth, burke museum, australian bird

This work was originally published in serialised form in the Bathurst Free Press around the turn of the century by Charles White and afterwards syndicated to other newspapers and still later reached the galley-proof stage of publication. The text for this edition was obtained from a copy of the Ovens Register 1904-1905, held by the Burke Museum, Beechworth, Victoria. This edition includes some preliminary material, glossary, notes, index and bibliography prepared by Peter A Jones.maps, b&w photographs, b&w illustrationscharles white

stawell

The Black and White committee started in 1936 to raise funds for the children supported by the Sydney Industrial Blind Institute (later Royal Blind Society of NSW) through a variety of events. One such major fundraiser was a Ball, initially began as the White Ball then changed to Black and White Ball in 1948. Ball programs were created to provide opportunity for sponsors to advertise their involvement with this prestigious event, as well include information on the time progression of the night, a menu, a list of the current committee (Patron, President, various positions and members) and the Black and White Derby race sheet. First run in 1956, the Derby gave individuals or businesses the opportunity to sponsor a 'horse' in the race, which was ridden by a 'jockey' who rolled up a line to reach the finish post. Later programs included auction items, information on performers at the Ball and photographs from other events organised by the Black and White Committee (Casino Cruise, Women of Achievement lunch, previous year's Ball, etc.)Booklets with black and white covers with illustrationsCover on title changes: The Black and White Ball (1981-3) The Black and White programme (1985-1988) The Black and White Ball ((1992, 2003, 2005)black and white committee, royal blind society of nsw

This pipe has been made by William White of Glasgow, Scotland, a firm that was producing this type of pipe throughout the 19th century. Pipe smoking for men was prevalent in the 19th century and early to mid 20th century but is no longer a popular pastime. This pipe has no known provenance but it is an interesting object from the past and is retained for display purposes.This is a white clay pipe. Part of the stem has been broken off. 657 W. White Glasgowmen’s accessories, history of warrnambool

A mid-twenties male uses a white cane to navigate a footpath on a busy road.1 x B/W photograph of man using white caneFile: Skills Training - O&M A white cane provides blind people with early warning of obstacles. Using a white cane for mobility.royal blind society of new south wales, white cane day, orientation and mobility

Cyril Leyshon White was an official war artist and served with the Field Ambulance during the Gallipoli Campaign in WWI. He contributed a number of his sketches for “The ANZAC Book". After WWI he became a mentor to the young Sydney Nolan. Lt. White was a member of the 17th Garrison battalion attached to Tatura Camp 1. Leyshon White

Large photo of 2 White Swans grazing the edge of Lake Cato. Willows along the lake with tennis count behind the willows. Also three smaller black & white photographs with white swans on the lake. One of these smaller photos has a Church of England and Presbyterian spire in the background. Cato Lake was named after Frederic John Cato.Large sepia photo of white swans coming out of Lake Cato with willow trees along the lake and tennis courts beyond the willows. Three smaller black & white photographs of Cato lake with the two white swans. 1). "White swans Cato Late Stawell" 2). "Cato Lake C of E. Church and Presbyterian Spire in background" 3). "Swans on Cato Lake"stawell

An account of the wartime experiences of Legatee Thomas White who served a term as President in 1925. This is the story of the capture and escape of Captain Thomas White, Australian Flying Corps on the Baghdad Road, Mesopotamia (Iraq), 13/11/1915. Captain White had been ordered to cut the telegraph wires behind the Turkish Lines along with his observer Captain F. Yeats-Brown from the 17th Indian Cavalry. Although they achieved their objective, the Maurice-Farman Longhorn aeroplane was damaged on landing and could not be repaired and were subsequently captured by the Arabs and local Gendarmerie. After the Arabs had beaten them up they were taken to Baghdad, escorted by the Turks and imprisoned. On 26 July 1918 Captain White escaped with Captain AJ Bott of the Royal Air Force. After making their way by sea (under very difficult circumstances) they arrived and went ashore at Odessa on the Black Sea. Odessa at the time was occupied by Austria and German troops and the Bolsheviks (the Russian revolution was under way). On 3 November 1918 they boarded a ship for Varna where Brigadier-General Ross met them, motored to Salonika, arriving 10/11/1918, then subsequently sent to Cairo. Tommy White became the third President of Melbourne Legacy in 1925-26 (Melbourne Legacy Bulletin 19/7/1990). He also went on to be the Australian High Commissioner in Britain until 1956. A story of courage, hope and endurance by Captain Thomas White.White A4 paper with black type x 14 pages.Printing ink overlap and other printing stains throughout the document. Ltee Tom White written in black biro, top of page one.past presidents, world war one, thomas white

Two trouser legs and soft pair of leather shoes descend steps, along with a white cane.B/W photograph of man walking down steps with white caneSkills Training - O&M A white cane provides blind people with early warning of obstacles 5A inset into Pic 5 CJ 481/C/4royald blind society of nsw, white cane day

Kath White, student at WHS between 1951 and 1955, made this book to present to her teacher following a Bright excursion her class attended in 1954. Kath kept a diary during the trip and used it to create a memento for a favourite teacher in Miss Boardman.Red leather album tied with yellow, red and black cord. 42 p. Hand painted end papers, hand written and illustrated by Kath White.Inside front cover: To Miss Boardman, with many thanks for your kindness to me. Kath White 29. 10.54.williamstown high school, 1954, kath white, miss boardman, bright, diary, school camp

Large soft cover publicationnon-fictionFor decades, the White Pages was a printed alphabetical directory of residential and business phone numbers delivered annually to every household. It became a fixture of Australian life, often sitting next to the home phone, used for everything from finding a plumber to checking how to spell someone’s surname. Circular 2004, a separate Business & Government White Pages directory was printed, before that, business and government listings were included within the main White Pages volumes, not as a standalone directory.

2 Coloured photos of D Class Steam Rail Locomotive and one Black & White of same engine at Cato Park. c 1974. The engine was subject to vandalism and removed in 1988. The black & white photo of D3 608 was copies from a railway magazine. Two coloured photos & one black & white photo of "D" class 608 Steam rail Locomotive taken at Cato Park. "D" 608. Inscription on the back of both colour photos, "Vec 74. D Class Loco at Cato Park". On the black & white photo " D3 608 one of the numerous and popular D3 class, preserved in a park in Stawell, 2nd April 1978".railways.

Large soft cover publicationnon-fictionFor decades, the White Pages was a printed alphabetical directory of residential and business phone numbers delivered annually to every household. It became a fixture of Australian life, often sitting next to the home phone, used for everything from finding a plumber to checking how to spell someone’s surname. Circular 2004, a separate Business & Government White Pages directory was printed, before that, business and government listings were included within the main White Pages volumes, not as a standalone directory. Leslie "Les" Jack Twentyman OAM, featured on the front cover was a former Braybrook resident and a youth outreach worker, social justice advocate, and community activist. His work began in the City of Sunshine where he became a frontline figure supporting youth at risk. This led to a lifetime dedication working with vulnerable young people. For his dedication towards his work, he was awarded the Medal of the Order of Australia (OAM) in 1994 and in 2004 he was the Victorian of the Year.leslie "les" jack twentyman

Established in 1924 the White Hills Football Club joined the Bendigo District Football Association in 1924 and in that first year played in the grand final, loosing by 6 points. In 1933 the club went into recess, reforming after WWII in 1948 and again joined the BDA, wining premierships in 1950, 1952, 1957 and 1958. In 1960 the competition was renamed the Golden City FL and the premierships came in 1963, 1968, 1969, 1971, and 1980. In 1981 the Golden City FL became the second division of the Bendigo Football League and White Hills competed in the lower division. White Hills opted to transfer to the Heathcote District Football League in the early 1980's and in its early years had one of its most successful periods, winning a premiership in 1988. (Wikipedia https://en.wikipedia.org/wiki/White_Hills_Football_Club). The City of Greater Bendigo continues to work with the various football and netball clubs and leagues in providing playing fields for competitions as well as supporting the introduction of women's football teams through improved infrastructure. front; 1955 / White Hills / Football Club verso; Swann & Hudson / Frankstonbendigo football league, city of greater bendigo community groups, heathcote district football league, city of greater bendigo sport, making a nation exhibition