Short dark brown wigwig

Short hair wig, dark blonde in colour, made in Japanwig

Short hair wig, dark blonde in colour, made in Japanwig

Brown men's wig. Made from acrylic hair with mesh and lace (brown) insert with two clips - elasticised100% modacrylic fibre Japan Origin. Hair goods Made in Koreawig

Purchased in Hong Kong by Rosalie Whalen during her honeymoon in 1966. I married an American Air Force pilot who was based in Okinawa. He was transfered to mainland U S A and I (Rosalie) had to wear it in as the U S A didn't allow any chinese products into the country.Part of Schwerkolt storyWig human hair (blonde)|Cane headstand|2 piece cardboard box with string handles and tape fastening ties. Box cream with gold figuring resembling haircostume accessories, hair accessories

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Turquoise with wig, false beard and arms folded across the front. Back is flat.james dodgson, aquila dodgson, flinders petrie, faience, shabti

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Turquoise with wig, false beard and arms folded across the front. Back is flat.james dodgson, aquila dodgson, flinders petrie, faience, shabti

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Turquoise with wig, false beard and arms folded across the front. Back is flat.james dodgson, aquila dodgson, flinders petrie, faience, shabti

NoneMetal hat or wig box probably used to store a ceremonial hat of some kind or legal wig significance unknown at this time.Metal round hat or wig box with hinged lid. Small handle on top & painted black.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Slide. Kurting. Man? In blue jumper, a rose in his mouth and a blonde wig with a green beret on.slide, bendigo, kurting., kurting.

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Green with wig and arms folded across front. On back across shoulders representation of a basket drawn in black.james dodgson, aquila dodgson, flinders petrie, faience, shabti

Photograph of eight soldiers dressed in tou tou's, bras, combat boots and wearing wigs dancing a chorus linephotograph, entertainment

Wooden shield with emblem gold bordered ships crown, blue centre with legal wig and bouquet of flowers and aboriginal weapons belowplaque, aboriginal, onslow

Depicted are three men dressed in women's clothing, including bonnets, tutus and wigs. They are part of a theatre group.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5657 / K42K242entertainment album, entertainment, dance, theatre, theatrical group, beechworth, event, party, 1950s

A small sleeping doll, with blue eyes and moveable eyelids, arms that move and rigid legs. It is wearing a yellow dress and hat with lace borders. Has a blonde wig.dolls, leisure object, toys

Black and white photograph. Showing men and women standing in pairs for theatrical performance. Men in white powdered wigs and knee high stockings women in ringlets holding fans.photo, group, theatre performers

Banyule Councillor Wayne Phillips arranging a dinner for politicians and corporate big wigs whilst volunteers paid for themselves to attend a similar event.Text and large colour photowayne phillips, banyule city council

Colour Photograph: Interior of courtroom two Australian flags on rear wall, person with false beard and judges wig. person sitting far left with white top near table with crockery. Picture of male on right wall.

When Thomas Bent, politician and land speculator, was appointed Speaker of the Victorian Legislative Assembly in 1892, a number of local Brighton constituents and supporters raised money to present him with an oil portrait. Bent had been a member for Brighton for 21 years, and the painting was seen as a way of showing their appreciation of his services to the Brighton constituency, as well as congratulating him to his new position as Speaker. In June 1892, British/Australian landscape and portrait artist Charles E. Gordon-Frazer was given the commission to paint the portrait. Thomas Bent is depicted as standing in his Speaker's robe on the dais beneath the canopy in the Legislative Assembly Chamber in the act of addressing the House. He wears the traditional Speaker’s dress of a black silk and gold laced robe over a three-piece black suit, lace jabot and cuffs, buckled shoes and a ceremonial long wig. The top of the gold parliamentary mace sits on the right of the work near the frame's edge.sir thomas bent, thomas bent, speaker, mayor, premier, brighton, moorabbin, land speculator, local government, councillor, official, member of lower house, portrait, parliament, ceremonial robes, legislative assembly, jabot, wig, mace

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Remains of a white wash over surface with yellow on the face and neck. Face, wig and hieroglyphs on front in black, hands of crossed arms in red/brown paint. On back across shoulders basket painted in black. Small paper label inscribed with 'A8' attached to back.james dodgson, aquila dodgson, flinders petrie, wood, shabti

Colour photograph. Children in costume. Painted scenery. Girl in suit with blue striped tie. Boy in wig and scruffy beard. Gravel Hill Primary School. 1988 Production 'The Wallaby Track'' Back of photo reads: Greg Dundan -Bendigo Addy Editor. Belinda Earnshaw.photo, group, children in costume

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted brown paper mache head with red lips, blue eyes and black eyebrows. Has white judge wig with small round green hat. He has a white frilled neck ruff and wearing a black cape with high stand up collar. There are no body parts. pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre, puppetry