Postcard labelled Williamson Street, Bendigo.bendigo, streetscape, williamson street

No 103 Williamson Street Bendigo - Actual Address Unknown - may have been demolishedhistory, bendigo, national trust collection bendigo, 103 williamson street bendigo

Three photographs of the Shamrock Hotel. Photographs are originally from the 2010 BRIT calendar. 3873A Façade of Shamrock Hotel, corner Pall Mall & Williamson Street. Photograph taken from west side of Pall Mall. 3873B Shamrock Hotel - Williamson Street entry. Columns on either side of the doorway. 3873C Shamrock Hotel, Corner of Pall Mall & Williamson Street, corridor first floor.shamrock hotel, williamson street, pall mall

Colour photo of Williamson street as taken from the Clock tower at the old Bendigo Post Office looking in a southerly direction. The bottom left corner shows the flag pole on the Shamrock Hotel.bendigo, streetscape, williamson street, williamson street bendigo

Black and white postcard of Williamson Street looking toward the Post Office, on the right the Shamrock Hotel, six or seven horse carriages and several persons can be seen.bendigo, streetscape, williamson street

Postcard, Williamson Street, Bendigo, Showing St. Paul's church in centre rear, large chimney in front of it, Tree lined streets including Hargreaves St., Williamson St. Andrews Auction Rooms on the Williamson St corner. Top right is the railway goods shed and in front of that is the Fortuna Hustler's Mine poppet legs.postcard, photograph, bendigo, williamson street

Black and white photo copy: image shows two-storey brick building, curved windows on lower storey, square on top Building is situated on corner of Williamson Street and Pall Mall. Written on extreme left hand side of building on single storey portion ' Bank of Australasia' below ' .. Assay Office' Men are standing on corner in front of building and on right hand side. J. Hold. Chemist & ' written on verandah of building on right hand side. Batchelder cart on RH side.Batchelderplace, building, bank of australasia, williamson st., bendigo, sandhurst, bank of australasia, williamson street, chemist

External façade of Butts Hotel on the corner of Williamson & McLaren Streets, Bendigo, dated 19/08/1996. Built in 1876 to design by Joseph Martin Brady. Red brick building single storey with cream brick and hood moulds to window and door openings. Note signage (faded) 'Butts Hotel'.Edith Lunnbutts hotel, williamson street

Thompson Roy Morrison (1900-1972) was born in Bendigo and married Ivy Maria Knight in 1924. They lived at 63 Williamson Street. Ivy died aged 31 in 1933. Thompson remarried Violet Jean Hesse in 1936 but she died in 1938 also aged 31. Thompson was a motor painter.Black and white photograph mounted on rectangular grey board. House, weatherboard and rough cast, corrugated iron roof, porch with roughcast balustrade and pillars, 1 chimney, picket fence with capping board, garage at back on left hand side. Scalloped pattern on front gable with vent. On back of photo: Morrison, Williamson Street, sewered £1450'. 2012 photo of house attached to record.Frank A. Jeffree, Bendigo?bendigo, business, t c watts and son, stamped on back ''t.c. watts and son'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

Limerick Castle Hotel, Williamson Street, Bendigo National Trust Collection: Limerick Castle Hotel, 259 Williamson Street, Bendigo 3223 A - undated colour photographs (2) of the frontage of the Limerick Castle Hotel. 3223 B - 26/11/1986; City of Bendigo, City of Bendigo Planning Scheme, Notice of Determination to retain or demolish the frontage of the hotel, dependent on the submission and approval of plans 3223 C - 5/12/1986, Ministry Victorian of Planning and Environment expresses concern at the proposal to demolish the Hotel 3223 D - 8/12/1986 Central Victorian Branch of the National Trust expresses it concern to the City of Bendigo Town Planner regarding the demolition of the building, stating the building is on the register of architectural and historic importance bring prepared for Council. 3223 E - 12/12/1985 the Central Victorian Branch of the National Trust formally objects to a replacement building on the site of the Limerick Castle, and for any alteration to the main facade or verandah. The objection is handwritten and refers to the Trust's 8th December letter. 3223 F - 15 Dec 1986, item 10 (2888/86) of the Ordinary meeting of Bendigo Council regarding submission by Defors Holdings Pty. Ltd. and Aldal Pty. Ltd. to demolish (or part demolish) existing building and redevelop the site for shopping arcade and tavern. 3223 G - 21/12/1986 "basic notes" provided by David M Breaden ARAIA stating the "retention of the Limerick Castle Hotel building facade is imperative". 3223 H - 22/12/1986 "some (4) information relating to Bendigo's Historic Limerick Castle Hotel" submitted by D.G. Martin. 3223 I - undated, one-page handwritten submission with nine points regarding the time scale of the proposal to redevelop the Hotel site which "does not appear to be well documented, the design lacks detail and was only proposed ass a compromise when demolition was not allowed". 3223 J (A & B) - 20/12/1986 three articles from in the Bendigo Advertiser regarding the planning proposal for a single storey redevelopment of the site. 3223 K - undated three-page submission on the redevelopment of the Limerick Castle site, noting three alternative redevelopment proposals 3223 L - 7/01/1987letter of thanks to Mr. T. Westmore for assistance with discussions over the Limerick Castle Hotel from the National Trust of Australia 3223 M - 3/03/1987 handwritten thanks expressed to Councillors and Council Officers over the redevelopment of the Limerick Castle from the Central Victorian Branch of the Trust. 3223 N - 15/12/1987 articles from the Bendigo advertiser noting the "Trust mobilises to save the Limerick Castle"notes on face and rear of some documentationhistoric building, central victorian branch of the national trust, saving the facade and redevelopment of the hotel

Colour photograph taken elevated looking towards St Pauls Cathedral, across Wliiamson Street & Lyttleton Terrace intersection. Photograph taken from elevated site. Dated August 1990Estelle Hewstonwilliamson street and lyttleton terrace. st. pauls cathedral. webb building.

Newspaper Clipping Bendigo Advertiser: ANZ Bank Bendigo on the corner of Pall Mall and Williamson Street. 1982-1985 when Bendigo was a Premier Town. Photographs compares the old and new from a much earlier time period and outlines an earlier history.bendigo, history, bendigo anz bank past & present

Black and white image, copy : Image shows three storey stone building on corner of Williamson street and High Street. Name on lower storey 'Theatre Royal' on top ' Cobb & Co., Booking Office' on LH side of Theatre ' J. Kronheimer & Co, tobacconists' Road is dirt. Two horse and carriages on LH side on road.Batchelderplace, bendigo, theatre royal, kronheimer's, sandhurst, bendigo, theatre royal, cobb & co, kronheimer & co.

Colour photograph: Limerick Castle, 259 Williamson Street, Bendigo, two storey brick hotel, lace verandah on both levels. Gable in centre of top level. 'Balcony now open, food and drinks' sign on verandah top. Red corrugated iron roof on verandah. 'Limerick Castle Hotel' sign on top. Appears to be early 70's ?bendigo, hotel, limerick castle hotel

Colour photo: Royal Mail Hotel, Corner Williamson and Hargreaves Streets, Bendigo. Three storey hotel, the bottom in brown and grey bricks, the top two storeys painted in grey. The name Royal Mail Hotel in red letters above main entrance.bendigo, hotel, royal mail

Williamson Street, Bendigo. 1987slide, bendigo, streetscape, williamson street, bendigo

SEC Building in Williamson Street. A variety of vehicles angle parked along Williamson Street, bas of the communications tower can be seen.bendigo, streetscape, williamson street

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.