Showing 86 items
matching women and children on the goldfields
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Bendigo Historical Society Inc.
Document - WOMEN, CHILDBIRTH AND CHILDREN ON THE GOLDFIELDS: BENDIGO AND CASTLEMAINE REGION 1851 TO 1876)
... WOMEN, CHILDBIRTH AND CHILDREN ON THE GOLDFIELDS: BENDIGO...Women and Children on the Goldfields...''Women, childbirth and children on the Goldfields... BENDIGO Mining Women and Children on the Goldfields Boyd ...''Women, childbirth and children on the Goldfields in the Bendigo-Castlemaine Region 1851-1876)'' author Madeleine Dodds. Two copies a. and b. -one copy is double sided printing; other is single sided. Mention of Boyd and Harris Dispensary; Holloway products; Bendigo Benevolent Asylum; Industrial School; Lying -in Wing; Jabez Hogg Medical Guide; Doctor Jenkins, Dr Richard Tracy, Traces the history of early births and childcare on the goldfields. Bibliography.Madeleine Doddsbendigo, mining, women and children on the goldfields, boyd and harris dispensary, holloway products, dr. jenkins, jabez hogg medical guide, dr richard tracy, bendigo benevolent society. women, childbirth, children. -
The Beechworth Burke Museum
Photograph
The photograph depicts a large group of young men and women dressed in formal attire. They were part of the Beechworth Methodist Church's Youth Group.The photograph provides insight into one of the first religious institutions in Beechworth. The Methodist Church is historically significant as it was the first permanent church built on the Ovens goldfield in 1857. A Sunday School group for local youth was established in 1869, emphasising the importance of children's religious education during the nineteenth century. Thus, the photograph reflects the importance of Methodism in Beechworth - and, more broadly, Victoria - at this time.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 3714 / Beechworth Meth / 97.2332 / Endeavour / Beechworth Methodist / Endeavour Group /entertainment album, entertainment, church, religion, beechworth, methodist church, youth group, leisure, recreation -
The Beechworth Burke Museum
Photograph, 1920
The photograph depicts a large group of young men and women dressed in formal attire. They were part of the Beechworth Methodist Church's Youth Group.The photograph provides insight into one of the first religious institutions in Beechworth. The Methodist Church is historically significant as it was the first permanent church built on the Ovens goldfield in 1857. A Sunday School group for local youth was established in 1869, emphasising the importance of children's religious education during the nineteenth century. Thus, the photograph reflects the importance of Methodism in Beechworth - and, more broadly, Victoria - at this time.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 3716 / 97.2339 / Beechworth / Meth Endeavour / Beechworth Methodist Church / Endeavour Group / A03289 /entertainment, entertainment album, church, beechworth, religion, recreation, leisure, youth group, methodist church -
Federation University Historical Collection
Photograph, A memento of the dance and euchre party Durham Lead 13.5.38
Durham Lead (also known as Durham, 1870s) was a mining township 15 km south of Ballarat. It was one of several mining centres along the main mining lead running south of Ballarat, generally along the valley formed by the Yarowee or Leigh RiverCopy of a sepia tone black and white photograph of a large group of men, women and children taken at the dance and euchre party Durham Lead 13 April 1938. Front row sitting on the seat (not the floor):- 4th from left, Mrs. Minnie Scott (nee Kinsey); 5th from left, Miss Lucy Kinsey; 1st right, Mr Thomas Scott Jnr. (dark suit & tie) 2nd back row:- 7th lady from right, wearing glasses, slightly behind, Miss Catherine (Kit) Scott A memento of the dance and euchre party Durham Lead 13.5.38durham lead, leigh river, garibaldi, gold -
Federation University Historical Collection
Postcard, Picnic in the Auckland district, New Zealand, 1910
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A sepia photograph showing a group of women and two children seated on the grass with picnic baskets open. Two wicker prams are behind the group. The three women named are Mrs W. Wright, Mrs C. Cane and Mrs W.G. WrightFront face of photograph written in white - "Snaps.", Auch.1R.R.10, R34; in pen - 0, X and a crossed 0. On the back - Printed - New Zealand Post Card; Hand written - Mrs W.Wright (Marked with a X) snapped during a 6 months holiday in New Zealand 1910. Mrs C. Cane marked with a 0, Mrs W.G. Wright (jn) marked with a crossed 0frank wright, mrs w wright, cane, pram, picnic, new zealand -
Ballarat Clarendon College
Photograph - Framed, Black and White, 1931
Gray-scale photograph, with bone mounting in thin black frameHandwritten on back: Nov 1931 Clarendon College Old Collegians reuniongroup photo, people, hats, children, women, deck chairs, 1930s fashion -
Bendigo Military Museum
Postcard - CARTOON POSTCARDS, 1939-45
Cards collected by Alan Telford VX146055 2nd AIF. Refer 357.3 also 332.2, 358.3, 359.3, 360.4P..1) in colour, soldier peeling peas. .2) in colour, soldier blowing trumpet in bed. .3) in colour, group of seven soldiers playing two up. .4) in colour, soldier leaning, officer walking. .5) in colour, soldier, airman & sailor in bar .6) in colour, Japanese women & two children with flag. .7) in colour, scene with Japanese soldiers & civilians. .8) in colour, before and after Christmas dinner. .6, .7) Japanese writing on front and rear. .8) "This is dad after his xmas dinner"cartoon postcards, military, japanese -
Bendigo Military Museum
Memorabilia - BADGES AND MEDALS, 1) 1918, .2) 1919, .3) to .6) post WW11
Medals .3) to .6) belonged to David William Ralph Davies No V245464, enlisted on 19.12.41 age 19 years. At discharge from the Army on 5.12.46 he was a Pte in 57/60th Aust Infantry Battalion.1) Medal, circular, metal, issued to Commemorate Anzac Day 1918. Obverse has head of a soldier with Slouch Hat with wording "Honor to the AIF". Reverse has the words " Gallipoli, France, Palestine". .2) Medal, circular, metal, issued to School children to commemorate Victory and Peace in 1919. Obverse depicts a Women, reverse has figures of a Sailor and Soldier with the wording "Victory the Triumph of Liberty and Justice, the Peace of 1919". Medals, ribbons, single, (4) re D.W.R Davies. .3) Pacific Star. .4) 1939-45 Star. .5) War Medal 1939-45. .6) Australian Service Medal..3) .4) .5) .6) "V245464 D.W.R Davies"medals, memorabilia, military -
Bendigo Military Museum
Book, Challenge and Response. A History of the Modern World. Vol. 2, 1970
Black hard cover book. Front cover has photograph of three armed soldiers facing the camera. Back cover has photograph of a group of women and children on a boat. Authors - J.H. ALLSOP and H.R. COWIE Pages 612Written on front page "Mrs MARY HALL" "KATE HOBAN" books, military history -
The Beechworth Burke Museum
Photograph, J. Collins, c.1940-1950s
This photograph was captured sometime between an estimated 1940s-1950s. It depicts the Beechworth Benevolent Asylum (later the Ovens and Murray Hospital for the Aged) which was built in 1862. It is located on an elevated site in Beechworth, Victoria because it was believed the height was beneficial to the health of the patients at the Benevolent. Later wings were added to the original building between 1867 and 1890. The building was constructed in an unusual Flemish Gothic Revival style which contrasts with the classical style of the Mayday Hills Hospital in close proximity to the Benevolent. The Hospital was designed in Italianate Revival architecture. The appearance of buildings like the Mayday Hills Hospital and the Ovens Benevolent Asylum are representative of the importance of Beechworth as a town shortly after the goldrush. During the 1850s and 1860s, administration buildings were erected alongside churches, shops and structures of justice. This marks a movement away from the "chaotic" structure of life on the goldfields and towards a more civilised and cultural lifestyle. This social phenomenon is also witnessed in Melbourne with the creation of buildings like the State Library and the University of Melbourne. The Beechworth Benevolent Asylum was renamed the Ovens Benevolent Home in 1935. The Asylum had been set up to provide accommodation and care for permanently injured gold miners, and for women and children who were penniless, homeless, or whose parents were guests of the state. In 1954 it was renamed as The Ovens and Murray Home (as pictured in this photograph). The purpose of this building was to provide a refuge for the poor and destitute, homeless older men, deserted women and children along with providing care for the mentally ill. These buildings were built at the government's expense and are of great historical and architectural significance.This photograph depicts the Ovens and Murray Home (previously the Ovens Benevolent Home) during the 1940s or 1950s. Since this building is of great historic and architectural significance, photographs like this are especially valuable in reconstructing the use history and any changes/additions to the building over a period of time. This building is important for what it can reveal about society in Beechworth and also architectural styles. This building is made in the Flemish Gothic Revival style which is quite unusual for the 1860s. It is important as an early example of a building constructed for a specific purpose, in the case of this particular building: caring for the aged/destitute. This building is important for research into the civic development of Beechworth as an early Gold Rush town located in Victoria's North-East. During this period, Beechworth was developing as the main center of administration in this region which made it a very influential and quickly developed town. Photographs like this one which depict a building during one period in history can reveal important information for the use and alterations of a building and for preferences in architectural style. It can also be studied for what it reveals about society in Beechworth and compared and contrasted to similar institutions across Australia and with additional photographs in the Burke Museum collection.Black and white rectangular photograph printed on gloss photographic paperObverse: OVENS & MURRAY HOME / Reverse: KODAK PAPER / 727 / J. Collins BMM 8689.1 /mayday hills, beechworth benevolent asylum, ovens benevolent home, asylum, refuge, poor and destitute, goldrush, flemish gothic revival, architecture -
The Beechworth Burke Museum
Photograph, J. Collins
This photograph was captured sometime between an estimated 1940s-1950s. It depicts the Beechworth Benevolent Asylum (later the Ovens and Murray Hospital for the Aged) which was built in 1862. It is located on an elevated site in Beechworth, Victoria because it was believed the height was beneficial to the health of the patients at the Benevolent. Later wings were added to the original building between 1867 and 1890. The building was constructed in an unusual Flemish Gothic Revival style which contrasts with the classical style of the Mayday Hills Hospital in close proximity to the Benevolent. The Hospital was designed in Italianate Revival architecture. The appearance of buildings like the Mayday Hills Hospital and the Ovens Benevolent Asylum are representative of the importance of Beechworth as a town shortly after the goldrush. During the 1850s and 1860s, administration buildings were erected alongside churches, shops and structures of justice. This marks a movement away from the "chaotic" structure of life on the goldfields and towards a more civilised and cultural lifestyle. This social phenomenon is also witnessed in Melbourne with the creation of buildings like the State Library and the University of Melbourne. The Beechworth Benevolent Asylum was renamed the Ovens Benevolent Home in 1935. The Asylum had been set up to provide accommodation and care for permanently injured gold miners, and for women and children who were penniless, homeless, or whose parents were guests of the state. In 1954 it was renamed as The Ovens and Murray Home (as pictured in this photograph). The purpose of this building was to provide a refuge for the poor and destitute, homeless older men, deserted women and children along with providing care for the mentally ill. These buildings were built at the government's expense and are of great historical and architectural significance.This photograph depicts the Ovens and Murray Home (previously the Ovens Benevolent Home) during the 1940s or 1950s. Since this building is of great historic and architectural significance, photographs like this are especially valuable in reconstructing the use history and any changes/additions to the building over a period of time. This building is important for what it can reveal about society in Beechworth and also architectural styles. This building is made in the Flemish Gothic Revival style which is quite unusual for the 1860s. It is important as an early example of a building constructed for a specific purpose, in the case of this particular building: caring for the aged/destitute. This building is important for research into the civic development of Beechworth as an early Gold Rush town located in Victoria's North-East. During this period, Beechworth was developing as the main center of administration in this region which made it a very influential and quickly developed town. Photographs like this one which depict a building during one period in history can reveal important information for the use and alterations of a building and for preferences in architectural style. It can also be studied for what it reveals about society in Beechworth and compared and contrasted to similar institutions across Australia and with additional photographs in the Burke Museum collection.Black and white rectangular photograph printed on gloss photographic paperBack of photograph. Handwriting: "For John Beckingsale"mayday hills, beechworth benevolent asylum, ovens benevolent home, destitute, gold town, beechworth, victoria, north-east vic -
The Beechworth Burke Museum
Audio - Oral History, Mrs Frances Gladstone, 31st March 2000
... was a trained nurse and helped establish a hospital for the goldfields... nurse and helped establish a hospital for the goldfields ...Frances Gertrude Gladstone was born on the 18th of September 1919 to Arthur George Ladson and Gertrude Hunrick Irving. France's grandfather, Alfred Ladson, came Beechworth from Norfolk, England, during the gold rush. Alfred had a grocery business, and was well known for writing letters for the miners to send to their families. Alfred also travelled to Beechworth with his sister, who was a trained nurse and helped establish a hospital for the goldfields. Frances remembers her father saying the Chinese miners were not allowed to bring their families to the goldfields, hence there were no Chinese children in schools around Beechworth. Frances was an avid botanist, and wrote a book called 'The Little Huntsman', which she wrote while watching her husband gold mining. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Frances Gladstone's story is significant, as she remembered important information about Chinese miners in the gold rush, explained the role of women in the 20th century in Beechworth, and the history of the hospitals in the region. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.listen to what they say, beechworth, oral history, burke museum, botanist, chinese miners, goldmining, gladstone -
City of Ballarat
Artwork, other - Public Artwork, Queen Victoria Memorial Fountain, 1902
In memorial of Her Majesty Queen Victoria. Presented by the Women's Christian Temperance Union of the city of Ballarat. J. J. Brokenshire, Mayor, 24th May, 1902. The fountain is appropriately situated in Queen Victoria Square, and immediately behind the statue of the late Queen in Sturt Street.Of historic and aesthetic significance of the people of BallaratTwo children carved in white marble atop a tall granite base.For God. Home and Humanity. In Memoriam Her Late Most Gracious Majesty Queen Victoria presented by the Woman's Christian Temperance Union to the City of Ballarat J.J. Brokenshire, Mayor 24th May 1902.queen victoria, women's christian temperance union -
Federation University Art Collection
Work on paper - Printmaking, Tji Tji Kutjara [Two Children], c1996
Nyukana BAKER (1943-2016) Born Ernabella, South Australia Country: Kanypi Language: Pitjantjatjara A Pitjantjatjara artist from Ernabella who began painting, designing and weaving in 1963 and producing batik in 1971. Founded in 1949 Ernabella Arts is the longest running Aboriginal arts centre in Australia. It was established o create employment opportunities for young women from the local Pitjantjatjara people. Nyukana Baker died 17 April 2016 at Alice Springs, Northern Territory. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print. 6/20 Tjitji Kutjara Two Children Nyukana Baker Feb 1996art, artwork, printmaking, linoprint, nyukana baker, pitjantjatjara, kanypi, aboriginal, ernabella -
Bendigo Military Museum
Badge - BADGE, REMEMBER IRAQ, c.2006
In March 2003 military forces of the Coalition of the Willing, including 2,000 men & women of the Australian Defence Force (ADF) invaded Iraq. Since July 2003 working with the interim Iraqi Government, the ADF has continued to contribute to Multinational Force efforts to develop a secure & stable environment in Iraq & assist national recovery programs. In mid Jun 2005 some 1,400 ADF personnel were serving in Iraq.Small enamel badge showing face of a soldier which is attached in the centre of cardboard. Cardboard shows coloured print of children welcoming an Australian soldier.Printed on badge: “Remember Iraq” Printed bottom of cardboard: “Iraqi children welcome an Australian soldier in a small village on the outskirts of As Samawah. Photograph courtesy of Department of Defence” Printed back of cardboard: “Remember Iraq”badge, iraq, 2003 -
Clunes Museum
Photograph
PHOTOCOPY OF A PHOTOGRAPH OF THE CARTER FAMILY - MEN, WOMEN AND CHILDREN, SOME SEATED ON A WOODEN CARTlocal history, photography, photographs, carter family -
Clunes Museum
Photograph - PHOTOGRAPH KNITTING MILL, 1923
BACK TO CLUNES 1923PHOTOGRAPH OF LARGE GROUP OF MEN, WOMEN AND CHILDREN, TAKEN IN FRONT OF CLUNES KNITTING MILL, NOW THE BOTTLE MUSEUM."BACK TO CLUNES NOV, 1923. THIS PHOTO TAKEN ON THURSDAY 20TH. AT OUR MILL.photography, photographs, events and celebrations, back to clunes 1923 -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Correa reflexa var angustifolia ), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This particular plant is Correa reflexa variety angustifolia – Grampians Correa. It is endemic to the Grampians and listed as rare. It has been propagated by the Marriotts and planted in the new Endemic Garden at the WAMA site. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanSmall painting of red/yellow Correa reflexa angustifolia showing 2 flowers and 1 in bud, painted on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, von mueller, baron von mueller, henrietta d'alton, wama, wildlife art, halls gap, painter, goauche -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Epacris impress - Common Heath), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this plant as Epacris impressa - Common Heath - white flower form. Common and widespread. NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanPainting of white heath spray, on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, baron von mueller, von mueller, henrietta d'alton, wama, wildlife art, painter, goache, halls gap, wildlife art museum australia -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Daviesia brevifolia - Leafless Bitter Pea), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this particular plant as Daviesia brevifolia - Leafless Bitter Pea - a widespread but very showy plant in the heathlands. "It's very difficult to propagate, but due to its extremely showy nature, we have plants ready to plant in our Grampians Endemic Garden as ‘filler plants’." NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife art, Wildflowers, Marianne Wehl, Marrianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henriette D'Alton, WAMA, Halls Gap, painter, gouache, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanUnframed pinky orange pea flower painted in gouache on smoother side of brown cardLL ' MW' (underlined)wildflowers, flowers -
Linton and District Historical Society Inc
Photograph, Bennett's Butcher Shop, Linton
Sepia photograph of a shop building (corner Clyde & Sussex Streets), several men, women and children standing outside, meat hanging on hooks. Horsedrawn delivery cart under verandah. Bennett's Butchery is believed to have been the first shop in Linton, and to have been constructed around 1858. This building still exists in the main street of Linton.w.g. bennett, butchery, butcher shops -
Linton and District Historical Society Inc
Photograph, Laying Foundation Stone, St. Paul's Sunday School, Linton, 1909
Black and white image of a large crowd of people watching as a foundation stone is laid in the brickwork of a building under construction. The crowd consists of men, women and children with buildings in the background. Bishop Green is next to the two men who are laying the stone. The image has been mounted on dark grey card.buildings, sunday schools, churches, mrs. bolte, bishop green, parish halls -
Linton and District Historical Society Inc
Photograph, Centenary Celebrations Procession, Linton, 1939
Black and white image of a crowd of men, women and children plus a motor vehicle, motorcycle and bicycle outside buildings in Sussex Street, Linton. The car has been decorated with streamers. This photograph was taken during Linton's centenary celebrations in 1939. The double storey building on the left is Criterion House. The upper level of this building was used as a hospital. The Building on the right is Grenville Shire Offices.centenaries, centenary celebrations, hospitals, motorcycles, cars, bicycles -
Hymettus Cottage & Garden
Certificate, Children of Mary Certificate
... goldfields Certificate Certificate Children of Mary Certificate ...The Children of Mary is a Catholic organization for young people between the ages of 7 and 18. The confraternity was founded in France in the 1830s and was largely a spiritual lay confraternity for young women, this certificate of membership was issued to Irene Taffe at Loreto Convent Ballarat in 1925. -
City of Greater Bendigo - Civic Collection
Memorabilia - Ticket, First Bendigo Entertainment
Travelling entertainment has been one popular way that charities have been able to raise revenue over the past 170 years. The Royal Victorian Institute for the Blind toured regional Victoria regularly to help raise awareness, showcase their talents and fundraise to provide care and education for vision impaired men, women and children. Double sided printed ticket for a concert in the Bendigo Town Hall featuring blind artists and dancers from the Royal Institute of the Blind.Obverse; Under the Patronage of the Mayor and Mayoress (Cr, and Mrs J. A. Michelson) and / Councillors of the City of Bendigo / 30 Blind Artists !! / FIRST APPEARANCE IN BENDIGO of The Famous Orchestra and / Concert Party of Blind Artsits and Blind Children Dancers from the / ROYAL VISTORIAN INSTITUTE for the BLIND, / (ST KILDA ROAD MELBOURNE) / WILL GIVE THEIR / FIRST BENDIGO ENTERTAINMENT / IN THE BENDIGO TOWN HALL, / on TUESDAY, MARCH 22nd, 1927, at 8PM / His worship the Mayor will Preside / Tickets 2/- box plan at the Premier Piano Company from March 14th. / PROCEEDS IN AID OF INSTITUTE S.W Hedger, Superintendent and Secretarymayor and mayoress michelson, vision australia, city of bendigo town hall, city of greater bendigo community partnerships, city of greater bendigo events -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Mission Rescue and Children's Home Canadian, 2000
The Mission Rescue and Children's Home Canadian opened on Friday November 22, 1907. The formal opening at 3pm was conducted by the Mayor of Ballarat City Councillor F. Brawn with Hon David Ham to preside. The Hon Alfred Deakin gave an address. The Town Mission was established in Ballarat East by a group of Wesleyans. "Australian Silverpen" wrote an historical sketch about the Town Missioner, Martin Hosking. From miner's tent to mission pulpit : Martin Hosking, Ballarat's town missionary : an in memoriam sketch / by The Australian Silverpen. See https://trove.nla.gov.au/work/223253590?q=town+mission+hall+ballarat&c=book&versionId=244807517 See also Dorothy Wickham's Beyond the Wall: Ballarat Female RefugeImages of a building known as the Canadian Mission Rescue and Children's Home sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women, canadian rescue home, mission rescue -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Opening MIssion Rescue and Children's Home Canadian, 2000
The Mission Rescue and Children's Home Canadian opened on Friday November 22, 1907. The formal opening at 3pm was conducted by the Mayor of Ballarat City Councillor F. Brawn with Hon David Ham to preside. The Hon Alfred Deakin gave an address. The Town Mission was established in Ballarat East by a group of Wesleyans. "Australian Silverpen" wrote an historical sketch about the Town Missioner, Martin Hosking. From miner's tent to mission pulpit : Martin Hosking, Ballarat's town missionary : an in memoriam sketch / by The Australian Silverpen. See https://trove.nla.gov.au/work/223253590?q=town+mission+hall+ballarat&c=book&versionId=244807517 See also Dorothy Wickham's Beyond the Wall: Ballarat Female RefugeBlack & white photograph of an advertisement for the opening of the Canadian Mission Rescue and Children's Home.canadian home'martin hosking, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women, alexandra babies home, babt, orphanage -
Ballarat Heritage Services
Photograph - Black and White, Kit Fitzgerald, Doris Long, Mick Fitzgerald and Doris Long
Possibly related to the Long family of South Yarra. Three black and white photos of two women in bathing costumes and swimming caps, and a man sitting to two children. They stand/sit in front of bathing boxes (possible St Kilda or Brighton) long, swimming, bathing costume, bathing box -
Tarnagulla History Archive
Photograph of bank buildings, Tarnagulla, Bank buildings, Tarnagulla, circa 1866 to 1888
Murray Comrie Collection. There were four banks in Tarnagulla at one stage, but two - the National Bank and the Bank of Australasia - were open for a short period only. The single-storey brick building at far left was built in 1859 and used by the Union Bank until 1888, and was later renamed 'Lochcarron' and used as premises by doctors and dentists. The two-storey building (right) was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. Both buildings are now private residences. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting a section of Commercial Road in Tarnagulla with two brick buildings, one single-storey and one double-storey. A horse-drawn carriage is standing out side the larger building. A number of men, women and children are standing or walking alongside the buildings and in the street. Caption on original 'Union Bank'.tarnagulla, banks, banking, commerce, buildings, commercial road -
Tarnagulla History Archive
Photograph: Large group in front of Recreation Reserve Pavillion, Tarnagulla, c.1905
Murray Comrie Collection. Women's attire suggests circa turn of century. This photograph is a reasonable copy created from an older original. Copy probably made by Murray Comrie in the 1970s.Monochrome photograph of a large group of people, including many children, posed in front of the Recreation Reserve Pavillion in Tarnagulla.tarnagulla, recreation reserve, pavillion, religion, church, community events, picnics, children