These prints include large sailing ships that were also referred to as Clippers and Tall Ships. These ships were used to transport cargo and passengers across the world in the 19th century. They were powered purely by harnessing the wind. It could take three to four months to sail in this manner from England to Australia. On many occasions the ships were wrecked, often close to their destination, through errors of navigation. The method of production of the original images is over a century old. The Melbourne publisher of this portfolio book, Newcraft Publicity, describes the contents as follows-' Magnificent Clipper Ships: Clipper ships in the line of sail make the most romantic and spectacular pictorial chapter of marine history. This collection depicting early clippers and other types of sailing ships were originally fine engravings on wooden printing blocks used in newspapers a century ago. They were taken directly from the original newspaper prints, and reproduced in enamel inks to provide a choice of fine line prints suitable for framing. LIST OF PRINTS- The New Australian Clipper "BLUE JACKET" The Clipper Ship “CHRYSOLIER” The “GAUNTLET” Clipper Ship The New American Clipper “GREAT REPUBLIC” The Clipper Ship “GUIDING STAR” New Emigrant Ship “HESPERIDES” for the South Australian Line Capt. Beatson’s Expedition in search of Sir John Franklin – the “ISABEL” The Black Ball Line Clipper Ship “JAMES BAINES” The “MERCHANT PRINCE” – Australian Clipper The White Star Line Clipper Ship “MORNING LIGHT” The Aberdeen Clipper Built Barque “PHOENICIAN” New Australian Clipper Ship the “ROYAL FAMILY” The “SOVEREIGN OF THE SEAS” American Clipper The New Iron Clipper Built Ship “TAYLEUR” for Australia H.M. New Frigate “THETIS” The American Clipper Ship “WITCH OF THE WAVE” ABOUT THE PUBLISHER- The Newcraft Publicity was a Melbourne business that operated in the 1960s at 243 Collins Street, Melbourne.This portfolio book of clipper ship prints is historically significant as it shows an important part of Australia's history, It includes some of the shipping lines famous in the 19th century for transporting passengers and goods to Australia. The prints are also significant for their origin in the carved wooden blocks used a century ago for creating images for the newspapers of the time. Book is also significant from being one of a limited edition of books produced. There are copes in both the Victorian State Library and the National Library of Australia.The Line of Sail is a portfolio of sixteen fine line, black and white prints on paper. The subject is clipper ships. The covers are paper-covered card, coloured a strong blue with white line images and text. The image side of the pages has a sheen, the back is matt. Each print has a caption. The top of the book is stapled and bound with grey tape. Produced by Newcraft Publicity, Melbourne. Limited Edition - Copy Number 086. Stamped on front cover "086"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithographs, newscraft publicity, book, the line of sail, dlipper ships, tall shipos, sailing ships, wood block print, newspaper drawings, newcraft productions, newcraft melbourne, portfolio of clipper ships, limited edition, wooden engravings, magnificent clipper ships

Block puzzle set in a cardboard box. Contains 9 wood blocks covered with printed paper that can be arranged to make 6 different scenes. Box also contains five picture guide cards (sixth picture guide appears on box lid). One of the scenes is a tennis scene. Complete set. Small logo on lid states 'GERMANY'. Materials: Cardboard, Paper, Ink, Wood, Gluetennis

Block puzzle set. Contains 35 wood blocks covered with printed paper that can be arranged to make 6 different scenes. Housed in custom wooden box with hinge lid. Hinge is cloth tape. Box also contains five picture guide cards (sixth picture guide appears on box lid). Complete set. Small swinging metal hook as box closure device. Materials: Cardboard, Paper, Ink, Wood, Glue, Cloth tape, Metaltennis

This 1870 print displays the original design of The Alfred Hospital by Charles Webb. This design was designed in 'accordance with the principles laid down by Florence Nightingale to maximise ventilation and so minimise infection' (Victorian Heritage Database). The Alfred Hospital was founded in 1869 as a result of the work of various Melbourne doctors who fought a long and internecine battle for an additional general hospital. The Alfred Hospital treated their first patient in 1871. Prahran Council donated a parcel of low-lying land for the provision of a hospital. In 1870, the Melbourne architect, Charles Webb, won the competition to design The Alfred Hospital with his revolutionary design. Webb incorporated the "Nightingale" design - principles by designing large light filled pavilions as wards connected by covered corridors or walkways." (Alfred Health)This print includes small colour print mounted on a wood block. The print depicts a series of five red brick buildings at centre, with a dirt road snaking up from the left foreground to the front of the central building. A man is driving a two-horse buggy along the dirt road towards the buildings. The landscape on either side of the road consists of grassland and low vegetation, as well as four shallow circular pits (two on either side) which contain vegetation. There are two figures in the right foreground cutting grass with scythes. A flock of birds is visible in the sky in the central background, above the main hospital building. There is text printed below the image which reads 'THE ORIGINAL DESIGN OF THE ALFRED HOSPITAL/By C.Webb, Arckitect (sic)'. The back of the wooden block to which the print is affixes is painted black, and a circular hook has been attached to the centre back of the block for hanging of the artwork. The hook is gold coloured and attached using two gold-coloured pins and a small strap. There is handwriting at bottom right of the back of the object reads 'ANN TAVELL'.There is text printed below the image which reads 'THE ORIGINAL DESIGN OF THE ALFRED HOSPITAL/By C.Webb, Arckitect (sic)'. There is handwriting at bottom right of the back of the object reads 'ANN TAVELL'.

This printers block was made for the Warrnambool and District Historical Society and used to print letterheads, envelopes and cards. The impression on the block is of the sketch map drawn by Thomas Price of Port Fairy of the Warrnambool Harbour site when he wrote to Superintendent Charles LaTrobe in 1844 regarding the suitability of the site for a new town. The letter is regarded as an important impetus for La Trobe to consider establishing the town of Warrnambool and so the sketch was used by the Historical Society as its logo on letterheads etc for many years. It was also used as the heading for the Society newsletters from the late 1980s to late 2007.This block of the Thomas Price sketch was used by the Historical Society for many years for its printed material and the sketch was used as its logo for about 20 years so it is an important part of the Society’s history and the block is kept as a reminder of this.This is a printing block with an impression made of metal and attached to a wooden block. The wood is in layers of dark and light coloured wood and has a piece cut out at the top left hand corner. The impression is a representation of the sketch map of Warrnambool Harbour made by Thomas Price in 1844.Sketch map of Warrnambool Harbour 1844warrnambool & district historical society, thomas price sketch

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of MMTB Maximum Traction Car No. 118 being unloaded in Corio Terrace 14 Jan 1947. Tramcar became No. 31. Tram is on jacks, with one set of bogies under the tram. Has a number of wood blocks lying alongside. Tram 118 has the wartime white stripes on the tram. No destination box or route number box, windows lowered and trolley poles removed. Tram No. 26 is behind with a destination of Newtown. No details on photographer. Yields information about the delivery of the first bogie tram Geelong.Black and white photograph with a plain back.trams, tramways, geelong, unloading, bogie trams, corio terrace, transporting trams, tram 118, tram 26, tram 31

Wood block with photographic plate. Image of eight young men in suits sitting around a low table. There is a blackboard behind the group with "THE LIFE OF A CHRISTIAN BOY" written on it.On back "13"glen iris presbyterian church

Wood block with metal photographic plate attached. Head and shoulders of an unknown man wearing a suit, collar and tie.

Oblong wood block with metal photographic plate. Head and shoulders of an unknown man wearing a suit, collar and tie.On back: "33"glen iris presbyterian church

Wood block with photographic plate. Three unknown men sitting in casual chairs with a small table in the foreground.on back: "39"

Wood block with photographic plate. Head and shoulders of an unknown man with glasses wearing a suit, collar and tie.glen iris presbyterian church

Wood block with metal photographic plate. Head and shoulders of three men wearing suits.On back: "22" "Glen Iris Presby" " Mr W S Noble" "Mr G. L. D. Don" "Mr R. F. Ingram"glen iris presbyterian church, noble, w.s., don, g. l.d., ingram, r.f.

Wood block with metal photographic plate. Head and shoulders an unknown man wearing a suit.glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. glen iris presbyterian church

Wood block with photographic plate. Head shoulders image of an unknown minister. On back " GLEN IRIS PRESY"glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. On back "Wilson"glen iris presbyterian church

Wood block with photographic plate. Exterior image of church with people in the foreground.On back " GLEN IRIS Presbyterian Church News"glen iris presbyterian church

Wood block with photographic plate. Exterior image of church.glen iris presbyterian church

Wood block with photographic plate. Exterior image of a single storey building with a verandah.glen iris presbyterian church

Wood block with photographic plate. Exterior image of a single storey building.glen iris presbyterian church

Wood block with photographic plate. Image of an unknown man sitting behind a table with his hands crossed and on the table.On back: "28"glen iris presbyterian church

Wood block with photographic plate. Head and shoulders of unknown man in a collar and tie.glen iris presbyterian church

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Print shows an open book with the word ELIDE on the left hand page and a picture of a seated man framed by a circle on the right hand page. An engraving tool and wood block are in the foreground. Foliage protrudes from behind the book. W 90/31 in bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards

Lionel LINDSAY (17 October 1874- 22 May 1961) Born Creswick, Victoria Wood engraving, signed in block lower right. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed woodblock print.art, artwork, lionel lindsay, lindsay, woodblock, woodcut, goat, animal, available

The notepaper says: "In commemoration of the heroic deeds of the men of ANZAC at GALLIPOLI in 1915 and in recognition of the great debt owed by all Australians. With the compliments of the Government of the Commonwealth of Australia." It was given to Legatee Gordon Beith. His son and daughter presented it to Legacy. The Anzac Commemorative Medallion was instituted 1967. It was awarded to surviving members of the Australian forces who served on the Gallipoli Peninsula, or in direct support of the operations from close off shore, at any time during the period from the first Anzac Day in April 1915 to the date of final evacuation in January 1916. (taken from defence.gov.au)Shows the recognition by the Australian Government of the servicemen who served at Gallipoli.ANZAC Commemorative Medallion in brown leather case. Bronze medallion with depiction of Simpson and his donkey carrying a wounded soldier, in a circle with the date 1915. The circle is topped by a crown. It is bordered on the lower half by a laurel wreath above the word ANZAC. The reverse shows a map in relief of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by New Zealand fern leaves. The name and initials of the recipient, G. Beith, is engraved on the reverse the engraved name. The presentation case is dark brown leather like outside, with maroon silk lining, and maroon velour cushion for the medalion to rest in. Inside is a printed note on Commonwealth of Australia white notepaper. Accompanying it is a block of wood with inscription of it's donation to Legacy.'G. Beith' engraved on the reverse.gallipoli, medallion, world war one