Stained glass window from the Principal's Residence, Burnley (demolished 1980.) Two rectangular coloured stained glass panels constructed by leadlight in a wooden frame separated by a wooden panel. Leadlight in an Art Nouveau style. stained glass window, principal, burnley, art nouveau, leadlight window, principals residence, artifact

Picture of Australian Military Aircraft 1909 to 1918 The First chart in the 6 part series reproducing the War Memorial mural painted by Harold Freedman. This concludes the 50th anniversary of the australian Airforce. Print 1 of mural by Harold Freedman depicting Australian Military Aircraft complete with descriptions.Print of vintage aircraft in glass and wooden FrameDonated by Pedro Pegan in 2015 Chart 1 Australian War Memorial

WOODEN FRAME and type written note describing a Magic Lanternpersonal effects

Studio portrait of young lady in graduation gown in a wooden frame. Frame is made of wood and is of an irregular shape with decorative carvings surrounding the portrait. Decorative carvings were possibly painted gilt which has since largely worn away. Portrait is covered in glass. Portrait is of a young lady wearing a white dress with a graduation gown over it. She has a mortarboard with a tassel on her head with a large bow at the back and she is holding a scroll in her right hand. She has a locket around her neck and a brooch suspending a cross at her neck. Bracelets are on both wrists. The words Bartlett Bros Bendigo are printed on the bottom of the matte surrounding the photograph. Subject is probably either Mary or Kathleen Foster.Bartlett Bros Bendigophotograph, portrait, female

Fred Page collection, collage of photographs & other of the Princess Theatre.buildings, commercial, princess theatre, bendigo, buildings, theatre

framed pictures

Small blue plate with gold [Chinese?] dragon in a wooden frame with gold mount.Red oval sticker with Chinese writing bottom right hand corner on the back.plate, gold dragon, wooden frame, gold mount, square

Small grey plate with two gold [Chinese?] dragons in a wooden frame with gold mount.plate, gold dragons, wooden frame, gold mount, square, gift

Small gold glittered plate with gold [Chinese?] dragon in a wooden frame with brown mount with corner scrolls.Fuzhou Universityplate, gold dragons, wooden frame, brown mount, square, chinese dragon, souvenir

Tpr Bartlett was the first casualty of the 4th Light Horse Regiment at Gallipoli. Tpr Bartlett enlisted on 18 August 1914 at Broadmeadows Vic and was posted to A Squadron 4th Australian Light Horse Regiment. He embarked for Egypt on HMAT Wiltshire on 19 Oct 1914 then going ashore on Gallipoli on 21 May 1915. At 8:00 pm Trooper Bartlett was struck in the stomach by either shrapnel or gunfire. His wounds were dressed and he was evacuated. He died of wounds and was buried at sea on 24 May 1915. The 4th Australian Light Horse Regiment is an ancestor unit of the modern day 4th/19th Prince of Wales's Light Horse Regiment. The Unit History Room is the custodian of its history. This memento of the first casualty of the 4th Light Horse Regiment at Gallipoli is both significant and poignantFramed portrait photo of No 72 Tpr Norman James Bartlett, 4th Australian Light Horse Regiment. In glass fronted wooden frame No 72 Trooper Norman James Bartlett, 4th Australian Light Horse Regiment Donated by Frankston RSL Sub-Branch 2016framed portrait photo of no 72 tpr norman james bartlett, 4th australian light horse regiment. in glass fronted wooden frame

This picture frame was hung in the Bridge Hotel in the upstairs display that was assembled in the 1970s and can be seen in some of the photographs taken upstairs over the decades in the Port Collection. A round wooden photo frame decorated with carved circles with a sepia circular photo of young woman with voluminous hairstyle inside it. She has a triple strand of pearls around her neck. At the bottom of the photo if written Talma & Co, Swanston St, Melbourne. A brown string like a shoe lace is threaded through 2 hooks to hang it from.'Part of her mother's effects, K Robertson, born 1886 carved this frame as a girl probably around 1903. Subject not known, a friend perhaps.' written on the back of the photo. bridge hotel, k robertson, talma & co, picture frame

The Pacific Marine company was based in Seattle on the west coast of America and manufactured its first satisfactory portable fire pump 1925. These early Type N pumps were replaced in 1933 by the more familiar Type Y pumps. The updated pumps proved popular with the US Forest Service, and a large number were purchased by the Forests Commission as part of the equipment upgrade program in the wake of the 1939 bushfires. The Pacific Marine had a 9.8 Hp, two-cylinder, two-stroke petrol motor running with a high oil mix ratio of 16:1, so it blew vast clouds of blue smoke as the motor screamed at 4500 rpm. Part of its unique design was the water-cooled engine and muffler. But if the flow of water was interrupted the engine would quickly overheat and seize, so it needed constant monitoring and attention. Water was driven through a pair of bronze impeller gears which also needed a constant flow of water otherwise they would also self-destruct. When running properly, a Pacific Marine could pump 63 US gallons per minute, or about enough to fill a 200-litre drum. But its main feature was its high pressure of up to 225 psi. Pacific Marine pumps were often mounted on top of departmental fire tankers and used to spray water into the tops of burning trees. Compared to other pumps of the era it was light weight at only 70 pounds and was often mounted on a wooden stretcher frame. But they were cantankerous things to start with the rope pull and many exasperated novices came away with skinned knuckles. Modern Honda motors, which were more reliable and smoother running, replaced the Pacific Marines as the pump of choice for forest firefighters in the 1980s.High pressure Pacific marine Pumpforests commission victoria (fcv), bushfire, fire pump

photo/pictures, ballarat rsl, ballarat

Brown stained wooden frame with gold trim. Bendigo Bank 2011 Gippsland Business Awards. Finalist Tourism.Brown stained wooden frame with gold trim. Bendigo Bank 2011 Gippsland Business Awards. Finalist Tourism.awards, bendigo bank award, 2011 gippsland business awards, finalist, tourism

This wooden frame is designed to sit over paper pages. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing handwritten notes.1 wooden frame with elastic and beads and metal cornersassociation for the blind, assistive devices

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. In this example, the Rules of Membership for the Victorian Braille Writers were attached to the board.1 wooden back board with metal hand frame and stylus156 carved into wooden framebraille equipment, victorian association of braille writers

Wooden framed colour photograph of OSSA volunteers in MTSV garden, taken in 2016. Maureen Scoble, volunteer gardener, took this photograph to commemorate the addition of a new roof for the wedding platform in the MTSV garden, built by the volunteers . OSSA (Off Shore Specialists Australia), is a hiring group for their archives.Photograph portrays the community spirit amongst volunteers in banding together for a common cause.Wooden framed colour photograph depicting volunteers posing in MTSV gardenOn photograph (lower right corner): "05/09/2016 02:02" On back cover of photo frame: "Sea captains volunteers". "My heroes. They put a roof on the wedding platform". "Maureen" maureen scoble, garden, mission to seafarers, flinders street, wedding, pergola, ossa, interest group, volunteers

Evidence of Lara RSL Sub-Branch continuing support for Lara Community and resulted in it's membership growth by 30.14% Evidence of Lara RSL Sub-Branch continuing support for Lara Community.A4 picture frame containing a parchment of a Certificate of Appreciation given by the State Executive of the Victorian Branch of the Returned & Services League of Australia to Lara RSL Sub-Branch for accounting for the membership increase by 30.14 % dated 8/7/2010On the top of the Certificate of Achievement is the RSL Official Badge symbol and signed on the bottom by the State President and Chief Executive Officer.parchment for certificate of achievement, glass front, wooden frame, white card board back

The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . This photograph is a portrait mounted in an oval rosewood frame, one of a pair. This photograph is Henry Giles, dressed formally and showing a moustache and side-burns. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles

This wedding photo is of local pioneer families, Cooper and Larkins. John Cooper Jnr. married Annie Emma Larkins. The exact date is unknown. This is not only important for the Cooper & Larkin families but for historical reference for the Tawonga area where these families lived. It shows that even though the Kiewa Valley was considered remote during this period the tradition of a big formal wedding was still held with fashionable weddings. This photo was included in a group of photos. This photo has historical significance as it depicts members of local pioneer families getting married. It also is representative of the style of wedding dresses of the period and the style of men's wedding attire. The photograph itself is also significant as is demonstrates the style and formality of wedding photos during this time. The picture frame is likewise the style of the period. However, this is in bad condition with bore holes in it. This photo has good interpretive value and is well provenanced. Black and white wedding photo of John Cooper Jnr. and Annie Emma Larkins. The centre of the frame has carved hearts 3 cm wide all the way around.Photographer "Mendelsfohn's and Co. Melbourne"mendelsfohn's & co.. photographer of melbourne. wedding. furniture. wooden frame.

The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . Portrait photograph mounted in an oval rosewood frame, one of a pair. This photograph is Mary Jane Giles, dressed formally showing chest to head. Her hair is tied back hair and she has a neck band. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles

Two pieces of timber frame. Stuck on timber is label ' from W.H. Brown practical frame maker, carver and gilder, plush worker & c., View Street'as abovephotography, wooden frame, w.h. brown, picture framers

Framed b&w head and shoulders photo of Major J C Chanter DSOCaption: 4th Australian Light Horse 1914-1918 Major J C Chanter DSOmajor j c chanter dso, 4th australian light horse regiment. in glass fronted wooden frame

A washboard is a tool designed for hand washing clothing that are soaked in hot soapy water in a wash tub or sink, then squeezed and rubbed against the ridged surface of the washboard to force the cleaning fluid through the cloth to carry away dirt. With the invent of mechanized cleaning of clothing becoming more common by with the use of washing machines by the end of the 20th century the washboard was soon discontinued. The traditional washboard is usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. For 19th-century washboards, the ridges were often of wood, sometimes glass and by the 20th century, ridges of metal became common The first "fluted" metal washboard was patented in the United States by Stephen Rust in 1833 and Zinc washboards were predominantly manufactured in the United States from the middle of the 19th century. A significant item for cleaning clothes still in use today in many countries giving a snapshot into the domestic life of a housewife into the 20th century.Washboard wooden frame with a ribbed glass sectionNonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, washboard, glass ripples, clothes cleaning, washing, laundry

A washboard is a tool designed for hand washing clothing that are soaked in hot soapy water in a wash tub or sink, then squeezed and rubbed against the ridged surface of the washboard to force the cleaning fluid through the cloth to carry away dirt. With the invent of mechanized cleaning of clothing becoming more common by with the use of washing machines by the end of the 20th century the washboard was soon discontinued. The traditional washboard is usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. For 19th-century washboards, the ridges were often of wood, sometimes glass and by the 20th century, ridges of metal became common The first "fluted" metal washboard was patented in the United States by Stephen Rust in 1833 and Zinc washboards were predominantly manufactured in the United States from the middle of the 19th century. A significant item for cleaning clothes still in use today in many countries giving a snapshot into the domestic life of a housewife into the 20th century.Washboard wooden frame with a ribbed glass sectionMarked "Possum Brand"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, washboard, glass ripples, clothes cleaning, washing, laundry