Stained glass window from the Principal's Residence, Burnley (demolished 1980.) Two rectangular coloured stained glass panels constructed by leadlight in a wooden frame separated by a wooden panel. Leadlight in an Art Nouveau style. stained glass window, principal, burnley, art nouveau, leadlight window, principals residence, artifact

Picture of Australian Military Aircraft 1909 to 1918 The First chart in the 6 part series reproducing the War Memorial mural painted by Harold Freedman. This concludes the 50th anniversary of the australian Airforce. Print 1 of mural by Harold Freedman depicting Australian Military Aircraft complete with descriptions.Print of vintage aircraft in glass and wooden FrameDonated by Pedro Pegan in 2015 Chart 1 Australian War Memorial

WOODEN FRAME and type written note describing a Magic Lanternpersonal effects, magic lantern

Studio portrait of young lady in graduation gown in a wooden frame. Frame is made of wood and is of an irregular shape with decorative carvings surrounding the portrait. Decorative carvings were possibly painted gilt which has since largely worn away. Portrait is covered in glass. Portrait is of a young lady wearing a white dress with a graduation gown over it. She has a mortarboard with a tassel on her head with a large bow at the back and she is holding a scroll in her right hand. She has a locket around her neck and a brooch suspending a cross at her neck. Bracelets are on both wrists. The words Bartlett Bros Bendigo are printed on the bottom of the matte surrounding the photograph. Subject is probably either Mary or Kathleen Foster.Bartlett Bros Bendigophotograph, portrait, female

Fred Page collection, collage of photographs & other of the Princess Theatre.buildings, commercial, princess theatre, bendigo, buildings, theatre

This artwork was previously displayed in the offices of Nettlefolds Pty Ltd in Sunshine, Victoria. That factory no longer exists and the site is now occupied by a retail complex.Unusual form of artwork dedicating the Coronation of Queen Elizabeth 2, and displaying the products that were made by Nettlefolds Pty Ltd in Sunshine.Wood structure, comprising of a brown stained frame enclosing a green background, which is dedicated to the Coronation of Queen Elizabeth 2. Screws, nuts, and bolts made by NETTLEFOLDS PTY LTD are 'sewn' on to the green board with thin wire to form the artwork. At the bottom of the frame is a brass plate with Nettlefolds Pty Ltd engraved in script lettering.Nettlefolds Pty Ltd.coronation, nettlefolds, screws, nuts, bolts, queen elizabeth, manufacturing industries, sunshine, artwork

framed pictures

Small blue plate with gold [Chinese?] dragon in a wooden frame with gold mount.Red oval sticker with Chinese writing bottom right hand corner on the back.plate, gold dragon, wooden frame, gold mount, square

Small grey plate with two gold [Chinese?] dragons in a wooden frame with gold mount.plate, gold dragons, wooden frame, gold mount, square, gift

Small gold glittered plate with gold [Chinese?] dragon in a wooden frame with brown mount with corner scrolls.Fuzhou Universityplate, gold dragons, wooden frame, brown mount, square, chinese dragon, souvenir

Slates were used in schools during the eighteenth century and early nineteenth century before cheap paper became widely available. Slate pencils in various colours were used, made from a variety of materials, incuding slate, chalk and compressed clay. 'Bluevein' brand slate chalkboard, double sided, in a wooden frame.Stamped on top of the wooden frame: "Bluevein Slate", W.C.S.& Co. J.M.S." schools, writing materials

Tpr Bartlett was the first casualty of the 4th Light Horse Regiment at Gallipoli. Tpr Bartlett enlisted on 18 August 1914 at Broadmeadows Vic and was posted to A Squadron 4th Australian Light Horse Regiment. He embarked for Egypt on HMAT Wiltshire on 19 Oct 1914 then going ashore on Gallipoli on 21 May 1915. At 8:00 pm Trooper Bartlett was struck in the stomach by either shrapnel or gunfire. His wounds were dressed and he was evacuated. He died of wounds and was buried at sea on 24 May 1915. The 4th Australian Light Horse Regiment is an ancestor unit of the modern day 4th/19th Prince of Wales's Light Horse Regiment. The Unit History Room is the custodian of its history. This memento of the first casualty of the 4th Light Horse Regiment at Gallipoli is both significant and poignantFramed portrait photo of No 72 Tpr Norman James Bartlett, 4th Australian Light Horse Regiment. In glass fronted wooden frame No 72 Trooper Norman James Bartlett, 4th Australian Light Horse Regiment Donated by Frankston RSL Sub-Branch 2016framed portrait photo of no 72 tpr norman james bartlett, 4th australian light horse regiment. in glass fronted wooden frame

This picture frame was hung in the Bridge Hotel in the upstairs display that was assembled in the 1970s and can be seen in some of the photographs taken upstairs over the decades in the Port Collection. A round wooden photo frame decorated with carved circles with a sepia circular photo of young woman with voluminous hairstyle inside it. She has a triple strand of pearls around her neck. At the bottom of the photo if written Talma & Co, Swanston St, Melbourne. A brown string like a shoe lace is threaded through 2 hooks to hang it from.'Part of her mother's effects, K Robertson, born 1886 carved this frame as a girl probably around 1903. Subject not known, a friend perhaps.' written on the back of the photo. bridge hotel, k robertson, talma & co, picture frame

The Pacific Marine company was based in Seattle on the west coast of America and manufactured its first satisfactory portable fire pump 1925. These early Type N pumps were replaced in 1933 by the more familiar Type Y pumps. The updated pumps proved popular with the US Forest Service, and a large number were purchased by the Forests Commission as part of the equipment upgrade program in the wake of the 1939 bushfires. The Pacific Marine had a 9.8 Hp, two-cylinder, two-stroke petrol motor running with a high oil mix ratio of 16:1, so it blew vast clouds of blue smoke as the motor screamed at 4500 rpm. Part of its unique design was the water-cooled engine and muffler. But if the flow of water was interrupted the engine would quickly overheat and seize, so it needed constant monitoring and attention. Water was driven through a pair of bronze impeller gears which also needed a constant flow of water otherwise they would also self-destruct. When running properly, a Pacific Marine could pump 63 US gallons per minute, or about enough to fill a 200-litre drum. But its main feature was its high pressure of up to 225 psi. Pacific Marine pumps were often mounted on top of departmental fire tankers and used to spray water into the tops of burning trees. Compared to other pumps of the era it was light weight at only 70 pounds and was often mounted on a wooden stretcher frame. But they were cantankerous things to start with the rope pull and many exasperated novices came away with skinned knuckles. Modern Honda motors, which were more reliable and smoother running, replaced the Pacific Marines as the pump of choice for forest firefighters in the 1980s.High pressure Pacific marine Pumpforests commission victoria (fcv), bushfire, fire pump

photo/pictures, ballarat rsl, ballarat

The wooden frame of this object has been replaced due to the original one being rotted out at the base of its legsConcrete grinding wheel mounted on a wooden frame with a footpedal

Brown stained wooden frame with gold trim. Bendigo Bank 2011 Gippsland Business Awards. Finalist Tourism.Brown stained wooden frame with gold trim. Bendigo Bank 2011 Gippsland Business Awards. Finalist Tourism.awards, bendigo bank award, 2011 gippsland business awards, finalist, tourism

This wooden frame is designed to sit over paper pages. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing handwritten notes.1 wooden frame with elastic and beads and metal cornersassociation for the blind, assistive devices

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. In this example, the Rules of Membership for the Victorian Braille Writers were attached to the board.1 wooden back board with metal hand frame and stylus156 carved into wooden framevictorian association of braille writers, braille equipment

Wooden framed colour photograph of OSSA volunteers in MTSV garden, taken in 2016. Maureen Scoble, volunteer gardener, took this photograph to commemorate the addition of a new roof for the wedding platform in the MTSV garden, built by the volunteers . OSSA (Off Shore Specialists Australia), is a hiring group for their archives.Photograph portrays the community spirit amongst volunteers in banding together for a common cause.Wooden framed colour photograph depicting volunteers posing in MTSV gardenOn photograph (lower right corner): "05/09/2016 02:02" On back cover of photo frame: "Sea captains volunteers". "My heroes. They put a roof on the wedding platform". "Maureen" maureen scoble, garden, mission to seafarers, flinders street, wedding, pergola, ossa, interest group, volunteers

2 photos in a wooden frame showing both port and starboard sides of HMAS Warrnambool sinking after being struck by a mine on 3 September 19472 photos in a wooden frame showing both port and starboard sides of HMAS Warrnambool sinking after being struck by a mine on 3 September 1947.Donated by Kevin Dollard, a survivor from Sale Vic.

19th century Japanese screen (partial) embroidered in silver metal threads on brown silk in a wooden frameEmbroidered screen depicting two cranes and one small bird amongst lily pads and flowers. Worked in silver metal thread couched with coloured silks. In original wooden frame.birds, flowers, crane, tsuru, lily pads

Evidence of Lara RSL Sub-Branch continuing support for Lara Community and resulted in it's membership growth by 30.14% Evidence of Lara RSL Sub-Branch continuing support for Lara Community.A4 picture frame containing a parchment of a Certificate of Appreciation given by the State Executive of the Victorian Branch of the Returned & Services League of Australia to Lara RSL Sub-Branch for accounting for the membership increase by 30.14 % dated 8/7/2010On the top of the Certificate of Achievement is the RSL Official Badge symbol and signed on the bottom by the State President and Chief Executive Officer.parchment for certificate of achievement, glass front, wooden frame, white card board back

The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . This photograph is a portrait mounted in an oval rosewood frame, one of a pair. This photograph is Henry Giles, dressed formally and showing a moustache and side-burns. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles