Trophy awarded to the most improved woodwind student in memory of former student Sonya Batstra who passed away in 2001. Sonya attended the school 1981-1986.Light coloured wooden trophy on dark wood square block standInscribed on stand in relief lettering: Sonya Batstra (1986) memorial prize for / 'Most improved woodwind student' Inscribed on gold coloured plaque on trophy: Names of winners 2001 - sonya-lousie-batstra, woodwind, music, ballarat-clarendon-college, bethany-taylor, daniela-hicks, matthew-day, caitlin-bruty, jess-cassells, charlotte-olsen, ellen-leishman, zachary-stute, caleb-newell, ashton-wood, timothy-snibson

Black and white photograph on grey board. Forty two men in brass band. Three rows seated and one row standing. All in band uniform. Bearded man in centre with no instrument. Four standing with no instruments. Band is brass, woodwind and strings (one bass?) Insignia on cap COULD be 'VR' (Victorian Railways??), with crown above (Victoria Regina?)person, group, band

This work was commissioned by the University of Ballarat (later Federation University Australia) at the suggestion of University lecturer Janice Newton.The composers brief was to provide fanfare/processional - type music that reflected both something of the early history of Ballarat and something of the goldfields. 'Look Out Below' and the medieval university tune 'Gaudeamus Igitar' has been incorporated into the body of the music. The discerning ear may pick out these tunes being played independently or together, in snatches or longer segments, throughout the piece. Rosalie Boninghton (9.4.1946 - 21.12.2011) was born in Ballarat. She studied composition under Keith Humble, Ian Bonington, Theodore Dollarhide and Lawrence Whiffen from the University of Melbourne and completed her Master of Arts (Music) at LaTrobe University in composition with a thesis on 'Contemporary Liturgical Music and the Composer. In 1967 Rosalie was awarded the Coutts Memorial Prize for Composition from the University of Melbourne. She has also won the national Song of Jubilee competition (1999), and was co-winner of the national Competition for Liturgical Psalm-Setting (1983). An A3 score of fourteen A3 pages for brass, woodwind and timpani. The pages have been inserted into an A3 display book. An collections of A4 scores for each musical instrument is also located in the A3 display book. The music has been designed for flexi-length options to suit each particular occasion, ranging from approximately 2 minutes and 35 seconds minimum length to approximately 3 minutes and 37 seconds maximum, and including a range of intermediate lengths possible. graduation, music, music score, rosalie bonighton, processional hymn, janice newton, fanfare

This is a 1991 program for the City of Warrnambool Eisteddfod. This Eisteddfod was first held in 1975 when the Rotary Club of Warrnambool organized a community festival attracting 150 entrants. Following this the Warrnambool City Council became the organizer of this event. Today the Warrnambool Eisteddfod is dedicated to showcasing local talents in speech, drama, music, dance, calisthenics and debating in an annual event that goes over 40 days and has over 1000 entrants. A highlight is the Aria Award for the best senior vocalist. This program is of some interest as it gives details of the events held in the Warrnambool Eisteddfod in 1991. This is a booklet of 84 pages. It has a blue and white cover and printed material. This includes office bearers of the Eisteddfod, advertisements, a program of events with the names of entrants, a list of sponsors and some annotated pages indicating the winning entrants. Front Cover: ‘City of Warrnambool Eisteddfod Society Inc. featuring the Fletcher Jones Aria Sponsored by the Fletcher Jones Foundation, Prize Awarded, $3,000, 1991, Sections include Brass, Calisthenics, Recorder, Woodwind, Dancing, Highland D’cing, Speech & Drama, Choral Strings, Organ, Piano. Official Sponsor, Victorian Ministry for the Arts’1991 warrnambool eisteddfod, warrnambool eisteddfod

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This recorder belonged to Alfred Haeusler (b.1922) and was played during his childhood in Wodonga in the 1920s-1930s. The recorder is one of several objects in the Haeusler Collection concerning early childhood that provides insight into family and home life in early twentieth century Wodonga. Recorders belong to the family of woodwind instruments and were first produced in the early eighteenth century. The instrument was popularly revived in 1919 by English instrument maker Arnold Dolmetsch. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. Plated iron alloy recorder with visible rust, roughly 20cm long. "MADE IN JAPAN"/"SK"music, musical instrument, recorder, wind instrument, school, child, childrens, haeusler collection, music lesson, woodwind instrument