Showing 8 items matching "wool breading"
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National Wool MuseumMemorabilia - Wool sample display, 1963
... ...Wool Breading...Wool Samples Wool Sorting Wool Breading Light brown timber framed display board with glass cover. ...Display board was once property of Port Macquarie Historical Society & Museum, but they de-accessioned it in 2016 before donating it to the National Wool Museum. Reason for de-accession was that it no longer fit with their collection aims, nor was it relevant to their location. Item appears to have been made in 1963, or at least using wool samples from 1963. Wool samples were grown by a S.F. PICKER at 'BIGGA' in New South Wales. No further information was given by donor.Light brown timber framed display board with glass cover. Light brown backing board with 25 wool samples taped to the board, each with a paper lable with printed text. Main label reads -WORLD RECORD PRICE / 1963...468d / SUPER FINE MERINO. / COUNT. 74/80. / GROWN BY. / S.F. PICKER. BIGGA. / N.S.W.-wool samples, wool sorting, wool breading -
Bendigo Historical Society Inc.Book - ALLMANS' PENNY SCHOOL SERIES BOOKLET
... Allman's Penny School Series Booklet: A Pocket booklet of Arithmetic, Weights and measures including wine, Ale, Hay, Bread, Cloth and wool etc. Book 19 of 25 in the series. ...Allman's Penny School Series Booklet: A Pocket booklet of Arithmetic, Weights and measures including wine, Ale, Hay, Bread, Cloth and wool etc. Book 19 of 25 in the series. ...BHS CollectionAllman's Penny School Series Booklet: A Pocket booklet of Arithmetic, Weights and measures including wine, Ale, Hay, Bread, Cloth and wool etc. Book 19 of 25 in the series. Box 625London: Allman & Son, 463 New Oxford Street.books, school -
Brighton Historical SocietyBed jacket, circa 1955
... He loved being in Australia and enjoyed life to the last, insisting on having bread and wine on the table at every meal. bed jacket migration 1950s carmela auditore carmela materia giuseppa auditore Cream crocheted wool bed jacket. ...This bed jacket was crocheted for Carmela Materia (1931-2018) by her mother, Giuseppa Auditore, around the time they emigrated from Italy to Melbourne. Both women were longtime Brighton locals, residing in the area from the 1950s until their deaths. Carmela Auditore was the first woman from her home village of Scaletta, Italy to emigrate to Australia. Setting sail alone in 1950 at the age of 19, she joined her brother John and uncle Frank in McCallum St, Brighton. Frank had arrived some years earlier and had spent the duration of the First World War in an internment camp. John worked at the Brighton Case Company, a box manufacturer on Nepean Highway, and paid for her passage. Carmela found a job sewing children's clothing at Drummonds, a small factory in Church St. Working eight hours a day, five days per week, netted her a weekly wage of three pounds. To earn a little extra, she washed dishes at a St Kilda Road restaurant for ten shillings a shift. Her parents, Salvatore and Giuseppa Auditore, joined her in Brighton in 1952. They rented a house behind an antique shop in Bay Street. Salvatore had been a fisherman in Scaletta, but quickly adapted to the job he found helping around the Garage at Brighton Motors in Male Street. On 14 February 1953, Carmela married her sweetheart, Salvatore Materia, at St James Catholic Church in Gardenvale. Salvatore had been living with his aunt in Well Street and worked on the wharves. Both Carmela and Salvatore were hard workers. They owned a fruit shop in Church Street where Woolworths now stands, and years later Carmela recalled the familiar 6am tap on her window each morning when her husband returned from the market. On dark winter mornings, she felt as if her hands would freeze as she helped Salvatore unload cold cabbages and cauliflowers from his truck. They later owned a shop in Ludstone Street in Hampton. After Salvatore died suddenly at the age of 48, Carmela returned to sewing, working at the Willow Fashions knitting mill in Gardenvale. She later went into partnership with her sister and brother-in-law, this time in the delicatessen business. Her parents, Giuseppa and Salvatore, spent the rest of their days with Brighton. Carmela recalled her father cheerfully walking the streets, greeting people by name. He knew everybody. He loved being in Australia and enjoyed life to the last, insisting on having bread and wine on the table at every meal.Cream crocheted wool bed jacket. Loose around bust with wide sleeves and open sides. Fastens at collar with thin braided ties, and at waist with two pearlescent plastic buttons.bed jacket, migration, 1950s, carmela auditore, carmela materia, giuseppa auditore -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Plate of Sandwiches
... wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed by Janette Stonehouse and Val ingeme. the white bread and plate made by Janette Stonehouse and the brown bread by Val Ingeme....wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed by Janette Stonehouse and Val ingeme. the white bread and plate made by Janette Stonehouse and the brown bread by Val Ingeme. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed by Janette Stonehouse and Val ingeme. the white bread and plate made by Janette Stonehouse and the brown bread by Val Ingeme.agricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., felting, embroidery, ingeme, mrs val stonehouse, janette - geelong handweavers and spinners guild inc., agricultural shows, textile art, handicrafts -
National Wool MuseumTool - Ear Label Plier, c. 1950
... National Wool Museum 26 Moorabool Street Geelong geelong-and-the-bellarine-peninsula Used to tag sheep. sheep breading On Box - Veterinary Instruments Ear Label Plier Type Plastic Steel tool inside a cardboard box. ...Used to tag sheep.Steel tool inside a cardboard box.On Box - Veterinary Instruments Ear Label Plier Type Plasticsheep breading -
National Wool MuseumPhotograph, Superfine Merino Ewe Photograph, 1935
... National Wool Museum 26 Moorabool Street Geelong geelong-and-the-bellarine-peninsula Photograph of the Superfine Merino Ewe who was the Champion & Grand Champion at the Melbourne Sheep Show in 1935. The Sheep was bread ...Photograph of the Superfine Merino Ewe who was the Champion & Grand Champion at the Melbourne Sheep Show in 1935. The Sheep was bread and exhibited by Trustees Late Yalla-Y-Poora homstead located in Ararat, Victoria.Framed sepia photo of a Merino Ewe with handwritten description in footer of matte.Superfine Merino Ewe Champion & Grand Champion Melbourne Sheep Show 1935. The Sheep was bread and exhibited by Trustees Late Jno. Ware. Yalla-Y-Poora, Vicyalla-y-poora, merino sheep, melbourne sheep show -
National Wool MuseumTextile - Red Woollen Jacket, Sabena, 2000s
... Wool Museum for 25 years from 2001 until her passing in 2025, and was a much loved and respected member of the team. "I was born at Coonara Private Hospital at 173 Yarra Street, Geelong, on the 29th of March 1944, the third of five children. My father was in the RAAF when I was born, and on leaving the air force he became a carpenter/joiner. When I was young, we had the bread...Wool Museum for 25 years from 2001 until her passing in 2025, and was a much loved and respected member of the team. "I was born at Coonara Private Hospital at 173 Yarra Street, Geelong, on the 29th of March 1944, the third of five children. My father was in the RAAF when I was born, and on leaving the air force he became a carpenter/joiner. When I was young, we had the bread ...This jacket was worn by Lynette Wekwerth when she worked as a volunteer in the National Wool Museum shop during the early 2000s. Lynette volunteered at the National Wool Museum for 25 years from 2001 until her passing in 2025, and was a much loved and respected member of the team. "I was born at Coonara Private Hospital at 173 Yarra Street, Geelong, on the 29th of March 1944, the third of five children. My father was in the RAAF when I was born, and on leaving the air force he became a carpenter/joiner. When I was young, we had the bread and milk delivered. There was a special tin for the bread and a big billy for the milk left of the front veranda to collect these items. My mother, elder sister, Wendy and my younger sister Zaidee, all went to “Physical Culture” held downstairs under the old Plaza Theatre building in Ryrie Street. We girls made our own sports clothes to do exercises (rods, dumbbells, and song and dance). It kept us fit, and we all won medals at some stage at the end-of-year concert. I was the only girl of my age in the street where I lived. There were boys my age, so I learned to play cricket and kick a football, all of which I did well. I attended Tate Street and then went on to Matthew Flinders Girls Secondary College in 1956. Matthew Flinders was a domestic arts school, where I learnt sewing, cookery, home management, and how to be a ‘good’ housekeeper. I enjoyed all the domestic subjects. Ray and I were engaged in August 1963. We purchased our engagement ring in Melbourne and went to dinner at the Playboy Club in Melbourne to celebrate. In preparation for our wedding, I spent many hours making my own wedding dress (with assistance from my mother). We were married at 11 am on Saturday, the 10th April 1965 at St. Matthew’s, Church of England, Geelong. When Ray retired, he responded to an advertisement for volunteers at the National Wool Museum to be a volunteer. He started in 1998. The year that the ‘Pharaohs exhibition’ started. That was fine by me, as he wouldn’t be getting under my feet. At this time I was playing golf regularly and didn’t want to miss out on this activity. I joined the volunteers in the Wool Museum in March/April 2001. I was allocated to the Museum Shop and thoroughly enjoyed being a member of the shop staff. I then became shop assistant. I enjoyed talking and serving the customers. I was soon asked if I would mind repairing some of the garments that may have pulled a thread or a minor fault. I also enjoyed doing ‘stock taking’ in the shop. (Not many staff enjoyed this job, but I did.) In those early days, the Museum staff wore the red blazer and the black wool cardigan." - Lynette WekwerthRed jacket with two buttons and two pockets at the front, and two decorative buttons on each cuff. Jacket has National Wool Museum logo on the left lapel. printed [label]: SABENA / 14working life, volunteer, national wool museum, clothing, uniform, lynette wekwerth, staff, employment, wool clothing, geelong -
National Wool MuseumTextile - Black Woollen Vest, 2000s
... Wool Museum for 25 years from 2001 until her passing in 2025, and was a much loved and respected member of the team. "I was born at Coonara Private Hospital at 173 Yarra Street, Geelong, on the 29th of March 1944, the third of five children. My father was in the RAAF when I was born, and on leaving the air force he became a carpenter/joiner. When I was young, we had the bread...Wool Museum for 25 years from 2001 until her passing in 2025, and was a much loved and respected member of the team. "I was born at Coonara Private Hospital at 173 Yarra Street, Geelong, on the 29th of March 1944, the third of five children. My father was in the RAAF when I was born, and on leaving the air force he became a carpenter/joiner. When I was young, we had the bread ...This vest was worn by Lynette Wekwerth when she worked as a volunteer in the National Wool Museum shop during the early 2000s. Lynette volunteered at the National Wool Museum for 25 years from 2001 until her passing in 2025, and was a much loved and respected member of the team. "I was born at Coonara Private Hospital at 173 Yarra Street, Geelong, on the 29th of March 1944, the third of five children. My father was in the RAAF when I was born, and on leaving the air force he became a carpenter/joiner. When I was young, we had the bread and milk delivered. There was a special tin for the bread and a big billy for the milk left of the front veranda to collect these items. My mother, elder sister, Wendy and my younger sister Zaidee, all went to “Physical Culture” held downstairs under the old Plaza Theatre building in Ryrie Street. We girls made our own sports clothes to do exercises (rods, dumbbells, and song and dance). It kept us fit, and we all won medals at some stage at the end-of-year concert. I was the only girl of my age in the street where I lived. There were boys my age, so I learned to play cricket and kick a football, all of which I did well. I attended Tate Street and then went on to Matthew Flinders Girls Secondary College in 1956. Matthew Flinders was a domestic arts school, where I learnt sewing, cookery, home management, and how to be a ‘good’ housekeeper. I enjoyed all the domestic subjects. Ray and I were engaged in August 1963. We purchased our engagement ring in Melbourne and went to dinner at the Playboy Club in Melbourne to celebrate. In preparation for our wedding, I spent many hours making my own wedding dress (with assistance from my mother). We were married at 11 am on Saturday, the 10th April 1965 at St. Matthew’s, Church of England, Geelong. When Ray retired, he responded to an advertisement for volunteers at the National Wool Museum to be a volunteer. He started in 1998. The year that the ‘Pharaohs exhibition’ started. That was fine by me, as he wouldn’t be getting under my feet. At this time I was playing golf regularly and didn’t want to miss out on this activity. I joined the volunteers in the Wool Museum in March/April 2001. I was allocated to the Museum Shop and thoroughly enjoyed being a member of the shop staff. I then became shop assistant. I enjoyed talking and serving the customers. I was soon asked if I would mind repairing some of the garments that may have pulled a thread or a minor fault. I also enjoyed doing ‘stock taking’ in the shop. (Not many staff enjoyed this job, but I did.) In those early days, the Museum staff wore the red blazer and the black wool cardigan." - Lynette WekwerthBlack woollen vest with four buttons at the front, and two pockets. Vest has National Wool Museum logo on left chest. printed [label]: BELLA / Collection / made in australia / WEKWERTH / TO FIT / SIZE / 12working life, volunteer, national wool museum, clothing, uniform, lynette wekwerth, staff, employment, wool clothing, geelong
