The personal 'carry-all', a cloth apron like article was utilised by Thomas Hamilton Osborne in his work with the Warrnambool Steamship Navigation Company. He was Company manager in 1883 until its dissolution in 1899. Osborne wrote many articles on early Warrnambool, particularly maritime material under the name of " Sliding Gunter". When he died he was buried at sea off the breakwater.His sister Mrs Annabella Kell is thought to have made this article.This is a significant item as T.H.Osborne was a key figure in 19th Century Warrnambool history, particularly in maritime affairs. Six sided, scalloped edges, four pockets, two metal hooks, purple woven fabric with yellow and gold embroidery, lifebuoy outline with W.S.N.Co and THO initials embroidered and two flags. Machine sewing of pockets and tab to base apron.W.S.N.Co THO initials on top of each other Two metal hookswork apron, warrnambool steamship navigation company, wsnc, thomas hamilton tracey osborne, annabella kell, sliding gunter

This apron is similar to aprons were made for use during war times, perhaps with Red Cross. It was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Apron, ladies size, plain, heavy cotton. Full length apron with bodice, shoulder straps and a button closure at waist. Skirt has five panels. There is a small pocket on wearer's right side, inserted into seams. Ca.1900's.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late early 1900’s, ladies work apron, domestic service, domestic clothing, ladies’ clothing, hospitality clothing, hospitality service

View of exterior of low single storey hotel with people standing on the verandah, including possibly 3 maids wearing aprons and man in leather work apron. Man on horse to right and troughs to right. Parks Hotel painted on the building side. Sign on front Sportsmans Arms Hotel W Park. Hotel was built around 1900. View of exterior of low single storey hotel with people standing on the verandah, including possibly 3 maids wearing aprons and man in leather work apron. Man on horse to right and troughs to right. Parks Hotel painted on the building side. Sign on front Sportsmans Arms Hotel W Park. Hotel was built around 1900. On white edge " The Lodge Hotel (Coldstream) about 1900coldstream, sportsman's arms hotel

An apron is an outer protective garment worn over clothes to cover the front of the body. In Victorian and Edwardian times, women were using aprons for both utility (they were easier to wash than dresses) and fashion and women's magazines and pattern companies were offering patterns to allow women to be to sew their own aprons at home. There are different styles of aprons including bib aprons, waist or half aprons, pinafores, tabards and pinner aprons. The word "apron" comes from the old French word "naperon" which means a napkin or small tablecloth. This apron is one of two similar aprons that were donated from the estate of Susan Henry nee Vedmore (1944 - 2021). It is in very good condition and appears to be more decorative (and possibly used only on special occasions) rather than everyday wear. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of clothing worn by working women in the late 19th and early 20th century Long white cotton apron featuring gathering along the waist band and a gathered frill with scalloped edging along the bottom. The scalloped trim is repeated on the edge of a single pocket on the right hand side. It has ties attached to both ends of the waist band and the main body of the apron is made of of three rectangular pieces of cotton joined with french seams.warrnambool, great ocean road, ladies' garment, apron, half apron, waist apron, domestic clothing, domestic work, parlour apron, waitress apron, handmade, sewing, vedmore foundation, susan henry oam

Red Cross Workers in Bentleigh are preparing stretchers and other convalescent aids for fighting men overseas. In the background wooden crutches are leaning against the shed wall and beach chairs are being repurposed in the front of the image.Black and white image of a group of eight men standing in front of a shed with several of the men wearing work aprons suggesting manual labour with crutches leaning against the shed and beach chairsHand written in red ink enclosed in a circle: A18 / 70%community, world war i, first world war, wwi, manual labour, repurposing, red cross, crutches, bentleigh

J.S Boardman was a local businessman who ran and produced the local newspaper until it closed down in the 1960s. The Boardman store and newspaper office was originally sited in Brook Street near the railway station but it was later relocated to a site on the SW corner of Brook and O'Shanassy Street.A black and white phitograph with a cream border of a weatherboard store with seven males standing in front of the building .The building has a verandah and two side entrances. Three off the men are wearing white work aprons and the others are dressed in suits.boardman j s., sunbury news office, country stores, businesses.

Land, bordered by Brougham, Havlin and Mundy Street was purchased in 1911 and the distillery onsite was modified to suit the needs of the Rosella Company. Renovations and additions, including a 21 metre high steel chimney, were completed in time for the 1911/12 tomato season. First manager was Owen WIlliams (1883-1948), a Welshman. He was married to Amy Price (1882-1949). Full history available "Bendigo's once flourishing tomato industry" by James A Lerk. Item 5985sepia photograph. Interior at workshop - anvil at back left., centre, drum standing on bench, used as small furnace ? Portion of man wearing work apron at back right. On back in ball point pen 'Rosella Preserving Factory, Brougham St. 'organization, business, rosella factory

Apron belonged to the donor's father-in-law Roy Wesley Mullens of East Burwood. He wore it to the Victoria Market. Inside pocket was to carry the cash.Men's black leather work apron with three pockets on the front and one pocket added on the inside. Pockets have been stitched on and also have metal studs on each corner. A leather strap which goes around the neck, down the back and around the waist has a silver buckle and metal studs to secure. The inside pocket was to carry cash safely.costume, male working

Samuel Painter, saddler, enlarged George Taylor's premises after buying the building in 1888. He carried on the saddlery while his wife conducted a fancy goods shop. The building on the left was occupied by a bootmaker, Abraham Tracey. The 2025 location for this site is 136 Main Street, Bacchus Marsh. By around 1894 the saddlery and fancy goods business operated by the Painters had ceased. The premises were then used as a greengrocery and confectionery business for some years until this business ceased and the site became the location of a branch of the State Savings Bank of Victoria for many years. Copy of photograph of S. Painter's Saddlery, showing a group of buildings in Main Street, Bacchus Marsh in the later part of the 19th century, post 1883. On the left can be seen part of a building which bears the sign A. Tracey. The middle building carries a large sign advertising the proprietor and his business. It has a large double window, flanked on either side with a doorway. A variety of goods can be seen in the window. On the right is a weatherboard building also set up as a shop. At the front of this complex can be seen two men both wearing work aprons and three children standing on the footpath. Two buggies are pulled up in front of the complex, one four-wheeled, one two wheeled, the smaller vehicle pulled by a pony. The deep gutter is bridged by boards giving access to the unmade road. On the front: Sign above central building: S.PAINTER. SADDLE HARNESS & COLLAR MAKER. COLLARS CAREFULLY FITTED. On the central window can be seen a sign reading Stationery & Fancy Goods. On the window above the door: Bacchus Marsh Emporium. On the back: Handwritten: Bought by Bowden. Old building on left replaced by W.J.Wilson Hairdresser 1896. Painter Main Street now State Bank.saddlery, shops bacchus marsh vic., small businesses bacchus marsh, fancy goods, george taylor, bootmakers, samuel painter

Black and White photo on a brown cardboard mount, showing a large group of men (about 30) and children (about 6) in front of and on the wooden frame of the partially constructed Belgrave Catholic Church Hall, Austral Hall, corner of (now) Reynolds Lane & Burwood Highway. The men are dressed in various combinations of hats, ties, shirts, jackets, trousers and work aprons. Some have tool belts or are holding hammers and other tools. Two small girls are seated on their fathers' laps. A man is sitting on his haunches at the front. He is wearing a suit and loose bow tie and holding a hat. He appears to be an official. Another man is patting or holding a dog. The building seems to have two walls partially constructed. There are trees visible in the background which are on the high side of the main road of Belgrave. A moulded brown cardboard mount measures 24.7 X 20.00. On the reverse side is written in pencil, 'Building Church hall/ at/ Belgrave/ Saturday 11th Dec 1920.' There is a stamped business name which reads 'Watson's/ photos/ Belgrave.' The Hall was built by largely volunteer labour as the Austral Hall, financed largely by Harry Luscombe's dances and functions. The land was donated by the Buckley Family. On the reverse side is written in pencil, 'Building Church hall/ at/ Belgrave/ Saturday 11th Dec 1920.' There is a stamped business name which reads 'Watson's/ photos/ Belgrave.'

The Matyó region of Hungary, which includes Mezökövesd is known for its rich costume traditions, specifically embroidery. Matyó embroidery is a densely-patterned style of free-hand work in rich and colorful floral motifs. Its prime era was the 1860s and 1870s when the folk arts thrived. This example characterizes the dynamic color combinations and flower varieties of the Matyó tradition.The textile is part of a large and significant collection of items donated by Rosemary Vaughan-Smith, past member and office-bearer of the Kew Historical Society. between 2005-12. The collection includes costumes, scrapbooks, autograph books, artworks and objects.Rectangular apron worked in three panels, the lower two of which are backed. The waist tie is of a floral fabric. The tape is attached to both vertical sides. There is a black fringe attached to the bottom panel over floral printed fabric. The needlework techniques employed in the embroidery include flat stitch which is used to create the effect of quilting and creating large brightly coloured flowers in the middle section. mezökövesd, aprons - hungarian, matyo embroidery, migration

sepia toned oval photograph of a group of 14 men seated and standing back row dressed in aprons and work clothing with pitch fork and broom, front row seated dressed in suits and ties with hats, mounted on card with gold border and framed with a gold wooden frame with glassperson, group, adults, male group

L. Kelly Boot Repairer was located at 308 Barkly Street, Ararat, now the current site of Ararat Tyre Power (272 Barkly Street, Ararat). Old site in the early 1940s was Mr H. McMillan Garage for motor repairs. The boot repair section was rented by Laurie Kelly, then 308 Barkly Street. After World War 2 it became home of PMGBlack and white photograph of two men wearing aprons and standing at a work bench with tools. A docket featuring a shoe and a business address for L. Kelly Boot Repairer is beneath the photo.Ron Kelly, Laurie Kelly

An item of Local significance for women in use of decorating their Domestic life in the mid 1920's. Usually these items were constructed with the use of their own handicrafts. The 'Sunday Best' status helped to present a civilised look to the one day of No work and Church in a family's weekly life.A lady's linen, hand embroidered full apron. Orange Flowers(Button hole stitch), green leaves (satin stitch) Featherstitch on pockets and edges of the garment.1 Tie is missing meaning that the apron cannot be worn.embroidery, hand, domestic, linen, silk, crafted, apron, sunday best, stranded, ties

Photograph showing two women, both wearing aprons and a man in a three piece suit and a bowler hat standing at the front gate of a late Victorian home. Bow windows in front are partially obscured by greenery and there is ornate iron lace work on the veranda. A lady with her face deliberately obscured is holding a kitten. The name 'Yareena' is on a plate attached to the lace work on the veranda,buildings, house, yareena, yareena

This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework

An apron is an outer protective garment worn over clothes to cover the front of the body. In Victorian and Edwardian times, women were using aprons for both utility (they were easier to wash than dresses) and fashion and women's magazines and pattern companies were offering patterns to allow women to be to sew their own aprons at home. There are different styles of aprons including bib aprons, waist or half aprons, pinafores, tabards and pinner aprons. The word "apron" comes from the old French word "naperon" which means a napkin or small tablecloth. This apron is one of two similar aprons that were donated from the estate of Susan Henry nee Vedmore (1944 - 2021). It is in very good condition and appears to be more decorative (and possibly used only on special occasions) rather than everyday wear. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of clothing worn by working women in the late 19th and early 20th centuryShort white cotton apron featuring gathering along the waist band and a gathered frill with scalloped edging along the bottom. The scalloped trim is repeated on the edge of a single pocket on the right hand side. It has ties attached to both ends of the waist band and the main body of the apron is made of of three rectangular pieces of cotton joined with french seams.warrnambool, great ocean road, textiles, lady's garment, apron, parlour apron, waitress apron, half apron, waist apron, handmade, domestic clothing, domestic work, vedmore foundation, susan henry oam

Mr Wehner's family was a prominent family in Orbost from the late 19th C. Hermann Wehner founded Wehner's blacksmiths at Orbost in 1889. Oswald began working with his father in 1910. In 1947, Ossie's son Tom started blacksmithing, retiring in 1991 and closing the business. The building remains in Nicholson Street, Orbost. A photograph is significant because it is of one of Orbost's blacksmiths. The Wehner family of blacksmiths (1889-1991) worked in Orbost and were the last blacksmiths operating until 1991. B/White photograph of a man wearing a leather apron and glasses and standing in front of an anvil. Holding blacksmiths tools. The photo is a copy, not an original.

This apron was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This items is an example of ladies' clothing worn during the late 19th to early 20th century.Apron, ladies, machine made, cotton, Gathered waist, waist ties, small bodice with Brodery Anglais lace hand stitched onto it, neck ties. Would have been work for 'good' wear. C. 1900. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late 19th century, domestic clothing, domestic service, hospitality service, broderie anglaise, ladies’ clothing, hospitality clothing

This apron was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.The apron is an example of late 19th century ladies' clothing for use in domestic service or hospitality.Apron, ladies size, cotton, machine made. Bodice has hand made Broderie Anglais lace trim and neck ties, skirt has gathered waist and ties, three pin ticks around hemline. Would have been worn for 'best' wear. C. 1900flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late 19th century, broderie anglaise, handmade lace, apron, domestic clothing, domestic work, domestic service

The Ballarat Junior Technical School was a division of the Ballarat School of Mines.Fourteen boys, wearing white aprons, are undertaking a practical class in turning and fitting at the Ballarat Junior Technical School. The boys work with foot pedaled and early electric lathes. The classroom has evidence of both gas and electric lighting. (the guitar shaped lamp is gas)ballarat junior technical school, ballarat school of mines, education, trade, fitting and turning

Many Ithacan Greeks who migrated to Australia prior to World War 2 worked with family members or friends in food vending industries such as fish shops, fruit shops and cafes. Many of these businesses were located in the Melbourne CBD or in the surrounding inner suburbs. A sepia photograph mounted on brown board of 2 men standing outside a fish shop in a strip shopping centre. The men are wearing aprons over their work clothes.south melbourne, peter drakopoulos.

Panayotis Raftopoulos is standing outside his fish shop and café, the Leura Café in Camperdown. He was one of a number of Ithacans who moved into a regional area in that state and opened a retail food business.While a lot of the Ithacans who settled in Victoria established themselves in fruit retailing and/or cafes, some worked in fish wholesale and retail businesses and a number of them moved out into the regional towns in that state and opened shops and cafes in those towns. The Leura Cafe was one example of this. A black and white photograph of a man wearing a white apron stranding outside a fish and chip shop and cafe.

Donor, Mr Graham White, found it among his grandmother's things when she died in 1973, aged in the 90's.Stamped linen apron pattern, with design of Captain Cook's cottage - circa 1930. Labelled Large Size, ladies apron, Fautley's No. 1423. Not worked.Fautley's No. 1423 Large size ladies apronembroidery, 1920-40, australia, kits, aprons

German Internees who worked as Orderlies at the 28 Camp hospital. Black and White photograph of four German Internee orderlies at 28 Camp Hospital Tatura. Each internee is wearing a white apron.german, orderlies, 28 camp hospital internment camp 1, tatura, internees, danson

Three generations of women are represented in this apron. The linen used was woven by Olga's great-grandmother Efstathia in the late nineteenth century with flax grown on the island of Ithaca. Olga's mother Toula Raftopoulos added the whitework around 1908 at age 16 - the first piece of lacework she made on her own - and embroidered her initials on the front. Olga embellished the apron with coloured embroidery around 1950 at age 20. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Cream linen embroidered half apron. White lace along hem, along with white embroidered initials, "T.P." Coloured floral and abstract embroidery along sides in red, black, blue and green.olga black, toula raftopoulos, migration, embroidery

John Parkes avoids technology. This work expects the viewer to understand the importance of the hand and time… The blanket and the apron were gifted by friends in Germany. The apron was worn by Helen in her studio practice as a jeweller. The blanket was a find in the cellar of their Munich apartment. The red moleskin cloth was an OP shop find and originally a eucalyptic green. This cloth was discharged and overdyed. Cloth will often sit around the house, unattended, until ideas germinate. Is “Art” about “Art” or about the “Artist”?... There is a Buddhist notion of not writing in the first person, in that the Ego is not employed. There is a Japanese tradition “Boro” in which cloth is not discarded but repaired. These three cloths are now one.Wangaratta Art Gallery Collection - Winner WCTA 2017A square handsewn textile that features a white apron that has red running stitch squares, holes, hand paint stains across with initials in blue thread sewn in the bottom right corner of the apron which is in the center of the work. A brown wool cloth that features rows of white running stitches and red embroidery patches borders the apron, which is bordered by strips of red patterned fabric that has been dyed and features lines of red running stitches.wangaratta art gallery, textile, wcta, john parkes