Showing 30 items
matching yarn - woollen
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National Wool Museum
Hardback Book, Sir Issacs Pitman and Sons, Woollen Yarn Production, 1924
... Woollen Yarn Production...Technical School Series. Woollen Yarn Production. Lawson....-and-the-bellarine-peninsula Hardback Book Woollen Yarn Production Small ...Small green book with black letteringTechnical School Series. Woollen Yarn Production. Lawson. -
National Wool Museum
Textile - Yarn Display
... Samples of woollen yarn mounted on a board. From...Sample display. Numbered cards of woollen yarn mounted... cards of woollen yarn mounted on a wood display board ...Samples of woollen yarn mounted on a board. From the Collins Bros' Mill, used by textile designs for creating patterns and design for sale to the publicSample display. Numbered cards of woollen yarn mounted on a wood display board. The woollen yarn is multi-coloured. yarn production, collins bros mill pty ltd -
National Wool Museum
Book, The woollen and worsted industry: an economic analysis
... Yarn - woollen... Weaving Yarn - woollen Yarn - worsted Cloth - woollen Cloth ..."The woollen and worsted industry: an economic analysis" - G F Rainnie (ed),1965textile industry textile fibres weaving, yarn - woollen, yarn - worsted, cloth - woollen, cloth - worsted, textile industry, textile fibres, weaving -
National Wool Museum
Book, Hand books of the textile industry, vol 2: manufacture of narrow woven fabrics
... Yarn - woollen... Yarn - woollen Yarn - worsted Ribbon Textile Calculations ..."Hand books of the textile industry, vol 2: manufacture of narrow woven fabrics" - E A PosseltK M Chisholm/ Denholm/ Bowenfelstextile calculations textile industry weaving textile industry - education, weaving, weaving looms, yarn - woollen, yarn - worsted, ribbon, textile calculations, textile industry, textile industry - education -
National Wool Museum
Photograph
... Yarn - woollen... Worsted Mill Spinning Machinery Yarn - woollen ...This photograph shows the interior of the Valley Worsted Mill in 1923. The mill was first established at this time, and the photo shows the interior after tooling up but prior to the mill actually commencing operation. This photo is one of 31 in total and shows the spinning mule for woollen threads. The donor worked at the Valley Mill for many years. This mill still exists in Swanston Street, Geelong and is now being used by Melba Industries (an Austrim-Nylex company) to produce Jumbuck Nylon wool packs.Interior of Valley Worsted Mill, c.1923.valley worsted mill, spinning machinery, yarn - woollen -
National Wool Museum
Book, Modern Developments in the Australian Wool Industry
... Yarn - woollen... Australian Knitting Mills Limited Yarn - woollen Cloth - worsted Yarn ..."Modern Developments in the Australian Wool Industry", c.1923. Examines the operations of the Yarra Falls Spinning Co. Pty Ltd and the Australian Knitting Mills Limited (makers of Golden Fleece and Kookaburra knitted underwear). Includes photos of processes and of the buildings.F H Murgatroyd/20 Kensington Rd/ Leopold 3224weaving textile industry - history textile production machine knitting textile mills, yarra falls spinning co. pty ltd australian knitting mills limited, yarn - woollen, cloth - worsted, yarn - worsted, wool tops, yarn - cashmere, weaving, textile industry - history, textile production, machine knitting, textile mills -
National Wool Museum
Book, Modern Developments in the Australian Wool Industry
... Yarn - woollen... Knitting Mills Limited Yarn - woollen Cloth - worsted Yarn ..."Modern Developments in the Australian Wool Industry", c.1923. Examines the operations of the Yarra Falls Spinning Co. Pty Ltd and the Australian Knitting Mills Limited (makers of Golden Fleece and Kookaburra knitted underwear). Includes photos of processes and of the buildings.Book, front cover: "Modern Developments in the Australia Woollen Industry" c.1923; Yarra Falls Spinning Co. Pty Ltd and Australian Knitting Mills Limited.weaving textile industry - history textile production machine knitting textile mills, yarra falls spinning co. pty ltd australian knitting mills limited, yarn - woollen, cloth - worsted, yarn - worsted, wool tops, yarn - cashmere, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), weaving, textile industry - history, textile production, machine knitting, textile mills -
National Wool Museum
Yarn
... Woollen crochet yarn produced by F.W. Hughes Pty Ltd... - AUSTRALIA Woollen crochet yarn produced by F.W. Hughes Pty Ltd ...Woollen crochet yarn produced by F.W. Hughes Pty Ltd, Sydney.'Twin-Prufe' crochet wool, produced by F.W. Hughes Pty Ltd, Sydney.Twin-Prufe / MOTH / PROOF / SHRINK / PROOF / CROCHET / WOOL / AN F.W. HUGHES Product ALL WOOL / GUARANTEED PERMANENTLY / MOTHPROOF / GUARANTEED SHRINKPROOF / IF WASHED AS A WOOLLEN / 2354 / F.W. HUGHES PTY. LTD. / SYDNEY - AUSTRALIAhandicrafts, textile mills, f.w. hughes pty ltd -
National Wool Museum
Photograph - Framed Printed Coursework, Gordon Institute of Technology, Textile College, 1950
... . The courses include Woolcombing, Worsted Spinning, Woollen Yarn... Woolcombing, Worsted Spinning, Woollen Yarn Manufacture, Designing ...Framed papers outlining the courses and coursework for the Textile College at the Gordon Institute of Technology in 1950. The courses include Woolcombing, Worsted Spinning, Woollen Yarn Manufacture, Designing, Weaving and Turning and Finishing. A digital copy of this item was made for the National Wool Museum Collection, with the original remaining with the donor. Digital TIFF file, 100 MB, showing image of framed printed paper.D.P.C. WILSON MEMORIAL BURSARIES. / Textile College / Gordon Institute of Technology. / GENERAL INFORMATION / TERM DATES 1950 ...courses, gordon institute of technology, textile college, geelong, woolclassing, weaving, spinning, coursework, 1950 -
National Wool Museum
Quilt, Interweave One
... . It consists of a woollen background and coloured woollen yarn which.... It consists of a woollen background and coloured woollen yarn which ...'Interweave One' is a quilt made by Judy Turner in 2000. It consists of a woollen background and coloured woollen yarn which have been machine couched to the background. The techniques used to make it include: quilting and machine couching. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Interweave 1' was selected as a highly commended entrant of this exhibition and was later purchased for $2000. It was catalogue entry no. 21.Quilt, "Interweave 1" by Judy Turner.INTERWEAVE ONE / 76 X 126 CM / 2000 / JUDY TURNER / 31 BERTEL CRES / CHAPMAN / ACT 2611 / AUSTRALIA / PH 02 62886465quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001), turner, ms judy, quilting, handicrafts -
Warrnambool and District Historical Society Inc.
Document - Minutes Books, Woollen Mills 1909- 1923 1933-1945, C 1909 C 1933-1945
The minutes book of the Warrnambool Woollen Mill are an important record of the beginnings of one of Warrnambool's major industries for close to one hundred years. They record the struggle in the early days of 1909 and 1910 to raise the capital. Also mentioned is the support which had been given by local people of small means who were prepared to back the enterprise while those with financial means had been rather more reserved. Apart from a Mr Vidler all the initial directors were initially working in an honorary capacity. They lamented the fact that local banks held half a million pounds on fixed interest so there was no shortage of money. The first directors were appointed in March 1909 : Jas. Worland, W H Philpott, G S Mackay, E H Price, S McDonald, J C Beeching, W Rogers ,J Marfell, J Deany, Jas Duirs, Jas. Ponting, H Jessen, S Nettleton, J Blain, J Gooden, Drs. Holmes, Henderson and Powell. Mr J E Bennett was secured as first manager of the mill in 1910 Over the ten year period of this book there is much discussion on possible returns and share prices as well as decisions relating to the operation of and production from the mill. Within four years they were using more yarn than they were producing. Electricity was connected around 1914 and by 1915 shareholders were receiving eight percent return on their investment and were also contributing to the first world War effort by supplying blankets. Assets continued to accumulate and building was also continued with sandstone being quarried from the site and rain water tanks and asphalt floors installed, all contributing to savings. By 1917 The Warrnambool Woollen Mill was considered to be one of the states best investments and it continued to prosper through the years. The second minutes book likewise records similar events and circumstances for the period 1933-1945. This like wise is an interesting period, covering the period of the second World War. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries. These minutes books hold an important information regarding the establishment and early operation of one of Warrnambool's major industries. The mill itself has strong connection to the Warrnambool community and many of the names mentioned as directors and shareholders have held positions within the community as businessmen and city officials. These minutes add another dimension to their contribution to Warrnambool..1Navy blue hard card cover with cloth spine. White label glued to front cover.186 pages.There are handwritten entries in black ink which are interspersed with reports from newspaper. .2 Pale grey cloth cover on early Kalamazoo filing system 612 pages of typed minutes . .1There are dates from 1910 through to 1923. Minutes have been signed by chairman of directors, M Saltau.label on front cover has blue stamp, The Warrnambool Woollen Mill Company. hand written above in black ink "opened 24th March 1909." .2 dated from May 1933 to September 1945. Signatures include M Saltau, James Disckson and Fletcher Jones.warrnambool, warrnambool woollen mill, first minutes book warrnambool woollen mill, minutes book, warrnambool woollen mill 1909, minutes book warrnambool woollen mill 1945 -
Warrnambool and District Historical Society Inc.
Wool Spindle, Fletcher Jones Winding spool, Circa early/ mid 20th century
... the time of woollen yarn being purchased in balls. As such it has ...This object is used to wind yarn ,typically wool from a skein or hank into a ball from which it can be worked into the required garment. The skein is placed around the four pegs on the ends of each arm and wound from this into a ball. The movable arm facilitate easier winding of the yarn. It is thought that this may have come from Fletcher Jones factory where it was probably used more to rewind cotton onto reels. Either use is possible.This item or those similar would have been a well used tool in many households before the time of woollen yarn being purchased in balls. As such it has social and historical significance as well as being useful as an item to create discussion.Square wooden base with bevelled edge and central post from which is screwed two wooden strips of wood. A shorter piece of wood is riveted to each end of these two pieces and these have dowel running upright from each end. The top section is movable and can be extended or contracted as required. Light brown in colour.165 on sticker on bottom.warrnambool, wool winder, skein winder, fletcher jones -
National Wool Museum
Book, Wool in the eastern Europe area, 1980
"Wool in the eastern Europe area, 1980." Simon Newland, International Wool Secretariat.wool growing sheep - european yarn production textile production trade - international, international wool secretariat, carpet, cloth - woollen, wool growing, sheep - european, yarn production, textile production, trade - international -
National Wool Museum
Book, Wool Textile Research
... descriptions of wool, production of woollen fabric and yarn and current... of woollen fabric and yarn and current research trends. Wool ..."Wool Textile Research; CSIRO Research for Australia 9". Contains articles re: the latest CSIRO research (as of 1986) into areas such as wool marketing, wool cleaning, standard descriptions of wool, production of woollen fabric and yarn and current research trends.wool marketing woolclassing, csiro, scouring, dyeing, wool marketing, woolclassing -
National Wool Museum
Book, I.C.S Reference Library No. 106
... , mensuration, woollen and worsted yarn calculations, mechanical..., woollen and worsted yarn calculations, mechanical definitions ..."I.C.S Reference Library no. 106: arithmetic, logarithms, mensuration, woollen and worsted yarn calculations, mechanical definitions, mechanical calculations, reading textile drawings, wool, wool washing, wool drying, burring and carbonising, wool oils and oiling" International Correspondence Schools Ltd, 1923.textile production wool processing, international correspondence schools ltd, cloth - woollen, cloth - worsted, carbonising, burring, textile production, wool processing -
National Wool Museum
Book, Spinning Woollen and Worsted
... . Yarn production Spinning Cloth - woollen Cloth - worsted ..."Spinning Woollen and Worsted: being a practical treatise for the use of all persons engaged in these trades" - Walter S. Bright McLaren, 1884.yarn production, spinning, cloth - woollen, cloth - worsted -
National Wool Museum
Book, How to Know Textiles
"How to Know Textiles" - Cassie Paine Small, 1932.textile fibres weaving machine knitting yarn production cotton silk, lace, dyeing, cloth - woollen, cloth - worsted, rayon, textile fibres, weaving, machine knitting, yarn production, cotton, silk -
National Wool Museum
Textile - Rug, Returned Soldiers and Sailors Mill, 1963
The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs. The mill first began to run into financial troubles with the ‘Credit Squeeze’ or the ‘Holt Jolt’ of the early 1960s. This saw import restrictions lifted which triggered the start of a minor recession and a rise in unemployment. Included in these troubles was the RS&S Mill which saw the number of employees gradually decrease and business declining with cheaper imports beginning to grab an expanding part of the market share. The mill was eventually purchased by Godfrey Hirst in 1973 who tried to continue operations without success and in June 1975 textile production at the site ceased. Outside of financial considerations contributing to the closure of Woollen Mills in this period was the declining need for heavier fabrics as in-home heating and insulation improved. This need had been replaced for a demand for ever softer, finer and lighter worsted fabrics for more casual clothing. Modern day textile production requires fewer steps in the processing of materials for this use. This meant large factory complexes such as early woollen mills like the RS&S mills were no longer required. Compared to modern textile production which can spin a fine yarn out of synthetic fibre or imported cotton easily, spinning fine yarn from medium quality wool at a textile factory was cumbersome and no longer financially viable to suit new consumer demands. This rug provides context to this statement. It was gifted to Shirley and Gordon Green as a wedding present in November 1963 by one of Gordon's colleagues in the wool industry. Living in areas such as Neutral Bay, the Hornsby area and later in life retiring to the Central Coast, the blanket was too heavy for use in these weather conditions and hence it stayed in its original box for nearly 60 years. Top and bottom of rug has frilled edges. Pattern is titled the 'Clan Cameron' and is repeated in a 7x7 grid. Front of rug has a red background with 4 vertical and horizontal lines. All is surrounded by a yellow boarder. Label is stitched into the bottom right corner. Reverse of rug also has a repeating 7x7 grid. Blue background with thick green horizontal stripe. Yellow and red boarder to the grid with 4 red vertical and horizontal lines making up the interior. Rug measure 1550 x 2040mm, approximately the same size as a queen size mattress.Wording, Bottom right corner. THE GEELONG R.S&S. WOOLEN MILLS/ PURE/ WOOL/ AUSTRALIA/ The John Monash Rug (cursive)/ The Clan Cameron (cursive)rs&s mills, textile manufacture, rug, clan cameron, sydney greasy wool exchange -
National Wool Museum
Functional object - Wool Winder, pre. 1950
Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration -
National Wool Museum
Textile - Quilt, 1921
Now 100 years old, this quilt belonged to the donor’s grandfather John William Huffstutter. John was Born in 1898 in a log cabin in the Ozark mountains of Missouri, USA. Tragically, John’s mother died when he was four years old. John said that he could always remember her voice calling his name as he hid under the porch in one of the many thunderstorms that frequent the area with his dog. John was raised by his grandmother and was treated as the youngest to her other children, growing up with his aunties and uncles rather than brothers and sisters. John began to study engineering at the State University of Iowa before serving in the US Army Engineer Corps in The Great War. He enlisted when he became eligible and served briefly before the Great War ended. He then returned to his engineering studies in Iowa, and shortly after finishing his studies got his first job with Westinghouse in Pittsburgh at age 23. It was when John was leaving for this job that he was given the quilts as a reminder of home from his grandmother Sarah Jane "Sallie" Tindall Coble, and her daughter (John's Aunt) Ottie Maude Coble Bittick. Widowed at age 78, John took to sleeping in his screen porch under one of these quilts. John remembered one winter in Missouri waking in his log cabin to find snow covering him and his quilt. When he died at age 94, the quilt he used was completely worn out and discarded. This remaining quilt was shipped to Australia, where Carol’s (the donor) immediate family had emigrated in 1970. Opening the box that contained the quilt released a wave of comforting smells, emotions, and a flood of childhood memories. Carol distinctly remembers sleeping under these quilts for afternoon naps at her grandparents' house. The quilt is 74 x 80 inches (1880 x 2030mm), matching the size of a modern-day king bed. It is made of various four-inch (100mm) squares. These squares are made of old men woollen suits in dark colours of browns and greys. The quilt is layered with a wool backing fabric and a batting lawyer of unknown material, possibly cotton or wool. The quilt is tied together with red wool yarn and the backing fabric is folded over the edge to be used as a binding. Embroidered across the front of the quilt in purple wool yarn is "John Huffstutter", "13 Oct 1921". A small, printed cloth label "HUFFSTUTTER" is pinned on the reverse of the quilt. The quilt is well-worn but in good condition considering its age. The care instructions passed down by word of mouth with the quilt were to "never wash, only air".Front embroidered. Purple handstitching: "John Huffstutter / 13 Oct 1921" Reverse. Printed cloth label: "HUFFSTUTTER"ozark, missouri, usa, textile history, quilt heritage -
National Wool Museum
Card
This card is the tenth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of spinning.Card no. 10 from the Crusader Mills information card set, c.1945-55. Verso of card no. 10 from the Crusader Mills information card set, c.1945-55.No. 10 Spinning the rovings into yarn at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, spinning -
National Wool Museum
Card
This card is the eleventh in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of warping.Card no. 11 from the Crusader Mills information card set, c.1945-55. Verso of card no. 11 from the Crusader Mills information card set, c.1945-55.No. 11 Warping the two-fold yarn at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, warping -
National Wool Museum
Letter
Letter, on "The Myer Woollen Mills Pty Ltd" letterhead, printed black, dated 19th June, 1941 from H Lewis, Designer, to W R Lang offering to gift shade cards of yarn.wool - research textile design textile research, gordon institute of technology the myer woollen mills pty ltd, dyeing, weaving looms, hand spinning, lang, dr w. roy lewis, h - the myer woollen mills pty ltd, wool - research, textile design, textile research -
National Wool Museum
Yarn
... Three balls of 'Corio' brand woollen hand knitting yarn...Corio / 8 PLY / WOOLLEN / HAND KNITTING / YARN / MADE...-and-the-bellarine-peninsula Yarn Three balls of 'Corio' brand woollen hand ...'Corio' brand hand knitting wool, produced in Geelong, Australia. The weight of 25 grammes indicates a date of manufacture after 1966.Three balls of 'Corio' brand woollen hand knitting yarn, produced in Geelong, Australia.Corio / 8 PLY / WOOLLEN / HAND KNITTING / YARN / MADE IN / GEELONG, AUSTRALIA. / 25 GRAMMES NET AT STANDARD CONDITIONShandicrafts -
National Wool Museum
Yarn sample book
Yarn sample book, Zegna Baruffa primavera estate, 1990.Baruffa/ PRIMAVERA ESTATE/1990/I COLORItextile industry merino sheep weaving, zegna baruffa, cloth - woollen, textile industry, merino sheep, weaving -
National Wool Museum
Cone
Designed for nce only use. Used for holding the yarn during yarn dyeing. The process was called "pressure dyeing" for a small amount of yarn. Doesn't create an even dye effect.Wangaratta Woollen Millsweaving mills, wangaratta woollen mills -
National Wool Museum
Instrument - Scales, 1880-1898
At the time of sale, the last of the Hirst family to work in the mill located in Geelong gave Donald (donor Bruce's father) Doherty a set of scales that had been used by several generations of Hirsts and adapted by them over time for specific use in their mill. These Scales were saved from waste and being thrown away at the time of sale to remain in use in the industry in the hands of someone who knew how to use them. The scales were used in calculating the weight of cloth and simultaneously calculating the amount of yarn required to weave it following the instructions printed within the box. The box bears the signatures of two Hirst family members, one being Lewis Hirst dated at 1898. The original brass pole has been replaced with a replica metal somewhere throughout the years after the brass pole broke through use. Hirst was brought by McKendrick in the 1960s and these scales sat for 12 months as part of the 12 month "cooling off" period. The scales were then handed to Donald rather than being disposed of.Scales used for weighing and calculating weight and thread count of textile samples. Originated from Godfrey Hirst Mills in Geelong. Writing describes how to utilise scales. Scales are made from brass, pole for holding scales once brass now replaced with metal pole. Scales held inside wooden box with black text in ink depicting use of scales on paper located inside and outside of box.Outside of box. Wording: APPARTUS for TESTING the WEIGHT per YARD of CLOTHS & COUNT of YARN from a small SAMPLE. -------------------------------------------------------------------------------------------------------------------------------------------------- Indispensable to Manufactures, Merchants & handling Woollen, Worsted, Cotton, Linen, Jute, Hemp, Flannel, Felt, Army, Navy, Police, Railway, Sail & other Cloths -------------------------------------------------------------------------------------------------------------------------------------------------- USED IN GOVERNMENT DEPARTMENTS -------------------------------------------------------------------------------------------------------------------------------------------------- The apparatus consists of Scales, Weights, 1, 2 & 4 sq. inch Cutting Templates & Book of Tables --------------------------------------------------------------------------------------------------------------------------------------------------By weighing a small Sample the accurate Weight in Ounces of a yard of Cloth any width from 18 to 64 inches, the Weight per Square Metre in Grams, the Counts* of Warp and Weft, and the approximate length of full & short ends of pieces of fabrics, [without unrolling and measuring for stocktaking & other purposes] can be ascertained without any Calculation --------------------------------------------------------------------------------------------------------------------------------------------------Price in United Kingdom, 25s., Carriage Paid. Price to Canada & U.S.A. $6.75 do. H. Lord. 10, And Place, Bradford, England. --------------------------------------------------------------------------------------------------------------------------------------------------*When ordering, state on what system you base your YARN COUNTS. Inside of box. Wording: DIRECTIONS FOR USE --------------------------------------------------------------------------------------------------------------------------------------------------TESTING WEIGHT OF CLOTHS. Place sample to be tested on a piece of cardboard, put a Cutting Template on it, cut card and cloth round template with scissors and weigh it according to instructions given in Book of Tables. TESTING FOR YARN COUNTS. Cut out 1 square inch of cloth, draw out wrap or weft threads, according to which is being tested, and the number of inches so drawn, that balance respective weight is the approximate Count. The same rule holds good when number of inches are drawn from a bobbin. In testing from the cloth, allowance has to be made for loss or gain in the process of manufacture. Weight marked C is for Cotton Counts " " W " " Worsted " " " WS " " Woollen Skeins " " L " " Linen Counts. The weights for testing samples of cloth are 20, 10, 10, 5, 3, 2, 1, grains in brass & '5, '3, '2, '1 [tenths of a grain] in aluminium. Inside of box. Signtures, handwritten: Bottom right: Lewis Hirst !898 Top Left (Smudge ?) W Hirst !935godfrey hirst, hirst family, textile design, textile creation -
National Wool Museum
Machine - Noble Comb, Prince Smith & Sons, Burlington Shed, Keighley, 1915
Combing removes the short or broken fibres and draws out the long fibres into even strands suitable for spinning. The process is necessary to produce long and soft strands needed for worsted yarn. These machines remove the short fibres and blend the remaining long fibres together to form the top. The short fibres that are removed, known as the noil, are used in the woollen system. The long fibres are drawn together, ready for spinning. To retain as many of the valuable long fibres as possible, a skilled operator always needed to be on duty in the factory to precisely set the machine. A Nobel Comb separates short (Noils) fibres while also blending long (Tops) fibres together. The long fibres are used for worsted materials while the short fibres are used for woollen fabrics. Woollen materials are soft, bulky and fuzzy, such as a picnic blanket; whereas worsted materials are fine, smooth and crisp, such as a suit jacket. The Valley Worsted Mills in Geelong, now the Little Creatures Brewery, ran 12 noble combs up until 1981. Gold plaque on display with machine until 2018 read: G.H. Mitchell & Son, Adelaide have celebrated 125 Years of involvement with the Australian Wool Processing Industry by contributing the funds necessary to restore The Carding Machine, Noble Comb & The Gill Box.Noble Comb with plates - 'Prince Smith & Sons, Burlington Shed, Keishley' (One plate located on each gear box). 'Prince Smith & Sons, Burlington Shed, Keishley' (One plate located on each gear box).wool manufacturing, noble comb, textile industry, geelong, little creatures brewery, valley worsted mills, fibres, wool, factory -
National Wool Museum
Machine - French Comb, Schlumberger & Cie, 1964
Combing removes the short or broken fibres and draws out the long fibres into even strands suitable for spinning. The process is necessary to produce long and soft strands needed for worsted yarn. These machines remove the short fibres and blend the remaining long fibres together to form the top. The short fibres that are removed, known as the noil, are used in the woollen system. The long fibres are drawn together, ready for spinning. To retain as many of the valuable long fibres as possible, a skilled operator always needed to be on duty in the factory to precisely set the machine. Machine has been completely rebuilt and set up by Nick Sokolov of Comb Research and Development with the help of Bruce Hill and others. NSC Schlumberger Comb PB25L machine No 3953, year of manufacture 1964. A rectilinear version of the Noble Comb, this machine separated long and short fibres. Donated to the National Wool Museum by Port Phillip Wool Processing Pty Ltd in 1993.French comb machine. 1962 Shlumberger and Co, France Model PB 251 NO. 3953.french comb, wool processing, textile industry, factory, machine, comb, restoration, fibres -
National Wool Museum
Textile - McGregors Yarn, J.L. McGregor Pty Ltd, c.1988
The yarn was made in Geelong in the late 1980's or early 1990's by local woolen manufacturer J.L. McGregor Pty Ltd. The company closed in the early 1990s. The McGregor family still live in the Geelong area.A ball of grey yarn, 50% wool and 50% acrylic with a plastic label surrounding the wool with the product details.On Label: McGregors 50 Grams at standard condition 50% Wool 50% Flame resistant Acrylic Below Logo: Wool and Nu Acrylicwool, j.l. mcgregor pty ltd, yarn, geelong wool, geelong, geelong woollen mills