The goal of the appeal was to reach £10 000 to construct the YMCA building in Camp Street.ymca, fundraising, camp street, ballarat, social

Refer to Cat No's 10815P and 10817P as they also mention the Deravet's. Part of the Meade Collection. See Cat No. 10785P for details of service for "Ernest James Meade" (No. 2112).Black and white photograph of the YMCA building in London. Multi story buildings in background. Group of men and women standing in front of the YMCA building. Some men are in Australian Army uniform. Postcard proforma on back with handwritten details.Handwritten on back in indelible pencil: "Desire Deravet, Aimable Deravet, Mime Deravet, Celine Deravet, Germaine Deravet, Josephine Deravet, Josephine Malbury". "Bieme Province, Nanier, Belgigue" Handwritten on back in indelible pencil: "1 ADAC No.12 Camp OTB Sand Hill, Wilts, England". In white type on front LH corner: "THE YMCA, ALDWICH HUT!".meade collection, ernest james meade, photograph, ymca, ww1, deravet family

Bendigo Advertiser ''The way we were'' from 1999. Youth centre: the YMCA building in High Street, early 1900s.newspaper, bendigo advertiser, the way we were

Postcard shows Z2 class 111 in orange and cream livery with trolley pole raised after restoration at Sydney Tramway Museum. Yields information about Z class tramsColoured postcard with title and postcard markings on rear.On rear 'Ex Melbourne Z2 111 in front of the old YMCA Building at the Sydney Tramway Museum, Loftus, Sydney, Topmill Pty Ltd, Silverwater, NSW, Australia 2128.' z2 class 111, orange and cream livery, trolley pole raised, sydney tramway museum

At one time pre-service teachers' of the Ballarat Teachers' College boarded at the YMCA. There also used to be an inside pool at the site. Three photographs relating to the YMCA Ballarat building, including the Foundation stone. The land on which this building is erected was given by John W. Wilson one of the pioneer citizens of Ballaratymca, young mens christian association, foundation stone, camp street, ballarat, john w. wilson

William Anthony Theodore (19.3.1917 - 5.1.2007).William 'Bill' Theodore - B&W photograph of attendees gathered outside at the Y's Men's Australasian Biennial Convention held at Bendigo June 1963 at the YMCA building on the corner of Mundy Street and Lyttleton Terrace Bendigo YMCA 1963bill theodore, william theodore

Bendigo Advertiser "The way we were" from 1999. Hall: The YMCA building, High Street, circa 1911. The building was sold by the Bendigo branch of the Young Men's Christian Association during World War II when the organisation took up residence at the corner of Mundy Street and Lyttleton Terrace.newspaper, bendigo advertiser, the way we were

Set of four colour slides of the Bendigo Trust operations: 1 - No. 16 by the YMCA building in High St 2 - ditto No. 20 3 - ditto 4 - 20 returning to Charing Cross with the City Family Hotel and Parkland Chicken store in the background.Yields information about the Bendigo Trust operations in 1979.Set of 4 Kodak colour slides in cardboard mounts.Have photographer's reference number written on the slide.bendigo, tram 20, tram 16, high st, charing cross, bendigo trust

Set of two colour slides showing the intersection of St Kilda Road, City Road and Sturt Street. City Road at the start of work to lower City Road under St Kilda Road. The tracks along Sturt Street had been diverted by Nolan Street (now Southbank Blvd). The photo shows that only one of the tracks had been brought into use, the other still under construction. Photography by Warren Doubleday.Yields information on the start of the works to lower City Road under St Kilda Road 1-8-1970Set of two Anscochrome colour slides, of trackwork to place City Road under St Kilda Road. .1 - SW6 959 on St.-Kilda Road deviation - shows the Arts Centre and the scale of the deviation. The former tracks into City Road and Sturt Street can be seen in the foreground. .2 - SW6 878 - shows the Arts Centre, YMCA building the intersection with City Road and Sturt Street Has photographers slide numbers on each slide.trackworks, sturt st, sw6 class, tram 959, tram 878, tramways, track, city road, st kilda road, trams

Light brown soft cover book. Black and white illustration of the Sandhurst Mechanics Institute and Building in the centre of the front cover. Illustration of the YMCA Building Bendigo in the centre of the back cover. Includes black and white photographs, maps and illustrations. 180 pp. Authors Mike Butcher and Gill Flanders (Eaglehawk). Published by the National Trust of Australia (Victoria) in 1987. Printed by The Book Printer, Maryborough. End papers "Birds-eye view of Sandhurst" 1885Written in pen on first page "Edith Lunn C/O 208 Eaglehawk Rd. Bendigo. (1/6/ crossed out) 1/6/07.historic buildings, bendigo buildings, bendigo architects, bendigo building contractors

Rose Series postcard P.3825, titled Princes Bridge Melbourne", showing at least four trams, including some W2 class cars on the bridge. The YMCA building with the "Dunlop Weftless Cord Tyre" sign on top. The "Aspro" sign on top of the Aspro Buildings in City Road. The "Garrick Theatre" sign on the roof of the theater in Aikman Street plus, advertisements for: "Brockhoff Biscuits", "Berger Paints" and "Bradshaw & Everett Business College". The photo is taken from Batman Avenue tram terminus looking southwest.Yields information about Princes Bridge, in the middle to late 1930sPostcard - printed real photograph with Rose Stereograph Co. name on the rear.trams, princes bridge, st kilda road, tramways, advertisements, w2 class, yarra river, rose series

Teenager’s Meccano model in The Age window Whilst Barry’s model is interesting, and he himself is more than interesting – renowned for his lifelong harmonica playing, vaudeville and stand-up comedy as “Mr Versatility” – it is the location of the photo which intrigued us. Was this the photographer’s office, and would it give us a clue to his identity? We thought he might be “Mr Duke” as some boxes of Kodak slides were so named! But we later deduced they were most likely related to the Duke’s Centenary visit to Melbourne. However, they did lead us to The Age archivist Michelle Stillman, who held the key to unlock the photographer’s identity. Louise McKenzie. Photographer notations on slide: "Model warship YiPi 14-12-34 B61" Published: 14 September 1934 The Age p15 Published title: MECCANO CRUISER Published caption: Barry Sandford (17) of Richmond, recently completed this splendid Meccano model of a modern cruiser. It is fitted with four swivelling turret guns, six quick-firers, searchlight, movable anchor rudder and propeller. This model is on view in "The Age" office window, Collins-street. Trove article identifier: http://nla.gov.au/nla.news-article205072014 Description: Meccano model of cruiser. Wood panelled office walls and boxes of glass slides can be seen in the background. Research by project volunteer, Louise McKenzie: The second slide we scanned, this photo of Barry Sandford’s Meccano model of a cruiser was of particular interest because it appeared to have been taken in the photographer's studio/office. For the bulk of our project, the identity of the photographer was not known, and we delighted in imagining who they were, whether they were amateur or professional, and what else might be stored in those neatly labelled boxes in the background. But the photo had its own story regardless. A photo of Barry Sandford’s meccano model appeared in the Melbourne AGE on Friday 14 December 1934; it was probably the same photo as the one in our collection – now cropped to remove the background office environment. This background shows shelves of Kodak Panochromatic, and archived boxes labelled “DUKE” with various references: D1 – D23, and one labelled ‘DUKE Not Used’. On a shelf there is a stack of wooden glass plate holders. It wasn't until early 2023 that the photographer's identity was revealed with the help of archivist/librarian at The Age, Michelle Stillman. As for young Barry – what a talent! Meccano was hugely popular at this time. The Melbourne Meccano Club met on a Tuesday at the YMCA building. On 18 August 1933 The Age reported that at their upcoming meeting the model builders “will gain an insight into the oil industry from a lecturer and moving pictures supplied by the Vacuum Oil Co.” Models reflected an interest in rapid technological developments of the time, and also key activities. On 2 November 1934 The Age showed Barry with a model of Sir Charles Kingsford Smith’s Lockheed Altair, “Lady Southern Cross”, which Kingsford Smith purchased with the intent to compete in the MacRobertson Air Race as part of the Melbourne Centenary celebrations. He did not participate, but in late 1935 he and co-pilot John Thompson “Tommy” Pethybridge flew Lady Southern Cross from India to Singapore in an attempt to break the England-Australia speed record. Sadly, on the night of 8 November, they disappeared over the Andaman Sea and were never found. The Harmonica Riff Raff blog provides an amazing and comprehensive commentary on Barry Sandford's life. He is described as a Richmond boy of many talents – model making, archery, comedy, kite making, magic and juggling, as well as a harmonica virtuoso. He was particularly renowned for his harmonica playing and the creation of a two-foot long harmonica, and a tiny, hands-free organ which he played fully enclosed in his mouth. He promoted himself as Mr. Versatility and often featured in Melbourne news articles in the 1930s and 1940s. He remained very active in the entertainment business throughout his life, including as a member of the Four Octaves harmonica group, on the Tivoli circuit, and in vaudeville and stand up comedy. He successfully made the move from stage and radio into television. He died in 1992, still saluted by his peers as the gentleman, Mr Versatility. References: MECCANO CRUISER. (1934, December 14). The Age (Melbourne, Vic. : 1854 - 1954), p. 3. Retrieved January 22, 2024, from http://nla.gov.au/nla.news-article205072014 MIMIC MECCANO WARFARE. (1933, July 21). The Age (Melbourne, Vic. : 1854 - 1954), p. 2 (This Supplement is Published Every Friday). Retrieved September 19, 2023, from http://nla.gov.au/nla.news-article204368610 MELBOURNE MECCANO CLUB. (1933, August 18). The Age (Melbourne, Vic. : 1854 - 1954), p. 1 (This Supplement is Published Every Friday). Retrieved September 19, 2023, from http://nla.gov.au/nla.news-article204367564 MECCANO MODEL OF LADY SOUTHERN CROSS. (1934, November 2). The Age (Melbourne, Vic. : 1854 - 1954), p. 3. Retrieved September 19, 2023, from http://nla.gov.au/nla.news-article205083196 Charles Kingsford Smith, Wikipedia, https://en.wikipedia.org/wiki/Charles_Kingsford_Smith 'Mr. Versatility', Harmonica Riff Raff, https://harmonicariffraff.blog/2022/09/05/mr-versatility/ Photographer notations on slide: "Model warship YiPi 14-12-34 B61".ships, models, the age, harmonicas, meccano

Collection relates to Harold Johnson TX3956. Refer to Cat. No. 4053.3 for service details..1) Photo, black & white, harbour scene showing two ships, one at lean, buildings and timber on wharf. Hand writing on rear. .2) Photo, black & white, view over Jerusalem towards hills. .3) Photo, black & white, close up of a mosque with one person in front. .4) Photo, black & white, bombed wreckage of a gun emplacement overlooking a harbour. .5) Photo, black & white, air strip with covering and a plane coming into land, background appears to be jungle. .6) & .7) Photo, black & white, Japanese surrender being conducted aboard a ship. Photos are various sizes. .1) On rear in pencil "Close up of the wreck, Love Hal xxx" .2) On rear in pencil "View of Jerusalem from YMCA" .3) On rear in pencil "Mosque of Omah Jerusalem Love Hal xxx"photographs, jerusalem

Photos relate to James Worland MILLS No 3441 59th Battalion. .1) James MILLS is 3rd from R standing with arms crossed. .2) James MILLS is 2nd from L without a hat, 3rd row from front. .3) James MILLS is 2nd on L. Refer Cat No 169P for his service details..1) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .2) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .3) Photo, sepia, showing a large group of soldiers & nurses with 3 children standing outside outside a large building. .4) & .5) Photos, black / white, copies of .2) & .3). .1) “Versailles 18.6.19 YMCA” .2) “Paris 17.6.19 YMCA” .3) “Paris 20.6.19 YMCA” .4) “Paris 20.6.19 YMCA” .5) “ Paris 17.6.19 YMCA”photographs, 59th, paris, ymca

This newspaper article was produced at a time when newspapers were the main source of local information. The period before the explosion of mobile communication technology and the cost effectiveness of communication by "texting" and internet "social connections, eg. facebook and other social media networkings" The newspapers were the main links between and within large regions. The Hydro Courier was first printed in 1950 as a YMCA community service publication by Mr. Albert Clarke YMCA Officer and Mr. Alex McCullough a State Electricity Commission employee. This paper was one very important publication that provided relevant community information to all and was the major contributer to the "Valley" cohesive fibre and unity. This article not only records the celebration (centenary) of the Tawonga School but also presents the history of the school and important events such as various relocations of classrooms and how the region was settled and developed from the 1870's onward. The yawonga school opened in 1880 on 8 acres of land. It consisted of one large wooden building (22 ft x 11 ft). It had two windows, one brick chimney, bare wooden floor and a shingle roof. This article also presents the time when Mount Beauty area was likened to an island and occasionally school children could not attend school because of a flooded Kiewa river. The article also covers the changes brought about by the increased employment opportunities from SEC Kiewa Works(1935), the Sawmill(1946), the Gold mine(1949) and the Tobacco Industry (largest growing area in Australia).This item is a one page (original) article of the centenary celebrations for Tawonga Primary School came from the Alpine Observer and incorporated the Hydro Courier. It covers the arrangements for the celebration of the 100 years of the school's existence. The printed layout is typical of the typeset in use in 1980's. There are seven distinctive type collumns separated by a printed line. Three photographs are published with one photograph of a demountable classromm ,circa 1980, and the other two of student class photos of 1899 and 1914. Teacher and student names are listed below each photograph. On the back of this page are "specials" for "Sam's Cut Price Stores", specifically the Myrtleford store. Of interest is the advertisement of "Cartons of Cigarettes at cut prices". The page was produced as part of a "run" with "telltale" holes at each corner for stabilising the page in the printing process."Centenary Celebrations For Tawonga Primary School" below this in an enclosed heading "ALPINE OBSERVER" underneath in smaller print "WITH WHICH IS INCORPORATED" below this in larger print "THE HYDRO COURIER" and below this from left to right, "No. 719 (Vol. 3) THURSDAY, 23rd OCTOBER, 1980" next "in smaller print Recommended Price Single Copy, 20c "(cents)rural school development, tawonga school centenary, kiewa valley development 1880 to 1980

Hard buckram cover, dark red with gold print on spine. Dust cover sepia drawing of trees & buildings, dark red print on front, back & spine. 124 cut plain pages, illustrated, black & white photos, biography of 2 brothers, E E Dunlop & Alan J Dunlop.On front fly leaf handwritten in black ink: Donated by Bgo YMCA On title page handwritten in blue ink: John W Toon OAM Ex POW 8th Div AASC Front fly leaf in black ink: RSL Stamp Front end paper purple stamp: Further copies of Little Sticks can be obtained from R E Dunlop. Phone 03 439 7059books, military, history, biography

Silver trowel, enclosed in a wood and glass display case. Trowel is sitting on red velvet. Engraved on trowel: Young Men's Christian Association of Bendigo Corner Stone laid by Hon Alfred Deakin M.P. July 22nd, 1908. Case constructed of two types of timber, glass on four sides and on top. Newspaper photo, showing Hon. Alfred Deakin laying Foundation Stone of Y.M.C.A. Building Bendigo.ymca bendigo, alfred deakin, young men's christian association of bendigo

Postcards sent by R.H. Baron depicting scenes of Codford when the AIF was encamped during WW1. Part of the Robert H. Baron, No. 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. Plain postcard with no photograph. Front has printed Mother's Day message. Y.M.C.A. logo and Rising Sun badge printed at top. Space for written address. Postmark top R.H. Corner. 2. Collation of black and white photographs of scenes from a village. 3. Coloured photograph of a group of soldiers in winter uniform and standing on a snow covered road. Buildings in background. 4. Black and white photograph of a church with square tower, Houses next door. Graveyard next to church. 5. Black and white photograph of a Rising Sun badge carved into a hill side.1. Handwritten in black ink on back: 'Letter to R.H. Baron's mother, dated 9 May 1918'. 2. Greetings from Codford. Handwritten in black ink on back: Letter to R.H. Baron's mother dated 13 July 1918. 3. Winter at Codford. Handwritten in black ink on back: 'Letter from R.H. Baron to Doris dated 1 September 1918'. 4. Codford, St Mary Church. Handwritten in black ink on back: This is a church in the centre of our camp. Bob'. 5. The Rising Sun, Codford. Handwritten in black ink on back: 'Dear Elsie, This Rising Sun was made by an Australian Soldier some time back. Bob'. robert h. baron, cooper collection, postcards, codford uk, aif camp - ww1

Postcards collected by R.H. Baron while on leave in England during WW1. Part of the "Robert H. Baron" (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service. 1. Coloured coastal scene featuring yachts, beach goers and cliffs. People are standing on a pebbled beach. 2. Coloured coastal scene featuring cliffs and ocean. 3. Coloured coastal scene featuring beach, bathing machines, cliffs and town buildings. 4. Coloured coastal scene featuring beach with boats and town buildings. 5. Sepia toned photograph featuring houses. Stream running in front of house. Footpath between stream and house. 6. Coloured street scene featuring houses fronting a gravel road. 7. Black and white photograph of a street scene featuring buildings, pedestrians and horse drawn transport. 8. Sepia toned photograph of a street scene. Right side lined with houses. Single pedestrian on footpath. 9. Coloured scene featuring standing stones. 10. Coloured photograph of a ruined building overgrown with vegetation.1. Ladram Bay. 2. Ladram Bay. 3. Budleigh Salterton from East. 4. Budleigh Salterton from West. 5. Budleigh Salterton, Cottages at the Granery, 6. Budleigh Salterton, West Terrace. 7. High St. Budleigh Salterton. 8. Budleigh Salterton, Station Road. 9. Stonehenge. 10. Abbey Ruins, Waverley. robert h. baron, cooper collection, postcards, ww1

Photos of two tanks driving along Swanston Street taken from the windows of Legacy House. The occasion is not known. The tanks appear to be Leopard 1. One has elaborate equipment on the front. The date is approximately the late 1990s as the Queen Victoria Hospital has been demolished and the QV building has not been started. On the site opposite Legacy House is an open air market called The Sailyards, and what appears to be an ice rink or mini golf, called The Icehouse. Also on the site was the YMCA run skate park called Sail Yards, it was closed in 2001.A record that military equipment was of interest to the Legatees.Colour photos x 4 of two tanks driving North up Swanston Streettanks, streetscape

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.