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Kew Historical Society Inc Kew, Victoria

Founded in 1958, two years after the formation of the National Trust of Victoria, the Kew Historical Society is one of the oldest historical societies in Melbourne. The Society was formed to assist in the preparations for Kew’s 100th Anniversary in 1960. Today, the Society continues to work with local government and other organisations within Kew to stimulate interest in our history and heritage. It publishes, in print and online, information and resources about Kew’s history, as well as organising events relevant to our heritage. The Society has been affiliated with the Royal Historical Society of Victoria since 1959, and works with other historical societies and groups across the City of Boroondara through the Boroondara Historical Societies Association.

Links

Contact Information

location
Kew Court House 188 High Street Kew Victoria
Contact

Opening Hours

Kew Court House: Every Friday & Saturday from 11.00am to 1.00pm.

Entry Fee

Free entry

Location

Kew Court House 188 High Street Kew Victoria

The Kew Historical Society was founded in 1958, and the collection predates and postdates that year. The collection has sometimes grown gradually, or significantly, the latter through key donations (eg The Rogers Collection), or due to events such as the amalgamation of the former City of Kew into the new City of Boroondara in 1994. Many ‘civic’ items were donated before, during or after the amalgamation.

These records are digitised by the Kew Historical Society on Victorian Collections for the purposes of education and preservation. If you believe that we have infringed your copyright please contact us and we will remove the material from the site.

Significance

When successfully applying in 2017 for funding for a Significance Assessment from a consortium of national cultural organisations led by the National Library of Australia the Society described its collections as:

Audio-visual recordings
A collection of unique addresses, lectures and oral history interviews of noted Australian men and women, many of whom achieved national prominence, including Sir Robert Menzies. Oral history interviews include one with Frances Dumaresq, the daughter of a pioneering Australian family (Tasmania, Victoria) and later an educator at PLC in Western Australia, and at schools in Victoria. The core part of the collection includes about 30 tapes, only a number of which have been digitised and or transcribed.

Archives Bound and Unbound
A major collection of bound and unbound documents lodged with the Society by private individuals and organisations operating within the municipal boundaries, as established from time to time. Significant sub-collections within these archives include those of the Kew Ladies Benevolent Society (1891-1969), the East Kew Women's Club (1945-73), the Lionesses of Kew (1979-88), and the Kew Elderly Citizens' Association (1951-present). Other sub-collections include the Irena Higgins collection (Kew Asylum, Kew Cottages), the Dorothy Rogers Collection (Victorian history), and the Jill O’Brien Collection (Politics). As a whole, these and other archives include publications of particular historical value, minute books, membership lists, minutes, records of activities, brochures, plans, etc.

Costumes and textiles
The most significant item in the textiles collection is a mid-19th Century colonial-era quilt, which was considered for inclusion by the curators of a recent quilt exhibition at
the NGV. The main component of the Fashion & Textiles collection, exceeding 500 items, is the costume collection. A sizeable component is the significant number of costumes that predate the First World War. The earliest of these date from the 1850s. A number of these 19th Century costumes entered the collection in the early 1960s. The best of these were exhibited in 2016, including at the Villa Alba Museum, and were supported by public lectures provided by past and present curators of Australian Fashion at the NGV.

Information files
More than 480 hanging files containing information in the form of reports, short histories of families and buildings, personal accounts, etc. relating to people, places and events. The largest single sub-collection areas include conservation studies, including those used to support the community campaign to preserve the nationally significant Kew Court House, reports and documents relating to the Kew Cottages and Kew Lunatic Asylum, and those that outline the creation and maintenance of the Villa Alba Museum.

Library
Approximately 350 works covering arrange of historic themes. Within this part of the collection unique or rare books, including two copies of ‘In Memoriam’ by Sir John Longstaff and Dr. John Springthorpe, celebrating the life of Annie Springthorpe (1867-97). These important copies are believed to be two of the four in public collections. The collection also includes a folio of images of Kew in the early 1890s, that includes photographs taken by the Victorian photographer J.F.C. Farquhar. The book is in need of urgent restoration and has been recently assessed by the Grimwade Centre for Cultural Materials Conservation. The Book Collection also incorporates the professional library of the historian Dorothy Rogers.

Maps
Approximately 300 maps catalogued, including a highly significant and unique collection of Melbourne & Metropolitan Board of Works (MMBW) maps and plans dating from the 1890s to the 1920s. Thirty- five of the detail plans in the collection were the subject of a Victorian Local History Grant, provided though the Public Record Office Victoria, which enabled the digitising, reprinting, exhibiting and conserving of the plans. These plans are original contractors’ maps, which are hand-coloured and annotated with comments about land use and ownership. A number of these are not available through the State Library of Victoria. In addition to these MMBW plans, the society has almost 100 19th and 20th century subdivision plans, which are regularly accessed and used by researchers to investigate ‘Building Settlements Towns and Cities’.

Mounted works
Almost 200 original artworks and framed photographs, prints, etc. relating to significant people, places and events. One of these is the large, original framed iconic photograph of the ‘Unveiling of the Kew War Memorial, 1925’. Two recently acquired portraits of are of John Halfey and Annie Halfey. The distinctive portraits were painted in the 1880s and have recently been assessed for restoration by the Grimwade Centre. The majority of the mounted works are a collection of eighty-three framed photographs of mayors of the former City of Kew dating from 1861. This series of photographs includes examples taken by photographers such as Josiah Earl Barnes. A number of these mayors made significant wider contributions to the Australian community (eg William Warren Kerr, Sir Stanley Argyle, Herbert James Henty, and Marie Dalley). In a number of cases these are the only known portraits of these men and women.

Objects

Over 2,500 objects including domestic and commercial equipment etc.

Photographs
Over 3,000 photographs of people, places and events dating from the earliest days of European settlement in Australia, over 700 of which are available through Trove. While most of the photographs are of people, places and events, others have a wider significance. The Kew Historical Society was the largest contributor of historic photographs to ‘Remembering Melbourne’ (2016), produced by the Royal Historical Society of Victoria.

Cameron Auty 26 April 2016 9:48 AM

Amazing hat collection, these are a great addition to the site - Site admin.

Leave a comment

1811 items

Artwork - Adeney Avenue, Kew / by William Nichols Anderson, 1906

Kew Historical Society Inc, Kew

W. Nichols Anderson (1873-1927) studied at the National Gallery of Victoria School with Frederick McCubbin in 1894-96. He was Secretary of the Victorian Artists Society (1915-19) and exhibited there between 1901-27. He painted in the manner of the artists of the Heidelberg School. While a later hand identified the subject of the painting as ‘Adeney Avenue’, a very faded label on the back in Anderson’s own hand identifies the location as “Park Hill Road, Kew”. The label also includes the words “Rail + River”, although this might be a series name. For a number of years, the painting was on loan to the City of Kew, and was hung in the Mayoral Office.

Historical information

William Nicholls Anderson (1873-1927) was an Australian painter, one of whose works from the 1906 series River + Rail is in the Kew Historical Society’s art collection (donated 1984). A separate archive file contains correspondence, biographical information (written by his niece), and locations in Kew where he lived. Much of the correspondence between the Society and the City of Kew relates to the painting and its location in the Mayor’s Room at the Kew Civic Offices, Charles Street, where it was on loan from the Society. Lucy M (Jean) Hornby, the artist’s niece and the donor of the painting was a resident of 5 and 20 Queens Street, Kew (Vic).

Equipment - A Martin's Improved Horse Clipper

Kew Historical Society Inc, Kew

Metal horse clippers with wooden handles of a red colour.

Historical information

Horse drawn vehicles were used by the City of Kew to draw a number of vehicles including garbage carts. These clippers were used to groom council-owned horses.

Significance

A well-provenaced piece of equipment used to groom council-owned horses. The item has local significance as a representative piece of equipment made redundant by the introduction of motorised vehicles.

Inscriptions & Markings

Manufacturers label on box : "A. Martin's Improved Horse Clipper : Albert Martin & Co., Patentees and Manufacturers, London, England" Similar manufacturer's markings on handles of the clipper. The box notes that it was sourced from the City of Kew.

Costume - Women's Bathing Cap

Kew Historical Society Inc, Kew

Costume - Swimsuit

Kew Historical Society Inc, Kew

Costume - Swimsuit

Kew Historical Society Inc, Kew

Costume - Swimsuit

Kew Historical Society Inc, Kew

Costume - Swimsuit

Kew Historical Society Inc, Kew

Costume - Swimsuit

Kew Historical Society Inc, Kew

Costume - Swimsuit

Kew Historical Society Inc, Kew

Costume - Evening Dress

Kew Historical Society Inc, Kew

Black velvet, black and majenta organza, taffeta underskirt, large black satin bow, drop waisted evening dress, made to order for the donor from a boutique in Ivanhoe.

Historical information

The dress was donated by Kathleen Gervasoni, a long term resident of Kew, Mayoress of the former City of Kew (1978-1979).

Costume - Evening Dress / by Louis Féraud, Paris, c1975

Kew Historical Society Inc, Kew

1970s long black crepe evening dress, highlighted with geometrically arranged red grosgrain braid trim on bodice and sleeves, designed by Louis Féraud, Paris.

Historical information

The dress was donated by Kathleen Gervasoni, a long term resident of Kew, and Mayoress of the former City of Kew (1978-1979). This gown was manufactured under licence in Australia and purchased from Paulette Modes, High Street, Kew.

Inscriptions & Markings

Label: "Louis Féraud, Paris"

Newspaper - The Argus, Monday May 9, 1916

Kew Historical Society Inc, Kew

Original newspaper section from the Argus of 1910 dedicated to King Edward VII following his death. The paper includes old damage.

Historical information

King Edward VII died on 6 May 1910. This detailed eulogy was published in the Melbourne Argus four days later.

Newspaper - The Kew Advertiser, Vol.16 No.37, Thursday September 25 1941

Kew Historical Society Inc, Kew

Newspaper - The Kew Advertiser, Vol.16 No.38, Thursday October 2 1941

Kew Historical Society Inc, Kew

Book - The Australian Soldiers' Pocket Book : Containing useful information for Australian soldiers, Revised 2nd edition / edited by William Keays, 1940

Kew Historical Society Inc, Kew

Booklet produced in 1940 for members of the 2nd AIF by the Australian Comforts Fund Victorian Division. The 128-page pocket-sized book could be carried everywhere and provided Australian soldiers with a wide range of useful information about the requirements of war service and many other important details such as: The Laws and Customs of War - including Geneva Convention guidelines, notes on spies and insignia of rank; Things a Soldier should Know - including over 60 points; Signaling - including flags, morse code, shipboard bell times and time zone; Decorations Awarded to Australians in the Great War; Arabic and Japanese words; First Aid for gas injuries etc.; Australian Historical Events, facts and figures etc.; and Conduct Overseas - including expectations of behaviour when representing Australia.

Historical information

Hugh George Ferguson was born in June 1900 in Williamstown. After his family moved to Kew, they lived in Fernhurst Grove while his future wife’s family lived in Fellows Street. He married in 1940 and subsequently joined the Australian Imperial Forces. After the war he worked as a Billeting Affairs Organiser for Dutch Government, resettling migrants in Australia. He also worked in Advertising as an account manager, and was campaign director for Arthur Rylah is Victorian politics. He organised the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including a World Trade Fair. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor for the 1959-60 term. He died in 1975, aged 75, and is buried in Boroondara Cemetery.

Inscriptions & Markings

Handwritten inside cover: "VX23812 / Hugh G. Ferguson / Palestine / 1.10.40" Handwritten Owner's details: Name "Ferguson, Hugh G."; Reg No. "VX81232"; Rank: "SGT"; Unit: "ADMIN HQ A.I.F."; Home Address: "16 Fellowes St Kew"; Next of Kin: "Wife"; Date of Birth: "24.6.1900"; Weight: "10st 6lbs"; Date: "1.10.40"; Height: "5ft 6ins"

Booklet - While You Were Away: A digest of happenings in Australia 1940-1945

Kew Historical Society Inc, Kew

96-page booklet distributed by the R.A.A.F. in Australia to returned servicemen at the end of the Second World War. The booklet contains text, illustrations and photographs. It covers topics such as: sport, politics, total war, allied troops came, big news stories, seasons and crops, landmarks changed, notable deaths, wartime slang, how money was raised, an outline history of the war etc.

Inscriptions & Markings

nil

Identity Card - Issued to Emily Elizabeth Foley, 89 Harp Road, East Kew, 1942

Kew Historical Society Inc, Kew

Identity card issued to Emily Elizabeth Foley of 89 Harp Road, East Kew. The card uses the for "C.R.3 - Civilian Registration British Subjects". it bears a Camberwell stamp on the front right corner.

Inscriptions & Markings

The Identity Card includes the following inscriptions: Front "V14 / F85 / 29268" Reverse Witness signature: "Ethel Foley" same address

Letter & Presentation Wallet - Presented by the Mayor, Councillors & Citizens of Kew to [Pte.] M.H. Martin on his Enlistment for Active Service Abroad, 1939

Kew Historical Society Inc, Kew

This item contains two parts: a letter from the City of Kew to Pte Martin and a wallet with which he was presented. The dark brown leather wallet is embossed on the front with the seal of the City of Kew and a citation. The interior of the wallet contains a steel mirror. The letter includes the seal of the City.

Historical information

In 1940: "Kew Council decided ... to give wallets as mementoes to members of the Second A.I.F. who enlist from the municipality. The selection of the type of wallets to be given was left to the Mayor (Councillor H. F. Mogg)." (The Argus, 21 Feb 1940, p.11). In the event, this wallet like others were predated to 1939 on the front.

Inscriptions & Markings

Wallett: "City of Kew Victoria. Presented by the Mayor, Councillors & Citizens of Kew to M.H. Martin on his Enlistment for Active Service Abroad, 1939".

Booklet - Guide to Knitting: Australian Comforts Fund (Victorian Division), 1940

Kew Historical Society Inc, Kew

20-page booklet issued by the Australian Comforts Fund (Victorian Division) in World War II, providing advice on how to knit a range of articles for this on 'Active Service'. The instructions provided are textual rather than graphical.

Inscriptions & Markings

Signature of owner (?): "Elizabeth Clifford"

Ephemera - Philatelic Requisite / Wm. Ackland, 267 Collins St., Melbourne

Kew Historical Society Inc, Kew

Paper and cellophane holder for stamps retailed by William Ackland of 267 Collins Street. The front of the packet contains advertising information about the seller. The reverse includes printed calculators.

Inscriptions & Markings

Nil

Sign - This Is A War Savings Street, [Argyle Road, Kew], 1942

Kew Historical Society Inc, Kew

War Savings Street Street sign, presented to residents of Argyle Road, Kew (Vic) in 1942.

Historical information

Elizabeth Nelson on eMelbourne has written that: "War Savings Streets were street-based savings groups that participated in the national war savings campaign during World War II. In May 1940 the Australian Government launched its Savings Certificates scheme which encouraged civilians to invest in the national war effort. Organisers of the savings campaign targeted Melbourne's suburbs individually with the aim of enlisting street savings groups. Each street group had a volunteer secretary who regularly sold war savings certificates to, and collected money from, other residents. The large number of war savings streets operating successfully in Melbourne made a significant contribution to the war effort."

Inscriptions & Markings

Handwritten on reverse "Argyle Road Kew [Vic] 1942"

Map - Railway and Tramway Map of Melbourne and Suburbs With Tram Timetables, 1917

Kew Historical Society Inc, Kew

First Aid Kit - Outfit First Aid Individual

Kew Historical Society Inc, Kew

Olive green first aid tin. On the lid in black writing is 'OUTFIT / FIRST AID / INDIVIDUAL'. On the inside of the lid written in black on a gold back ground is the 'DIRECTIONS OF USE'. Below the title is: 'BANDAGE 2 INCH Cut fingers and small wounds. / PLASTER ADHESIVE Cuts. / ANTISEPTIC PENCIL Apply to cuts and abrasions. / ANTISEPTIC JELLY Apply to burns. / TAB APC Take 2 tablets to relieve pain. / TAB ATEBRIN Directions on inside of Atebrin tin. / APERIENT PILLS 1 tablet to relieve constipation.' Remaining in the kit though not named in the list is a box of Sulphanilamide tablets with directions of use on the front. Also two used tubes of antiseptic jelly.

Inscriptions & Markings

Nil

Uniform - Arm Band: ARP Warden

Kew Historical Society Inc, Kew

White rubberised canvas armband with tape ties. Printed in black on the band is 'ARP/WARDEN'. A similar example in the Australian War Memorial's collection notes that this: "Example of the type of Air Raid Precaution (ARP) armband used by the State Emergency Service (SES) of Victoria during the Second World War; this style worn by ARP wardens. The Victorian style of armband differed from those of other states, and is indicative of the variety of ARP organisations found across the states."

Inscriptions & Markings

Inscribed on reverse: "G. Rogers / 7B Kew"

Air Raid Warden: Mr. S.J. Gare, 5 Bowen St., Kew, 1942

Kew Historical Society Inc, Kew

Small blue covered certificate identifying Mr. S. Gare, 5 Bowen Street Kew as an Air Raid Warden.

Document - Form R3. General Message (for all messages other than original Air Raid damage), 1939-45

Kew Historical Society Inc, Kew

Single sheet of paper to be used in an air raid warden's report during the second world war in Australia (Victoria)

Inscriptions & Markings

Old Accession number

Certificate - Air Raid Precautions, 1942

Kew Historical Society Inc, Kew

Certificate awarded to Mr. S. J. Gare of 5 Bowen Street, Kew in 1942 after successfully completing an air raid precautions course, dated 25th March 1942.

Booklet - Air Raid Precautions: Advice to Householders, 1941

Kew Historical Society Inc, Kew

This booklet was published by the State Emergency Council for Civil Defence Victoria in April 1941. The 37-page work provides advice about what to do in an air raid, lighting restrictions, the use of road vehicles and safety for pedestrians, and shelters. The final pages of the book include a number of illustrations providing guidelines for air raid shelter construction.

Inscriptions & Markings

Nil

Booklet - Air Raid Precautions: Manual of General Training, Fourth Edition, 1941

Kew Historical Society Inc, Kew

72-page manual provided to air raid wardens following their training during the Second World War. The booklet was issued by the State Emergency Council for Civil Defence, Victoria.

Clock - Wall Clock & Key / by Jas. Murray & Co., Melbourne, 1860s

Kew Historical Society Inc, Kew

Wood, glass, metal and enamel wall clock, made by Jas. Murray & Co., 107 Bourke Street East, Melbourne. The clock has a pendulum but is not currently working. James Murray & Co was a London clockmaking firm with a Melbourne office from 1861.

Historical information

In 1857, Francis Barnard opened his pharmacy on the site of the former Kew Post Office. He installed this clock in his pharmacy some time after 1861 where it could be seen by passers by. When, in 1880, he relocated across the road to 49 Bulleen Road (now 167 High Street), he took the clock with him. The clock continued to hang on the wall of the pharmacy, and subsequent pharmacists often saw people peering in to check the time. In 1941, the then pharmacist died and his widow opened a florist shop at 145 High Street and took the clock with her. When she retired in 1953, she took the clock to her home in Boronia. In 1973, her daughter donated the clock to the Kew Historical Society.

Document - Minute Book : Kew Ladies Benevolent Society, 1911-12, 1951-61

Kew Historical Society Inc, Kew

Minute Book of the Kew Ladies Benevolent Society, covering two periods: 1911-12 and 1951-61.

Historical information

"This society was founded in 1891, when there was a considerable amount of distress on account of the collapse of the land boom. The first office-bearers were: President, Mrs. F. R. M. Wilson; Hon. Secretary, Mrs. S. Kellett; and Hon. Treasurer, Mrs. J. Lorimer. The society has had a useful career and been of great assistance to many families. One of its best workers was Mrs. G. Wharton. The present committee consists of Mrs. H. Collier (President), Mrs. Holdsworth (Vice-President), Mrs. Archer (Hon. Treasurer) Mrs. E. J. Dunn (Hon. Secretary), and Mesdames. Berry, Gillespie, Israel, Jellis, Kerr, Lilley, McCrea, Paton, Spring, Tappin, and Wishart." (Source: Barnard FGA, Jubilee History of Kew, 1910)

Significance

The Kew Ladies' Benevolent Society was one of the most important women's groups in Victoria in the late to mid-20th century. It was led by women with a national profile and was instrumental in the establishment of the State umbrella organisation. The Minute Book was presented to the Society by Victorian Association of Benevolent Societies in 1991.

Inscriptions & Markings

Seller label on inside cover.

Map - Map Shewing the Site of Melbourne and the Position of the Huts & Buildings Previous to the Foundation of the Township by Sir Richard Bourke in 1837 / by Robert Russell

Kew Historical Society Inc, Kew

Black and white lithographed map hand-coloured in blue and yellow water-colour

Historical information

Map shows the first layout of Melbourne by Government surveyor Robert Russell, who accompanied Governor Richard Bourke in 1837. The surveyed blocks extend from present-day Flinders Street to Lonsdale Street, and Spring Street to Spencer Street, with extensive vacant land west to a salt lake (afterwards Batman's Swamp, later drained), north beyond Flagstaff Hill and south towards South Melbourne. Vegetation coverage is indicated, and tracks and existing buildings and cultivated land are shown.

Significance

Printed map was created by Day & Haghe, Lithographers to the Queen, sometime after 1838, when the company received its Royal appointment. A reprint was made by the Victorian Department of Lands & Survey in 1911. Copies of the 19th century map exist in several major map collections in Australia; most are uncoloured.

Plan - Detail of Step Butt and Screen for Miniature Rifle Range / by J.C. Brown W.O., Clerk of Works Victoria, 1910

Kew Historical Society Inc, Kew

Historical information

On 19 July 1907, The Box Hill Reporter published an article on the Miniature Rifle Range. It stated: "Miniature Rifle Range for Kew. The Kew rifle club has made arrangements for the establishment of a miniature rifle range. The Kew borough council has provided a site in the yard at the rear of the town hall, fronting Brougham street. The site has been inspected by the military authorities, who have approved of the locality selected and the arrangements to be made to render the range absolutely safe. The plans are at present being prepared, and it is expected that the range will be completed within the next two months. The range will be under the direct control of the rifle club, subject to the supervision of a joint committee from the council and the club. The first committee will consist of Crs Wishart (mayor), Kellett, and Hiscock as representing the council, and Captain Argyle and Mr S. Abbott representing the rifle club. The range when completed will be available for the use of cadets, friendly societies, and other miniature rifle clubs in the district. Miniature rifle ranges are now occupying a great deal of attention in Great Britain, on the Continent, and in America. Lord Roberts, writing recently on the subject, remarks- "While I do not for a moment pretend that miniature rifle shooting is, in all respects, as useful as knowing how to shoot on a long range, I am satisfied that men can learn to shoot on miniature ranges, and that unless miniature ranges are very generally made use of, the greatest majority in this country will never learn to shoot at all." It is possible by this means also to divert the at present dangerous enthusiasm of uninstructed youths for the pea rifle into safer and more useful channels."

Photograph - Female Staff, Kew Hospital for the Insane, 1923-1924

Kew Historical Society Inc, Kew

Historical information

Following a Royal Commission in 1854, the building of a new Asylum at Kew began in 1864. It was built to replace the Yarra Bend Asylum on the Fairfield side of the Yarra River. Work started in 1864 and was completed in 1872 at a cost of ₤198,334. Operating over a period of 116 years, and often renamed to take account of public sensitivities, the ‘Kew Lunatic Asylum’ was one of the largest asylums built in Australia. ‘Willsmere’ was finally closed in December 1988 and sold by the Government of Victoria in the late 1980s.

Significance

A rare and historically significant photograph of female staff of the Kew Hospital for the Insane, in front of the central wing. The photograph is one of a pair donated to the Kew Historical Society by Frances Dorothea Van Brummelen (1931-2011) in 1994. Following her graduation as a social worker, Fran Van Brummelen joined the staff of Kew Cottages in 1969, and became senior social worker there in 1971. She remained at the cottages until she retired in 1994. Earlier, In 1987, with psychiatrist Cliff Judge, she founded the Kew Cottages Historical Society becoming its president. In 2002, the pair collaborated on the book Kew Cottages: the World of Dolly Stainer, which was later commended in the Victorian Community History Awards.

Photograph - Kew Municipal Baths, [1929-33]

Kew Historical Society Inc, Kew

Small B&W photograph of the old Kew Swimming Pool. Girl on diving board at left. The photograph can be dated to the years 1929-33, as the wooden grandstand was not erected until 1929 and it was before a new high swimming platform was erected in 1933.

Historical information

W.D. Vaughan in 'Kew's Civic Century' (1960) has a chapter (XXII, pp.103-105) on the Kew Swimming Pool (aka Kew Baths). In the chapter he recounts debate in Council from 1912 about the need for a swimming pool. The first concrete step toward achieving this occurred in 1914 when Council purchased the Tramways Sheds on the corner of High and Disraeli Streets in 1914. Further adjoining land in High Street was compulsorily acquired in 1923. The final plans were accepted in 1925 and following public tender, Messrs. Weavill and Keast were appointed to construct the pool at a cost of 5,418/9/-. The baths were formally opened on 18 November 1925 by George Ramsay, Mayor of Kew. (The Kew Swimming Club was founded in the same year.) Vaughan notes that "mixed bathing was not permitted at the Kew Baths until January, 1928, when it was allowed every evening (except Sundays) and Friday afternoons. A few years later these restrictions were removed altogether".

Inscriptions & Markings

"Old Swimming Pool Kew. D2. 92"

Photograph - Kew Municipal Baths, [1929-33]

Kew Historical Society Inc, Kew

Small B&W photograph of two boys standing beside a diving board at the old Kew Swimming Pool while in the distance a woman dives into the pool. The photograph can be dated to the years 1929-33, as the wooden grandstand was not erected until 1929 and it was before a new high swimming platform was erected in 1933.

Historical information

W.D. Vaughan in 'Kew's Civic Century' (1960) has a chapter (XXII, pp.103-105) on the Kew Swimming Pool (aka Kew Baths). In the chapter he recounts debate in Council from 1912 about the need for a swimming pool. The first concrete step toward achieving this occurred in 1914 when Council purchased the Tramways Sheds on the corner of High and Disraeli Streets in 1914. Further adjoining land in High Street was compulsorily acquired in 1923. The final plans were accepted in 1925 and following public tender, Messrs. Weavill and Keast were appointed to construct the pool at a cost of 5,418/9/-. The baths were formally opened on 18 November 1925 by George Ramsay, Mayor of Kew. (The Kew Swimming Club was founded in the same year.) Vaughan notes that "mixed bathing was not permitted at the Kew Baths until January, 1928, when it was allowed every evening (except Sundays) and Friday afternoons. A few years later these restrictions were removed altogether".

Inscriptions & Markings

"Old Swimming Pool Kew. D4. 92"

Photograph - Kew Municipal Baths, [1929-33]

Kew Historical Society Inc, Kew

Small B&W photograph of the old Kew Swimming Pool showing seating at right. The photograph can be dated to the years 1929-33, as the wooden grandstand was not erected until 1929 and it was before a new high swimming platform was erected in 1933.

Historical information

W.D. Vaughan in 'Kew's Civic Century' (1960) has a chapter (XXII, pp.103-105) on the Kew Swimming Pool (aka Kew Baths). In the chapter he recounts debate in Council from 1912 about the need for a swimming pool. The first concrete step toward achieving this occurred in 1914 when Council purchased the Tramways Sheds on the corner of High and Disraeli Streets in 1914. Further adjoining land in High Street was compulsorily acquired in 1923. The final plans were accepted in 1925 and following public tender, Messrs. Weavill and Keast were appointed to construct the pool at a cost of 5,418/9/-. The baths were formally opened on 18 November 1925 by George Ramsay, Mayor of Kew. (The Kew Swimming Club was founded in the same year.) Vaughan notes that "mixed bathing was not permitted at the Kew Baths until January, 1928, when it was allowed every evening (except Sundays) and Friday afternoons. A few years later these restrictions were removed altogether".

Inscriptions & Markings

"D3. 92"

Photograph - Kew Municipal Baths, [1929-33]

Kew Historical Society Inc, Kew

Small B&W photograph of a crowd of onlookers watching swimming events in the old Kew Swimming Pool in High Street. The photograph can be dated to the years 1929-33, as the wooden grandstand was not erected until 1929 and it was before a new high swimming platform was erected in 1933.

Historical information

W.D. Vaughan in 'Kew's Civic Century' (1960) has a chapter (XXII, pp.103-105) on the Kew Swimming Pool (aka Kew Baths). In the chapter he recounts debate in Council from 1912 about the need for a swimming pool. The first concrete step toward achieving this occurred in 1914 when Council purchased the Tramways Sheds on the corner of High and Disraeli Streets in 1914. Further adjoining land in High Street was compulsorily acquired in 1923. The final plans were accepted in 1925 and following public tender, Messrs. Weavill and Keast were appointed to construct the pool at a cost of 5,418/9/-. The baths were formally opened on 18 November 1925 by George Ramsay, Mayor of Kew. (The Kew Swimming Club was founded in the same year.) Vaughan notes that "mixed bathing was not permitted at the Kew Baths until January, 1928, when it was allowed every evening (except Sundays) and Friday afternoons. A few years later these restrictions were removed altogether".

Inscriptions & Markings

"Old Swimming Pool. D1. 92"

Costume - Day Dress, White Cotton & Lace, 1900s

Kew Historical Society Inc, Kew

Long white Edwardian cotton muslin and lace day dress. Lace is applied to the shoulders, waist and hem.

Costume - Jacket, Bleck Crepe with Cream Silk Embroidery, 1930s

Kew Historical Society Inc, Kew

Black crepe jacket with heavy cream embroidery. The jacket is believed to have been purchased by an aunt of the donor in the 1930s on a trip to the ‘Orient’

Costume - Dress, Floral Crepe Georgette, 1930s

Kew Historical Society Inc, Kew

Long cream and orange floral crepe georgette evening dress

Historical information

The dress was donated by Mrs Rosemary Smart and belonged to her aunt.

Costume - Dress, Floral Crepe Georgette, 1930s

Kew Historical Society Inc, Kew

Long floral green crepe georgette dress.

Historical information

The dress was donated by Mrs Rosemary Smart and belonged to her aunt.

Subdivision Plan - Heart of Richmond Estate: Richmond [1928]

Kew Historical Society Inc, Kew

Portion of subdivision plan pasted on to cardboard. Area includes Johnson Street, Victoria Street, Kennedy Street, Cole Street, Hollick Street, Bennett Street

Inscriptions & Markings

Title Certificate Vol.2381, Folio 476130 Phillips, Fox & Masel, 440 Little Collins Street, Melbourne (Local estate agent: Jas. R. Mathers & McMIllan, 136 Cotham Road, Kew)

Subdivision Plan - Camberwell City Heights

Kew Historical Society Inc, Kew

Portions of subdivision plan mounted on both sides of cardboard sheet. Coloured pink, probably to show allotments sold. Area covered: Doncaster Road, Mountainview Road, Panoramic Road, Cityview Road, Longview Road, Riverview Road, Hillview Road, Bulleen Road. Includes location diagram showing railway lines and existing and proposed tram routes.

Inscriptions & Markings

Cardboard backing has advertisement for "Tillock's soluble coffee"

Commemorative Object - Presentation Trowel : Kew Baptist Church School Hall, 1905

Kew Historical Society Inc, Kew

Silver-plated commemorative trowel with bone handle, in black leather case lined with blue velvet. The trowel is engraved with information about the occasion.It was presented to Mrs J.M. Griffiths, who lived at Goldthorns, Normanby Road, Kew. [The trowel in its case was presented to the Kew Historical Society on 24 April 2018 by the Manager of Bupa Aged Care, Edithvale.]

Historical information

"Infant Department The interest in this branch of the school work (under the able guidance of Misses F. Chapman and A.E. Ratten) is well maintained. It is largely through the generosity of Nr. and Mrs. Griffiths that the officers were enabled to have a new brick school hall built. The foundation stone was laid on 21st October, 1905, by Mrs. John M. Griffiths, the new building being erected on the site of the old church. It is both attractive and comfortable and is well lighted. It is also used for the week-night services. The old building which for so long had served as a schoolroom for the little ones was not considered suitable and was in 1905 disposed of for removal. When removed it was renovated, and is now used as a mission church in a neighbouring district." Source: Kew Baptist Church History 1856-1906

Significance

The trowel is historically significant for its association with the Kew Baptist Church and its ownership by and association with the Griffiths family of Kew who were important tea merchants in Australia.

Inscriptions & Markings

Engraved front: "Presented to Mrs. J.M. Griffiths on the occasion of her laying the foundation stone of the Baptist School Hall, Kew, Oct 21st 1905". Maker mark on reverse: "PA & S E P"

Costume - Wedding Dress, c.1900

Kew Historical Society Inc, Kew

Cream satin wedding dress comprised of a fitted bodice and a full skirt with a long wide train. Both the skirt and the bodice feature extensive use of ruched silk. Originally the bodice was covered with silk net embroidered with small white flowers. While sections of the net remain on the rear of the bodice (and on the sleeves), that on the front has been removed, probably due to damage.

Historical information

This wedding dress was made for an unknown customer by a late 19th and early 20th century Richmond dressmaker known by her married name as Mrs Pamely. The dressmaker’s name is identified on Petersham ribbon on the bodice. (1877 was the first known use of a dressmaker’s name on a dress in Australia). The dress entered the Collection by donation. The donor, Netta Fuller, and her husband Alec, were long-term residents of Kew. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The core of the parade consisted of a collection of 19th Costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. Not satisfied with purchasing authentic costumes of the period, she also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century items of clothing to the Kew Historical Society. Some garments were parts of costumes such as bodices, while others were complete outfits. Many of the latter exhibit signs of old damage, however very few of the costumes have been modified to enable them to be worn in exhibitions. Known provenance is limited to donor information, although some of these donations may have originally formed part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance.

Significance

This is the only 19th century costume in the Collection where the maker's name and address is known. To date, no other costumes by this dressmaker have been identified. The maker's business activity (1888-1905) allow one to, with an assessment of style, be relatively certain about its late Victorian construction. This adds to the item's significance even though its condition has been compromised by later removals and additions of decorative fabric on the bodice.

Inscriptions & Markings

"Madame Pamely, Costumiere, 41 Stanley St. Richmond"

Costume - Evening Dress / by Oggi Fashion House, 1967

Kew Historical Society Inc, Kew

Turquoise chiffon and taffeta evening dress, with empire waistline and beading to the neck and waist.

Historical information

The gown was purchased in 1967 from Oggi of Collins Street and worn by the donor’s mother, Mrs Ada Wallis, to the Miss Teenage of Victoria award ceremony at the Melbourne Town Hall, as the mother of a participant.

Costume - Wedding dress / by Oggi Fashion House, 1971

Kew Historical Society Inc, Kew

Wedding dress, purchased by Janet Elizabeth Brock in December 1971 from Oggi of Collins Street. The wedding dress, reaching just below the knee, is lined in silk with a double outer layer of organza. The striking decoration of the monochromatic cream dress is achieved through the use of wide ruffled organza frills at the neck, on the sleeves and at the flared hem of the dress. The dress has a discrete v-neckline with small, self-covered buttons at centre front. At the back, the dress is closed with a nylon zip. In addition to the elaborate stiffened frills, the dress features a wide fabric belt with a double bow, worn at the front.

Historical information

Wedding dress, purchased by Janet Elizabeth Brock in December 1971 from Oggi of Collins Street for her impending marriage to Raymond James Walker. The marriage, which was to occur shortly after the death of her father, took place on 18 December 1971 at the Kew Presbyterian Church in Cotham Road, where the Rev. Peter Mackie was the celebrant. Fashion by Oggi, as the sign above the door proclaimed, was located at the Paris End of Collins Street, on the south side, virtually opposite Lilian Weightman’s Le Louvre boutique. Janet Brock, who at the time was working in the Central Business District of Melbourne, had stopped to admire a mauve version of the dress that was displayed in the window, and, on making inquiries from the proprietress, ordered a made-to-measure cream-coloured copy.

Photograph - Flood, River Yarra, Kew, 1916

Kew Historical Society Inc, Kew

Small black and white photograph of flooded trees in Kew.

Historical information

The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."

Significance

This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916.

Inscriptions & Markings

Inscription on reverse in ink "Flood R. Yarra Kew Vic

Photograph - Flood, River Yarra, Kew, 1916

Kew Historical Society Inc, Kew

Panoramic view, believed to be looking north towards Fairfield from the Zig-Zag Bridge on the River Yarra. The inscription on the reverese identifies it as taken before 1920.

Historical information

The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."

Significance

This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916.

Inscriptions & Markings

Inscription on reverse in ink "(pre 1920) Flood from Zig-zag bridge Yarra River, Kew Vic."

Photograph - Flood, River Yarra, Kew, 1916

Kew Historical Society Inc, Kew

Black and white photograph of flooded trees in Kew with rising dry ground in distance.

Historical information

The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."

Significance

This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916.

Inscriptions & Markings

Inscription on reverse in pencil: "Flood River Yarra Kew Vic"

Magazine - The Australian Women's Weekly, March 10, 1954

Kew Historical Society Inc, Kew

Single issue of the Australian Women's Weekly, published on March 10, 1954, picturing Queen Elizabeth II and the Australian Prime Minister, The Hon Robert Menzies, on the cover. This 63-page edition was published during the Royal tour of Australia. It contains photographs, articles, stories, letters, advertisements etc.

Optical Instrument - Opera Glasses & Case

Kew Historical Society Inc, Kew

Pair of brass and ivory opera glasses with a fitted brown suede carrying case, lined with blue silk. Donated by Dione McIntyre in 1995

Clothing - Chemisette, 1900s

Kew Historical Society Inc, Kew

Rectangular silk organza chemisette, with inset embroidered net at the front and at the neck. The free-form, multicoloured silk embroidery includes abstract flowers, fruit and leaves, and may be of Chinese origin. The chemisette has five decorative mother-of-pearl buttons at the front and silk organza ties at the waist.

Case - Woman's Visiting Card Case, 19th century

Kew Historical Society Inc, Kew

Nineteenth century silver, leather and silk woman's visiting card case, donated by M. Swanston MacDowell. The case has a tooled brown leather cover attached to a silver frame. The interior of the card case, used for visiting cards, is lined with maroon silk with brown leather pockets. The pocket on the left is embroidered in silk with a spray of flowers.

Historical information

Calling cards, also called visiting cards, visiting tickets, or compliments cards, originated in their paper and ink form in France in the 18th century and their popularity quickly spread across Europe and the United Kingdom. Victorian calling cards were large and could be extremely ornate, with the names usually printed instead of handwritten. Women's cards were squarish and fairly large, usually about 2.5 x 3 inches. Men's cards were smaller and more rectangular, meant to fit in a breast pocket, while women often carried their cards in specially made cases of silver, tortoiseshell, ivory, or mother-of-pearl. (Source: Claire Green: Calling Cards and Visiting Cards: A Brief History)

Inscriptions & Markings

On one of the interior leather pockets "Kew Historical Society" has been crudely inscribed in biro. A card placed in the item includes the words "Visiting Cards. M. Swanston MacDowell".

Optical Instrument - Telescope, circa 1880s

Kew Historical Society Inc, Kew

Brass, brown leather and glass telescope, anecdotally recorded as used by an early Kew family at sports days in the 1880s

Inscriptions & Markings

Separate later label: "Early telescope owned by a Kew family & used on Sports Day in 1880s"

Writing Equipment - Writing Case, 19th century

Kew Historical Society Inc, Kew

Cylindrical leather case containing bottles for ink and sand, holders for pens, nibs, etc. Red leather lining. Ruler, bone-spreader, ivory and brass seal, and pen-holder included. Brass external clasps.

Historical information

Leather pen case, containing writing equipment, possibly used by early surveyor or draftsman

Periodical - Child Education : Summer Quarterly, 1958, Vol. 35 No. 7

Kew Historical Society Inc, Kew

20 page newsletter containing artwork and articles on the theme shipping and boats. Text on page 3 describes the subject of the issue as 'Around our Coasts'. This is amplified by the text as: "In preparation for the children's seaside holiday, descriptions and pictures of ships, boats and lighthouses, and their work are contained in this issue. Suggestions for handwork are also given. The wall picture [not included with this item] in full colour illustrates many different ships which the children might see at the seaside or on a river estuary."

Historical information

The Child's Education magazines were published for British teachers between 1924 and 2007 to help them plan activities for the season ahead. The internal pages contain a variety of lesson ideas in the form of a music, art or craft activities. This copy was donated to the Kew Historical Society's collection by the Preshil archives.

Significance

This 1958 periodical, sourced from the Preshil School. is interesting as it represents the continuing influence of English education and culture in the Australian curriculum in the late 1950s.

Map - Whitehead's Map of Victoria, With Alphabetical Key, 1869

Kew Historical Society Inc, Kew

Map of Victoria with gold mining areas, notes on topography, transport routes. Relief shown by hachures. List of towns with distance from Melbourne in map margin.

Historical information

When E. Whitehead's New Map of Victoria was released in 1869, an advertisement in the Bendigo Advertiser (16 July 1869) noted that: "This beautifully engraved Map has been revised and brought down to the present time; and, with the Alphabetical Key, is the most complete and the cheapest Map ever published; Price, 6d plain; 1s colored; 2s 6d in case; on linen, post free, 2d extra. E.. WHITEHEAD and CO, Publishers, 67 Collins-street east." The following year, 1870, Whitehead's promoted the edition in the Portland Guardian and Normanby General Advertiser (3 January 1870), advising that: "WHITEHEAD'S NEW MAP OF VICTORIA, 1869 ... is corrected to the latest date, and around is arranged an Alphabetical Key, with Post Towns and Money Order Olffices marked. The Map being divided into squares and numbered, by reference to the Key any place can be found immediately. Price Is beautifully colored, or mounted on linen in case, 2s 6d. Post free, 2d extra, in Victoria. B. Whitehead and C0., Puolishers, 67 Collins-street East, Melbourne". In the same edition of the Portland Advertiser, they also promoted their business generally, saying: "E WHITEHEAD and Co., Stationers, Engravers, Lithographers, 67 Collins street East, execute every description of Lithographic PRINTING, BILL-HEADS. NOTE Headings. Business Dies Engraved and Embossed on Envelopes &c. ARMS, MONOGRAMS, AND CRESTS Engraved and Embossed in Colour, superior to any other house in the Colony. Specimens, post free, 2d. Lithographers, &c, to H.R.H. the Duke of Edinburgh, and Die-inkers and Embossers to His Excellency Sir J. H. T. Manners-Sutton, K C.B. Orders executed for the Trade".

Significance

Whitehead’s New Map of Victoria 1869 is is an important record of region created towards the end of the Victorian Gold Rush (1851-1869). In addition to its historical significance, this is a rare map, of which the only known copies in Australian public collections are those held at the National Library of Australia, the State Library of Victoria, State Library of New South Wales and the University of Queensland Library.

Clock - Wall Clock / by H. Newman

Kew Historical Society Inc, Kew

Wood, enamel, brass and glass wall clock, the movement made by H Newman of Collins Street, Melbourne. A small label on the interior records the name R. Cronin, 156 High St, Kew, 1/7/20. It is unclear whether Cronin, a watchmaker and jeweller may have repaired or sold the clock.

Historical information

DEATH OF MR. H. NEWMAN. Widespread regret will be felt at the announcement of the death of Mr Henry Newman, an old colonist and a member of firm of Newman and Sons Proprietary Limited, jewellers, which occurred at his residence, "Sadova," William street, on Saturday, at the age of 89 years. Mr Newman who was born at Riga, in Russia, went to England when a lad, became naturalised, and emigrated to Victoria 61 years ago. He tried his fortune at Ballarat but soon afterwards returned to Melbourne, and began business as a jeweller, on a site in Collins street that is now occupied by Scott's Hotel. A few years later Mr Newman went back to England, where he was married. On his return to Victoria again he resumed his jewellery business in Elizabeth street opposite the General Post-office. An interesting fact in connection with his business is that his first journeyman watchmaker was Mr. Thomas Gaunt, the founder of the firm of Messrs. T. Gaunt & Co. Five years ago Mr. Newman retired from the business, which has since been carried on by his two elder sons. Although he took no active part in public affairs, Mr Newman was held in high regard on account of his business integrity, sterling personal worth. and the unostentatious way in which he did good. His vitality, even in his later years, was wonderful. On four occasions he met with accidents, having been twice knocked down by motorcars and twice by trams, without having sustained injury. A widow and grown up family of four sons and four daughters survive him. The Age Monday 27 October 1913, page 9. Roy Cronin 156 High Street Kew Jeweller and watchmaker. East side between Denmark Street and Cotham Road.

Furniture - Metal Drawers, 1930s

Kew Historical Society Inc, Kew

Depression-era homemade metal drawers in wooden case made from recycled kerosene tins.

Historical information

Made from recycled kerosene tins and the box they came in during the 1930s depression. Belonged to Salvation Army Brigadier Warren Trestrail. It proved to be very useful piece of furniture as the family moved around Australia. Used as a toolbox.

Lantern - Traffic Warning Lantern, City of Kew

Kew Historical Society Inc, Kew

City of Kew warning lantern previously located in various streets and plant nursery

Historical information

Donated by the City of Kew

Lantern - Traffic Warning Lantern, City of Kew

Kew Historical Society Inc, Kew

City of Kew warning lantern previously located in various streets and plant nursery

Historical information

Donated by the City of Kew

Lantern - Traffic Warning Lantern, City of Kew

Kew Historical Society Inc, Kew

City of Kew warning lantern previously located in various streets and plant nursery

Historical information

Donated by the City of Kew

Plaque - Commemoration of the Opening of a Building in Kew by Sir Henry Bolte, 1969

Kew Historical Society Inc, Kew

Metal alloy plaque commemorating the opening of a building by the Premier of Victoria, Sir Henry Bolte, on 10th December 1969

Inscriptions & Markings

This building was opened by the Honorable Sir Henry Bolte KCMG MLA, Premier of Victoria, on the 10th December 1969

Plaque - Commemorating Mooroolbeek, Kew (Vic), the home of Sir Frank Madden, circa 1968

Kew Historical Society Inc, Kew

Bronze plaque commemorating the location of Mooroolbeek, one of the great mansions of Kew, demolished in 1965 by the Kindergarten Training College

Inscriptions & Markings

The original college building "Mooroolbeek" was the home of Sir Frank Madden Speaker of the Victorian Legislative Assembly from 1904-1917. The crest of the Madden family here inset was removed from "Mooroolbeek" when the building was demolished in 1968.

Plaque - Commemoration of the Free Kindergarten Union of Victoria, circa 1965

Kew Historical Society Inc, Kew

Metal plaque commemorating the role of the Free Kindergarten Union of Victoria which had opened in 1916

Inscriptions & Markings

This plaque commemorates the pioneer work of the Free Kindergarten Union of Victoria in the field of teacher education, the Union established training for kindergarten teachers in Victoria in 1916, opened the college on this site in 1922, and granted it autonomy on 1965.

Plaque - Opening of the Library of the Kindergarten Training College, Kew, 1950

Kew Historical Society Inc, Kew

Small brass plaque mounted on wood commemorating the libraries of the Kindergarten Training College in Kew.

Inscriptions & Markings

The library of the Kindergarten Training College in which are incorporated the Doretta Hedderwick Memorial 1927, the Dorothy Rosner Memorial 1936, the George Sweet Memorial Library - Presented by the Nursery Kindergarten Exrension Board 1950

Plaque - Opening of Mooroolbeek Hall, Kew, 1976

Kew Historical Society Inc, Kew

Metal plaque commemorating the opening of Mooroolbeek Hall in the Diamond Jubilee Year of the Institute of Early Childhood Development in Kew

Inscriptions & Markings

Mooroolbeek Hall was opened by Dr Wm C. Radford, AO, MBE, Director of the Australian Council for Educational Research on March 25th 1976 in the Diamond Jubilee Year of the Institute for Early Childhood Development

Plaque - Centenary of Kew Council Meeting, 1960

Kew Historical Society Inc, Kew

Metal plaque relating to special Council meeting to mark centenary of Kew, 13th December 1960. This plaque was given to the Kew Historical Society in 1991 by the former City of Kew.

Historical information

The Municipality of Kew was proclaimed on 19 December 1860, then upgraded to a Borough (1863), a Town (1910) and finally a City (1921). From 1865, its offices were based in the former Athenaeum Hall in Walpole Street, which, although extended in 1883, inevitably became inadequate. Plans for a new purpose-built Town Hall were first mooted in the late 1880s, but fell prey to six subsequent decades of debate. During that time, many sites were considered and rejected, and several schemes prepared. Finally, in 1945, it was resolved to build a new civic centre as a war memorial. The council acquired Southesk, a mansion on the south-west corner of Cotham Road and Charles Street – first mooted as a possible Town Hall site two decades earlier – and plans for a civic precinct were drawn up by John Scarborough. The project stalled until 1957, when a Town Hall Committee was formed and a new architect appointed: Harold Bartlett of Leith & Bartlett. He also proposed an entire civic precinct, of which a large public hall would constitute Stage One. Designed to accommodate almost any public or official function, the space had had a small stage at one end for intimate theatrical productions, a larger stage at the other (with operable sunken orchestra pit) for musical performances, plus the most up-to-date equipment for live TV transmission. The building, befitting its original intent as a war memorial, was also to include a sculpted monument, for which a separate design competition was held. First prize went to George H Allen (1900-1972), long-time head of the Sculpture Department at RMIT and a former war artist himself (the only one, in fact, to have worked in the medium of sculpture). At the time of the Kew project, Allen was best known for his Cenotaph at the Shrine of Remembrance (1955) and a controversial abstract sculpture at Hume House in William Street (1957). Tenders for the new hall were called and the contract (worth £104,986) was awarded to H F Yuncken. The foundation stone was laid by the Mayor, Cr F C O'Brien, on 1 June 1959. Completion (initially scheduled for October) was delayed by the unavailability of certain materials; it was barely finished in time for the official opening (by Premier Henry Bolte) on 23 April 1960. The war memorial was unveiled two days later (Anzac Day) by Bolte's deputy, the Hon A G Rylah. Fittingly, that year also marked Kew's municipal centenary, and many celebratory events were held in and around the new civic centre in December, including a special council meeting (attended by the Prime Minister), a tree planting ceremony and a youth ball. Source: Survey of Built Heritage in Victoria: Stage Two (Built Heritage Pty Ltd., 2010)

Inscriptions & Markings

A Special Meeting Of The / Kew City Council Was Held In / This Hall On 13th December 1960 / To Commemorate / The Centenary of Kew / Cr. W.H.S. Dickinson, M.B.E., J.P., / Mayor

Plaque - Opening of the Kew City Hall, 1960

Kew Historical Society Inc, Kew

Metal plaque recording the official opening of the Kew City Hall, 23rd April 1960. This plaque was given to the Kew Historical Society in 1991 by the former City of Kew.

Historical information

The Municipality of Kew was proclaimed on 19 December 1860, then upgraded to a Borough (1863), a Town (1910) and finally a City (1921). From 1865, its offices were based in the former Athenaeum Hall in Walpole Street, which, although extended in 1883, inevitably became inadequate. Plans for a new purpose-built Town Hall were first mooted in the late 1880s, but fell prey to six subsequent decades of debate. During that time, many sites were considered and rejected, and several schemes prepared. Finally, in 1945, it was resolved to build a new civic centre as a war memorial. The council acquired Southesk, a mansion on the south-west corner of Cotham Road and Charles Street – first mooted as a possible Town Hall site two decades earlier – and plans for a civic precinct were drawn up by John Scarborough. The project stalled until 1957, when a Town Hall Committee was formed and a new architect appointed: Harold Bartlett of Leith & Bartlett. He also proposed an entire civic precinct, of which a large public hall would constitute Stage One. Designed to accommodate almost any public or official function, the space had had a small stage at one end for intimate theatrical productions, a larger stage at the other (with operable sunken orchestra pit) for musical performances, plus the most up-to-date equipment for live TV transmission. The building, befitting its original intent as a war memorial, was also to include a sculpted monument, for which a separate design competition was held. First prize went to George H Allen (1900-1972), long-time head of the Sculpture Department at RMIT and a former war artist himself (the only one, in fact, to have worked in the medium of sculpture). At the time of the Kew project, Allen was best known for his Cenotaph at the Shrine of Remembrance (1955) and a controversial abstract sculpture at Hume House in William Street (1957). Tenders for the new hall were called and the contract (worth £104,986) was awarded to H F Yuncken. The foundation stone was laid by the Mayor, Cr F C O'Brien, on 1 June 1959. Completion (initially scheduled for October) was delayed by the unavailability of certain materials; it was barely finished in time for the official opening (by Premier Henry Bolte) on 23 April 1960. The war memorial was unveiled two days later (Anzac Day) by Bolte's deputy, the Hon A G Rylah. Fittingly, that year also marked Kew's municipal centenary, and many celebratory events were held in and around the new civic centre in December, including a special council meeting (attended by the Prime Minister), a tree planting ceremony and a youth ball. Source: Survey of Built Heritage in Victoria: Stage Two (Built Heritage Pty Ltd., 2010)

Inscriptions & Markings

Kew City Hall / Opened by / The Hon. H.E. Bolte M.L.A. / Premier of Victoria / 23rd April 1960 / Cr. H.G. Ferguson J.P. - Mayor.

Hat - Silk & Velvet on Net / by Anne Harrison of Kew, 1960s

Kew Historical Society Inc, Kew

Cream and green silk floral hat on net designed by the Kew milliner Anne Harrison.

Inscriptions & Markings

Label: Anne Harrison of Kew, WA 9906

Document - Executor's Auction, Sunday 24th October 1931, "Goldthorns", Normanby Road, Corner of Argyle Road, Kew

Kew Historical Society Inc, Kew

Four page flyer advertising the sale of Goldthorns in Normanby Road, Kew in October 1931. The flyer contains a photograph of the front of the house, a list of its rooms, a site plan (including possible subdivisions). and a photo of the rear garden.

Significance

Rare real estate brochure relating to the sale of a historically significant Kew mansion. The rarity is increased due to the photographs of the front of the house and the extensive rear garden.

Document - St Hilary's Parish Notes, No.70., March 1919

Kew Historical Society Inc, Kew

St Hilary's Church of England Parish Notes from 1919, which includes among other items of interest states that because of the risks of contagion during the influenza epidemic, parishioners are required to worship outside.

Significance

The Parish Notes are hsitorically interesting as they outline the various ways in which the Influenza Epidemic of 1919 had an impact on local communities.

Inscriptions & Markings

Written note on front page signed by the Rev Charles H Barnes and dated 16/3/19.

Manuscript - Account Book, Kew Lionesses, 1980-1984

Kew Historical Society Inc, Kew

Green Collins Analysis Books 61 Series book used as an account book for the Lioness Club of Kew.

Book - 40 Years at the Methodist Ladies' College 1882-1921 / by W. H. Fitchett BA LLD

Kew Historical Society Inc, Kew

64 page illustrated history of MLC by Dr WH Fitchett

Magazine - Kew Primary School, 1980

Kew Historical Society Inc, Kew

32 page illustrated school magazine produced by Kew Primary School.

Manuscript - Scrapbook / compiled by or for Alick Kirkland Goulburn Gipps, 1930s

Kew Historical Society Inc, Kew

Hard cover, 50-page album covered in red cloth and red leather corners and spine, the latter embossed with the words 'SCRAP BOOK' in gilt lettering. On the inside front cover, top left is an oval green label with retailer information - "WEDDING CHRISTENING / R. E. PENN. / Bible Warehouse / 213 REGENT St / BIRTHDAY PRESENTS". The paper used for the pages are in alternating blue, cream and green-coloured sections. The front pages of the scrapbook include the signature of the owner as Alick Kirkland [Goulburn] Gipps (1928-2014). Items pasted into the scrapbook include black and white and coloured illustrations, photographs, and extracts from books. Items selected for the scrapbook fill a single page or are arranged in groups. The oldest items in the scrapbook appear to date from 1859 and include a colour cover of the Illustrated London Almanack and pictorial handbills of electoral results for the seat of Holmesdale and Filmer in Kent, England. While other items in the book are of later periods, most can be classified as sentimental Victorian-era illustrations. The biblical scenes in the scrapbook reflect one aspect of the values of the Gipps family. The focus in the album on material about or published in Great Britain also suggests a preoccupation with, and a valuing of, traditional British culture. This is confirmed by the memberships of Alick and his sister Rosemary (Gipps) Vaughan-Smith in the English-Speaking Union Club, for which they welcomed guests at an 'Elizabethan party and barbecue' during the Coronation festivities of June 1953. (The Age, 3 June 1953, page 5). The album entered the collection of the Kew Historical Society as part of the Raymond and Rosemary (Gipps) Vaughan-Smith donation.

Historical information

Alick Gipps (1928-2014) was the son of Richard Brook Woodthorpe Gipps (1872-1946) and Mary Alys Kirkland (1889-1981), and the older brother of Christopher David Gipps (1930-52) and Rosemary Alison Gipps (1930-2013). While many scrapbooks of the period were created by, and or added to by their child owners, it is believed that "scrapbooks were considered by later Victorian parents to be an educational tool to teach children how to organise and classify information and to develop their ‘artistic’ senses" (Margaret Simpson, MAAS, 2008), and that the scrapbooks may have been compiled by the parent, rather than the child.

Manuscript - Scrapbook

Kew Historical Society Inc, Kew

Illustrated cloth bound, hard cover album used as a scrapbook. On the inside front cover the creator of the scrapbook is identified in 'scrap' lettering as "Aunt Gertrude" and that the recipients were "Raymond [&] Rosemary". Each of the 80 pages in the scrapbook includes pasted monochrome or colour printed illustrations and or texts. Typically, there is one design per page. Most of the material used in the scrapbook is undated, however dates may be deduced from the style of individual items. Some of the illustrations date from the 19th century while others are clearly from the first decades of the 20th century. A number of the items included have their publication date included in the design, including British soldiers in regimental uniform (1914), and covers of popular magazines such as Punch (1924). Many of the items include their original captions or the designer's name such as popular cartoons such as 'The Emergency Exit by W Heath Robinson, or 'Wheels and Squeals: A Study in Progress' by Alfred Leete. Illustrated advertisements for products such as 'O-Cedar Mop Polish', and magazine covers such as 'Passing Show' also provide opportunities for dating materials used in the book. In addition to the aforementioned types of material used, the scrapbook also contains sentimental, floral and religious illustrations, instructional educative materials, and patriotic content. The materials used would appear to be British in origin. Typical of many scrapbooks of the period, the album has a number of conservation-related issues, including foxing on some of the pages and illustrations. These may have resulted from the residue of sweat on fingers or from the glues used for pasting in some of the content.

Manuscript - Autographs / Mary Alys Kirkland, 1905-22

Kew Historical Society Inc, Kew

Compiled between 1905 and 1922, the 'Autograph' book has considerable aesthetic coherence, even though drawings and text are by different hands. Together, it provides a vivid depiction of social life and values in Brisbane in the period preceding the First World War. Like other autograph albums of the period, it is a compilation of pen and ink sketches, watercolours, quotations, poems, aphorisms and signatures. Most entries are from Queensland, particularly Coorparoo in Brisbane; friends and acquaintances from other Australian States also contributed items. The autograph album predictably contains numerous mementoes of the notable and the forgotten. It includes the signatures of the British contralto Dame Clara Butt (1872-1936) her husband, the baritone R. H. Kennerley Rumford (1870-1957), and that of the Australian actress and singer Nellie Stewart (1858-1931).

Historical information

The owner of the 'Autograph' book was Mary Alys (Gipps) Kirkland, the daughter of Richard Brook Woodthorpe Gipps (c.1872-1946). The family had migrated from Great Britain to Coorparoo, Brisbane, where most of the items in the album were created. In June 1925, The [Brisbane] Telegraph reported the wedding of Richard Gipps to Mary Alys Kirkland at Elvaston, The Righi, South Yarra. The bride, like the groom, was originally from Queensland, but at the time of her marriage lived with her parents at 21 The Righi. The album passed to their daughter Rosemary Alison (Gipps) Vaughan-Smith, and thence by donation to the collection of the Kew Historical Society.

Significance

While the signatures are interesting, they are not rare. Rather it is the illustrations that dazzle with the surety of their design and execution. In the portraits, one can recognise the debt that Edwardian art and design owed to the Pre-Raphaelites whose serene and poised idealisations of women are exemplified in the drawings, albeit simplified for a new 20th century sensibility. Typical, is a very early portrait from 1906 of Mary Alys Kirkland by a 20-year-old Garnet Agnew (1886-1951). Agnew later became an illustrator for The Brisbane Courier and The Queenslander Illustrated Weekly, creating cover illustrations for these publications between 1926 and 1930. Another pen and ink portrait of Mary Alys Kirkland was created in 1910 by Augusta Frances Isabel Hobday (1884-1961). Augusta, with her brother and sister, Percy Stanhope Hobday and Gladys Hobday, were artists and teachers. Each was involved for many years in the Queensland Art Society. While the album has historic, aesthetic and social significance to Brisbane’s history, as a document, its preoccupations have a wider Australian relevance and importance.

Manuscript - Victorian Sketchbook / by Louisa Goulburn Thomas [et al], 1862

Kew Historical Society Inc, Kew

The large bound sketchbook has a marbled cover with blue binding. The name Louisa Goulburn Thomas and the date 1862 are faintly inscribed in pencil on the front page. However the book contains pen and ink and pencil drawings, watercolours, and photographs, which both predate and postdate 1862. The approximately 75 works are loose-leafed items and [currently] do not form a chronological, geographical or thematic sequence. Creators identified on some drawings and watercolours include Mary Julia Wilder Thomas, JFV Wright, ELG (Edward Louis de Bondell Gipps?), L Nicholson, Bertha Isadore Thomas, and HG (Henry Gipps?). Many of the works are signed and dated, and include rural landscapes and seascapes, archaeological sites, animal studies, and portraits. While most of the works were created in the British Isles, others are scenes of Venice, the Ionian Islands, Cape Town, Hong Kong and Japan. [A number of the ‘oriental’ paintings on silk were probably purchased from local artists.] The art works in the book are at various stages of completion and represent a diverse range of artistic skills. What may be the earliest work in the sketchbook is a drawing of three uniformed soldiers. An annotation on the reverse records that the drawing is of a Group of Soldiers after [Philipp Jakob] de Southerbourg 1830. The birth of Louisa Thomas' oldest son, William Henry Houston Meyrick Gipps (1864-1903) in Corfu perhaps explains why a number of scenes and items in the album are of the Ionian Islands. Louisa is probably the creator of a number of still life and botanical studies in the album. These range from floral studies to a bird’s nest. The painting of objects was to remain a socially ‘approved’ specialty of amateur and professional women artists into the 20th century. The complete contents of the album will be uploaded to accompany this record. Some items may be published separately on Victorian Collections, but will acknowledge their origins in the sketchbook.

Historical information

Louisa Thomas married Henry Gipps (1837-91)in 1863. They had six sons and two daughters. While Louisa and Henry Gipps were to die in Sussex, two of their sons, Frederick George De Visme Gipps (1867-1953) and Richard Brook Woodthorpe Gipps (c.1872-1946) migrated to Queensland, possibly bringing with them their mother’s sketchbook.

Significance

The collection of artworks that are included in the sketchbook are often of outstanding aesthetic and artistic significance. In the variety of subject matter and the geographical places represented, it is historically significant as a document recording the postings of Colonel Henry Gipps, 9th Norfolk Regiment, and his wife Louisa to locations in the Mediterranean and West Asia.

Book - The Artists of Kew / by Elizabeth Mackie, 1981

Kew Historical Society Inc, Kew

Self-published book by Elizabeth Mackie, member of Kew Historical Society Inc, listing and describing the 'Artists of Kew'.

Hat - Faux Leopard Skin Hat / by Anne Harrison of Kew, 1960s

Kew Historical Society Inc, Kew

Faux leopard skin brimmed hat, lined in black, trimmed with two pom poms at back. Designed and made by milliner Anne Harrison of Kew. Anne Harrison designed hats to order for clients, or you could choose a style and have it trimmed to taste.

Historical information

This hat was purchased and worn by Kathleen Gervasoni, a long-term resident and former Mayoress of Kew.

Significance

Anne Harrison was a designer and retailer in Kew with a shop initially in High Street and later at Princess Street, Kew. A milliner by trade, her hats are held in national collections.

Inscriptions & Markings

Label, inside centre crown, woven in black on white polyester: "WM 9906 / Anne Harrison OF KEW"

Hat - Maroon Velvet Hat / by Anne Harrison of Kew, 1960s

Kew Historical Society Inc, Kew

High crowned, taffeta lined, maroon velvet hat, designed and made by Anne Harrison of Kew. The hat features a narrow stiffened peak of the same fabric at the front and highlighting at the rear of the peak and on the crown in pale pink grosgrain braid. The back of the hat features grosgrain pink braid.

Historical information

This hat was worn by Kathleen Gervasoni, long term resident and former Mayoress of Kew, who purchased it from Anne Harrison.

Significance

Anne Harrison was a designer and retailer in Kew with a shop initially in High Street and later at Princess Street, Kew. A milliner by trade, her hats are held in national collections. This hat was purchased and worn by Kathleen Gervasoni, a long-term resident and former Mayoress of Kew.

Inscriptions & Markings

Label, inside centre crown, woven in black on white polyester: *WM 9906 /Anne linHarrison OF KEW"

Hat - Wool Felt & Jersey Hat / by Ann Austin of Melbourne, 1960s

Kew Historical Society Inc, Kew

High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house.

Historical information

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew.

Inscriptions & Markings

Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNE

Hat - Brown Straw Hat / a Calvert Model, 1960s

Kew Historical Society Inc, Kew

High crowned brown straw hat with a downward sloping rim. The design includes brown ribbon at the base of the crown. A label on the inside back rim identifiies the hat as "a Calvert Model".

Historical information

"Calvert Model" hats were designed by Frank Tisdale. A Government Gazette of the State of New South Wales on Friday 7 September 1973 (No.117), page 3941, recorded that: "CALVERT MILLINERY PTY LIMITED (In Liquidation), formerly trading as Frank S. Tisdale.—A first and final dividend is intended to be declared in the above matter. If persons claiming to be creditors have not proved their debts or had their debts admitted by the liquidator by 24th September, 1973, they will be excluded from this dividend.—Dated this 3rd day of September, 1973. P. J. WOODWARD, Liquidator, 32 York Street, Sydney." Therefore the hat must predate 1973, and given that it is in the style favoured by the actress Audrey Hepburn (the style of the hat has been called an "Audrey") the hat probably dates to the 1960s.

Inscriptions & Markings

Label: "a Calvert Model"

Costume - Suede Skirt / By Prue Acton, 1971

Kew Historical Society Inc, Kew

A-line suede leather midi-length skirt featuring "bull's eye" and zig-zag appliques at hemline. Skirt is black coloured.

Inscriptions & Markings

Label inside back waistband: Prue Acton/ AUSTRALIA

Costume - Outfit : Pink Silk Dress & Coat / by Ecstasy, 1960s

Kew Historical Society Inc, Kew

Two-piece pink silk outfit comprised of a round necked, knee length dress and plain matching silk coat. The dress is scalloped at the wist and bordered with pink glass beads. The dress has the label “Ecstasy Creation : a fine fabric”.

Inscriptions & Markings

“Ecstasy Creation : a fine fabric”.

Book - M.F.B Appliances and Vehicles of the Metropolitan Fire Brigade Melbourne 1891-1920 / produced by Photographic and Research Group of the Fire Services Museum of Victoria

Kew Historical Society Inc, Kew

94 pages : illustrations (some colour) ; 21 x 30 cm.

Costume - Petticoat : White Cotton, Lace, 1870-1880

Kew Historical Society Inc, Kew

White cotton petticoat with bands of inserts of lace, donated with the white cotton day dress. Probably of Tasmanian origin, like the dress, the petticoat was donated by a local Kew resident.

Inscriptions & Markings

Nil

Costume - Cape : Black Silk Taffeta, Guipure Lace, 1895-1901

Kew Historical Society Inc, Kew

Late Victorian black silk taffeta cape featuring extensive use of high quality guipure lace on the front and at the back. While the lace is in excellent condition, there is extensive splitting of the silk fabric. The cape was owned by one of the donor's maternal ancestors.

Costume - Bodice, Silk, 1900-1901

Kew Historical Society Inc, Kew

Late Victorian black cotton bodice with narrow sleeves. The creator of the bodice has made extensive use of beading at the front and on the sleeves. The bodice is unusual in that it includes an overlay at the front of black sequined tulle over a cream silk insert. The bodice has a black velvet waistband. The edging of the bodice includes pin tucking. Two long 'swallow tails' of lace (sic) hang from the neck of the bodice at the front. The bodice was owned by one of the donor's maternal ancestors.

Costume - Cape : Black Silk, Jet, 1895-1900

Kew Historical Society Inc, Kew

Late Victorian black watered silk cape with a wide border of machine made lace. The cape is extensively adorned with beads of black jet. Two long pieces of black lace fall from the neck at centre front. The cape was owned by one of the donor's maternal ancestors.

Costume - Dress : Bodice & Skirt, 1895-1900

Kew Historical Society Inc, Kew

Late Victorian black silk damask outfit comprising a flared skirt and a short bodice. The high necked bodice reflects changing fashions at the turn of the 20th Century in that the silk fabric on the bosom is lightly gathered. The sleeves are pleated at the elbow. The skirt is lined with a black cotton lining. The neckline of the bodice includes a narrow band of pale cream lace. The outfit was owned by one of the donor's maternal ancestors.

Costume - Skirt, Black Cotton, 1890-1900

Kew Historical Society Inc, Kew

Late Victorian long black cotton skirt with a short pleated frill at the hemline. The skirt is lined with a thick brown cotton fabric. It is joined with steel hooks and eyes. The skirt is slightly longer at the back. The skirt was owned by one of the donor's maternal ancestors.

Footwear - Red Leather Shoes / by Footrest, Australia

Kew Historical Society Inc, Kew

Pair of red leather women’s shoes by Footrest, Australia

Inscriptions & Markings

Footrest / Australia / 7 1/2 B

Footwear - Yellow Leather Shoes / by Magnini Elegance

Kew Historical Society Inc, Kew

Pair of lime yellow leather women’s shoes. A label on the upper states that the shoes are part of the Magnini Elegance collection or style.

Inscriptions & Markings

Magnini Elegance Leather Upper / Synthetic lining / Leather sole / Made in Malaysia

Footwear - Green Leather Shoes / by Footrest, Australia

Kew Historical Society Inc, Kew

Pair of dark green leather women’s shoes with a green fabric bow at the front, manufactured by Footrest, Australia.

Inscriptions & Markings

Footrest, Australia. Made by Footrest /Leather Uppers Linings & Soles

Footwear - Red Leather Shoes / by Jane

Kew Historical Society Inc, Kew

Pair of sling back, red leather women’s shoes designed by ‘Jane’.

Footwear - Leather Court Shoes / by Mario Valentino, 1960s

Kew Historical Society Inc, Kew

Pair of leather women’s court shoes, manufactured by Mario Valentino of Italy. The yellow leather shoes have a cream leather insole and decorative white leather bows with black polka dots.

Inscriptions & Markings

Label: "MARIO VALENTINO / MADE IN ITALY"

Footwear - Red, White & Blue Shoes / by Vince

Kew Historical Society Inc, Kew

Pair of sling back open toed women’s shoes in bands of red, white and blue by ‘Vince’.

Footwear - Beige Leather Shoes / by Pedro Garcia, Espana

Kew Historical Society Inc, Kew

Pair of beige leather women’s shoes by Pedro Garcia, Espana

Footwear - Leather Court Shoes / by Paragon, 1960s

Kew Historical Society Inc, Kew

Pair of two-tone cream leather and beige suede women’s court shoes with beige leather insoles by Paragon Shoes.

Inscriptions & Markings

Paragon / 49274 / 7 1/2

Footwear - Two Tone Leather Shoes / by Jane (JW)

Kew Historical Society Inc, Kew

Pair of two-tone mid and dark brown leather shoes with the designer name ‘JW Jane’ on the upper.

Inscriptions & Markings

JW Jane

Footwear - Two Tone Leather Shoes / by Pedro Garcia, Espana

Kew Historical Society Inc, Kew

Pair of two tone beige and brown leather women’s shoes designed by Pedro Garcia of Spain

Inscriptions & Markings

Pedro Garcia / ESPANA Pedro Garcia / Made in Spain

Footwear - Taupe Leather Shoes / by Taranto (Opat)

Kew Historical Society Inc, Kew

Pair of taupe leather, round-toed women’s shoes highlighted at the front with a narrow band of brown leather. Taranto is identified as the style and the designer/manufacturer name of Opat are embossed on the upper in gold lettering.

Inscriptions & Markings

Taranto by Opat / Made by Opat Bros P/L / All leather sole

Footwear - Beige Leather Shoes / by Ramirez

Kew Historical Society Inc, Kew

Pair of Italian beige leather women’s shoes designed by Ramirez

Inscriptions & Markings

All leather upper back sole and lining

Footwear - Brown Leather Shoes / by Yves Saint Laurent

Kew Historical Society Inc, Kew

Pair of brown leather women’s shoes with deep tan leather uppers, designed by Yves Saint Laurent, Paris.

Footwear - Platform Shoes / by MOYA [sic]

Kew Historical Society Inc, Kew

Pair of wide shaped and heeled women’s platform shoes designed in shades of brown, red and ochre. The designer name on the upper is MOYA (sic)

Footwear - Beige Leather Shoes / by Foot Rest (Clark)

Kew Historical Society Inc, Kew

Pair of sling back open-toed beige leather women’s shoes manufactured by Clark under the Foot Rest label.

Inscriptions & Markings

5 1/2 C / Foot Rest

Footwear - Two-Tone Leather & Suede Shoes / by Paragon

Kew Historical Society Inc, Kew

Pair of two toned brown leather and suede women’s shoes designed and made in Australia by Paragon. The label identifies the Paragon range as Belle Chasseur - Jessica.

Inscriptions & Markings

Genuine leather 7 1/2 B

Footwear - Silver Leather Shoes / by Paragini

Kew Historical Society Inc, Kew

Pair of chisel-toed silver leather evening shoes by Paragini, featuring a decorative gold metal link at the front.

Inscriptions & Markings

Paragini 7 1/2 Paragini / Synthetic Upper / Synthetic lining / Synthetic Sole / Made in China

Footwear - Silver Leather Shoes / by Charles Jourdan, Paris

Kew Historical Society Inc, Kew

Pair of silver leather women’s shoes with two glass studded buttons at the front. The shoes were designed by Charles Jourdan of Paris expressly for Georges, Collins Street, Melbourne

Footwear - Silver Leather Shoes / by Footrest

Kew Historical Society Inc, Kew

Pair of silver leather women’s evening shoes with silver leather bows at the front. Manufactured by Footrest shoes.

Inscriptions & Markings

Made by Footrest / Leather Uppers / Linings / and / Soles

Footwear - Silver Leather Shoes / Madeleine by Dazzler

Kew Historical Society Inc, Kew

Pair of sling back, silver open toed shoes with a contrasting black leather upper. Made under license from a United States designer.

Inscriptions & Markings

DAZZLER / Made under USA License / Madeleine / the fashion shoe

Footwear - Gold Leather Shoes / by Sophia Couture

Kew Historical Society Inc, Kew

Pair of sling back round toed gold leather shoes with wedge shaped heels. The shoes were marketed by Sophia Couture.

Inscriptions & Markings

SOPHIA / COUTURE

Footwear - Gold Leather Shoes / by Bruno

Kew Historical Society Inc, Kew

Pair of gold leather sling back women’s shoes featuring open toes, made by Bruno

Inscriptions & Markings

BRUNO / Whispers / Whispers ???? Whispers / Resin Sole / 6 B

Footwear - Silver Leather Shoes / by Sherry

Kew Historical Society Inc, Kew

Pair of open toed women’s shoes in silver leather. The name of the shoe and the designer is embossed on the brown leather upper as “Evening Star / Made by Sherry”

Inscriptions & Markings

Angel Albert / Made in Spain; Made in Spain for Myer

Footwear - Gold Leather Shoes / by Angel Albert

Kew Historical Society Inc, Kew

Pair of open-toed women’s shoes made of gold coloured leather. The sling back high heel shoes identify Angel Albert as the designer on the brown leather upper and state that they were made in Spain for Myer.

Inscriptions & Markings

Angel Albert / Made in Spain; Made in Spain for Myer

Footwear - Black Leather & Velvet Shoes / by Ruies of Launceston

Kew Historical Society Inc, Kew

Pair of black leather women’s shoes with black velvet bows, retailed by Ruies of Launceston

Inscriptions & Markings

Exclusive to / Ruies of Launceston

Footwear - Black & Gold Leather Shoes / by Paragon

Kew Historical Society Inc, Kew

Pair of open-toed women’s fashion shoes made of black leather with gold edging. The sling back shoes feature a narrow stiletto heel. The shoes were designed and manufactured by Paragon of Melbourne

Inscriptions & Markings

Belle Chasseur / PARAGON / REMI / Made in Australia Genuine Leather 8B

Footwear - Beige Mesh & Leather Shoes / by Hutchings

Kew Historical Society Inc, Kew

Pair of beige mesh shoes with crisscrossing bands of cream leather. The sling back shoes have a narrow high heels. The shoes were made by Hutchings

Inscriptions & Markings

Hutchings / MODEL / … and a joy to wear.

Footwear - Beige Leather Shoes / Made in Italy

Kew Historical Society Inc, Kew

Pair of beige women’s leather shoes with stiletto heels and with brown bows on the toes, designed and manufactured in Italy.

Footwear - Black Leather Shoes

Kew Historical Society Inc, Kew

Pair of black leather high-heeled shoes with pointed toes. There is no maker mark on the upper or the sole.

Footwear - Black Suede Shoes / by Bruno Magli

Kew Historical Society Inc, Kew

Pair of black suede women’s shoes with a cream leather lining on which is stamped in gold lettering Bruno Magli. The Italian designed shoes were retailed by retailed by M.C. Hermann.

Inscriptions & Markings

BRUNO MAGLI / Made in Italy / Exclusive for M.C. Hermann

Footwear - Two Tone Shoes / by Urminati

Kew Historical Society Inc, Kew

Pair of open-toed, sling-back two-tone red and white women's shoes. Stamped on the red partial upper is the Italian designer’s name, Urbinati.

Inscriptions & Markings

URBINATI / Made in Italy VERO / CUOIO / Made in Italy / 38 1/2

Footwear - Black Leather Shoes / by Schumacher

Kew Historical Society Inc, Kew

Black leather shoes, with high stilettos heels and a narrow pointed toes, designed by Schumacher of Collins Street, Melbourne.

Inscriptions & Markings

Schumacher / 296 (sic) Collins Street / Melbourne

Footwear - Gold Leather Shoes / by Weschel, Paris

Kew Historical Society Inc, Kew

Pair of gold leather women’s shoes with stiletto heels. Stamped in gold on the dark leather lining in gilt is the name of the designer, Weschell of Paris. On the other lining the name Ottrey’s is stamped.

Inscriptions & Markings

Weschell Paris / Parisian designed. Ottrey’s.

Footwear - Navy Leather Shoes / by Andre

Kew Historical Society Inc, Kew

Pair of leather navy women’s shoes designed by Andre. The shoes have small leather bows at the front.

Inscriptions & Markings

ANDRE / A / Genuine Leather All leather / Upper & Sole / Leather Lining / Made in China

Footwear - Black Suede Shoes / by Bally

Kew Historical Society Inc, Kew

Pair of black suede (sic) women’s designed by Bally, England and retailed expressly for Georges, Collins Street, Melbourne

Inscriptions & Markings

BALLY / England / Expressly for Georges, Collins Street, Melbourne

Footwear - Two Tone Shoes / by Paragon

Kew Historical Society Inc, Kew

Pair of two-toned navy and cream shoes by Paragon. The shoes are from the Parisienne range.

Inscriptions & Markings

Paragon / Parisienne

Footwear - Navy Leather Shoes / by Footrest, Australia

Kew Historical Society Inc, Kew

Navy leather women’s shoes retailed by Footrest Australia

Footwear - Black Leather Shoes / by Giusti of Florence

Kew Historical Society Inc, Kew

Pair of black leather women’s shoes, the leather crossed at the front and with a sling-back strap. A small label on the beige leather upper identifies the shoes as Italian and designed by Giusti of Florence.

Inscriptions & Markings

GIUSTI / disegnato / a Firenze

Footwear - Black Pumps / by IMPO

Kew Historical Society Inc, Kew

Pair of black simulated reptile skin pumps designed by IMPO.

Historical information

Impo Shoes was founded in 1969. Impo Shoes' headquarters is located in Buffalo, New York, USA 14216.

Footwear - Two-Tone Shoes / by Bruno Magli

Kew Historical Society Inc, Kew

Pair of two tone, navy and beige women’s shoes by Bruno Magli, retailed by Hermann.

Inscriptions & Markings

BRUNO MAGLI / MADE IN ITALY / EXCLUSIVE TO HERMANN

Footwear - Black Shoes / by Paragon

Kew Historical Society Inc, Kew

Pair of black evening shoes by Paragon. The brown leather insole is embossed with the name Para[gon].

Footwear - Leather Dance Shoes / by Paul Wright

Kew Historical Society Inc, Kew

Soft, black flat-soled leather women’s dance shoes, made by Paul Wright. The shoes form part of the McIntyre family collection, donated by Dione McIntyre

Footwear - Gold Weave Shoes / by Roberto Cavalli

Kew Historical Society Inc, Kew

Pair of flat soled evening shoes, the upper made of gold thread in an open weave, designed by Roberto Cavalli.

Footwear - White Leather Shoes / by Mescher of Paris

Kew Historical Society Inc, Kew

Pair of off white leather shoes with rounded toes and a sling-back buckled strap. The shoes have a brown insole on which is embossed in gold print Mescher Paris.

Inscriptions & Markings

Made by M. Faris / All leather sole

Object - Wood & Metal Shoe Stretcher

Kew Historical Society Inc, Kew

Wood and metal shoe stretcher.

Footwear - Black Rubber Overshoes / by Flarta

Kew Historical Society Inc, Kew

Pair of black rubber overshoes, owned and worn by Dione McIntyre. The Flarta shoes protected vulnerable shoes from mud or rain. The shoes form part of the McIntyre family collection, donated by Dione McIntyre

Footwear - Black Satin & Velvet Shoes / by Enrico Coveri, 1985

Kew Historical Society Inc, Kew

Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes form part of the McIntyre family collection, donated by Dione McIntyre and her daughter Annie McIntyre.

Footwear - Pink Leather Court Shoes / by Tony Bianco

Kew Historical Society Inc, Kew

Pair of pink leather women’s court shoes with a black insole on which Tony Bianco, the designer’s name is embossed.

Object - Commemorative Trowel in Presentation Box, 1971 & 1982

Kew Historical Society Inc, Kew

Commemorative, inscribed silver-plated presentation trowel given by the City of Kew to the Mayor, Cr Ivan Wade, on the occasion of the laying of the foundation stone of the new Kew Civic Centre on the corner of Cotham Road and Charles Street, now part of Trinity Grammar School. The silver trowel was presented in a black leather case lined with blue velvet. The trowel was to be used a second time in 1982 when Cr Wade and his wife laid the foundation stone of Hamer Court. The trowel was later donated to Kew Historical Society Inc by Gwlad Wade, the wife of Cr Ivan Wade, on 20 August 2000.

Historical information

WADE, Ivan Mayor 1969-70, 1970-71 Ivan Wade grew up in Bendigo and Brunswick, one of eight children. After his marriage, he moved with his wife and young family to Kew in 1951. In 1959, he took a year’s sabbatical in 1959 to build a new family home for his wife and four children at 222 Cotham Road, Kew. He worked professionally in the Meat Industry, successfully building a small chain of retail butcher shops, and a meat exporting business. He worked for improvements in the Trade through involvement in the Meat and Allied Trades Federation, of which he was the first State, and then Federal President. He was to be awarded an OBE for his services to the Meat Industry in 1979. Having been a long-time member of Melbourne Lions Club, he helped start Chadstone Lions’ Club as an inaugural tenant of the Chadstone Shopping Centre in 1979. He was also a tireless worker for charity, making his home available for functions raising funds for local groups. His passion for the community led him to stand for Kew Council as a representative of College Ward. As a councillor, he was elected mayor for two terms. During his term of office, new Kew Municipal Offices were constructed in Cotham Road. An active worker for the Kew Elder Citizens Association, he was involved in the establishment of an Opportunity Shop in Walpole Street to raise funds for the development of a new Centre in High Street. The Opportunity Shop was used to train locally unemployed youth skills such as furniture repair. (GW)

Inscriptions & Markings

Front: "Presented to Cr Wade J.P. / Mayor of / the City of Kew / at the laying of the / foundation stone / of the / Kew Civic Centre /20-8-1971." Reverse: This trowel was also used / by / Cr Ivan Wade OBE JP & Mrs Gwlad Wade / at the laying / of the foundation stone / of / "Hamer Court" / Hostel for the Aged / 22nd August 1982"

Sound Recording - City of Kew 1860-1960: Centenary Addresses / by The Right Hon RG Menzies & Cr WHS Dickinson, 1960

Kew Historical Society Inc, Kew

City of Kew Centenary 1860-1960 Speeches by The Hon RG Menzies, MHR for Kew, and Cr WHS Dickinson, Mayor of Kew. Recorded on 13th December 1960 at the Kew City Hall 34 minutes 29 seconds From the archives of the Kew Historical Society Inc Copyright Kew Historical Society Inc Timings 00.14-17.00 The Right Hon RG Menzies MHR 17.07-32.33 Cr. WHS Dickinson 32.38-33.10 The Right Hon RG Menzies MHR 33.30-33.50 Cr. WHS Dickinson 33.51-34.25 Song - 'For He's a Jolly Good Fellow'

Historical information

The Centenary commemoration of the City of Kew was held in the new Kew City Hall, and attended by invited guests, including the Australian Prime Minister, The Right Hon. RG Menzies, MHR for Kew; Arthur Rylah; and the Mayor, Cr WHS Dickinson.

Significance

This reel-to-reel tape, now digitised, is both rare (ie unique) and historically significant. While the recording clearly has local significance, it is also of national and international significance due to the content of the Prime Minister's address. The focus of his speech is the nature of Australian democracy and its strengths, deriving from universal suffrage and the acceptance of democratic values by the Australian population, gained through historic participation in democracy at local, state and federal levels. RG Menzies mounts a strong case for each level of government having value in the development of Australian democracy. He also describes the emerging democracies of Africa in the period following decolonisation, and suggests that the success of these countries is dependent on democratic institutions not being imposed from above by colonial powers.

Inscriptions & Markings

Label on original box

Bicycle - Kew Flyer, Women's Roadster, circa 1920

Kew Historical Society Inc, Kew

Kew Flyer Women's Roadster ca 1920, donated to the Kew Historical Society by John Wyatt in 2017. Original paint work and logo on the loop frame in navy blue, blue and gold, featuring Egyptian influences in the painted design . The rubber sprung saddle was made by Dunlop and has a serial number on a plate at the rear. The loop frame is original. Most of the cycle, on an initial evaluation following the donation were judged to be original, but with the addition of a later mudguard, reflector and chain guard. These have now been removed.

Historical information

In 1903, an article in the Box Hill 'Reporter' noted that the Kew Flyer Cycle business had been started in 1893 by Harry F. Cooper, and that he was "the oldest cycle maker in the district". By 1903, the Kew Flyer business was located at 8 (later 14) Cotham Road where it was to remain an institution until its closure. In 1910, W.D. Vaughan, in his 'Jubilee History of Kew, Victoria' wrote that: "Several cycling clubs have been born and died, suffering chiefly from the migration of the leading spirits in the organisations, but since 1900 the ‘Kew Flyer’ road race, instituted by Mr. H. F. Cooper, has been the cycling event of the year among local riders. It is run on the White Horse Road at Blackburn." Early newspaper reports recorded the distance of the race as initially 10 miles but by 1906, the event extended to 15 miles, starting from the Travellers' Rest Hotel in Blackburn. Cooper's Kew Flyer business in Cotham Road introduced new technologies and models throughout its 56-years of operation. By 1908, it was claimed that the shop had been enlarged with new "workshops and [the] latest lathes and cycle building tools. [it] Is now one of the most up-to-date Cycle Works in Victoria". By the First World War, Cooper had expanded his business to include motorbikes with "Precision Engines". The Kew Flyer business and the annual road races continued through the War, even though a number of its staff left for the front. One of these was [Pte] Robert Charles Field Richardson, who joined the 6th Battalion, fought and was wounded at Gallipoli, and died of wounds in Alexandria, Egypt in 1915. In 1917, the death of Private H.S. Herbert was announced. He had been the winner of the Kew Flyer Cycle Road Race in 1913. He died in action in France, having fought at Gallipoli and at the Battle of Pozieres. The majority of bicycles advertised by Cooper were designed for men, although bikes for women and 'juveniles' were advertised as early as 1918, so they were probably manufactured throughout the period. Harry Cooper was to sell his Kew Flyer business in 1936, after 39 years of trading. The business he began continued until 1949.

Significance

This is an historically significant and rare 1920s Kew Flyer Cycle in intact condition, with most of the original paintwork preserved on the frame. Harry F Cooper, who was the manufacturer of the cycle had a retail business and a factory in Kew. He promoted the Kew Flyer Road Race which was the most important trader-run cycle event in Victoria from 1900 to his retirement in 1936.

Inscriptions & Markings

Kew Flyer

Photograph - Kew Flyer Team, circa 1912-13

Kew Historical Society Inc, Kew

Photograph, the second of two, from an earlier album photograph of the Kew Flyer Team in uniform with trainers and workers of the company. One of the men in the photograph is probably Harry F. Cooper, the proprietor of the Kew Flyer business in Cotham Road, Kew. Harry Cooper was the sponsor of one of the best known and oldest trader cycle races in Melbourne. The photograph remained in the possession of the Rogers family until its donation to the Society by John Rogers in 2015.

Historical information

In 1903, an article in the Box Hill 'Reporter' noted that the Kew Flyer Cycle business had been started in 1893 by Harry F. Cooper, who was "the oldest cycle maker in the district". By 1903, the Kew Flyer business was located at 8 (later 14) Cotham Road where it was to remain an institution until its closure. Seven years later, W.D. Vaughan, in his 'Jubilee History of Kew, Victoria' (1910) wrote that: "Several cycling clubs have been born and died, suffering chiefly from the migration of the leading spirits in the organisations, but since 1900 the ‘Kew Flyer’ road race, instituted by Mr. H. F. Cooper, has been the cycling event of the year among local riders. It is run on the White Horse Road at Blackburn." Early newspaper reports record that distance of the Race was initially 10 miles but by 1906, the event was 15 miles, starting from the Travellers' Rest Hotel in Blackburn. Cooper's Kew Flyer business in Cotham Road introduced new technologies and models throughout its 56-years of operation. By 1908, it was claimed that the shop had been enlarged with new "workshops and [the] latest lathes and cycle building tools. [It] Is now one of the most up-to-date Cycle Works in Victoria". By the First World War, Cooper had expanded his business to include motorbikes with "Precision Engines". The Kew Flyer business and the annual road races continued through the War, even though a number of its staff left for the front. One of these was [Pte] Robert Charles Field Richardson, who joined the 6th Battalion, fought and was wounded at Gallipoli, and died of his wounds in a hospital in Alexandria, Egypt in 1915. In 1917, the death of Private H.S. Herbert was announced. He had been the winner of the Kew Flyer Cycle Road Race in 1913. He died in action in France, having fought at Gallipoli and in France at the Battle of Pozieres. The majority of bicycles advertised by Cooper were designed for men, although bikes for women and 'juveniles' were advertised as early as 1918, so they were probably manufactured throughout the period. Harry Cooper was to sell his Kew Flyer business in 1936, after 39 years of trading. The business he began continued until 1949.

Significance

This is a very rare image [the location of the original is now unknown] of a Kew Flyer team. The photo was sourced and remained in the possession of the historian Dorothy Rogers, whose brother was an early member of staff in the firm. The photo is historically significant as it is the only known photograph of a Kew Flyer Team, and possibly the only known photo of Harry F. Cooper, the founder of the firm and a key figure in Victorian cycling history.

Inscriptions & Markings

Handwritten annotation by the historian Dorothy Rogers on reverse: "Kew Flyer Team from very old photo".

Photograph - Kew Flyer Team, circa 1912-13

Kew Historical Society Inc, Kew

Photograph, the first of two, of an earlier album photograph of the Kew Flyer Team in uniform with trainers and workers of the company. One of the men in the photograph is probably Harry Cooper, the proprietor of the Kew Flyer business in Cotham Road, Kew. Harry Cooper was the sponsor of one of the best known trader cycle races in Melbourne. The photograph remained in the possession of the Rogers family until its donation to the Society by John Rogers in 2015.

Historical information

In 1903, an article in the Box Hill 'Reporter' noted that the Kew Flyer Cycle business had been started in 1893 by Harry F. Cooper, who was "the oldest cycle maker in the district". By 1903, the Kew Flyer business was located at 8 (later 14) Cotham Road where it was to remain an institution until its closure. Seven years later, W.D. Vaughan, in his 'Jubilee History of Kew, Victoria' (1910) wrote that: "Several cycling clubs have been born and died, suffering chiefly from the migration of the leading spirits in the organisations, but since 1900 the ‘Kew Flyer’ road race, instituted by Mr. H. F. Cooper, has been the cycling event of the year among local riders. It is run on the White Horse Road at Blackburn." Early newspaper reports record that distance of the Race was initially 10 miles but by 1906, the event was 15 miles, starting from the Travellers' Rest Hotel in Blackburn. Cooper's Kew Flyer business in Cotham Road introduced new technologies and models throughout its 56-years of operation. By 1908, it was claimed that the shop had been enlarged with new "workshops and [the] latest lathes and cycle building tools. [It] Is now one of the most up-to-date Cycle Works in Victoria". By the First World War, Cooper had expanded his business to include motorbikes with "Precision Engines". The Kew Flyer business and the annual road races continued through the War, even though a number of its staff left for the front. One of these was [Pte] Robert Charles Field Richardson, who joined the 6th Battalion, fought and was wounded at Gallipoli, and died of his wounds in a hospital in Alexandria, Egypt in 1915. In 1917, the death of Private H.S. Herbert was announced. He had been the winner of the Kew Flyer Cycle Road Race in 1913. He died in action in France, having fought at Gallipoli and in France at the Battle of Pozieres. The majority of bicycles advertised by Cooper were designed for men, although bikes for women and 'juveniles' were advertised as early as 1918, so they were probably manufactured throughout the period. Harry Cooper was to sell his Kew Flyer business in 1936, after 39 years of trading. The business he began continued until 1949.

Significance

This is a very rare image [the location of the original is now unknown] of a Kew Flyer team. The photo was sourced and remained in the possession of the historian Dorothy Rogers, whose brother was an early member of staff in the firm. The photo is historically significant as it is the only known photograph of a Kew Flyer Team, and possibly the only known photo of Harry F. Cooper, the founder of the firm and a key figure in Victorian cycling history.

Inscriptions & Markings

Handwritten annotation by the historian Dorothy Rogers on reverse: "Kew Flyer Team about 1912-13. Coopers Cycle Shop Cotham Rd opp. Kew Post Office".

Archive File - Action Groups [General], 1993-2012

Kew Historical Society Inc, Kew

Sundry newspaper articles and correspondence relating to action groups established to protect Victoria Park, High Street, and Willsmere-Chandler Park.

Clothing - Scarf : Black Chiffon with Multicoloured Silk Embroidery, 1920s

Kew Historical Society Inc, Kew

Very long, doubled chiffon evening scarf with a silk tassle at one end and multicoloured hand embroidered flowers at the other. The scarf was owned by Edith Mary Weir.

Historical information

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.

Significance

This scarf is part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir.