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matching Country, themes: 'creative life','family histories','gold rush'
Diverse state (59)
Aboriginal culture (17)
Built environment (11)
Creative life (13)
Family histories (4)
Gold rush (4)
Immigrants and emigrants (11)
Kelly country (2)
Land and ecology (14)
Local stories (23)
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Eureka Stories
... representatives of the people to frame wholesome laws and carry on an honest Government. That it is not the wish of the “League” to effect an immediate separation of this Colony from the parent country, if equal laws and equal rights are dealt out to the whole ...What is Eureka and what happened there?
In the early hours of 3 December 1854 a force of police and other troops charged a reinforced camp constructed by miners on the Eureka gold diggings. About 150 diggers were inside the stockade at the time of the attack. In the fighting, 4 soldiers and about 30 other people were killed, and another 120 people taken prisoner. Thirteen people from the stockade were charged with treason – these men were either tried and found not guilty, or charges against them were dropped.
Many people think of the Eureka Stockade as a battle between the diggers (rebellious Irish fighting for democracy) and the police and colonial militia (the forces of the British Crown in the Colony). It’s nice to have a single story to make sense of everything. Eureka, however, is not a single simple narrative. Several stories intertwine and involve many of the same people and places. Let’s look at some of them.
The Hated Gold Licences
In 1854, people mining for gold around Victoria had to pay a monthly fee of 30 shillings for the right to mine, regardless of how much gold they found. Someone who had been looking for gold unsuccessfully for months still had to pay the same fee as someone who was pulling out gold by the pound. Diggers argued that it was an unfair tax, imposed on them without their consent, as they did not have the right to vote. (After the Goldfields Royal Commission the licensing fee was changed to a tax on gold when it was being exported.)
Not only did the diggers resent the licence fee, they were angry at the way the goldfields police went about checking that miners had licences. Diggers claimed that police were beating people up or chaining them to trees if they could not produce a licence, and undertaking unnecessary inspections on people they didn’t like. Resentment of the licence fee and the conduct of police in their “licence hunts” was expressed across the Victorian goldfields.
The Unfair Treatment of Diggers by the Police and Justice System
People around the Victorian goldfields were also unhappy with the lack of thoroughness with which police had investigated a number of goldfields crimes. They were concerned about what they thought was the unfair and secretive way people were charged and convicted of crimes. There were claims by people living on the goldfields that it was necessary to bribe police and government officials in order to do business and stay safe. As the goldfields populations increased, tensions between the goldfields communities and police and other government officials rose.
In Ballarat a series of events (a murder, an arrest and a hotel burning) in late 1854 involving police and Ballarat locals led to the arrests of three men for burning down the Eureka Hotel. These arrests caused enormous disquiet in the area, adding weight to calls by the Ballarat Reform League and other organisations around the goldfields for a fundamental change to the system of government in the Colony – the next element in our Eureka story.
Demands for a Democratic Political System
Since the early 1850s people had been calling for the government to abandon the gold licensing system, remove the gold commissioners, and provide the Colony with a better policing and justice system. Despite an investigation by the Victorian parliament into the goldfields in 1853 (a Legislative Council Select Committee) the government did not make significant changes. By November 1854 an organisation called the Ballarat Reform League had formed in response to official inaction and had written a Charter of democratic rights. They organised a "monster meeting" in Ballarat on 11 November 1854, to have it accepted, and met with Governor Hotham on 27 November 1854, to demand his acceptance of the Charter, and the release of the three prisoners charged with burning down the Eureka Hotel.
Population Explosion
The people calling for these changes to taxes, justice and political participation came from many different parts of the world, such as the United States, Canada, England, Ireland, Scotland, Italy, Germany. This corner of South-Eastern Australia was rapidly changing as thousands and thousands of people arrived to search for gold. Many of these people were educated and from middle-class or merchant backgrounds. The domination of squatters running sheep on large land holdings was being challenged by dense populations of people in goldrush regions generating enormous wealth in the colony, and a desire from these recent arrivals to take up land, and have a say in the making of laws.
We have looked at some parts of the Eureka story; at what unfolded around the colony as a result of this mix of people, events and system of government. There are many other stories about Eureka. To find out more, you can explore the stories through original documents at Eureka on Trial.
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Como House and the Armytage Family
... interested when he found out that it would be a mortgagee's auction. He and his wife Caroline lived with their eight children at Fulham Station, a large sheep holding just outside Geelong. The combination of their hard work in the country and Charles ...The Armytage family owned Como House in South Yarra for nearly 95 years. The property was managed by the women of the family for more than seventy years from 1876 to 1959. The history of the Armytage family, and the families who worked for them, provides an insight into almost a century of life on a large estate.
Como was purchased in 1864 by Charles Henry Armytage and it became the home of Charles, his wife Caroline, and their ten children. Charles died in 1876 and Caroline in 1909. Their daughters Leila, Constance, and Laura lived on at Como and left an indelible impression there.
The last surviving children of Charles and Caroline - Constance and Leila - sold Como to The National Trust of (Vic) in 1959. Como was the first house acquired by the Trust. One of the most significant aspects of this purchase was the acquisition of the complete contents of the house. The Armytage sisters realized that if Como was to survive as an expression of their family and its lifestyle, it must remain intact as a home. They also left an extensive archive of diaries, letters, journals and photographs.
Boasting one of Melbourne’s finest gardens, an inspiring historic mansion, and an impressive collection of antique furniture, the property provides a glimpse into the privileged lifestyle of its former owners; one of Australia’s wealthiest pioneer families.
Life can be seen to contain two major elements: the animate and the inanimate. While the inanimate bricks and mortar, objects and pathways, help in our understanding of this family, it is the animate, the social history, which makes Como come alive.
The text above has been abstracted from an essay The Armytage Family of Como written by Adrea Fox for the publication The Australian Family: Images and Essays. The entire text of the essay is available as part of this story.
This story is part of The Australian Family project, which involved 20 Victorian museums and galleries. The full series of essays and images are available in The Australian Family: Images and Essays published by Scribe Publications, Melbourne 1998, edited by Anna Epstein. The book comprises specially commissioned and carefully researched essays with accompanying artworks and illustrations from each participating institution.
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Isaac Douglas Hermann & Heather Arnold
Carlo Catani: An engineering star over Victoria
... , and were hovering over St Kilda, no doubt their spirits would see a monument there to Mr Catani in appreciation of the work he had done, not only there, but in the country. The clock tower stands proud where once the municipal band stand had once adorned ...After more than forty-one years of public service that never ended with his retirement, through surveying and direct design, contracting, supervision, and collaborative approaches, perhaps more than any other single figure, Carlo Catani re-scaped not only parts of Melbourne, but extensive swathes of Victoria ‘from Portland to Mallacoota’, opening up swamplands to farming, bringing access to beauty spots, establishing new townships, and the roads to get us there.
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Sound in Space
... . It was presented as a collaboration between Astra and the Music Department at La Trobe University – at that time at its height as the largest department in the country and a celebrated university centre for music technology and experiment. (The Department was later ...Music always interacts with the architecture in which it is heard.
Melbourne has some wonderful acoustic environments. Often, these spaces were built for other purposes – for example the splendid public and ecclesiastical buildings from the first 100 years of the city’s history, and more recent industrial constructions.
Exploiting ‘non-customized’ spaces for musical performance celebrates and explores our architectural heritage.
For 30 years, the concerts of Astra Chamber Music Society have ranged around Melbourne’s architectural environment. Each concert has had a site-specific design that takes advantage of the marvellous visual qualities, spatial possibilities, and acoustic personality of each building.
The music, in turn, contributes a new quality to the perception of the buildings, now experienced by audiences as a sounding space - an area where cultural issues from music’s history are traversed, and new ideas in Australian composition are explored.
In this story take a tour of some of Melbourne’s intimate, hidden spaces and listen to the music that has filled their walls.
For further information about Astra Chamber Music Society click here.
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Collingwood Technical School
... it is to be a good citizen of this great country of ours. Do not delay. Your boys’ future depends on the choices you will make for them [17].’ Initially, Collingwood Technical School offered three-year courses for boys at night over two or three evenings per week ...For over 140 years, the site of the former Collingwood Technical School on Johnston Street, Melbourne, has played an integral role in the well being of the local community.
It has been a civic hub, including courthouse (1853), Council Chambers (1860) and the Collingwood Artisans’ School of Design (1871). The school opened in 1912 when its first principal, Matthew Richmond, rang a bell on the street to attract new students. Collingwood was a poor and industrial suburb, and as a trade school, young boys were offered the opportunity to gain industrial employment skills.
Throughout the twentieth century, Collingwood Technical School supported the local and broader community. From training schemes for ex-servicemen who were suffering from post traumatic stress following World War I (1914-1918), to extra classes during the Great Depression, and the development of chrome and electroplating for machine parts for the Australian Army and Air Force during World War II (1939-1945).
The precinct between Johnston, Perry and Wellington Streets has transformed over time, including expansion with new buildings and school departments, and the change in the demographic of students as Collingwood evolved from an industrial centre to eventual gentrification. And in 1984, New York street artist, Keith Haring (1958-1990), painted a large mural onsite.
Collingwood Technical College closed in 1987 when it amalgamated with the Preston TAFE (Technical and Further Education) campus. Education classes continued until 2005 and the site sat empty for more than a decade, before a section was redeveloped for Circus Oz in 2013.
The former school now has a new identity as Collingwood Arts Precinct, and is being developed into an independent space for small and medium creative organisations. The heritage buildings will house the next generation of thinkers and makers, and will become a permanent home to the arts in Collingwood.