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Whitehorse Historical Society Inc.
Ceramic - Tiles
Six small rectangular tiles - blue speckled. One small square blue speckled tileceramics, earthenware -
Bendigo Military Museum
Mixed media - NEWSPAPER CUTTINGS
Items belonging to Horace Eli Hambly No 794 AIF. Refer 2325.2 for his service history..1) Newspaper cutting re Sir John Monash with photo. .2) Newspaper cutting re James Dinsdale returning home in 1919.documents - newspapers, military history - army -
Churchill Island Heritage Farm
Ceramic - Cream Jug, c. 1950
This cream jug would have been used to hold cream for table use. This chintz transfer ware was made from 1930 until the 1980’s. The Rose time pattern was introduced in 1931. The Lord Nelson ware was made by Elijah Cotton, ceramic makers of Staffordshire, England.Ornate cream jug with large curved lip and generous handle with scrolling. Lord Nelson Ware, 'Rose time' series with purple and orange roses with green leaves on cream coloured background. Antique design. Matches milk pitcher 0288 china, lord nelson ware, amess house -
Ringwood and District Historical Society
Mixed media, Ringwood CWA death of Irene Hodges in 2019 and other member gatherings in 2018
Kindly scanned from Ringwood Branch archival collection -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Whitehorse Historical Society Inc.
Ceramic - Cup
Large white ceramic feeding cup with spout and one handle. Designed for pulped food or liquids fed to invalids who are unable to consume solids.domestic items, crockery, domestic items, food & drink consumption -
Bialik College
Ceramic - Class of 1996, Grade 6 plate
Created to commemorate the 1996 (grade 6) classA large dish, possibly made from China 44cm in diameter.The Bialik school emblem is central to the upper area of the plate. Words in Hebrew and English are painted and scratched into the plate. ‘Step Forward With Courage’ ‘We will always be proud to be part of the Bialik Family. With thanks from the Class of 1996. Students names appear on blue leaves which curve in two lines around the bottom part of the plate. Students’ names: Jeremy Gomo, Carly Goldston, Ben Gold, Jeremy Glick, Boris Garber, Melissa Gaddie, Ben Fridman, Matt Fishman, Yariv Field, Paul Benet Elise Biaylew, Efrat Bogaty, Tali Budlender, Benjamin Czapnik, Daniel Dobos, Steven Czarny, Guy Albeck, Caroline Banky, Mark Blashki, Naomi Buchner, Adrian Chazan, Marty Dodge, Ittay Ekstein, Simon Feldman, Joel Fetter Becky Litwinow, Paulina Leibovitch, Dina Kluska, Michael King, David Januszewicz, Steven Harris, Dean Harris, Amy Grossbard, Michael Sadovsky, Tali Plotnik, David Serry, Anna Shaked, Cassie Rosenberg, Slava Shklyarevsky, Irina Roshkovan, Henry Shoyket, Benj Snyder, Warren Rozen, Yuliya Perchyonok, Renata Zilberg, Suzannah Palmer, Elijah Yeo, Elly Meltzer, Adina Trainor, Anthony Marget, Amanda Teitel, Tamar Sztal, Tomas Lopata, Russell Sochen. The reverse, base side, has painted in the centre point The Class of ’96 Handpainted by Rochelle Weinman Melbourne. grade 6, graduation, school, bialik -
Moorabbin Air Museum
Mixed media (Item) - Temora Air Show 2006 Photos on Disc, Temora Air Show 2006 Nov Personal Photos
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Gippsland Art Gallery
Ceramic, Sheridan, Steve, Jug, c.2005
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2019gippsland, artwork, permanent collection -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Mixed media - Oral History, Bendigo Nurses, 1950s to 2014
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.CD entitled "A Cure for All Ills: Medicine in Bendigo 7 Feb - 10th August 2014". The CD contains eleven recordings of nurses who trained in Bendigo relating their experiences. The Sound Tracks are: 8495.75a Diane 8495.75b Craig DeLacy 8495.75c Joan O'Shea 8495.75d Gladys Thompson 8495.75e Jenny Clutterbuck 8495.75f Liz 8495.75g Lysle Lindria 8495.75h Mavis 8495.75i Nancy Shaw 8495.75j Norma Holmberg Nursing in Elmore 8495.75k Peter Rosewallndsn, nursing, lister house -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
Federation University Art Collection
Ceramic, Blackware sculpture by Virginia Jones
Blackfire donut form sculpturejan feder memorial ceramics collection, blackware, virginia jones, sculpture -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with blue and white design with a glazed finish -
Bialik College
Mixed media (series) - Besen Art and Technology Centre
1990s, 2000s, development1990s, 2000s, development -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Border tile glazed with brown and white squares. Rounded on one end.(on back) 298ceramics, earthenware -
Federation University Art Collection
Ceramic, Sue Ferns, Raku Sculptural Form by Susan Ferns, c1983
Susan Ferns was a Diploma Student at the Gippsland Centre for Art and Design.Raku sculpture Formsusan ferns, jan feder memorial ceramics collection, alumni, australian studio pottery -
Gippsland Art Gallery
Ceramic, Ino, Kiyoshi, Pot, 1979
Purchased with the assistance of the Crafts Board of the Australia Council, 1979gippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Mixed media, PICKUP, Pat, Nana McGrath's in her garden, 1983
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Bialik College
Mixed media (series) - Speech Night, 1980s-2000s
1980s, 1990s, 2000s1980s, 1990s, 2000s -
Ballarat Heritage Services
Ceramic - Domestic Ware, Stopped Jug by Robert Gordon, c1980
Robert GORDON Robert 'Andy' Gordon is a potter supplying ceramic wares to stores across Australia as well as exporting to Canada, the U.S.A. and New Zealand. to China. Robert and his wife Barbara started making pottery in 1979 in a tin shed at Gembrook in the Dandenongs, Victoria, which they called the Pack Track Pottery, selling their wares at the St Kilda markets. In 1987, they expanded to purpose-build premises in nearby Pakenham where they are still based today. Wares made at Pack Track Pottery are painted 'Robert Gordon' or 'Gordon' in oxide. Wares made at the Robert Gordon Pottery are stamped 'Robert Gordon Pottery Australia', 'Robert Gordon Pottery Australian Made' or 'Robert Gordon Australia'. Glazed jug with cork stopperrobert gordon, australia studio pottery, ceramics, pack tack pottery, jug -
Swan Hill Regional Art Gallery
Ceramic, RAY, David, Cod country, 2004
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Queenscliffe Maritime Museum
Mixed media, News articles & pamphlets re Port Phillip Pilots c1839 onwards, Newspapers
Port Phillip Sea PilotsHistorical newspaper clippings about Port Phillip's Sea Pilots' history.News articles & notices re Port Phillip's Sea Pilots over the years Reverse " NIL ".historical references -
Flagstaff Hill Maritime Museum and Village
Ceramic - Plate Shard, Before 1878
History of the Loch Ard: The Loch Ard got it’s name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic.The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Fragment of ceramic plate. White plate with black flower design and border around edge. Verdigris stain on plate. Little encrustation on broken edge. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, ceramic plate, plate, shard, cream with black roses -
Gippsland Art Gallery
Mixed Media, Piggott, Owen, Omega, 1969
Donated by the artist, 1970Sand, pigment, polymer paint, and glue on canvasgippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Mixed media - Audio Cassette, Lottie Szrgat aka Szigat, 29th June 2006
Interview with Lottie Szigat , who emigrated to Australia from Germany in 1965. Interviewed by Liz Chapman on 29th June 2006. Transcription on ND5659Interview with Lottie Szigat , who emigrated to Australia from Germany in 1965. Interviewed by Liz Chapman on 29th June 2006. Original record ID was NP3448. Transcription on ND5659szigat lottie, emigration, oral history migration program, germans in australia, szrgat lottie -
Horsham Regional Art Gallery
Mixed media, Kerrie LESTER, White water, 1978
Gift of the Georges Invitation Art Prize, 1978 -
Swan Hill Regional Art Gallery
Mixed media, CHILLER, Leigh, Figure in landscape, 1984
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Federation University Art Collection
Ceramic, Bruce Stewart
jan feder memorial ceramics collection, australian studio pottery, bruce stewart, alumni -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Threads of Gold, 1983
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Bendigo Art Gallery
Ceramic, UNKNOWN, (pair of tall vases), circa 1855
Mark on base, brush and brown underglaze colour "(Japanese character)".