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Clunes Museum
Painting, Richard Ford, 1956
Richard Ford was a local artist heavily involved in the local community, famous for the theatrical backdrop in the Clunes Town Hall as well as the WWI mural on the west wall of the same building.This painting is an example of the type of work that was produced by a Clunes local artist. This painting was a gift from Richard Ford to the Late Reg Kinnersly who was a pupil in Richar Ford's "Sloyd" , arts and craft style classFramed painting "Still Life" of vase and flowers dated 1956Signed by artist Richard Fordrichard ford, artist, mural, wwi -
Wodonga & District Historical Society Inc
Textile - Haeusler Collection Embroidered Doily c.1920s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand embroidered doily with floral design and word "CAKE" stitched around outer rim of fabric "CAKE"textiles, sewing, handiwork, women's history, domestic, craft -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Busun 27.vii.1923
Done by Leonhard Adam, an internee in Tatura.leonhard adam, busun 27 vii 1923 -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Painting, S.S. Wyralla
Water colour by Gregory -
Ballarat Heritage Services
Painting - Artwork - painting, Colin Colahan, 'The Mouth of the Carrum Creek' by Colin Colahan, 1915
Colin COLAHAN (1897-1987) Born Australia Colin Colahan was a student of Max Meldrum, and was one of the first tonalist painters to have his work purchased by the National Gallery of Victoria. He contributed cartoons to 'The Bulletin'. Colahan was working in Paris in the 1920s and had a studio in Mont Martre. He returned to Melbourne by 1927. He next lived and worked in London in 1936 for the next 22 years. During World War Two his house in Chelsea was bombed and everything destroyed. Some photographs donated to Xavier College, his alma mater, are the only evidence of the destroyed work. Cola ham was an Australian War Artist after 1942, with over 90 of his works held by the Australian War Memorial. He moved permanently to Itsly in 1958. Images of a framed watercolour by Colin Colahan. Signed lr "Colin Colahan 1915"colin colahan, watercolour, boats, coast, beach -
Ararat Gallery TAMA
Textile, Julie Montgarrett, Nonplussed Orange
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Bendigo Historical Society Inc.
Painting - CAROL HOLSWORTH COLLECTION: 1970 NATIONAL BANK PAINTING 'UPPER SHAFT - PORT LINCOLN MINE 1848'
1970 NATIONAL BANK PAINTING REPRODUCTION Upper Shaft , Port Lincoln Mine 1848 possibly painted by W.A. Cawthorne 1848 Below the picture title the words - Reproduced by the National Bank in 1970 from the watercolour in the Mitchell Library , Sydney , by permission of the Trustees.The centre of the picture shows mine workings four or five men are shown in the picture the rest of the area is undevelopedpainting, watercolour, gold diggers -
Federation University Historical Collection
Painting - Artwork - Painting, [Still Life] c 1931 - 1933, 1931-1933
The full folio of work undertaken by Alice Watson while a student at the Ballarat Technical Art School is held by Federation University Australia.Double sided. Two water colour paintings undertaken by Edith Alice (Alice) Watson for art course at the Ballarat Technical Art School, a division of the Ballarat School of Mines. One side has a corked bottle,jar with leaves and onions. At the side is a flower and two onions. Verso is a blue vase, metal mug, champagne glass, an onion and two tomatoes. E.A.WATSON verso lrs of paintingballarat technical art school, edith alice watson, ornament, flora, alumni, still life, water colour, onions, alice watson, tomatoes -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Summer fun, 2001
Winner of the Bayside City Council Acquisitive Award at the Brighton Rotary Art Exhibition, 2001.oil on boardbeach, children, leisure, lorraine burns, painting -
Glenelg Shire Council Cultural Collection
Mixed media - Photocard - Colour Panorama, Portland Bay, Colour Panorama, Portland Bay, n.d
Displayed at History HouseTinted photo. Baths with blue roof in foreground. Fisherman's Wharf in background, Long Pier, Railway Pier, and Cypress Trees along Bentinck Street. Telegraph Poles along Street. Truck carrying bales. Mounted on cardboard.Front: Panorama of Portland, Victoria (Length of Ocean Pier, 2880 ft). -
Gippsland Art Gallery
Painting, Seidel, Brian, Early Morning - Summer, 1967
Donated from the estate of Patricia Marie White, 2013Acrylic Paint, Oil Paint, Canvasgippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Brian McGuffie, Brian McGuffie, The River of Tears, Lake Tyers, In the Dreamtime, 1992
lake tyers -
Whitehorse Historical Society Inc.
Textile - Table Runner
White cotton crochet table runner. Unusual tassels. round tops.|Consist of two rows of medallions (six per side); two rows of diamonds ( 14 each row) one row of medallions (small 14 Medallions). Seven tassels each end.handcrafts, crocheting or crochet work, domestic items, ornaments / decorative -
Federation University Art Collection
Painting, Chinese, [Floral Landscape]
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two Framed artworks with a floral theme. art, artwork, flowers, flora, asian -
Gippsland Art Gallery
Painting, Spears, Frank, Gloucester Street, 1962
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on boardgippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: EMBROIDERED AND LACE TRIMMED PILLOW CASES, Late 1800-1900's
Textiles. Large pieces of linen, 119 cm x 96 cm edged with a border, 8.5 cm deep of cotton lace, matching rthe lace of the bed-spread. This lace has a corded effect, outlining 'finger shapes' of floral pattern, alternating with an open chain stitch, looped effect. Like the bed-spread, the pillow case is embroidered with the initials in satin stitch and some cut work embroidery. A smaller rectangle of linen fabric is stitched to the back of the fabric, to hold a pillow in place,. Measuring 81 cms x 48 cms. This envelope is tied with three ties of cotton tape. It could be presumed that these pillow slips would be a decorative feature of the bed linen. As on the bed-spread, lavishly embroidered initials may be the initials of Caterina (Ina) Lamaro, who married Giovanni (Jack) Favaloro, or Caterina (Kitty) Lopes, who married Salvatore (Salve) Favaloro.textiles, domestic, two embroidered and lace pillow cases -
Ararat Gallery TAMA
Textile, Frances Burke, Cane, c. 1952
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Geelong Gallery
Painting - The pier head 1910, FORBES, Stanhope, 1910
Oil on canvas -
Swan Hill Regional Art Gallery
Mixed media, WOOLRICH, Tony, Title, 2002
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Darebin Art Collection
Painting - Barry Dickins, Barry Dickins, Running Out of Time, 2005
painting -
Port Melbourne Historical & Preservation Society
Mixed media, Robert Frost, Toxic Flat - Port Melbourne, 1987
Produced by Robert Frost of Alfred Street for use in Bay Street informational stalls by Port Melbourne 'Residents' Picket Group' against the SCDC Bayside development, 1988Large black display board with captions of environmental information connected by string to points on an aerial photo of Port Melbourne/Fishermen's Bend; indicates sources of contamination in Port Melbourne and on the bend.public action campaigns, environmental issues, town planning - proposals shelved - bayside, fishermans bend, industry - manufacturing, robert frost, residents picket group, british petroleum group, elders ixl, glazebrook paints, csiro, state electricity commission -
Whitehorse Historical Society Inc.
Textile - Doyley, c1934
Purchased by Valda Arrowsmith on behalf of the Society.Crochet sandwich tray doyley in white cotton. Centenary of Victoria 1834 - 1934 crochet in pattern, fillet type crochet with picot edge.handcrafts, crocheting or crochet work, manchester, table linen -
Geelong Gallery
Painting - Expectation, ROSSI, Alexander M, 1875
Watercolour -
Nillumbik Shire Council
Painting, Jessica JARVIE, Winter Blues, 2017
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Australian Lace Guild - Victorian Branch
Textile - Irish Crochet, Early 20th Century
For domestic use. Possibly home madeCrochet edged oval mat -
Darebin Art Collection
Painting - Elyss McCleary, Elyss McCleary, My Tuxedo, 2018
painting -
Korowa Anglican Girls' School
Textile (Item) - School Hat, Winter School Hat introduced 1950
New winter school hat introduced in 1950 and worn until late 1980s. A much recognized Korowa item -
Bendigo Historical Society Inc.
Painting - CAROL HOLSWORTH COLLECTION: 1970 NATIONAL BANK PAINTING REPRODUCTION 'PENGUIN SILVER MINES' TASMANIA
1970 National Bank watercolour painting reproduction Penguin Silver Mines , Tasmania signed Á.G'1871 Below the picture title the words - Reproduced by the National Bank in 1970 from the engraving in the national library of Australia by permission of the Trustees A sail / steamship is seen off the coast .The centre of the painting shows a mine shaft , frame and wheels connected to a horse-powered mechanism .There are various other buildings , horses and carts and people .The mine was only to last a year.painting, watercolour, 'penguin silver mines , tasmania / national bank reproductions / -
Federation University Art Collection
Painting, Gallahs
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a number of gallahs in a tree. If you are able to provide information on this artist or artwork please use the email link below. art, artwork, birds, galahs, available, tafe business collection -
Australian Lace Guild - Victorian Branch
Textile - Tatting lace
Use: Domestic: Household trimmingTatted lace edging