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Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with black gloss finishpottery, ceramic, archaeology -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Shell Turtles x 2, Turtles
Made by Tom Hunter during WW2 in Papua New Guinea2 Turtles created from a large cowrie shell that is brown spotted. The large shell is connected to four smaller cowrie shells that act as the feet. Then another small shell to be the head. AUnreadable writing on the underbelly of the two turtles written in grey lead. -
Mission to Seafarers Victoria
Decorative object - Nativity, Post World War 2 (1950s - 60s)
A group of 18 pieces, polychrome moulded plastic figures; On the side of each figure copyright symbol and maker's mark, indecipherable ... plasticsmary, joseph, shepherds, kings, animals, nativty, christmas, jesus, camel, donkey, cow, sheep, balthazar, melchior, gaspard -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology -
Healesville Sanctuary Heritage Centre
Ceramic - souvenir side plate, IBC Royal Scenic China, Circa 1930
This side plate and accompanying pieces were used at the original Healesville Sanctuary Kiosk during the 1930's and 1940's.Small souvenir side plate. White glazed ceramic with gold rim. The plate has four images around the outside edge: a wedge-tailed eagle, koala and baby and 2 smaller wattle blooms with leaves. "HORATIUS" TRAINED HUNTING EAGLE/ THE SANCTUARY HEALESVILLEhealesville-sanctuary, wedge-tailed-eagle, koala, plate, kiosk -
Whitehorse Historical Society Inc.
Ceramic - Tile
The Australian Tesselated Tile Co. began in Mitcham, south of the Railway Station, in 1886. It almost collapsed after the bursting of the land boom in 1890s, then recovered to become one of the world's greatest tile works. It made a greater range of tiles than any other known tile works, here or overseas.Glazed mosaic tile with Sunburst design in dark orange, light orange and cream. Edged in black(on back) '495' '6'ceramics, earthenware -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Melbourne Tram Museum
Decorative Object - China Cup, Prime Promotional Products, "Kew Tram Depot Est. 1915 Service to the Community", 1990
Black China cup with black handle with a line drawing in gold of the outer part of the PMTT logo with an A class tram inside with the destination of Kew Depot. Has the manufacturers detail on the base of the cup - "Prime Promotional Products" - cup made in China, designed and decorated in Australia. Made to celebrate the 75th Anniversary of Malvern Depot - 1990.trams, tramways, crockery, kew depot, pmtt, anniversary -
Wodonga & District Historical Society Inc
Decorative object - Gold toned brooch-pendant from the Sarah Coventry jewellery range, c. 1970s -1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the brooch-pendant has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal brooch-pendant with a cameo of one pink and one red rose."© SARAH COV" thought to be first used in 1953 on the lower edge of the back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, brooch-pendant, brooch, pendant -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with blue and white design with a glazed finish -
Gippsland Art Gallery
Ceramic, Hughan, Harold, Facetted Lidded Container, c.1950s
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2018gippsland, artwork, permanent collection -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Lustre Dragon by Heather Wilson, c1985
Heather WILSON (1961- ) Born Rotherham, England. Arrived Australia 1967. Heather Wilson graduated with a Bachelor of Education (Art & Craft) from Melbourne State College in 1982, majoring in Ceramics. Artist's statement - "All of my work is hand built and explores animal forms in various ways. Animals have always fascinated me and have been a part of my work for the last 30 years. Whether appearing as dragons, exotic birds or bones, most of my images have a basis in nature. Sometimes it is just a characteristic or a quirky gesture that will inspire a piece, sometimes a photograph or a drawing done at the zoo or museum. Dragons have always given me the freedom to explore an emotion or attitude without the restrictions of a form being right, no one can tell you what a dragon should be like as they are an imaginary beast. All of my work is hand built from earthenware or porcelain. Each of them is unique and they may be similar but no two are ever the same. Most of my vessels are coil built and the dragons and birds are constructed on their bases. The pieces are fired to 1080 C in a gas kiln."heather wilson, ceramics, jan feder memorial ceramics collection, gippsland campus -
Federation University Art Collection
Ceramic, Swirls, 2021
Three porcelain slipcast beakers (without handles) made from handmade molds with white and coloured porcelain swirls,donna morrison, ceramics, alumni, dvc art award -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with glazed white finish -
Kew Historical Society Inc
Decorative object - Set of three doilies with crocheted borders, 1940 - 1955
In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauSet of three white cotton doilies with crocheted lace borders. household textiles, doilies, crochet -
Glenelg Shire Council Cultural Collection
Decorative object - BADGES, n.d
Unknown -
Hymettus Cottage & Garden Ballarat
Ceramic - charger, Hispano Moresque Charger, early 20th century
Hispano Moresque pottery charger made in Spain in the first half of the twentieth century. Such lustre ware was the inspiration for the work of English potter William de Morgan whose work is also represented at Hymettus.Large platter or charger -
Flagstaff Hill Maritime Museum and Village
Decorative object - Ornament, ca. 19th century
This fine white glazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine glazed white porcelain ornament, carved to represent three children sitting on three brick fence pillars. There are gold highlights on the surface. The hats on the children are vases. An inscription is on the base of the centre pillar."6946"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, germany, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, children on a fence, vase, candle holder -
Ballarat Heritage Services
Ceramic - Ceramics, Pottery Vase by Gambles Pottery
Photograph of a hand thrown and decorated ceramic vase by Gambles Pottery with impressed studio mark on the base. ceramics, pottery, studio pottery, gambles pottery -
Whitehorse Historical Society Inc.
Decorative object - Doyley
White cotton rectangular doyley edged in blue blanket stitch. Thick embroidery thread is used in flower pattern.manchester, table linen -
Federation University Art Collection
Ceramic, Stoneware by Jan Feder, c1980
Wheel thrown reduction-fired stoneware with feldspar hoc crackle and tenmoku glaze. This collection of work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there. The reduction fired stoneware includes feldspathic crackle and Tenmoui glazes. ceramics, jan feder, jan feder memorial ceramics collection, churchill, gippsland campus, stoneware -
Federation University Art Collection
Ceramic, Unknown, Jill, [Vessel] by Jill ?
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are currently looking for information on the artist who created this work. If you are able to assist please leave details in the comments link below.art, artwork, jill, ceramics -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Small Monkey
Item made by an Italian POW held in Camp 13murchison, camp 13, italian, pow, monkey -
Federation University Art Collection
Ceramic, Lidded Porcelain Pot by Warren Arthur, c1983
Arthur WARREN (1958- ) Born Yallourn, Victoria Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Arthur Warren trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986. Lidded poecelain Potwarren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Jewel Box, 1940's
Made by Internee at Camp 3, TaturaHandmade, varnished wooden jewel box with hinged lid. Drawer insert and 4 compartments and base. Dovetail corners. Drawing of a kangaroo and joey on the lid(on front) BBjewel box, frank r, glockermann b, camp 3, tatura, ww2 camp 3, handcrafts, woodwork -
Ararat Gallery TAMA
Decorative object, Mizuhiki, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Whitehorse Historical Society Inc.
Decorative object - School Trophy, 1970
See Ref. 4302Irregular shaped metal trophy on plastic base. Trophy has illustration of two girls playing softball. A metal strip is attached to the base with 'NDSSSA Softball 2nd Blackburn East 1970' inscribed on it.'NDSSSA Softball 2nd Blackburn East 1970'trophies & awards, education -
Federation University Art Collection
Ceramic - jug, Salt Glazed Jug by Sandra Johnstone, c1985
Sandra JOHNSTONE (1936-1991) Worked California, USA Sandra Johnstone is a graduate from the University of California, Berkeley, California. She is known for her large wheel thrown stoneware pots with deep incision on interior and exterior surfaces. Iin 1985 Sandra Johnstone was a visiting artist to Gippsland Centre for Art and Design. (now Federation University Australia) Salt glazed jugJohnstone incised on basesandra johnstone, ceramics, jan feder memorial ceramics collection, gippsland campus, visiting artist -
Gippsland Art Gallery
Ceramic, Dermer, John, Faceted Bowl, Undated
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2019Salt-glazed porcelaingippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Ceramic - Brick -Ventilation
Brick was made for ventilation of buildings by the Builder's Trading and Roofing Co (Formerly the Monarch Brick & Tile Co). Rooks Road, Mitcham.Dark glazed and fired terracotta ventilation brick with 15 holes moulded in the centre.ceramics, terracotta