Showing 2401 items matching art
Artwork, other (1241) Ceramic (748) Decorative object (667) Drawing (4562) Mixed media (487) Painting (2388) Print (1653) Sculpture (397) Textile (1237) Work on paper (2039)-
Gippsland Art Gallery
Ceramic, Hughan, Harold, Tall Vase with Tapering Lip, Undated
Donated by Mrs Pam Weaver OAM & Dr Hugh Weaver through the Australian Government Cultural Gifts Program, 2019gippsland, artwork, permanent collection -
Federation University Historical Collection
Print - Drawing, The Pic-nic
An etched book illustration - The Picnic by Charles O'Malley.picnic, charles o'malley -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Mount Edgecomb, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Schmeisser, Jorg, Sugar Cane Fire VI (Fire & Blue), 1986
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Contact Print - Pastoral Scene, 1960-1970
Sheet of 2 contact prints from glass plate negatives. Top: 2 men and 2 women in a clinker built dinghy on a river. Beds of reeds in river. River bank heavily wooded. Bottom: 3 women, one seated in garden at 'Beechwood', Dutton Way. People in both prints dressed in fashion late 19th, early 20th century. -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Snow-Storm, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Bendigo Military Museum
Print - PRINT, FRAMED
Grey frame, glass front. Enclosed is a coloured print of a painting of a Sergeant in the Australian Army Ordnance Corps.Underneath print: “Monty Wedd” On base of print: “Sergeant Australian Army Ordnance Corps 1903”illustrations-prints, military history - army, ordnance -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
see 359Brown glazed border tile - crazed with dark brown edgingceramics, earthenware -
Bendigo Military Museum
Print - PHOTOGRAPH, est WWI
The original photo was in a collection that belonged to Charles Walter McLeod No 944, C Coy 38th Batt AIF. He served with Jack Grinton. Jack bought his first camera in Cape Town on the way to England. By wars end he had taken hundreds of photos. Refer Cat No 1280 for service details. Refer 1320P, 1319.3.Copy of original photo of Jack Grinton in uniform with possibly his first camera. Typed notes underneath. The original photo was taken in England in 1916. photography, military -
Ballarat Heritage Services
Print, Issuing Licences
Gold Diggers around a tent with soldiers weighing gold.gold, gold license, goldfield, turon, tents -
Federation University Art Collection
Print - Artwork - Printmaking, {Landscape], 1990
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Framed colour Lithograph13/50printmaking, print council australia, gippsland campus, churchill, gippsland printmaking teaching collection, lithograph -
Gippsland Art Gallery
Ceramic, Hughan, Harold, Dinner Plate with Blue Star Decoration, Undated
Donated by Mrs Pam Weaver OAM & Dr Hugh Weaver through the Australian Government Cultural Gifts Program, 2019Tenmoku-glazed ceramicgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Simpson, John (after), His Grace, Arthur Duke of Wellington, 1839
Purchased with the assistance of the Gippsland Art Gallery Society, 2013Mezzotint print on papergippsland, artwork, permanent collection -
Federation University Art Collection
Ceramic, Two Handled Plate
Two handled platejan feder memorial ceramics collection, gail nicholls -
Gippsland Art Gallery
Print, Fabijanska, Kasia, Strangler Fig, 2015
Purchased, 2017Etching and aquatint on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, Elvis, 1995
ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 19/30 in lower left under printed image. -
Kew Historical Society Inc
Print, E. Reilly's Red Lion Family Hotel, Nineteenth Century
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white copy of a photo of E. Reilly's Red Lion [Family] Hotel, in Hawthorn.hotels -- hawthorn (vic.), red lion hotel -- hawthorn, e reilly -- publican -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Deal, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Bligh Sand, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Print, Louis KAHAN, The artist and his tools, 1947
Gift of Lily Kahan, 2004 -
Whitehorse Historical Society Inc.
Ceramic - Tile
See 359Glazed mosaic tile - pale blue background with pattern in centre of dark blue and green on white outlined in black.ceramics, earthenware -
Darebin Art Collection
Print - Kate Hudson, Kate Hudson, Camellia and Japonica, 2010
Camellia japonica, one of the best known species of camellia, was originally imported to Australia in 1838. A flower that is associated with manicured lawns and highly cultivated gardens of yesteryear remains ever popular today, thriving in gardens throughout southern and eastern Australia. In Camellia and Japonica, Kate Hudson depicts the common camellia, sometimes called the Rose of winter, in a glorious floral arrangement of deep red blooms with dark green foliage displayed in a rectangular shaped vase featuring a black and white Art Deco style design.The balance and harmony of Hudson’s compositions, together with her use of colour accents, form the basis of her highly decorative and patterned prints. The result, when combined with a distinctive geometric motif, is the creation of a traditional floral still life with a contemporary twist. -
Ararat Gallery TAMA
Print, Nanette Bourke, The Cult of the Car - Obsolescence, 1989
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Port Melbourne Historical & Preservation Society
Print - Railway Pier, Sandridge, c. 1880
State Library print of Sandridge Railway Pier c 1880piers and wharves - railway pier, ann gibson -
Buninyong Visitor Information Centre
Print - Photograph, Workers at the Case Factory, 1920s Learmonth Street Buninyong, Circa 1900
Howards Box factory. The Howard family (owners) resided at Netherby 606 Warrenheip Street and were involved in the Methodist Church, football, bowls and the fire brigade. James Howard owned the factory. he had two sons, Arthur and Charles. Early Buninyong. This is a rare image of early industry. Circa 1900. Framed photocopy of early photograph of workers at the case factory. Approximately 48 employees. Wood pile and trees in background, rail line in foreground.box factory, fruit boxes, factories, industry -
Gippsland Art Gallery
Print, Looby, Keith, 4th Class, 1976
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Queenscliffe Maritime Museum
Print - Framed copy of an engraving of the sailing ship 'Nelson' in the Alfred Graving Dock in Williamstown, 1868, HMVS Nelson in the Alfred Graving Dock, Williamstown, Victoria, 1868
As the White Ensign was reserved entirely for the use of the Royal Navy, the Admiral decided to approve of a new ensign for the Victorian Navy and this was flown for the first time from Nelson on 9th March 1870. The new ensign was very similar to the present day national flag and incorporated the Union flag with five white stars on a blue field.Following upon a series of ‘Russian scares’ in the 1870s, Nelson presumably by permission of the Admiralty, was converted into a fighting ship for the Victorian Navy; she was cut down to a single- decker, the fore and mizzen masts were removed, and the armament modified by the landing of several of the old muzzle-loaders and the addition of a number of new breech-loading guns. This conversion was carried out in the new drydock in 1881.A framed copy of an engraving entitled: 'Opening of the Graving Dock, Williamstown'.Opening of the Graving Dock, Williamstownhmvs nelson, alfred graving dock, williamstown -
Port Melbourne Historical & Preservation Society
Print - Print, Drawing of Unilever House under construction, "Construction : Unilever House", 1929
Print of black and white drawing of Unilever House under construction including four workmen, wheelbarrow, ladder and scaffolding; on yellow/brown paper.industry, manufacturing, built environment - industrial, workers, unilever australia (holdings) ltd, j kitchen & sons pty ltd -
Dandenong/Cranbourne RSL Sub Branch
Print - Making of a Legend
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Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 16, Bob Stone, 'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Tenth in a suite of 16, in the Admella Rescue series. Depicts Portland lifeboat. 3 crew members leaning leaning over sid eof life boat towards someone in water. Printed in black on white archival paper.Front: Linocut, Bob Stone. ...'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859' - Handwritten, black penadmella, shipwreck, portland lifeboat