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Hawthorn Historical Society
Drawing - Property Illustration, 7 Narveno Court, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.7 NARVENO CRT HAWTHORN Marg Picken ~88WOODARDS -HAWTHORNartist - margaret picken 1950- -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Margaret Baskerville, Echo, c.1901
Baskerville’s Echo references the Ancient Greek myth of the nymph Echo. The goddess Hear punished Echo for misusing her gift of voice by ensuring that she could only echo the voice of others. Echo falls in love with Narcissus, who spurns her and instead falls in love with his own reflection in a pool and drowns trying to reach it. Grieving, Echo fades away until only her voice remains.patinated plasterecho, female, figure, margaret baskerville, ancient greek myth, nymph, sculpture, relief, plaster -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Royal Park Messroom", "Swanston St shunt", "Signal Box, St Kilda Junction", c1938
Set of three photocopied plans or drawings on A3 sheet of the "Royal Park Messroom" .1 - P8373 - Royal Park Messroom - corner Flemington Road and Abbotsford St - Route 55, shows passenger platform and fencing. .2 - P8447 - Swanston St shunt - signal box - shows detail of the building at the junction of Swanston St and Victoria Streets. .3 - P8484 - "Signal Box, St Kilda Junction" - show location of the signal box, adjacent streets and details of the building itself.trams, tramways, drawings, depots, property, route 55, royal park, signal box, victoria st, swanston st, st kilda junction, wellington st -
National Wool Museum
Textile - Wheat Bag, 1928 - 1932
Maker unknown. Made c.1930. Wagga / quilt made of two jute wheat bushel bags hand bound together.Jute wheat bag. Two rows of red jute and one of orange, run the length of each side. Two holes have been mended with white string. Green purple and black markings have been stamped into the bag.quilting history, running stitch group, running stitch collection, quilting - history -
National Wool Museum
Textile - Quilt, 1940-1959
This small woollen suiting wagga was machine stitched, backed with orange cotton and edged with brown navy and white striped braid. It shows how important old and disused suiting fabric was for quilt making during World War Two. Part of the Running Stitch collection.Small woollen suitings wagga. It is machine stitched, backed with orange cotton and edged with brown navy and white striped braid. Two rows of orange braid and purple ric rac are stitched across the wagga.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history, world war two, wwii -
International House, The University of Melbourne
Print, Group of people including Samuel Wadham, Sam Dimmick and Dorothy Wadham [?] eating dinner; includes some students in academic gowns, c.1962
Black and white photograph of Group of people including Samuel Wadham, Sam Dimmick and Dorothy Wadham [?] eating dinner; includes some students in academic gowns -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Calocephalus brownii (Cushion Plant). Calocephalus citreus (Lemon Beauty-Heads), 1985
Part of "Woolcock Gallery Collection" exhibition 1989, CEMA.Two flowering plant studies. On left is a grey-green foliaged plant with small leaves growing close to the stem. Multiple stems end in single rounded flowers with many petals. On the left of this study are two details of a florette with many petals. One the right of this study is a detail of a cluster of leaves. The study on the right of page contains multiple stems with narrow, long grey leaves on stems ending with a single rounded yellow flower. To the lower left of this study is a detail of a yellow flower stem.Front: Calocephalus brownii (Cushion Bush). " citreus (Lemon Beauty-heads) (lower left) (pencil) CEW/85 (base of flower, lower left) (coloured pencil) CEWoolcock (lower right, signature) (pencil) Back: 16 (upper left) (pen) -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Guy Boyd, The swimmer, 1988
bronzesculpture, swimmer, female, figure, guy boyd, public art, bayside, bayside city council, australian bicentennial project, guy martin à beckett boyd, bronze, city of sandringham, indigenous resource garden, bluff road, sandringham -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/54 Stevenson Street, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/54 Stevenson Street, Kew by Margaret Picken.1/54 STEVENSON ST., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/54 stevenson street - kew (vic) -
Moorabbin Air Museum
Drawing (Item) - RAAF Nomad Exterior Finishing Schemes
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Gippsland Art Gallery
Print, Wickham, Stephen, Untitled, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Colour etching on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3/65 Normanby Road, Kew, 1999
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/65 Normanby Road, Kew by Margaret Picken.3/65 NORMANBY RD., KEW / MARGARET PICKEN '99 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/65 normanby road -- kew (vic.) -
Melbourne Tram Museum
Drawing - "High Street tram terminus at Malvern Road", VicRoads, 2006
Drawing - "High Street tram terminus at Malvern Road City of Stonnington Traffic Signal Model", drawing No. 6607-01. Shows the proposed layout of traffic markings, traffic signals etc for the new platform stop at High St and Malvern Road, Glen Iris. Prepared by vicroads 2006.Yields information about proposals for the Glen Iris terminus 2006A3 sheet printed in colourtramways, high st, malvern road, traffic control, platform stops, glen iris, route 6 -
Whitehorse Historical Society Inc.
Textile - Table Cloth
Table cloth purchased by donor from Pannam's store in vermont in 1948-49 for her glory box and was used by her in her family home in 6 McDowall Street Mitcham.White cotton table cloth with green patterned border design. The cloth has one hem on the right (top) side and one on the wrong (bottom )side.manchester, table linen, domestic items, table setting -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 9 Holyrood Street, Camberwell, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 67 Broadway, Camberwell, 1985
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Sculpture, Williams, Anthea, Channel Tunnel, 1996
Purchased, 1996Paint, Metal, Steelgippsland, artwork, permanent collection -
Flagstaff Hill Maritime Museum and Village
Textile - Bedspread and Cushion, 1982
This hand-knitted, white double-bed bedspread and matching round cushion were hand-made by Vera Giles. The process took her nine-and-a-half months. She presented it to Flagstaff Hill to be part of the Giles Collection. There are many 19th-century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as a family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940.The Giles family collection has social significance at a local level because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. The handmade items were knitted in the late 20th century using a craft and design that augment the late-19th to early 20th-century furnishings where they are displayed.Hand knitted white cotton bedspread and cushion with knitted floral pattern. Items are both part of the Giles Collection. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, knitted bedspread, knitting, bedspread, giles collection, henry giles, vera giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, manchester, cushion -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 18 Lurnea Road, Glen Iris, 1999
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Art Gallery
Textile, Paul YORE, The Rule of Lore, 2021
textile, lgbtqui, australian artist, queer, political, applique, quilt, quilting, banner, activist, activism, bunny, john howard, saddam hussein, george pell, pope, religion, pooh, bart simpson, car, truck, ribbon -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Walton Street, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Walton Street, Kew by Margaret Picken.3 WALTON ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 walton street - kew (vic) -
Gippsland Art Gallery
Print, Looby, Keith, Massacre of Tasmanians, 1975
Donated by Rodney Scherer through the Australian Government Cultural Gifts Program, 2004Etching on papergippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Textile - Dressing Table Set, circa 1958
Donor embroidered, but not edging. For her glory box in 1958. Significance of Item - An example of the contents of a glory boxThree piece dressing table set - Main mat scalloped rectangular shape and two mats of scalloped squared shape. All embroidered with red/pink, brown flowers.nonehandcrafts, embroidery -
Hawthorn Historical Society
Drawing - Property Illustration, 1/ 505 Glenferrie Road, Hawthorn, 1990
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 1/505 Glenferrie Road, Hawthorn by Margaret Picken.1/505 Glenferrie Rd, Haw, Margaret Picken '90. Woodards - Malvern. artist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 8 McCubbin Street, Kew East, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 8 McCubbin Street, Kew East by Margaret Picken.8 McCUBBIN ST., KEW E. / MARGARET PICKEN ~96 / WOODARDS ~ artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 8 mccubbin street - kew east (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 46 Oswin Street, Kew East, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 46 Oswin Street, Kew East by Margaret Picken.46 OSWIN ST., KEW E. / MARGARET PICKEN ~95 / WOODARDS ~ KEWproperty illustrations — buildings — kew east (vic.), 46 oswin street - kew east (vic) -
Moorabbin Air Museum
Drawing (Item) - Photocopy of drawings in Model Airplane News about Grumman Avenger
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Beechworth RSL Sub-Branch
Print - Print AND THE BAND PLAYED WALTZING MATIDA, TOP CAT CALLIGRAPHICS - 1998 / from the original by Vanessa Crisp. Eric Bogle - Larrikin Music, 1998 - the original by Vanesa Crisp honours Roderick 'George' McLennon - fixed forever in his time
Print was purchased because of the popularity of the song that was written by Eric Bogle in 1971 following his attendance at an ANZAC Parade in CanberraABSTRACT The anti-war song “And the Band Played Waltzing Matilda” has become a cultural icon in Australia, and elsewhere has been recorded over 130 times in 10 different languages. The song was written in 1971 by Eric Bogle, a Scottish immigrant to Australia, who has penned more than 250 powerful compositions, which, among other things, focus on the failure of history to impress upon youth the futility of war. Appropriately, Bogle was named Australian Humanist of the Year in 2001 for capturing “the ethos of humanism through his perceptive and individualistic song writing with its exposure of racism, bigotry, war mongering and injustice of all kinds”. Additionally, he was awarded the United Nations Peace Medal (1986), and was made Member of the Order of Australia (1987). This article asks why a song written by a Scot in Australia, fifty-six years after the Dardanelles campaign, feels as if it has “always existed. That it belongs to culture and country”. It questions what the appeal imbued within the lyrics of those five short verses might be and recounts the story behind the creation of what Pete Seeger referred to as “one of the world’s greatest songs”. Through interviews with the writer, and an examination of the relevant historiography, this article presents a study of “the most potent ballad of the age”. It also examines what Bogle meant when he said that it was a song that “came into its time” Wooden framed glass front print - The Band Played Waltzing MatildaPrint contain the lyrics of the song -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 5/576 Riversdale Road, Camberwell, 1998
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Latrobe Regional Gallery
Drawing, BELL, George b.1878 Kew, Victoria d. 1966 Toorak, Victoria, Untitled, Not dated
Ink on paperSigned 'George Bell' in lower right corner.life drawing, figure drawing, figurative study