Donated from the estate of Wemyss Struss, 2016Charcoal on papergippsland, artwork, permanent collection

The cosy was part of a collection of hand made items made by Anne BarryThe cosy was an important item used in entertainment e.g. afternoon tea parties, and everyday serving tea at meals etc. The cosy was used when loose tea was made in teapotsSquare tea cosy made with blue and white cotton material and trimmed with navy blue bow. The blue and white material is smocked and has red, white, yellow and black squares embroidered on it. The cosy is lined with the same navy cotton as the bow on top.manchester, table linen, handcrafts, needlework

Detailed plans for the redevelopment of the Stanhope Childrens Hostel and Staff Accomodation.Melbourne Legacy established residences to aid children of deceased servicemen complete their education, take further education and find employmentEnvelope containing various Stanhope Residence plans and written history. 00042.1) beige coloured envelope with ’Stanhope Residence’ handwritten on front. 00042.2) Drawn plan ‘Alterations and Additions to Stanhope Legacy Childrens Hostel’ ‘Sheet No 1’ 00042.3) Drawn plan ‘Alterations and Additions to Stanhope Lecacy Childrens Hostel’ ‘Sheet No 2’ 00042.4) Drawn Plan ‘Staff Accomodation Stanhope’. 00042.5) ‘Plan of Drainage’ Stanhope. 00042.6) Short written account of Stanhope History 00042.7) Typed transcript of short written account of Stanhope history.residences, properties, stanhope

Framed five plate lithograph. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 21/30kenneth jack, printmaking, lithograph, omeo, available

Three small round ecru coloured lacy pattered doilies with a scalloped edge.doilies

Charcoal on paperSigned and dated

Donated by the artists, 1984Wool weavinggippsland, artwork, permanent collection

Use: Domestic. Household trimmingBobbin lace edging with insertion attached. Sample

Colour photograph of Partially lined concrete channel upstream of Susan Street, Elthameltham, susan street, concrete, channel, drain

By 1966 when this poem and article were written by these state school students, the Phillip Island Penguin Parade had become famous and was a regular excursion destination for groups. The poem in rhyming couplets of 4 lines per stanza is typical of its time with human-centric description of the penguins in 'coat and tails', but both the poem and essay also indicate a growing interest in the evolution and behaviour at sea and on land of the Little Penguins. The Gould League of Bird Lovers, Victoria branch, which published these pieces in their 1966 edition of the Bird Lover magazine, was established for both children's 'nature studies' within school curricula, and for adults. The League published many booklets, posters and newsletters for schools and naturalists. The article demonstrates a growing interest in state schools in teaching students about Australian wildlife at the time. Little Penguins are very appealing to humans and given the accessiblity for viewing them at the Phillip Island Penguin Parade, provided teachers and students an ideal springboard for learning. Encouraging both poetry and essay form also indicated a broad approach to allowing students to express their knowledge and attitudes in various ways within the school setting.Also demonstrates the influence of the Gould League of Bird Lovers within the Victorian Education system.Photocopy of article. Black print on white paper with single greyscale image. Three-stanza poem "The Penguin" by Janice Ah Kee, followed by 4-paragraph description of life in the rookery by Diana Joseph. Both from Victorian state schools.litte penguin, fairy penguin, , bird lover, state school 3125 eagle point, state school 4655 morwell, janice ah kee, diana joseph, christine ryan photo, phillip island penguin parade, gould league of bird lovers, gould league of victoria, phillip island nature parks

Use: Domestic. Household trimming Bedfordshire type heading.Bobbin lace edging. Sample

Fine lace used as costume trimmingFine needle lace edging

DocumentThe largest gun ever built was the Gustav Gun

Use: Domestic: Household trimmingBobbin lace edging

This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen

Boroondara General Cemetery, often referred to as Kew cemetery, is one of the oldest cemeteries in Victoria, Australia, created in the tradition of the Victorian garden cemetery. The cemetery, located in Kew, a suburb of Melbourne, is listed as a heritage place on the Victorian Heritage Register. Framed pastel drawing, donated to the Kew Historical Society in 1965 of the entrance to Boroondara General (Kew) Cemetery, believed to be drawn by the sister of the artist George Bell. The drawing shows one of the entrances to the Cemetery before the construction of the high brick wall in 1895. This would be consistent with the life of Caroline Bell (1872-1947). The artist's perspective is estimated to be near the west end of the cemetery, perhaps in Victoria Park.caroline ethel bell (1872-1947), boroondara general (kew) cemetery, victoria park

Hugh Jeffrey attended the Melbourne Conservatorium of Music at Melbourne University, graduating in 1940. This cloth patch would have formed the breast pocket of Mr Jeffrey's university blazer. The Melbourne University blazer is traditionally black with blue stripes, and organisations such as the Boat Club, Cricket Club or, in this case, the Student Union, would have their particular logo or badge embroidered on the pocket. The logo on this patch is a version of the University of Melbourne coat of arms - with the angel Victory embroidered in white on a black background, offering her laurel wreath. Unlike the official coat-of-arms, the stars of the Southern Cross are not included, nor is the Latin motto. 1 coloured cloth path with embroideryhugh jeffrey, university of melbourne

Francois Cogne was born in 1829 in Paris. He worked in Australia between 1856 and 1864. He died in 1884.Framed lithograph of Chamber of Commerce ub Ballarat.francois cogne, chamber of commerce 1859

This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is used in the Chapel of the St Nicholas Seamen's Church at Flagstaff HIll Maritime Museum and Village. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity that has been serving the world's seafarers since 1856. It was inspired by the work of Rev. John Ashley who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today there are over 200 ports worldwide where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s Club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has clubs in Melbourne, Portland and Geelong. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. Altar cloth: simple white linen cloth, long rectangle shape with wide hems.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen

Machine made lace "Chemical" oval lace motif. Cotton thread embroidered onto a base fabric which is later dissolved away.

Double tiered Jabot with crochet edging

Warwick REEDER (12.8.1950 - 9.6.2016 ) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print. art, artwork, warwick reeder, reeder, printmaking, linocut, edition

Very fine old Flemish lace. Use - Fashion trimming or ecclesiasticalBobbin lace Flouncing

Donated, 1983Ink and watercolour on papergippsland, artwork, permanent collection

Lorelle EVANS Lorelle Evans was a Printmaking student at Ballarat University College in 1991. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print.art, artwork, lorelle evans, evans, etching, printmaking, student work, alumni, available, available set

Tape lace in the making. The lace is incomplete and still attached to the backing cloth. It is shaped - possibly as an edging for a tray cloth. Home made or hobby lace.Tape lace edging. Incomplete. Machine made tapes with needle made fillings.