Showing 3799 items matching art
Artwork, other (1226) Ceramic (748) Decorative object (667) Drawing (4561) Mixed media (486) Painting (2384) Print (1653) Sculpture (397) Textile (1237) Work on paper (2029)-
Federation University Art Collection
Painting - Artwork - Painting, Portrait of Margaret Bennett: Drum Major of the Ballarat Ladies Pipe Band
Drum Major Margaret Bennett (formerly Reynolds) attended Ballarat Teachers' College in 1949. She was Drum Major for the Ballarat Ladies Pipe Band from 1950-1975. At times Margaret Bennett was a life model for Geoff Mainwaring. Framed portrait of Margaret Bennett as the Drum Major of the Ballarat Ladies' School of Mines. She wears tartan, blazer and a bearskin hat, and holds a mace.ballarat ladies pipe band, margaret bennett, drum major, geoffrey mainwaring, alumni, available, margaret reynolds, tartan -
Ballarat Heritage Services
Ceramic - Ceramics, Lidded Ceramic Canister by Echuca Wharf Pottery, c1995
in 2009 Echuca Wharf Pottery was located at Murray Esplanade and Little Hopwood St, Echuca. Lindsay Chandler was a potter at Echuca Wharf Pottery from 1989-1994. Robert Henderson left Redbyrne to work at Echuca Wharf Pottery and then went not to work as a demonstration thrower at Bendigo Pottery.(https://www.flickr.com/groups/1281707@N21/discuss/72157629662786291/)Hand thrown lidded stonewarw canister with 'Gum Leaf' design by Echuca Wharf Pottery. landscape, ceramics, australian landscape pottery, echuca wharf pottery -
Swan Hill Regional Art Gallery
Painting, CLARKE, Matthew, Glenn, this is my class, unknown
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Federation University Historical Collection
Decorative object - Rose Bowl, Silcraft, Ballarat Teachers' College Rose Bowl, 1949
This rose bowl was presented to the Ballarat Teachers College by the students of 1949, particularly, Peter Fryar, J McIntosh, J McIntyre and J Holloway as a trophy for the Dimboola Regatta Relay. It was subsequently used to hold '49er' roses for the reunions of the students , the last being their 60th reunion. This three piece vase is made up of 1). a silver bowl with two handles in an art deco style sitting on three feet 2). a green glass vase with a central depression and domed walls which sits into the silver bowl 3). a dome of green glass containing 19 open ended cylinders in which the flowers sit.Engraved into the base - Ballarat Teachers College 1949, Presented to the college by P. Fryar, T. McIntosh, J. Holloway, T. McIntyre, Dimboola Regatta Relay. Stamped into one handle - Silcraft, E.P., N.S, A 1, Melb.rose bowl, vase, silver and glass vase, ballarat teachers college, p fyrar, j mcintosh, j mcintyre, j holloway, peter fryar, ballarat teachers' college, 49ers -
Port Fairy Historical Society Museum and Archives
Decorative object - Ship, model
From the collection of our Archivist Mrs Peg Egan (1977-1995)Wooden model of the clipper "Cutty Sark" on separate stand.Cutty Sark Cutty Sark Londonlocal history, maritime technology, model ships, ship -
Ringwood RSL Sub-Branch
Painting - Destroyer. D37
painting in wooden frame -
Federation University Art Collection
Ceramic - Artwork - Ceramics, 'Raku Lidded Pot with Tall Handle' by Bruce Anderson, c1984
Bruce ANDERSON (20 August 1950- Born Surry Hills, Melbourne, Victoria In 1971 Bruce Anderson obtained a Diploma of Art (Sculpture) from the Prahran Institute of Technology. For the next two years, he worked at Raynham Ceramics in East Bentleigh, making slipcast ware. After a year of National Service, he completed a teacher education course at the State College of Victoria, Auburn and taught for a time in the secondary school system. In 1977, he moved to Queensland to take up a position as Head of the Ceramics Department at Townsville TAFE. In 1984, he relocated to the Darling Downs Institute in Toowoomba and was still teaching there in his entry in the 1986-7 directory, working in raku and blackware fired with gas in a ceramic fibre kiln. During 1986, he moved to Adelaide to take up a position as senior lecturer in ceramics at the South Australian School of Design. During the late 1980s and 1990s, he began to make sculptural works of architactural form cast from a mixture of terracotta clay and refractory concrete. Part-glazed, the works allude to primitive industry and utilitarianism. In 1984 Bruce Anderson was a guest at Spotkanie held at the Gippsland Institute of Advanced Education.Raku teapot with tall handle. bruce anderson, ceramics, jan feder memorial ceramics collection, gippsland campus, teapot, raynham ceramics -
Federation University Art Collection
Painting - Artwork - Painting, The Street Scene, c1970
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, bicycle, available, neville bunning, ballarat artist's society, ballarat society of artists, neville mirvane bunning, sport -
Kew Historical Society Inc
Painting - Panoramic View of Kew and Abbotsford from the garden of Rockingham, V Maloney, 1952
The extensive formal landscaped gardens of Rockingham had been created in the 1860s, and by the 1950s remained bordered to the south by the Barkers Road cutting, and to the north by Blytheswood, the neighbouring Syme family property, By 1940, the Syme family were no longer the occupiers of Rockingham. John Herbert Syme had died in October 1939, and by August the following year, his wife had made the house and garden available, rent free to the Red Cross as a convalescent home for Australian soldiers injured in the Second World War. At the time, the house was described as containing twenty rooms, including a ballroom and a billiards room, with a garden of eight acres overlooking the Yarra. The task of renovating the house to conform to its new function as a convalescent home took a year, finally opening in August 1941. Community support for Rockingham was widespread and included the decision by the National Gallery of Victoria to loan pictures from its collection to decorate the walls. Calls were made for women around Victoria to donate fruit and vegetables from their gardens, which the railways agreed to freight for free. Other local support included the work by a team of boys to establish a three-acre vegetable garden within the formal terraced gardens. From the beginning, occupational therapy formed a key component of the rehabilitation of psychologically injured soldiers. This is confirmed by contemporary newspaper accounts of weaving, ironwork, leatherwork, basketry and gardening by patients. Numerous photographs, held by the Australian War Memorial (AWM) and the State Library of Victoria (SLV), record the importance of these rehabilitation activities. The painting of the view across the river to Abbotsford may have been painted in one of these occupational therapy sessions. For many decades it hung in the occupational therapy room. It must have been on view following the sale of Rockingham by the Syme family to the Red Cross in 1955, and subsequently, until the house was demolished and its grounds finally subdivided in 1977.View of Abbotsford from the garden of Rockingham (1952) was created by V Maloney. The vantage point of the artist was the garden of Rockingham, one of two mansions overlooking the Yarra owned by the Syme family. The artwork depicts a number of sites - especially factories - that have since been demolished.Signed by the artist, lower right "V Maloney"rockingham red cross convalescent home, hospitals - kew (vic), rosemary lade, art therapy -
Latrobe Regional Gallery
Painting, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, The Legions, 1967
Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting. -
Dandenong/Cranbourne RSL Sub Branch
Decorative object - 3 x Bofors 40 mm Mk4 cartridge cases
The 40 mm Bofors Mk4 cartridge is used in a variety of modern armoured fighting vehicles and ships. This cartridge has been used by the Royal Australian Navy as a ship armament since the Second World War. It is also compatible with the ground mounted Bofors L60 Anti aircraft guns which were used by the Australian Army since the Second World War.Chrome plated brass cartridge cases.Inscribed 40 mm Mk4 Lot 888 ECC 1955. Inscribed 40 mm Mk4 Lot 248 ECC AN 1955. Inscribed 40 mm Mk4 Lot 418 MF AAN 1955. -
Federation University Art Collection
Ceramic, Salt Glazed Box by Heather Hutchinson
Heather HUTCHINSON Heather Hutchinson was a Post Graduate student in Ceramics at Gippsland Campus. Ceramic salt fired ceramic form.ceramics, gippsland campus, jan feder memorial ceramics collection, alumni, heather hutchinson -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
Gippsland Art Gallery
Painting, Lawrence, George, Street in North Sydney, 1961
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on boardgippsland, artwork, permanent collection -
Castlemaine Art Museum
Painting, Carl Hampel, Near Geelong, 1875-1926
Gift of J.T. Tweddle, 1926 -
Melbourne Tram Museum
Decorative object - Memento, Yarra Trams, "Malvern Tram Depot, Celebrating 100 years' 1910-2010 and the Yarra Trams logo", 2010
Memento or Memento - white cardboard slip over a blue box with lid and padding containing a glass stand containing an image of the first tram leaving Malvern Depot when opened in 1910 and the words "Malvern Tram Depot, Celebrating 100 years' 1910-2010 and the Yarra Trams logo"trams, tramways, pmtt, 100 years of trams, malvern depot, yarra trams, souvenirs -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour
Cyril Leyshon White was an official war artist during the Gallipoli Campaign in WWI. He contributed a number of his sketches for “The ANZAC Book". After WWI he became a mentor to the young Sydney Nolan. Lt. White was a member of the 17th Garrison battalion attached to Tatura Camp 1. Landscape. A house with veranda and outbuildings surrounded by a wooden fence. Two bushy green trees partially hide the house with another blue-grey tree at right of picture. The buildings sit on a brown hill with blue-brown hills in the distance. The sky is blue with large s. Gold frame with beige matt behind glass. -
Clunes Museum
Painting - SEASCAPE IN OILS
1 of a pair (see catalogue no. 169) Circular painting on brown painted mounting board, gold inner mount, brown printed frame with gold and black floral and leaf edging.seascape, oils -
Federation University Art Collection
Painting - Artwork, ''calm and clear" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Federation University Art Collection
Ceramic, Jug by Christopher Headley, c1985, 1989
Wheelthrown glazed jugchristopher headley, ceramics, jan feder memorial ceramics collection, gippsland campus -
Villa Alba Museum
Decorative object - Nursery wallpaper sample, Children at play
A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school.Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, On Wombat Moor, 1986
Mack Jost Bequest, 2001watercolour on paper -
Warrnambool and District Historical Society Inc.
Decorative object - Glass Sphere on Metal Stand, c. 1930
These two items have been linked together as a decorative pair but it is not clear why, as the sphere or bulb does not have an opening and cannot hold a light and there is nothing very attractive about the two items as they appear today. The stand may have been set in front of a coloured light to ensure reflection or the sphere may have been decorated in some way.These items are kept as ornamental curiosities.This is a clear glass sphere on a metal stand. The stand is painted light brown and has a fretwork decorative base, a moulded stem and an open top with a curved pattern edge.vintage ornaments, glass ornaments -
Gippsland Art Gallery
Painting, Seehusen, Walter, Pioneer Tent, 1896
Donated by Ms Joan Edwards, 2017Oil on boardgippsland, artwork, permanent collection -
Bendigo Art Gallery
Painting, Albert Chevallier Tayler, Gentlemen, "the Queen", 1894
Signed and dated, l.r., brown oil, "A CHEVALIER TAYLER. 94". -
Kew Historical Society Inc
Decorative object - Figurative boomerang-shaped metal dish, c.1890
Nineteenth century household object employing an Aboriginal shape with art nouveau figurative designDiecast metal plate. Impressed with the figure of a naked figure with a wand in his or her hand touching the nose of a head (the moon?), causing it to sneeze. Lady lying on a bed of flowers. Three stoppers on the reverse to hold the plate above the surface.metal dish, art nouveau - australia -
Latrobe Regional Gallery
Painting, CHRISTENSEN, Nadine b. 1970 Melbourne, The Weather, 2004
Synthetic polymer paint on board- -
Gippsland Art Gallery
Painting, Maggoire, Lyn, Friends, 1976
Purchased, 1976Oil on canvasgippsland, artwork, permanent collection -
Orbost & District Historical Society
Decorative object - Brooch
These items are from the Temple estate. George Temple (1832-1916) started Temple's store opposite Orbost Post Office. Packed stores to Bendoc area gold fields, also had a store in Cann River. This item is an example of a popular piece of jewelry worn by women in the early 20th century. These brooches were sold in a local store and could have been purchased for a local funeral.Black, bakelite brooch - three small sections form centre of brooch, one is a hexagonal cone-shape with hexagonal dome attached by link to smaller circular polygon attached by link to a smaller flat pentagon. Black mesh in the shape of wings form the backing featuring eight bakelite stars of varying sizes (two smaller stars missing from the assembly). A metal pin is attached to the rear in the form of a clasp.1900s jewellery, bakelite, mourning brooch, george temple, orbost store -
National Vietnam Veterans Museum (NVVM)
Painting, Australian Sons
An original coloured painting of two Australian soldiers kissing the ground in front of an Australian Flag. Each soldier has their bags with them. In the background there is a coloured sky.painting, vietnam lest we forget, soldiers