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Artwork, other (1263)
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Decorative object (712)
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Textile (1394)
Work on paper (2044)
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Federation University Art Collection
Painting - Artwork, David Alexander, [Nude in the Landscape] by David Alexander
Framed painting of a nude in an landscape.david alexander, nude, life drawing, gippsland campus, churchill, available, available gippland -
Glenelg Shire Council Cultural Collection
Painting, Untitled (Portrait of Edward Henty), c. 1860
Portrait of a man against a dark background (green-brown and black). He is wearing formal attire: a black suit, black waistcoat, a white shirt with small brass (?) buttons and a narrow black cravat. His hair is dark blond and parted on the left. His sideburns are of a more reddish shade and reach to his jawline. Only upper torso visible. Original frame: ornate gold-painted wooden frame.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead Collins St Melbourne) Conservation Centre, Melbourne label. -
Federation University Art Collection
Painting - Artwork, 'E.J.T. Tippett' by Geoff Mainwaring, 1984
Geoffrey MAINWARING (29 October 1912-13 April 2000) Born Adelaide South Australia Geoffrey Mainwaring studied at the South Australian School of Arts and Crafts before becoming an art teacher at Thebarton Technical School (1928-36). Mainwaring was adept at depicting a variety of subjects, from landscapes to portraits, and was very competent using a variety of media, including pencil, oils, and watercolour. He was a confident draftsperson, and completed many sensitively rendered portraits that give an insight into the character of the sitter. In June 1941 Geoffrey Mainwaring (SX13471) joined the 2nd Australian Imperial Force, and after five months was transferred to the Engineers and employed as a Sergeant-Instructor, specialising in demolitions. In late 1942, he was sent to New Guinea as an Australian army artist on probation. On 27 May 1947, Mainwaring was discharged from the Army, having served for five and a half years. He was appointed as an artist on a civilian basis until his paintings were completed in March 1948. In 1949 he was appointed Head of the Art School at the Ballarat School of Mines (now Federation University Australia). He continued to paint commissioned portraits for the Australian War Memorial until the late 1950s. Geoffrey Mainwaring died at Ballarat in April 2000. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed portrait of E.J.T. Tippett.art, artwork, e.j. tippett, tippett, ballarat school of mines, geoff mainwaring, geoffrey mainwaring, mainwaring, oil on board, oil painting -
Wodonga & District Historical Society Inc
Decorative object - Necklace from the Sarah Coventry Jewellery Range, 1970s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned bead chained necklace with a silver rectangular clasp. On clasp: "SARAH COV"sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces -
Federation University Art Collection
Painting - Silk, [Asian School[
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed calligraphic work art, artwork, calligraphy, asian school -
Bendigo Art Gallery
Painting, Julie Crouan, Chrysantheme, 1887
Signed and dated, l.r., red oil, "J. Crouan/1887" -
Whitehorse Historical Society Inc.
Textile - Supper cloth
White supper cloth with draw thread work at each corner. Drawn thread inner border in a different pattern.handcrafts, needlework, manchester, table linen -
Ararat Gallery TAMA
Painting, Helen Maudsley, Window Display, 1961
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Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Border tile glazed with green and black squaresceramics, earthenware -
Bendigo Historical Society Inc.
Textile - WAGGA RUG
Patchwork Wagga Rug Item donated to Carol Holsworth at Specimen Cottage 2014 - 2018. No details taken of donor or ownership of the item. Item made of fabric remnants handstitched together. Includes hessian, cotton fabic and knitted woollen fabric.textiles, domestic, patchwork bed cover - wagga -
Wodonga & District Historical Society Inc
Textile - Hamilton-Smith Collection Floral Lace c. late 1800s - early 1900s
The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A rolled bundle of cream coloured lace with a floral design.lace, needlework, embroidery, hamilton-smith, hamilton-smith collection, ellwood, wodonga -
Gippsland Art Gallery
Painting, Piggott, Owen, Coming Home, 1983
Purchased, 1983Gouachegippsland, artwork, permanent collection -
Moorabbin Air Museum
Painting (Item) - Artists impression of raid, Hamburg Bremen bombing raid
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, John Ford Paterson, Ti-tree, Brighton Beach, 1895
John Ford Paterson, Ti-tree, Brighton Beach 1895, oil on canvas, 25.5 x 40.5 cm. Bayside City Council Art and Heritage Collection. Purchased 2022.brighton, beach, ti-tree, john ford paterson, bayside, coast -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish pottery, ceramic, archaeology -
Ballarat Heritage Services
Ceramic - Artwork - Ceramics, Peter Devanny, Bendigo Pottery Lidded Bowl, c1979
This work is by Peter Devanny who worked at Bendigo Pottery between July 1971 and 1979.Photograph of a saltglazed vessel by Bendigo PotteryBendigo Pottery PDbendigo pottery, ceramics -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas board, Barbara Better, Fishing on the Inman, 1977
barbara better, fishing, river, inman, south australia, children, landscape -
Ballarat Heritage Services
Ceramic, Seahorse Mug
Narrow hand thrown ceramic mug with glaze including seahorses. Signed in oxide on base CR or GR.australian studio pottery, seahorse -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish pottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with blue and white design with a glazed finish -
Uniting Church Archives - Synod of Victoria
Textile - Curtain
Non ministrari sed ministrare translates to "not to be served but to serve"Navy blue unlined damask curtain with 37 brass curtain rings on light blue silk binding. The curtain has a appliqued Presbyterian symbol of a cross, burning bush and text in damask, silk and metal cord."non ministrari sed ministrare" -
Federation University Art Collection
Painting, Taylor, Matthew, [Flora] by Matthew Taylor, 2002
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.If you can provide information on this artist or artwork please use the email link below. art, artwork, matthew taylor, horsham campus art collection -
Swan Hill Regional Art Gallery
Painting, COLEMAN, Rosemary, Icarus flees the hand, 1991
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Horsham Regional Art Gallery
Painting, Alice WORMALD, Napery landscape, 2017
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Mack Jost Bequest, 2018 -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Decorative object - Scale Model, M577A1 Armoured Command Vehicle
1:35 scale model of M577A1 ACV, mounted on wooden baseLt Col F T Cron 4th/19th Prince of Wales's Light Horse "Ich Dien"model, m577a1, armoured command vehicle, cron -
Whitehorse Historical Society Inc.
Textile - Handkerchief, 1945 approx
White silk handkerchief with newspaper headlines and stories related to the surrender of Japan on 2 September 1945.World War 2White silk handkerchief with screen prints in green of newspaper articles of surrender by Japanese 2 September 1945.as abovemilitary history, army, costume accessories, male -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Robert Jacks, Out of the garden, 1993
oil on boardabstract, painting, robert jacks, garden, geometric -
Ararat Gallery TAMA
Decorative object, Decoration, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
National Wool Museum
Textile - Quilt, Pamela Farmer, Earth Blanket, 2000
'Earth Blanket' is a quilt made by Pamela Farmer of Shoreham, Victoria in 2000. It is made from a wool blanket with merino and alpaca felt. The techniques used to make it include: felting, applique, quilting, machine and hand embroidery and it has been dyed with eucalyptus leaves. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Earth Blanket' was selected as the winner of this exhibition and was purchased for $2000. It was catalogue entry no. 5.Quilt, woollen felt with appliqued, quilted, dyed and embroidered surface. This quilt is mostly in brown and brown tones.P.F.quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), farmer, ms pamela, quilting, handicrafts