Showing 2320 items matching art
Artwork, other (1226) Ceramic (747) Decorative object (667) Drawing (4560) Mixed media (486) Painting (2384) Print (1653) Sculpture (397) Textile (1238) Work on paper (2029)-
Bendigo Art Gallery
Print - Work on paper, Brent HARRIS, On Becoming (Yellow) (No.1), 1998
l.l; 21/35 MOGGS CREEK EDITION, c; 'On Becoming' (Yellow) (No.1), l.r; Brent Harris 98print, printmaker, printmaking, australian artist, abstract, screenprint, yellow -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Floral Design Scarf Clip from the Sarah Coventry Jewellery Range c. 1970s-1980s
As part of the Sarah Coventry collection, the scarf ring has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned Floral Design Scarf Clip from the Sarah Coventry Jewellery Range c. 1970s-1980s. Designed to hold scarves in place.No makers markssarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, scarf, scarf clip, scarves -
Kew Historical Society Inc
Decorative object - Pair of Embroidered Cotton Table Runners
Off white cotton cross stitched table runner. Crotcheted edge in brown and pink. Rectangular with triangular ends. Cross stitch design in pink and brown with a few blue stitches. table runners, household textiles -
Port Melbourne Historical & Preservation Society
Decorative object - Wall Hanging, Noah's Ark, Nott Street State School, Year 3 children at Nott St Primary School, 1960s
Posted to the Society anonymously. Richmond postmark, explanatory note included. The Society investigated the origin with no success.Mustard coloured hessian wall hanging of Noah's Ark animals. Very colourful appligue work using wool, feathers, buttons, various fabrics. Made by Year 3 children at Nott Street State School in the early 1960s. Also 3.5 metre blue cord.education - primary schools, arts and entertainment - community arts, nott street state school -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Devonport, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Decorative object - Tile
Green glazed rounded tile.ceramics, earthenware -
Bendigo Historical Society Inc.
Decorative object - Two small tables
Two small identical wooden tables that are 17 centimetres high, 34 centimetres long and 21 centimetres wide. One is painted green, the other has a clear timber finish. The legs are two and a half centimetre square at the top tapering to one and a half centimetre. Pieces of wood one centimetre by three centimetres secure the legs to the underside of the table. A one centimetre by a half centimetre wooden bead is attached to the underside of the table between the legs and the edge of the table. woodwork, small table -
Glenelg Shire Council Cultural Collection
Print, The Undertaker's Assistant, 1984
Artist comment: These three prints (The Groom, The Undertaker's Assistant, The Organist) are part of a series on forebears of Portland. The drawings are taken from people in a collection of photographs belonging to the Johnson Family of Portland. The "Old Lady" and "The Wedding" are part of the same series. I designed the background to each drawing to suit each character's expression.CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing male from hips to head. The man wearsr a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in green, yellows and blues. No matt. Wooden frame with glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left) (stamp) 1/20 A Gee (lower left) The Undertaker's Assistant (centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions) -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Weathercote Cave, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Print, The Battle Of "Long Tan:
In a gold and black frame with glass front is a coloured print of the Battle Of Long Tan, Phuoc Tuy Province, south vietnam on 18th August 1966 with images of soldiers in various poses fighting and casualties. There are four panels below the painting with signatures of Commanders and Platoon Sergeant.This painting was won in a raffle by Mr. Crosby in Buninyong, victoriaframed print, 6 rar, d coy, 10 platoon, 11 platoon, 12 platoon, battle of long tan, phuoc tuy province, lt col h.a. smith, maj g.m. kendall, r.s. buick mm jp, 2lt dave sabben -
Vision Australia
Print - Artwork, Sydney Industrial Blind Institution
Print of a painting inspired by the original drawing done by Adam Stephan c1890. A double story sandstone building with a bay window sits behind a metal fence. On the road, driver waits with his horse and buggy as a man and woman stand in the open door to the building. 1 art print in grey/gold framesydney industrial blind institution, artwork -
Federation University Historical Collection
Print - Chart, The Circulatory System, 1952
This chart was used in the School of Mines Ballarat science laboratory until it was removed in 2015.This large paper on linen chart depicts a coloured diagram of the internal circulatory system of person.the circulatory system, biology, ballarat school of mines, science laboratory, medical, body, circulation, education material -
Port Fairy Historical Society Museum and Archives
Decorative object - Model Ship, s.s.Casino, 2007
Scale model of S.S.Casino presented to the Port Fairy Historical Society on commemoration day 10 July 2007 by John CallenderScale model of S.S.Casino on wooden plinth, box with lid, brush and fixing screw"Casino" 1882-1932s.s.casino, model, b.k.s.n.co, belfast and koroit steam navigation company, port fairy -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 3, Bob Stone, '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut Print. Third print in suite of 16 in the Admella Rescue Series. Shows two men on rocky shore, rough sea in background. One man on hands and knees, the other, still in water, holding a long box. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 2009 '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859' - handwritten, black penadmella, shipwreck, portland lifeboat -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Lulworth Castle, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Print, FACE TO STARBOARD
A black and white etching of two frigates in port. Front of etching is F05 Paramatta frigate with sailors on board. Second frigate is 07 Parramatta. bottom right side of etching reads Randall Wilson 1998. Top of etching reads Vietnam Escorts Limited Edition Series" Bottom right hand side of etching is the No: 000etching, cerberus collectio, hmas parramatta, hmas yarra, vietnam escorts limited edition series -
Whitehorse Historical Society Inc.
Decorative object - Doyley
White doyley with needle lacehandcrafts, lacemaking -
Mont De Lancey
Decorative object - Glass, 1953
A clear drinking glass commemorating the coronation of Queen Elizabeth II. Displaying a crown, coat of arms held by a lion and a unicorn and the date of the coronation. 2nd June 1953.A clear drinking glass with a gold rim commemorating the coronation of Queen Elizabeth II. It has printed on it the royal coat of arms held by a lion and a unicorn along with the date of the Coronation. June 2 1953. E II R is painted in yellow at the top.At the top of the glass is a yellow, white, black and red crown. E II R is printed underneath it, with a lion and a unicorn holding the royal crest. At the bottom is a red and yellow medieval banner with the inscription Coronation of Queen Elizabeth II June 2nd 1953in white script.drinking glasses, glasses, coronation glass, commemmorative objects, commemmorative glassware -
Gippsland Art Gallery
Print, King, Grahame, Crater, 1963
Purchased, 1975Lithograph on papergippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Print, John OLSEN, Blue fish, 1978
Gift of the Davidson family in memory of Jean Davidson, 2022etching on paper -
Federation University Art Collection
Print - Artwork - Bookplate, Bookplate for Caitlin E. Littlewood by David Frazer
David Frazer (1966- ) David Frazer is an Australian artist who works in painting, wood engraving, etching, lithography and bronze. Born in Victoria, David Frazer graduated from the Phillip Institute of Technology, Melbourne with a Fine Art degree specialising in painting. In 1996 he achieved an Honours degree from Monash University specialising in Printmaking and in 2000, gained his Master of Arts. In 2002, David was awarded the Keith Wingrove Bookplate Design Award and in 2007, he was a major prizewinner at the International Print Biennial in Guanlan, China and a featured Australian artist on the ABC’s documentary series ‘Artist at Work’. (http://www.goldfieldsprintmakers.com/david-frazer.html)Bookplate for Caitlin E. Littlewood by David Frazer featuring the skipping girl neon sign at Richmond. The skipping girl is known as 'Little Audrey'.bookplate, david frazer, caitlin littlewood, skipping girl, little audrey, keith wingrove bookplate design award -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Goddess of Discord, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, West, Benjamin (after), Venus and Europa, 1779
Donated from the estate of Dora Greenwall, 1975Steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Dido Building Carthage, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, SIBLEY, Andrew, Flowers Embraced, 1993
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Gippsland Art Gallery
Print, Macpherson, Adelaide, Bridge of Separation, 2015
Donated by the artist, 2015Two-plate colour etching and aquatint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), View of Cory-Lin, on the River Clyde near Lanerk, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Mission to Seafarers Victoria
Decorative object - Nativity, Post World War 2 (1950s - 60s)
A group of 18 pieces, polychrome moulded plastic figures; On the side of each figure copyright symbol and maker's mark, indecipherable ... plasticsmary, joseph, shepherds, kings, animals, nativty, christmas, jesus, camel, donkey, cow, sheep, balthazar, melchior, gaspard -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, T. Noyes Lewis, The Cross of Glory, Mid to late 19th century for the print, the reframing appears to date from the 1960's
The picture was framed by business, Leighton House, paint and art merchants at 346 Little Collins Street, Melbourne. It was made to order, number 6777. The business was also called The Leighton Gallery of Art and was owned by W & G Dean Pty Ltd. The phone number on the label "MU 8291" indicates that the picture was framed circa the 1960s or earlier, during the time that Melbourne was using 6-0digit alpha-numeric numbers. Below the picture is an excerpt of a hymn "The Head that Once was Crowned with Thorns" by Thomas Kelly: The head that once was crowned with thorns Is crowned with glory now; A royal diadem adorns The mighty Victor's brow. The Cross He bore is life and heath, Though shame and death to Him; His people's hope, his people's wealth, Their everlasting theme. This picture was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This picture is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Picture, print of "The Cross of Glory", rectangular, framed print on matt. It depicts Jesus Christ on a cross with an angel on each side, at his feet. He is wearing priestly robes and a gold crown on top of thorns on his head. In the background there is a rainbow and clouds. The text below the picture includes "From the picture by T. Noyes Lewis". Lines from a hymn are also printed below the picture. The back of the picture has pencilled numbers in three places plus a printed label with the framer's details. "From the picture by T. Noyes Lewis". Backing paper has pencil "6777" in two places. Label has bencil "677-" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, the cross of glory, print, t. noyes lewis, leighton house, home decoration, religioius picture, church furnishing, w & g dean pty ltd, leighton gallery of art, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, flying angles club, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown -
Montmorency/Eltham RSL Sub Branch
Decorative object - RAAF Point Cook Crest
Metal RAAF Point Cook crest mounted on a small dark red coloured plaque. The plaque has a mounting slot on the back and foward sloping curved sides meeting at a lower point. The circular RAAF crest has a jeweled crown at the top, black lettering at the bottom, and gold lettering on a circular blue enamel background surrounding a brown coloured line drawing of an eagle flying over water with the sun in the background.Point Cook Royal Australian Air Force First And Foremostraaf, point cook, crest, metal, plaque