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Artwork, other (1294)
Ceramic (767)
Decorative object (720)
Drawing (4609)
Mixed media (529)
Painting (2485)
Print (1666)
Sculpture (407)
Textile (1396)
Work on paper (2094)
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Bendigo Historical Society Inc.
Textile - LACE TEA COSY
Textiles, cream coloured six sided lace tea cosy. Diagonal diamond pattern on front and back. Edged with scalloped lace with eyelets. Ribbon threaded from each side of lower edge and tied in a bow at centre top on one side.textiles, domestic, lace tea cosy -
Mont De Lancey
Textile - Doiley
A large white handmade open patterned crotched doiley used to protect furniture. It has a floral pattern and scalloped edge.doileys, household textiles, soft furnishings, table linen, tableware, table accessories -
Latrobe Regional Gallery
Painting, HARRISON, Dr Aunty Eileen b. 1948, Den of Nargun - Spirit Tracks, 2004
Acrylic on paperSigned and dated 'E Harrison 04' in lower left corner of painting. -
Darebin Art Collection
Painting - Brian Birch, Brian Birch, Untitled, 2006
painting -
Uniting Church Archives - Synod of Victoria
Print, Undated. C. 1890s
Rev. W. A. Quick (1820-1915) was a significant figure in Victorian Methodism. President of the Queen's College Council 1888-1908. Chairman of the Tasmanian District 1861-71. President of the Australian Conference, 1866.Black and white print on buff paper. Head & shoulders portrait of the Rev. William Abraham Quick."REV W.A.QUICK EX-PRESIDENT WESLEYAN CONFERENCE, VICTORIA, AUSTRALIA"methodist, wesleyan, rev w a quick, wesleyan conference, president of the wesleyan conference -
Port Fairy Historical Society Museum and Archives
Painting - Painting, Watercolour, Jake McInnes' old home now Belfast Close
paintingcottage, building, home, house, belfast close, jake mcinnes -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Hythe, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Federation University Art Collection
Sculpture - Artwork - sculpture, 'Figure 3' by Sophie Nowicka, 1995
Sophie Nowicka was a visiting artist to the Gippsland Campus in 1995.Sculpture artwork, artist, sculpture, sophie nowicka, gippsland campus -
Wodonga & District Historical Society Inc
Textile - Hamilton-Smith Collection Beaded Textile c. late 1800s - early 1900s
The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women.This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.Bronze and gold embroidery and bead work on black mesh.needlework, beading, sewing, sew, hamilton-smith collection, hamilton-smith, ellwood, handmade, domestic, women, women's history -
Swan Hill Regional Art Gallery
Painting, PINTARIC, Josip, Flower festival, 1988
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Gippsland Art Gallery
Print, Ryrie, John, Maria Island, 1991
Purchased, 1998Woodcut print on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Piggott, Owen, Metung Baroque, 1985
Donated from the estate of the artist, 2016Oil on canvasgippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Adriana Cosshall, Adriana Cosshall, Not All That Glitters is Gold, 2010
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Australian Lace Guild - Victorian Branch
Textile - Machine or Bobbin lace, 1900-2000
Use: Domestic. FashionMachine lace insertion -
Glenelg Shire Council Cultural Collection
Painting, Jack Freeman, Landscape Dandenong, c. 1961
CEMA Art Collection Winner of Portland Artist's Society Prize 1961The painting depicts a small building set amongst tall trees and grasses. The building is situated in the centre of the work and is cream with a red roof and red awnings. In the foreground is a large area of long grass which leads into the shorter maintained grass that surrounds the building. Behind the building are numerous tall dark green trees. The work has a wide gilded frame and exposed canvas.Front: (No inscriptions) Back: Jack Freeman 1961 Landscape Dandenong (top right, black handwriting) 18 (white sticker) -
Bendigo Art Gallery
Sculpture, Fiona HALL, Incontinent, 1997
Nonesculpture, contemporary art, pvc, pipes, tubes, whiskey, bottle, atomic table, plastic, carving, incontinent -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Migrant Heart, 2001
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Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Seagulls, n.d
Gift of Mack Jost, 1991 -
Gippsland Art Gallery
Painting, Shannon, Michael, Landscape (Heathcote), 1976
Donated by Leslie Rowe through the Australian Government Cultural Gifts Program, 2006Oil on boardgippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, WOLSELEY, John b.1938 Somerset, England, No More: Poster for Environment Protest, 1976
Linocut print- -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, William Eicholtz, The late edition, 2017
Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.bronze Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.sculpture, public art, newspaper, hampton, bayside, william eicholtz, bronze -
Latrobe Regional Gallery
Print, KOMIVES, Angela G. b. 1957, A momentary lapse of memory, 1999
Etching Signed and dated lower right corner 'Angela G Komives 99' Titled 'A Momentary Lapse of Memory' centred under printed image. Edition 13/35, lower left corner under printed image. -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on composition board, Clarice Beckett, Sunset across Beaumaris Bay, c.1930-31
oil on composition boardbeaumaris, bay, coast, water, sunset, trees, landscape, clarice beckett, dusk, handrail, beaumaris bay, meldrum school, reflection -
Mont De Lancey
Sculpture, John F. Shaw (1928) & Co. Ltd. et al, Fireside Tales, 1928
A collection of nursery stories for young children. This book was awarded to Lance Sebire in 1932 for diligent Sunday School attendance.Large hardcover children's nursery book with coloured illustration on the front cover of a small boy and girl in pyjamas and nightie holding toys surrounded by fairies. The title Fireside Tales is in black lettering at the top. The spine has faded title and pubilsher, Shaw. Black and white illustrations throughout with some coloured plates.Kindergarten. Methodist Sabbath School Wandin Yallock 32 days. Awarded to Lance Sebire for 1st Prize of Mrs S. Gaudion's Class. W.J. Sebire Supt. A.J Sebire. Ada Gaudion. Sec. 27.3.1932.children's fiction, young people's fiction, children's books -
Port Melbourne Historical & Preservation Society
Painting - National Bank, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'National Bank - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
National Wool Museum
Textile - Quilt, 1921
Now 100 years old, this quilt belonged to the donor’s grandfather John William Huffstutter. John was Born in 1898 in a log cabin in the Ozark mountains of Missouri, USA. Tragically, John’s mother died when he was four years old. John said that he could always remember her voice calling his name as he hid under the porch in one of the many thunderstorms that frequent the area with his dog. John was raised by his grandmother and was treated as the youngest to her other children, growing up with his aunties and uncles rather than brothers and sisters. John began to study engineering at the State University of Iowa before serving in the US Army Engineer Corps in The Great War. He enlisted when he became eligible and served briefly before the Great War ended. He then returned to his engineering studies in Iowa, and shortly after finishing his studies got his first job with Westinghouse in Pittsburgh at age 23. It was when John was leaving for this job that he was given the quilts as a reminder of home from his grandmother Sarah Jane "Sallie" Tindall Coble, and her daughter (John's Aunt) Ottie Maude Coble Bittick. Widowed at age 78, John took to sleeping in his screen porch under one of these quilts. John remembered one winter in Missouri waking in his log cabin to find snow covering him and his quilt. When he died at age 94, the quilt he used was completely worn out and discarded. This remaining quilt was shipped to Australia, where Carol’s (the donor) immediate family had emigrated in 1970. Opening the box that contained the quilt released a wave of comforting smells, emotions, and a flood of childhood memories. Carol distinctly remembers sleeping under these quilts for afternoon naps at her grandparents' house. The quilt is 74 x 80 inches (1880 x 2030mm), matching the size of a modern-day king bed. It is made of various four-inch (100mm) squares. These squares are made of old men woollen suits in dark colours of browns and greys. The quilt is layered with a wool backing fabric and a batting lawyer of unknown material, possibly cotton or wool. The quilt is tied together with red wool yarn and the backing fabric is folded over the edge to be used as a binding. Embroidered across the front of the quilt in purple wool yarn is "John Huffstutter", "13 Oct 1921". A small, printed cloth label "HUFFSTUTTER" is pinned on the reverse of the quilt. The quilt is well-worn but in good condition considering its age. The care instructions passed down by word of mouth with the quilt were to "never wash, only air".Front embroidered. Purple handstitching: "John Huffstutter / 13 Oct 1921" Reverse. Printed cloth label: "HUFFSTUTTER"ozark, missouri, usa, textile history, quilt heritage -
Latrobe Regional Gallery
Painting, COLLINS, Mark, Figures on the Landscape, (n.d.) earliest date 1981, latest date 1986
Oil paint and pastelNot signed, not dated. -
Gippsland Art Gallery
Print, Tsutsumi Hayward, Sachi, Blue Vase, 1984
Donated from the estate of Patricia Marie White, 2013Mixed media print on papergippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Painting, Peter BOOTH, Gestural, 1976
Gift of Mack Jost, 1994mixed media on canvas -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Apollo Killing the Python, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection