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Bass Coast Shire Council - Robert Smith Collection
Sculpture - Ozymandias 1960' s ?, George Luke
Fibreglass with bronze finish -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Monkey, 1940's
Carving from stone of a figure of a monkey in a sitting poisition with it's tail in its mouth. Painted brown with cream flecks. Text and marking have been etched in to the stoneRicordo POW (ricordo translated means remember or memory)monkey, sculpture, ricordo, bilney r, ww 2 camp, handrafts, italian pow -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Charles Douglas Richardson, Tempus fugit, 1900
patinated plastertempus fugit, time flies, sundial, figure, female, charles douglas richardson, c douglas richardson, cd richardson, relief, sculpture -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Guy Boyd, The swimmer, 1988
bronzesculpture, swimmer, female, figure, guy boyd, public art, bayside, bayside city council, australian bicentennial project, guy martin à beckett boyd, bronze, city of sandringham, indigenous resource garden, bluff road, sandringham -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - fountain, Margaret Baskerville, Mrs Bent Drinking Fountain, 1913
The fountain was commissioned by Elizabeth Beazby, daughter of Sir Thomas and Mrs Bent, and unveiled 27 October 1913 by Mrs Wilson, Mayoress of Brighton.The fountain is of historical interest and aesthetic significance. The memorial is a good example of the smaller commemorative work of sculptor Margaret Baskerville. The memorial commemorates the wife of notable local resident, Sir Thomas Bent, who was a long-standing parliamentary representative, Mayor of Brighton and Premier of Victoria from 1904-1909.bronze and granite thomas bent, politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside, mrs bent, memorial, fountain, drinking fountain, cherubs, elizabeth bleazby -
Darebin Art Collection
Sculpture - Lynda Draper, Lynda Draper, Winter, 2019
"AN UNCANNY LIKENESS It’s difficult to escape the flight of the imagination in Lynda Draper’s new work. Set within a dream-like milieu, an anthology of wondrous and majestic objects float and bob in space. Referencing kings and queens, and the flamboyance of the French Baroque, these large filigree works are woven from clay, and while not explicitly figurative, possess familiar facial markers which bring into play the metaphysical qualities attributed to inanimate objects by human memory and experience. Draper spent the European winter near Versailles, where marble sculptures set among the gardens are shrouded in the winter months to prevent frost from taking its toll on precarious limbs. And while the influence from her residency is certainly evident, rather than stimulating work of this nature, it has merely activated and amplified elements of her recent practice. From smaller ‘tiaras’ in 2016, her work has evolved into sizeable ‘crowned portraits’ of clay. Hovering somewhere between the real and the unreal, these works are architectural and figurative, formed and formless, literal and fictional. They bewitch and amuse, revealing multiple characters and personalities only after careful observation. The medium of clay is so exquisitely anomalous in Draper’s work that it becomes, to the viewer, an afterthought rather than a dialogue prompt for works that are traditionally contextualised by their medium. And this is how it should be. Clay has undergone a renaissance in the past decade or so; no longer is it in the domain of craft. With a strong conceptual narrative and by pushing the medium beyond its natural limits, ceramicists like Draper can be counted among Australia’s significant artists who contribution is gaining ground in contemporary art discourse. And yet, it is the use of clay which makes Draper’s work so utterly extraordinary. Ambitious in scale, virtuosic in composition, she has the ability to make the unmakeable. Drawing from a conventional practice of coiling and handbuilding, the maker’s hand is evident on every square inch of her work. The uneven coils are shaped by the impressions of her grip on the responsive nature of the material. But Draper somehow dispenses with the inherent limitations of the soft clay medium, manipulating it in a way which defies physics and logic. Her award-winning installation for the Sidney Myer Australian Ceramic Award in 2019 is testament to an artist whose practice has consolidated. Her ambition, robust conceptual thinking and technical understanding of materials have reached a zenith which has been rewarded her with one of the most prestigious prizes in Australian art" -
Federation University Art Collection
Sculpture, [Horse], c2000
Sculpture of a horse's head. If you can assist with information on this artist or artwork please use the email link below.artwork, artist, sculpture, gippsland campus, horse, fauna -
Bendigo Military Museum
Sculpture - WOODEN STATUE, Unknown
There is a story to this carving, its history and making, this is being put together. The item is on display in the front lounge entrance to the Bendigo District RSL Havilah Road.Hand carved statue brown colours representing an Australian soldier with a rifle in the “Rest on your Arms” position. The carving shows one bandolier, side pack and bayonet, the helmet is a real steel one with chin strap.brsl, smirsl, bdrslinc, statue -
Bass Coast Shire Council - Robert Smith Collection
Sculpture - Grimacing Face with ornamented headdress, Anonymous Fijiian
FijiianCarved wood -
Bendigo Art Gallery
Sculpture, David NOONAN, Untitled, 2008
sculpture, australian artist, figure, plywood, contemporary art -
Bendigo Historical Society Inc.
Sculpture - VAHLAND BUST
Bust of William Charles Vahland, architect (1828 - 1915) Donated to the BHS by B. Melrose, Masonic Hall, Bendigo. Letter from BHS to B. Melrose ' We would like to thank your committee through you for their generous offer - that the W.C. Vahland plaster bust remain with this Society for permanent display at Dudley House. We shall see to it that a plaque with suitable wording giving origin, history and date of acquisition is prepared. When this is ready, we shall advise you further. This piece of art work by the celebrated Otto Waschatz is of very great historic interest and we are extremely happy to have it in our care' R.A. Anderson, President, RHSV Bendigo. dated 15 December 1977. Bust is on permanent loan to Masonic Hall, McIvor Road, Bendigo.person, bendigo, william charles vahland -
Gippsland Art Gallery
Sculpture, Wood, Victor, Another Line, 1986
Purchased, 1986Blackwoodgippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled [Early Agricultural Industries], n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting two horses pulling a plow, which a man is walking behind and guiding. Three birds are flying close to the ground in the foreground, and there is a stylized sunburst (a partial circular form with radiating lines) depicted in the background. More abbreviated bird forms are depicted against the sun and sky.sculpture, bas-relief, copper -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Nandita Nadkarni, Crafted Clay Odyssey, 2023
Winner Wyndham Art Prize LEAP Award 2023 -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Kirsteen Pieterse, Fossil, 2007
public art -
Wangaratta Art Gallery
Sculpture, Cheryl Kennedy et al, Thirst, 2019
Yearn Hunger Thirst Always on the edge of oblivion, craving sustenance in a dry land. McLean and Kennedy have collected dry materials: hollow pipes, old hoses and worn metal hose fittings. The materials were then wrapped with dyed, frayed fabric, string and yarn to create a piece that expresses the collective longing for rain.Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2019.A sculpture made out of recycled hoses and irrigation fittings that have been wrapped and tied in overdyed yarn, string, fabric stripswangaratta art gallery, wcta, sculpture, cheryl kennedy, linda mcclean -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, My Boys Can Do It, 1945
Depicting five tiny carved figures doing different jobs transferring goods at Tocumwal Railway Gauge Change. Made by former camp 2 Tatura internee after his release in 1942 to the 8th Employment Co. at Tocumwal. Kurt Lewinski was a former Dunera Boy, originally from Berlin, refugee in England in 1938 and transported to Australia in 1940.Wood carving of 5 tiny carved figures - 1 stacking cases, one carrying large filled bag on his shoulders (piece missing when items delivered), one wheeling pallet of large timber boxes, one pushing barrel and one carrying heavy box. Several folded canvases on foreground.8th E.C. Tocumwal My Boys can do it. K. Lewinski 1945 (on back) Base features inlay plaque with inscription.kurt lewinski, wood carvings, dunera boys, refugee in england, tocumwal railway -
Horsham Regional Art Gallery
Sculpture, Dónal MOLLOY-DRUM with Asher ERHARDT, Jake JOLLY, Piyada (Plang) KANSRIVEANG, Jack KEDDIE, Annika LIVINGSTONE, Felicity MACKLEY, Benita PAUL, Jo-Mari PRETORIUS, Matilda RIDDELL and Violet WILLMORE, Untitled, 2020
Commissioned by Horsham Regional Art Gallery for their Artist in Schools Program, a collaboration with Dónal Molloy-Drum and students from Horsham College. Funded by Creative Victoria through the Full House Audience Development Program, 2019 -
City of Ballarat
Sculpture - Public Artwork, George Grant, Thomas Moore Memorial Statue George Grant, 1889
Irish poet and balladeer Thomas Moore, best-known for penning The Minstrel Boy and The Last Rose of Summer, is honored in this statue prominently located in Sturt Street created by sculptor George Grant from white Carrara marble. George Grant was trained at the School of Art associated with the National Gallery of Victoria, apparently in the 1880s, and then worked as an artist, specialist house painter, and banner artist. Several of his paintings are held by the Ballarat Art Gallery. Moore`s writings range from lyric to satire, from prose romance to history and biography. His popular "Irish Melodies" appeared in ten parts between 1807 and 1835. Moore was a good musician and skillful writer of songs, which he set to Irish tunes, mainly of the 18th century. This statue is of historic and aesthetic significance to the people of Ballarat.Marble statue of Thomas Moore above a large sandstone pillar West: Presented to the City Council of Ballaarat by the following citizens: H.F. Elliot, The Honorable E. Morey M.L.C., Cr C.R. Retallick, Cr J. Heinz. South: R.S. Mitchell, P. Papenhagen, T. Elliot, J. Snow, G.K. Coutts, C. Bailey, J.J. Goller & Co, W.E. Ballhausen, G. Thompson, W.H. Figgis. North: S. Seward, F.G. Haymes, Craig Williamson, R. Giddings, G. Berry, R. Inge, J.A. Pittard, L. Lederman, H. Bremer, D. Jones. thomas moore -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Ceramic vignette of a woman in childbirth
This piece may originally have been Indian in origin. It was purchased by the donor at the Oxford Street Market in Paddington, Sydney.Small ceramic figurine of a woman giving birth, attended by a doctor. Scene depicts a woman in a white gown lying on her back an obstetric table, with her knees up and feet flat on the table. A doctor dressed in white is sitting on a chair at the end of the table, between the patients legs, with arms raised ready to receive a baby. Both figures in the scene have brown skin and black hair. A word is engraved on the underside of the base of the figurine, which may be the name of the artist, but it is illegible.obstetric delivery -
8th/13th Victorian Mounted Rifles Regimental Collection
Sculpture - Hussar figurine
The British Army 14th/20th King's Hussars was affiliated with 20th Australian Light Horse Regiment [date ?] . This affiliation carried over to 8th/13th Victorian Mounted Rifles in 1948 and is now maintained in the affiliation of the Queens Royal Hussars and 4th/19th Prince of Wales's Light Horse following various amalgamations and linkings.Rare example of a gift between British and Australian regiments.Metal figurine on a turned wooded base depicting an hussar. Wraparound inscribed plaque on base."Presented to 8th/13th Victoria (sic) Mounted Rifles by all ranks 14th/20th King's Hussars on the occasion of the presentation of our new Guidon / 12 June 1982"20th light horse, 8th/13th victorian mounted rifles, queens royal hussars, 14th/20th king's hussars -
Federation University Art Collection
Sculpture, Dan Wollmering, 'Definition' by Dan Wollmering, 1996
Dan WOLLMERING Born St. Paul Minnesota, USA. Arrived Australia 1975. In 2009 he was Senior Lecturer in the Department of Fine Arts and Sculpture Studio Coordinator, Faculty of Art and Design, Monash University (Gippsland Campus)Painted steel sculpture artwork, artist, dan wollmering, gippsland campus, sculpture, staffmember -
Federation University Art Collection
Sculpture, Hiro Kuwahara, 'Falcon' by Hiro Kuwahara, 1988
Hiro KUWAHARA Hiro Kuwahara was an artist in residence at Gippsland Institute of Art in 1988. The role was sponsored by the Coal Corporation of VictoriaSculpture of a bird made of claySignature incised on backbird, sculpture, coal corporation of victoria, hiro kuwahara, artist in residence -
Bendigo Military Museum
Sculpture - WAR & PEACE FIGURES, Nick Hackett, C.2013
This display is situated on the RH side of the front entrance to the Bendigo District RSL in Havilah RoadSix metal sculptures representing the. Australian Army, Navy, Airforce, Women in the Forces over time during War & Peace. Consists of 4 figures standing, 1 kneeling with a child standing. Plaque black colour on a stand with white text re the Artist and Donor. The dimension shown is an average of the standing figures.As per the photo of the plaque.brsl, smirsl, bdrslinc, sculpture -
Horsham Regional Art Gallery
Sculpture, Dónal MOLLOY-DRUM, Flutter, 2019
Purchased through the Horsham Art Gallery Trust Fund, 2020 -
Damascus College
Sculpture - Statue of Mother and Child
Artwork created by Leopoldine Memovich -
The Beechworth Burke Museum
Sculpture - Carving, c1977
Carving of a large male head made by a patient of Mayday Hills Asylum. The sculpture has been roughly hewn from a single piece of wood.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of the man's face featuring heavy eyebrows, moustache and beard.beechworth, burke museum, mayday hills asylum, carving, wooden sculpture -
Gippsland Art Gallery
Sculpture, Taylor, Neil, Contemplation, 1994
Donated by the artist through the Australian Government Cultural Gifts Program, 1995Metal, Steelgippsland, artwork, permanent collection -
Darebin Art Collection
Sculpture - Anderson Hunt, Cameron Robbins, Janine Stratton, Remnant Bush Rock Wall, 1998
This work is a large structure of stones, a cairn. It is constructed using volcanic rock from the area and has a number of metal plaques set into the sides of the rock structure. On one plaque the wording reads “Remnant Bush”, another says “Urban Push” and the third plaque reads “Machine Axe & Fire”. -
Bendigo Art Gallery
Sculpture, Tony ALBERT, We come in Peace, 2013
sculpture, first nations, australian artist, playing cards, peace, game, australiana, southern cross