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Artwork, other (1263)
Ceramic (765)
Decorative object (713)
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Mixed media (517)
Painting (2480)
Print (1657)
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Textile (1394)
Work on paper (2050)
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Federation University Art Collection
Work on paper, Georgina Ah Yee, 1987
horse, gippsland art collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Tilly Thompson nee Matilda Louise Clennell 1871-1959. by Roy Mosman, Research Notes and Introduction to a Talk, 24/2/2000
Matilda Thompson was known for her business acumen and philanthropy in Ballarat. Roy Mosman made these notes in preparation for a talk he gave to the Friends of Ballarat Botanical Gardens.These notes by Roy Mosman include details of Tilly Thompson's life not found elsewhere. They are testament to Mrs Thompson's active participation in Ballarat life. So many people knew her or knew of her, because of her many contributions to the community.9 pages of notes in longhand headed "Tilly Thompson, Introduction to Talk" and dated 24/2/2000.Rough notes in black biro with amendments and additions throughout.john garner, doctor john garner, matilda louise thompson., roy mosman, tilly thompson garden, ballarat botanical gardens, friends of ballarat botanical gardens, e.lucas &co pty.ltd, arch of victory, avenue of honour, methodist church, ballarat courier, john garner collection, gardens, ballarat -
Federation University Art Collection
Work on paper - Lithograph, Madame Berry GMC No 1 Shaft Creswick Near Ballarat, c1887
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed hand coloured lithograph depicting the Madame Berry Gold Mining Company in Ballarat. art, artwork, madame berry, samuel thomas gill, s.t. gill, available, gold mine, poppet head, post and rail fence, creswick, f.w. niven -
Port Fairy Historical Society Museum and Archives
Decorative object - Mantle hanging
This item was on loan now part of our collection as all members of the family are now deceased. (Mrs H. Dunbar TalaraMacrame mantlepiece decoration. 2 bands at the top which beomes triangular areas with tassles descending from themlocal history, handcrafts, macrame, mrs h. dunbar, talara -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1920
White Broderie Cotton Pillow. Sham Broderie Anglaise Edging. White Broderie Cotton Embroidery. Mrs Ruth Hendersonstawell clothing material -
Federation University Art Collection
Ceramic, Swirls, 2021
Three porcelain slipcast beakers (without handles) made from handmade molds with white and coloured porcelain swirls,donna morrison, ceramics, alumni, dvc art award -
Bendigo Military Museum
Mixed media - ARCHIVAL BOX - GRINTON COLLECTION, Miss Jean Grinton, Photographs and Ephemera 1916 - 1919 and Folder c. 2009
Items relate to Jack Grinton No 1043, 38th Batt AIF. The postcards document Grinton's visits to various UK, French and European sites of interest. The ephemera in the last section include booklets, sketches, souvenirs, programmes, paper money, photo wallets, letters, pay slips and Grinton's discharge certificate. Part of the Grinton Collection which included hundreds of negatives and developed photos taken by Jack Grinton during WW1. Refer Cat No 1280 for service details. See also 1291.2P and 4528.2P. Black three ringed plastic folder in a rectangular black plastic box. Folder is divided into labelled sections each of which contains a number of postcards and assorted ephemera. Postcards and ephemera are housed in clear plastic pockets. A handwritten label is taped to the spine of the box..1) Each section divider is labelled in blue ink: 'P/Cs CAPE TOWN', 'P/Cs ENGLAND & SCOTLAND', 'P/Cs FRANCE & EUROPE', 'ASSORTED EPHEMERA' .2) On spine label handwritten in blue ink: 'POSTCARDS - Sth AFRICA, UK, FRANCE, ASSORTED EPHEMERA, JEAN GRINTON'. 38th battalion, books - albums, western front, john 'jack' grinton, grinton collection -
Mont De Lancey
Decorative object - Cake stand, Unknown
Belonged to great great Granddaughter of Henry SebireRound glass cake stand with fluted base. Has frosted leaf design on top.cake stands, tableware -
Federation University Art Collection
Mixed media, Andrews, Noelene, Basket of Flowers
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, mixed media, flora, flowers, noelene andrews, basket, still life -
University of Melbourne, Burnley Campus Archives
Work on paper (item) - Student Work, Elise Johnston, Lanscape Construction Portfolio, 2017
Submitted as an assignment in 2017 for HORT90035, Landscape Construction and Graphics, a subject run at Burnley Horticultural College and coordinated by Andrew Laidlaw. andrew laidlaw, assignment, burnley horticultural college, hort90035, landscape construction and graphics, elise johnston -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Bank protection works at the Diamond Creek sports oval
Colour photograph of bank protection works, using large stones at the Diamond Creek Sports oval. Note the eroded state of the bank above the rock liningeltham, diamond creek, erosion, protection, stone, diamond creek sports oval -
Australian Lace Guild - Victorian Branch
Textile - Buckinghamshire Point lace, 19th century
A light weight lace used for costume trimmingBobbin lace flouncing -
University of Melbourne, Burnley Campus Archives
Work on paper (item) - Survey Plan, Thomas and George Licensed Surveyors, Partial Feature Survey Plan 125 Dee Road Millgrove 3799, 25th February, 2014
Prepared for building and landscape design purposes. It was created by a company called 'Thomas and George Licensed Surveyors' and the survey was conducted on the 24th February 2014. 125 dee road, millgrove, survey plan -
Wangaratta Art Gallery
Textile, Kate Just, SAFE Banner, 2014
HOPE & SAFE presents the material results of Kate Just’s two recent public banner projects in the UK and Melbourne responding to violence against women and current media coverage of this issue. Referencing and reviving moments in feminist history in which collective action and craftwork were deployed to enact change, HOPE & SAFE invokes a utopian reimagining of women’s safety and agency within the urban environment. In 2013, Just travelled around the UK with her KNIT HOPE Project. It involved an invitation to individuals and communities to publicly join her in knitting a night-reflective fluorescent yellow banner that spells the word HOPE in silver block letters. Later, various HOPE walks were taken in public at night with it. Bearing the artist’s daughter’s name, the resulting HOPE Banner manifests the artist’s wish for a brighter future for women broadly and for her own child specifically. Materially and conceptually, the banner entwines dualities of male and female, public and private, individual and collective. The uniquely patterned individual pieces refer to the work of many hands, joined together to form a seamless whole. The durability of the builder’s line and the high-vis reflective material, which is worn by construction workers, police and cyclists, imbues the banner with a level of visibility and authority. The singular large scale photograph HOPE Walk (Leeds) extends these complexities, documenting a moment in which police on horseback, donning coordinated yellow and silver jackets, asked if they could join the ‘protest.’ On return from the UK in early 2014, Just undertook the KNIT SAFE Project in Melbourne. It involved the communal crafting of a sister banner, a night reflective black and silver ‘blanket’ that spells SAFE. The more sombre SAFE Banner operates as a shield or soft monument constructed in the shadow of recent high profile violent deaths of women in Melbourne including Jill Meagher, Tracey Connelly and Fiona Warzywoda. The photograph SAFE Walk (Melbourne) captures a small group of banner holders quietly interacting with each other in the warm glow of a street lamp, projecting an almost fictional ideal of collective resistance to the harsh realities of the world. Also presented in the exhibition is the book HOPE SAFE, documenting the projects in their entirety and featuring an in-depth essay by art critic and historian Dr Juliette Peers. Photograph by Simon Strong. Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2015.A rectangular banner with a background made up of black yarn square panels that vary in shape and size with different knitted and crocheted designs, with lettering applicated onto the background using reflective nylon thread. A metal pole has been threaded through the top of the banner to enable it to be carried.wangaratta art gallery, wcta, textile, kate just -
Bendigo Military Museum
Work on paper - ARTICLES, AIRCRAFT OF THE RAAF, RAAF News, c.1961
Articles belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No 1959 for his service history.These consist of 11 - size A3 pages copied from 'RAAF NEWS'. Pages 1-8 Explanatory notes plus photos of RAAF aircraft. Pages 9-11 3 pages of 'AIRCRAFT DATA' RAAF Aircraft & numbers data list.aircraft, raaf, data -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris Rochelle Saint Richards'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A green floral pattern is depicted within a circular framePencil name on the back Rochelle Saint Richardsbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Bendigo Historical Society Inc.
Textile - PENNANT FOR GOLDEN CITY SOCCER CLUB - 1995 UNDER 9 TEAM
Pennant. Black cloth pennant with red tassle trim at bottom. Names, inscribed in white, of players, coach and manager of the 1995 Under 9 team of the Golden City Soccer Club.organization, club / society, sport, pennant, golden city soccer club -
Federation University Art Collection
Ceramic - Artwork-Ceramics, [Test slabs]
Five test slabs with colour inlays bisque fired. coloured clay, test tile, ceramics -
Kew Historical Society Inc
Ceramic - Reticulated vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, reticulated ceramic vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase with the body reticulated between the moulded floral exterior. The vase is fully glazed in a brown.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), vases, viola ayling -
Ararat Gallery TAMA
Mixed media, Joan Schultz, Haiku 128, 2002
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Warrnambool and District Historical Society Inc.
Work on paper - Project, Cannon Hill 1939, 1939
A map thought to be a school project depicting the layout of Cannon Hill, a popular lookout in Warrnambool.A locally drawn map indicative of school work from the 1930’s.A map thought to be a school project depicting the layout of Cannon Hill, a popular lookout in Warrnambool.Drawn by R Graham. Checked 13/02/1939 T E Wingrovecannon hill, school project 1939 -
Federation University Art Collection
Ceramic, Tony Nankervis, 'Woodfired Cylindrical Vessels' by Tony Nankervis, 1986
Tony NANKERVIS A graduate student from the Gippsland Centre for Art and Design (GCAD), Tony Nankervis has been a pioneer of the long wood-fired ceramics technique in Australia. He retired from lecturing at Southern Cross University after working there for 19 years in 2004. He describes his work as 'one-off functional table ware', which includes highly-individualised everyday table items. Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. The wood ash and salts blush the ceramic pieces in the kiln, with finished work taking on the nature of the firing process, which has been described as painting with fire.Two woodfired earthernware cylindrical forms by Tony Nankervis. tony nankervis, woodfire, jan feder memorial collection, jan feder, ceramics, gippsland campus, jan feder memorial ceramics collection, alumni -
Beechworth RSL Sub-Branch
Decorative object - Frame Picture Wooden
A collection of souvenirs and artifacts collected by Benjamin Andrew Bristow brought home from World War I by 5848 Pte B.A.BristowWooden picture frame in shape of a house with ornate design with embossed diamond and rectangles. The word "FRANCE" on one frame and "AUDRUICQ" on the matching frameThe word "FRANCE and AUDRUICQ" is embossed on the gabled top front of the picture frame -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Melissa Smith, 'Inbetween' by Melissa Smith
Melissa SMITH Launceston based artist Melissa Smith is a printmaker who explores aspects of the landscape within her work, including the shifts associated with climatic change.Framed limited edition printartist, artwork, printmaking, parallel prints, melissa smith, red -
Flagstaff Hill Maritime Museum and Village
Decorative object - Container, 1910 to 1945
A mass produced utilitarian item made for domestic decorative use. No history or manufacturing provenance currently available.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown. The item is assessed as a collection asset as it is believed to have been produced after 1910 and before 1950.Container of pressed metal. The container has a broad, thin lip, and its round body flares outwards towards base, then tapers inwards to a short heel. A loop holding a metal ring is attached to the side, near the top. A decorative geometrical transfer pattern in blue and cream covers the body and inside of the lip. In the centre of one side is a round frame with the portrait of an Egyptian woman within.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flower vase, decorative object, tin vase -
Flagstaff Hill Maritime Museum and Village
Textile - Table Runner, Mary Jane Giles (Mrs Harry Giles)
This table runner is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Table Runner, white cottonNonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, table runner, giles collection, henry giles, tower hill, cooramook, mailor’s flat, wangoom, 19th century household goods, textile -
Wodonga & District Historical Society Inc
Decorative object - Necklace from the Sarah Coventry jewellery range, Sarah Coventry Jewellery, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Necklace with three strands of faux pearls and a large faux green stone at the silver toned metal clasp on the front, and a large faux pearl at the clasp on the back. sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Sculptor of Statues in the Pavilion, Ballarat Botanical Gardens, Charles Francis Summers 1858-1945
Biography of Charles F. Summers, sculptor of the Statues in the Pavilion, Ballarat Botanical Gardens. How they came to be classical statues through the influence of his father who was a sculptor and his studies in Rome.Link between Summers' famous Melbourne statue and studies in Italy and sculptor Benzoni with his works presently housed in the Pavilion, Ballarat Botanical Gardens01 Photocopy with coloured photo, top right corner. 02 Newspaper article, no date, very likely from the Courier Ballarat. 03 one almost illegible handwritten sheet with advertisements in colour, left hand side of page.sculptors, pavilion, charles francis summers, ballarat botanical gardens pavilion, statues in the ballarat botanical gardens. "flight of pompei, "modesty", "ruth", "rebecca", "suzanne". "burke and wills" statuemelbourne., australian sculptor, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat, statues -
Swan Hill Regional Art Gallery
Mixed media, TULLY, Ian, Shifting of Values (Farm Plan), 2000
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Tatura Irrigation & Wartime Camps Museum
Decorative object - Silver Brooch, 1940(Approx.)
Made by Internee at Camp 3 TaturaBeaten metal (appears made from Australian coin) brooch.Leaf with flower and flower budaccessories, jewellery, brooch, camp 3, beaten metal, leaf, tatura, internees, costume, accessory