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Artwork, other (1281)
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Decorative object (717)
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Work on paper (2065)
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Friends of Ballarat Botanical Gardens History Group
Work on paper - Correspondence From Rhonda Cleveland, Festival Director to Judith Bailey, FBBG, 12/4/1994, Ballarat Begonia Festival
john garner collection, ballarat botanical gardens, gardens, ballarat, begonia festival -
Ballarat Heritage Services
Ceramic - Ceramics, Ceramic Sugar bowl by Wartook Pottery, c1990
Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood -
Thompson's Foundry Band Inc. (Castlemaine)
Work on paper - Sheet Music, Shipley Douglas et al, The Arcadians
20 parts for Brass band. This piece is a selection of pieces from the 1909 Edwardian style musical comedy - the Arcadians. Selected and arranged by Shipley Douglas includes: Opening Chorus, Chorus of Waitresses, Back your fancy, The girl with a brogue, the joy of life, my Motter, Bring ma a rose, Charming Weather, Fickle Fortune and Arcady is every young.20 parts for Brass band. This piece is a selection of pieces from the 1909 Edwardian style musical comedy - the Arcadians. Selected and arranged by Shipley Douglas includes: Opening Chorus, Chorus of Waitresses, Back your fancy, The girl with a brogue, the joy of life, my Motter, Bring ma a rose, Charming Weather, Fickle Fortune and Arcady is every young. Parts: E♭ soprano cornet Solo cornet in B♭ Repiano cornet in B♭ 2nd cornet in B♭ 3rd cornet in B♭ Flugel horn in B♭ 1st horn in E♭ 2nd horn in E♭ 3rd horn in E♭ 4th horn in E♭ 1st baritone in B♭ 2nd baritone in B♭ 1st euphonium 2nd euphonium 1st tenor trombone 2nd tenor trombone Bass trombone B♭ bass (2 copies) E♭ bass (2 copies) Drums.fiction20 parts for Brass band. This piece is a selection of pieces from the 1909 Edwardian style musical comedy - the Arcadians. Selected and arranged by Shipley Douglas includes: Opening Chorus, Chorus of Waitresses, Back your fancy, The girl with a brogue, the joy of life, my Motter, Bring ma a rose, Charming Weather, Fickle Fortune and Arcady is every young. edwardian musical, musical, shipley douglas, lionel monkton, howard talbot, chorus of waitresses, back your fancy, the girl with a brogue, the joy of life, my motter, bring me a rose, charming weather, fickle fortune, arcady is ever young, chappel & co, chappell's bras and reed journal -
Gippsland Art Gallery
Mixed Media, Unknown Artist, Carved Necklet, Undated
Donated by John Leslie OBE, 1979Wood, seeds, glass beads, sequins, synthetic thread, and seashellsgippsland, artwork, permanent collection -
Mont De Lancey
Decorative object - Cobb and Co Coach Model, Chas W Davis
The collection of thirteen model horse drawn vehicles were carefully handmade by Mr Chas W Davis 1925 - 2002. He was a talented artist and saw doctor. This model of a horse drawn Cobb and Co coach replicates the vehicle that enjoyed respect from the public during the 1880's. There were four horse drawn models as well.A model of a red Cobb and Co enclosed coach which is a four wheeled passenger horse drawn vehicle where the driver sits at the front behind the two light brown and grey horses. The name ROYAL MAIL COBB.CO is painted in white lettering on both sides. It has four gold painted spoked wheels with black rims, two gold painted coach lamps, black padded seating and four open windows with blinds that are rolled up. There are 2 doors with a drop-down step for easy access into the coach. A long brown wooden shaft separates the horses which also have black leather shaft style straps on both sides as well as the necessary horse tack for carriage use to help the driver communicate with the horses. There is a black wooden slotted luggage rack at the back held on by gold chains. On top of the coach is a decorative gold painted luggage rack. Freeman Cobb established Cobb and Co in Australia in 1853 to operate horse drawn mail and passengers between Melbourne and the Victorian Goldfields. It expanded to Queensland in 1865. ROYAL MAIL COBB.COreplicas, models, scale models, vehicles, carriages, horse drawn vehicles, toy horses, postal services, road transport, goldfields, coaches -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Royal Visit in 1954, Queen Elizabeth in the Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, royal visit, queen elizabeth -
Bendigo Historical Society Inc.
Decorative object - PLASTER BOY STATUE
Plaster statue of small Dutch boy with clogs, seated with legs crossed & carry bag at his feet, wearing a hat with feathers, blue vest, red shirt and brown pants. Signed by artist - unreadable.Mattei Bros & Co Melb 25ornaments, plaster, statue, dp550 -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Are You Deaf Jeff?"public action campaigns, amalgamation, local government - city of port melbourne -
Federation University Art Collection
Work on paper - Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A nude woman is depicted supporting herself on a rock below what appears to be flowing water.Pencil signature below printbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, life drawing -
Unions Ballarat
Work on paper - Unions and Unionists in Australia (D.J. Spiers Collection), Rawson, D.W, 1978
Trade unions - Australia. Considers legal frameworks, organising, politics, communist party, industrial action, class distinction.Relevance to the union movement in Australia and thus to the purpose of the Ballarat Trades and Labour Council.PaperFront cover: author's name and title.ballarat trades and labour council, btlc, trade unions, politics, communist party australia, industrial action -
Moorabbin Air Museum
Work on paper (Item) - GAF Nomad, Various plans, drawings and articles on GAF Nomad
Government Aircraft Factories -
Federation University Bookplate Collection
Work on paper - Bookplate, Indra's Book
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. bookplate, australian bookplate design awards, kieth wingrove trust, international bookplate design, ex libris -
Friends of Ballarat Botanical Gardens History Group
Work on paper - 1885 Marble Statue, Perseus Statue
Acquired by the NGV and on loan to City of Ballarat from 1943.How Perseus came to be moved aroundinformation in 5 points (2 copies)nonemarble statue, john garner collection, garner, dr, perseus, statues, granari, ballarat, gardens, ballarat botanical gardens -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Almeida Pavilion, Refreshment Rooms, Lake Wendouree, Ballarat, Victoria
john garner collection, ballarat botanical gardens, gardens, ballarat, almeida pavilion, pavilion, refreshment rooms -
Merri-bek City Council
Work on paper - Artist's book bound in screen-printed card wrappers backed in cloth. Housed in a four-flap box, which includes two HB pencils, Monica Oppen, Dare to Vote!, 2012
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Federation University Art Collection
Ceramic, [Unknown] by Mart Foster, 2001
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.mart foster, ceramics -
Kew Historical Society Inc
Work on paper, Joy Stewart, Peel Street, Kew, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of a two storey residence with tower in 'Peel Street, Kew' by the artist Joy Stewart. Inscription: "Peel Street, Kew". Signed lower right: "JStewart".joy stewart, peel street (kew) -
Mission to Seafarers Victoria
Decorative object - Stickers, c. 2000
two sample stickers showing the different forms of the Flying Angel Logo depicting the angel of the Revelation. The left hand logo is 20thC. the right hand logo the new logo for the Millenium post 2000 in the 21st Century.Illustrates the change from 'seamen' to more gender neutral 'seafarers'.Two stickers depicting two different graphic designs of the flying angel logo of the Mission to Seafarersflying angel, angel of the revelation, missions to seafarers, logo, mission to seamen, seamen's mission, pat dann, hastings mission -
Federation University Art Collection
Ceramic, Woodfired Jug by Karen Wells, c1986
Karen WELLS Karen Wells was apprenticed to Janet Mansfield. She was involved in Woodfire '86.Woodfired jugkaren wells, ceramics, jan feder memorial ceramics collection, gippsland campus, woodfire 86 -
Kew Historical Society Inc
Work on paper, Joy Stewart, Finalists, 'Queen Competition', Southesk, 1967, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Joy Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994.Watercolour, pen & Ink on Paper by the artist and local historian Joy Stewart of 'Southesk' (demolished), Cotham Road, Kew. Inscription: "Southesk." Signed lower right: "JStewart"southesk, ordsall -
University of Melbourne, Burnley Campus Archives
Work on paper (item) - Student Work, Charles Geddes, Burnley Demonstration Garden, 2018
Made as an assignment for HORT20014, 'Landscape Design 1,' a subject at Burnley Horticultural College coordinated by Annette Warner. assignment, landscaping, burnley horticultural college, landscape design 1, hort20014 -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Woodfired Lidded Jar by Stewart Scambler, c1986
Stewart SCAMBLER Stewart Scrambler is also a woodfirer, making ceramic forms inspired by the Western Australian landscape from local clays and glazes and a mix of native timbers from his York property. He used an incised or impressed 'Stewart' for his mark on early works but later started incising his full name.Wheelthrown and woodfired lidded jar. stewart scrambler, ceramics, jan feder memorial ceramics collection, gippsland campus, woodfire 86, bohemian ceramics, australian studio pottery -
Ringwood RSL Sub-Branch
Work on paper - War in New Guinea, framed poster
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Glenelg Shire Council Cultural Collection
Decorative object - Saucer, c. 1919
Displayed in History House Royal Bayreuth is the name of a factory that was founded in Tettau, Bavaria, in 1794. It closed in 2019. The marks have changed through the years. A stylized crest, the name Royal Bayreuth, and the word Bavaria appear in slightly different forms from 1870 to about 1919. Later dishes may include the words U.S. Zone (1945–1949), the year of the issue, or the word Germany instead of Bavaria.Royal Bayreuth saucer Blue and white saucer with gold decorative lines on edge and cup recess. Logo on base.Front: Base: Royal Bayreuth/T/1794/Germany/US Zone (colour transfer, centre)decorative item, saucer, china, tea service -
Latrobe Regional Gallery
Work on paper - Painting, SUGGETT, Colin b.1945 Warrnambool, Greetings from Electric Valley, 1979
Gouache, watercolour and ink on paper, aluminium strip borderSigned vertically lower right corner in comp in composition "Suggett" -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Think Before You Act! Kennett"public action campaigns, amalgamation, local government - city of port melbourne -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Heathmont's Orchards" - Gerry Robinson and Margaret McKern
Digitised video (3.79GB). Duration: 67 minutes. Recorded March, 2022. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Gerry Robinson and Margaret (Maggie) McKern of Heathmont History Group (HHG) combine to present an overview of Heathmont's pioneering orchardists, with Maggie providing a history of her Clark family property, "Roslyn", purchased in the 1930s and operating as a poultry farm and lemon orchard on the corner of Canterbury Road and Armstrong Road in Heathmont. -
Flagstaff Hill Maritime Museum and Village
Decorative object - Wall Decoration, 1850 to 1901
This item is part of the Giles Collection, dating back to the late Victorian era, from the 1880s to the early 1900s, in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hangings that enjoyed the height of their popularity during the Victorian era were of the spiritual type with either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, enamelled or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society. The Giles Family There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as a family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940.The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. This wall decoration reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. Printed card wall hanging with floral design. Religious text on the sign is embossed onto the card and highlighted in silver print. There is a handwritten ink inscription, and a pencil inscription, on the back. A string is attached to two holes on top of the card. Embossed"THE BLESSING / OF THE LORD/ BE UPON YOU." "PS 129.8." In pencil "H/S" In ink "To dear Granny with lots of love / from Dorothy. X X."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, paper wall decoration, religious, home decoration, societal values, victorian moral values, wall hanging, wall decoration, spiritual decoration, bible verse, giles collection -
Bendigo Historical Society Inc.
Decorative object - PLASTER STATUE OF GIRL
Plaster statue of girl with finger in mouth, barefoot & dressed in green and brown dress with patch on skirt, circular base with tree stump & leaves.ornaments, plaster, statue, d4706 -
Federation University Art Collection
Ceramic - Artwork - Ceramic, (Untitled) Urn
Wheel thrown urn. Maker unknown. If you can assist with information on this artist or artwork please use the comment box below. artwork, ceramics