Showing 5828 items matching art
Artwork, other (1226) Ceramic (748) Decorative object (667) Drawing (4561) Mixed media (486) Painting (2384) Print (1653) Sculpture (397) Textile (1237) Work on paper (2029)-
Horsham Regional Art Gallery
Painting, Alice WORMALD, Napery landscape, 2017
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Mack Jost Bequest, 2018 -
Damascus College
Ceramic - Boarding House Dinnerware
Crockery pieces used daily in the boarding houses of Sacred Heart College and St Martin's in the Pines. The pieces are stamped with 'Sacred Heart College Ballarat' underneath an image of the Lamb of God. These pieces were returned to the College after being souvenired by a graduating boarder in the 1960s.Ceramic cup and saucer with navy and gold detailMarked with 'Sacred Heart College Ballarat' underneath an image of the Lamb of Godboarding school, catholic education -
Glenelg Shire Council Cultural Collection
Decorative object - Doily, n.d
Doily, oval, white cotton, white hand crocheted border. Embroidered with red, white and blue flowers, stitched in lazy-daisy stitch and green leaves. -
Federation University Art Collection
Painting, Gloria Petyarre, 'Bush Medicine' by Gloria Petyarre
Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia -
Federation University Art Collection
Painting - Oil on canvas board, 'Cliff Face' by R. Clayton Skate
Ron SKATE (1913- 1991) Born Newstead, Victoria This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape showing the cliffs at Point Addis near Anglesea, Victoria. signed l.l. 'Skate'art, artwork, ron skate, skate, r. clayton skate, landscape, available -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, 1941 Arandora Star Monument, Tatura, Victoria, 1941
Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of memorial carved in stone at Tatura internment Camp 3. Barracks in the backgroundLeonhard Adam. 1941, 'Arandora Star' Monument, Tatura, Victoriatatura, dunera, internee camps, illustrations, watercolour, arandora star -
Whitehorse Historical Society Inc.
Painting - Illustration, Ian Armstrong 60 years - a survey, 2002
Advertisement for gallery showing of Ian Armstrong' paintings ('Fishermen - Airey's Inlet 1960' shown).Advertisement for gallery showing of Ian Armstrong' paintings ('Fishermen - Airey's Inlet 1960' shown).Advertisement for gallery showing of Ian Armstrong' paintings ('Fishermen - Airey's Inlet 1960' shown).painters, armstrong, ian (artist) -
Benalla Aviation Museum and Men's Shed Inc.
Work on paper - Various GST Camps 1977
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Glenelg Shire Council Cultural Collection
Painting, Enid Denton, Flinders Ranges, 1963
CEMA Art Collection Winner of 1963 Portland Art Society Art Prize for category Watercolour. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.The painting depicts mountain ranges from an elevated position looking down across the mountains. The mountains in the foreground are predominantly shades of green, yellow and brown. The mountains in the background are various shades of blue and extend into a pale blue sky. The work has a grey painted frame with a white cardboard mount and glass.Front: E Denton (lower right, black paint) Back: ENID DENTON "FLINDERS RANGES" (1963) Watercolour (typed label) 1963 (yellow sticker) -
Castlemaine Art Museum
Painting, Bernard Hall, Sketch for 'Sleep', c. 1906
Sybil Craig Bequest, 1990 -
Whitehorse Historical Society Inc.
Work on paper - Illustration, Silas Padgham, n.d
Portrait of Silas Padgham, 1831 - 1904, first postmaster, [Box Hill?] 1861 - 87.padgham, silas -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Conté on papergippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Decorative object - Doyley
White Lace doyley. This is part of a set of three. See Na 530 and 500.handcrafts, needlework -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Cesare Vagarini, The Big Tree, 1941
The painting was bought from Cesare Vagarini by Herr Wennagel for "Weihnachten" 1941 (Christmas) for his wife Johanna (Hanno) Wennagel. It was their first Christmas in the Camp. Herr Wennagel made many of the frames for Vagarini's paintings.A large Eucalyptus Tree surrounded by four huts - one on the left, three to the right. Green grass between the huts. A sunflower is growing at the side of the front left hut and a woman wearing a white shirt and blue skirt is seen entering the hut. Two women, one in pink and one in yellow are standing on a pathway between the huts. Clothes hanging on a washing line can be seen behind the tree near the last hut on the right. Bright blue sky and more trees in the background.Vagarini Ctatura, ww2, internment camp, camp 3 -
Latrobe Regional Gallery
Painting, HARRISON, Dr Aunty Eileen b. 1948, Den of Nargun - Spirit Tracks, 2004
Acrylic on paperSigned and dated 'E Harrison 04' in lower left corner of painting. -
Gippsland Art Gallery
Ceramic, Sheridan, Steve, Facetted Jar, c.2016
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2019gippsland, artwork, permanent collection -
Darebin Art Collection
Painting - J Dollery, J Dollery, Preston Town Hall, 1978
preston town hall -
Hymettus Cottage & Garden
Ceramic - charger, Hispano Moresque Charger, early 20th century
Hispano Moresque pottery charger made in Spain in the first half of the twentieth century. Such lustre ware was the inspiration for the work of English potter William de Morgan whose work is also represented at Hymettus.Large platter or charger -
Nillumbik Shire Council
Painting, Fan Dongwang, Pandemic Bodies #1 (Inverted), 2020
My paintings reflect upon the peculiar state of our existence in the pandemic ravaged world: a microscopic and invisible virus has wreaked havoc and revealed the fragility of the human race regardless of our technological and economic advancements. Overwhelmed by the hostile environment, our once arrogant bodies are depersonalized, suspended, fragmented, perplexed and isolated. Mixed with different races, colours and genders, the new bodily world is an imaginative vision of the post pandemic psyche. The lines and shapes delineate an space with new boundaries and depth, full of aching, longing, order less and distorted bodies forming an assemblage endlessly floating on the blue surface, gasping for air, emerging and submerging, shrinking and extending. COVID-19 is a wakeup call for us to rethink our relationship with technology and environment in order to create new control, purpose and identities, which we need to help future generations to survive. Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it -
City of Greater Geelong
Work on paper - Watercolour & Pen, Simon Brown, Malmsbury Hillside
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Darebin Art Collection
Painting - XISTO, XISTO, Sentimento Maka'as (Strong Feelings), 2009
arte moris -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Talk on the Statues in the Ballarat Botanical Gardens given by Friends of the Ballarat Botanical Gardens, The Many Statues in the Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, statues -
Federation University Art Collection
Painting - Artwork - Painting, 'E.J.T. Tippett' by Geoffrey Mainwaring, 1973
Geoffrey MAINWARING (29 October 1912-13 April 2000) Born Adelaide South Australia Geoffrey Mainwaring studied at the South Australian School of Arts and Crafts before becoming an art teacher at Thebarton Technical School (1928-36). Mainwaring was adept at depicting a variety of subjects, from landscapes to portraits, and was very competent using a variety of media, including pencil, oils, and watercolour. He was a confident draftsperson, and completed many sensitively rendered portraits that give an insight into the character of the sitter. In June 1941 Geoffrey Mainwaring (SX13471) joined the 2nd Australian Imperial Force, and after five months was transferred to the Engineers and employed as a Sergeant-Instructor, specialising in demolitions. In late 1942, he was sent to New Guinea as an Australian army artist on probation. On 27 May 1947, Mainwaring was discharged from the Army, having served for five and a half years. He was appointed as an artist on a civilian basis until his paintings were completed in March 1948. In 1949 he was appointed Head of the Art School at the Ballarat School of Mines (now Federation University Australia). He continued to paint commissioned portraits for the Australian War Memorial until the late 1950s. Geoffrey Mainwaring died at Ballarat in April 2000. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed portrait of the bust of a man wearing glasses. He is E.J.T. Tippett.art, artwork, e.j.t. tippett, available, portrait, geoffrey mainwaring, geoff mainwaring -
Nillumbik Shire Council
Painting - Alan MARTIN (b.1923 - d.1989 AUS), Portrait of Alan Marshall, 1956
Alan Martin studied under Max Meldrum, at the National Gallery School and the Royal Melbourne Institute of Technology. He later established his own art school. He has won several prizes and is represented in several provincial collections. Alan Marshall was the author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians. He contracted polio when he was young is considered one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. The portrait of Alan Marshall was exhibited as a finalist at the 1956 Archibald Prize. -
Warrnambool and District Historical Society Inc.
Work on paper - Book, Rules and Regulations and Scales of Fees of the Warrnambool General Cemetery, 1902
The Warrnambool Cemetery was gazetted 1853 and remains functional with eight Trustees.Historic, as original document as revised 1902 Rules and Regulations, Part of the Goodall family collection accompanied by original documents related to buying grave site, payment, undertakers account and monumental mason.A rectangular booklet, very pale, faded yellow paper cover with black ink print. Black thick ribbon border.Rules and Regulations / and / Scale of Fees / of the / Warrnambool General Cemetery. / Gazetted 19th November, 1902. / Warrnambool / Thompson & O'Farrell, Printers, Koroit St./1902.warrnambool, warrnambool cemetery, william ardlie, s nettleton, jh allan, rules and regulations, goodall -
Darebin Art Collection
Painting - Aunty Frances Gallagher, Aunty Frances Gallagher, Grazing Kangaroo, 2010
kangaroo, landscape -
Swan Hill Regional Art Gallery
Painting, CARLONE, Pio, Naked City, 1990
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City of Whittlesea
Decorative object - Commemorative objects
Council has a number of objects that commemorate various visits and events -
Eltham District Historical Society Inc
Work on paper (item) - Photograph, 2 Metery Road, Eltham South
Robert and Ada Zull built an Alistair Knox designed house at 2 (lot 8) Metery Road, Eltham, a one acre property for their family of five in the mid 1960s. Concrete footings are poured. The house had a concrete floor. Susan Bennett, nee Zull's reminiscences are published in EDHS Newsletter, February and April 2020. ".. the block was big.. Building the house was slow going. The plans had to be discussed, then drawn up, finance found, council permits obtained and labourers engaged. " This series of photographs together with the account of personal remiscences provide a unique document of the construction of an Alistair Knox designed home. Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.zull family, eltham south, 2 metery road, alistair knox, bow and arrow, footings, concrete, concrete mixer -
Working Heritage Crown Land Collection
Decorative object - Wallpaper, Horticultural Hall wallpaper
Sample of wallpaper from the "North wall" of Horticultural Hall.Sample section of wallpaper from Horticultural Hall. Flora design of leaves, possibly for a frieze or cornice. Green, red and purple colours visible. wallpaper, horticultural hall