Showing 6550 items matching art
Artwork, other (1241) Ceramic (749) Decorative object (667) Drawing (4564) Mixed media (489) Painting (2389) Print (1653) Sculpture (397) Textile (1237) Work on paper (2040)-
Latrobe Regional Gallery
Drawing, WRAY, Jennifer, #27 Tree trunk, 1998
Charcoal on paper -
Australian Lace Guild - Victorian Branch
Textile - Milanese lace, 1700-1750
Use: Domestic. Household trimmingBobbin lace edging -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 14 Sunnyside Avenue, Camberwell, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Federation University Art Collection
Ceramic, Four Lace Pieces by Warren Arthur, c1979
Arthur WARREN (1958- ) Born Yallourn, Victoria Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Warren Arthur trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986. Four porcelain lace pieceswarren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery -
Moorabbin Air Museum
Drawing (Collection) - BAC 1-11 schematic drawings, BAC 1-11
BAC One Eleven Schematic drawings of a variety of B1-11 components -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth I, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Jeff, 1983
Pastel on paperTitled, signed and dated in lower right corner of drawing: 'Jeff' Bellany 83' -
Moorabbin Air Museum
Drawing (Item) - Drawing Grumman Tracker , Tracker Painting Details . Drawing No. AMR/TRACK 17-1 SHT.3 Of 4 SHTS
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Barnard Grove, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Barnard Grove, Kew by Margaret Picken.3 BARNARD GVE., E. KEW / MARGARET PICKEN '92 / WOODARDS KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 barnard grove -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 38 Ridgeway Avenue, Kew, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 38 Ridgeway Avenue, Kew by Margaret Picken.38 RIDGEWAY AVE., KEW / MARGARET PICKEN '95 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 38 ridgeway avenue -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 23 Aitchison Avenue, Ashburton, Unknown
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Stawell Historical Society Inc
Textile - Costume and Accessories
Fine Cream Woven Woollen Stole. Fine weave edges hemmed. Tassel finish at ends. Woven silver thread. Two groups across each end.stawell clothing material -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Central Bus Garage", "Nicholson St car shed and repair shops", c1938
Set of four photocopied plans or drawings on A3 sheets of the "Central Bus Garage" and the "Nicholson St car shed and repair shops" .1 - Plan showing block and details of the cable car facilities, repair shops and car paint shop - drawing dated 28-7-1933. .2 - Plan of the block showing the various properties and buildings - shows bus garage location. .3 - South part of drawing No. 1019 - showing the various properties, title details, purchased costs and dates - includes the hospital at Rae St - see Reg Item 1738.2 for details. Dated 8/1940. .4 - North part of the above drawing.trams, tramways, drawings, depots, property, cable trams, nicholson st, central bus garage, buses -
Whitehorse Historical Society Inc.
Textile - Handkerchief
White cotton handkerchief with white embroidered corner.costume accessories, female -
Federation University Art Collection
Ceramic, Press Moulded Platter by David Bradshaw, c1985
David BRADSHAW (b. 1949- ) Press moulded and hand decorated ceramic platter.ceramics, jan feder memorial ceramics collection, gippsland campus -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 7 Molesworth Street, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of the rear of 7 Molesworth Street, Kew by Margaret Picken.7 MOLESWORTH ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 7 molesworth street - kew (vic). -
Ararat Gallery TAMA
Textile, Patricia Langford, Lewers Garden, 1985
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 132 High Street, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 544 Barkers Road, Hawthorn, 1991
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 544 Barkers Road, Hawthorn by Margaret Picken.544 Barkers Road, E Hawthorn, Margaret Picken '91. Woodards.artist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 35 Munro Avenue, Ashburton, 1996
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 40 Auburn Grove, Hawthorn East, 1991
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 40 Auburn Grove, Hawthorn East by Margaret Picken.40 Auburn Grove, Hawthorn, Margaret Picken '91. Woodards - Hawthornartist - margaret picken 1950- -
Robin Boyd Foundation
Drawing - Architectural, Tower Hill State Game Reserve Natural History Centre, 5-Oct-62
Project: Tower Hill State Game Reserve Natural History Centre drawn by J.T.W. of Romberg & Boyd for Public Works Department. Drawing no. 11. Section details.Working Drawing, Dyeline -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 29 Nicholas Street, Ashburton, 1991
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Federation University Art Collection
Drawing - Pencil drawing, Macqueen, Mary, 'Ostrich Cleaning' by Mary McQueen, 1980
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Four drawings of an ostrich.art, artwork, mary mcqueen, ostrich, bird, pencil, pencil drawing, drawing -
Whitehorse Historical Society Inc.
Textile - Lace Piece
Piece cream lace used for demonstration purposeshandcrafts, lacemaking -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 15 Moorhead Street, Camberwell, 1989
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Melbourne Tram Museum
Drawing, concept drawings for tramcars by the MMTB, 1940's to 1970's
Series of 12 concept drawings for tramcars by the MMTB, c 1940's printed on white paper or where noted ink on mylar paper - original drawings. .1 - Proposed single truck car - three doors with some window shading. .1A - ink on mylar of the same drawing - with different window shading and paper copy. .2 - as above with no window shading .3 - as above with shaded windows .4 - a SW6 style car with two centre doors with shaded windows. .4A - ink on mylar of the same drawing - with different window shading. .5 - as above with two partly shaded windows .6 - "Proposed box car" - three doors with shaded windows. .6A - ink on mylar of the same drawing - with different window shading. .7 - as above with partly shaded windows - two copies .8 - Large car - PCC Stylish - two doors with partly shaded windows .8A - ink on mylar of the same drawing - with different window shading and paper copy. .9 - as for .4 with some windows fully blacked out. .9A - similar but different window shading .10 - "Proposed W5 tramcar" =- with two passenger doors and shaded windows .10A - ink on mylar of the same drawing - with different window shading and paper copy. .11 - as above but clear windows .12 - as for .7, but with half windows blacked out. .13 - ink on mylar of a Z class tram with three doors (has a sheet of A4 paper taped on top edge as backing) .14 - as above - different door layout .15 - ink of mylar of a W6 class tramtrams, tramways, mmtb, new tramcars, tramcar design, pcc, w6 class, z class -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 10 Birdwood Street, Kew East, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 10 Birdwood Street, Kew East by Margaret Picken.10 BIRDWOOD ST., KEW E. / MARGARET PICKEN ~97 / WOODARDS ~ HAWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 10 birdwood street - kew east (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 8 Mawson Street, Kew, c 1980s
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 8 Mawson Street, Kew by Margaret Picken.8 MAWSON ST. KEW / MARG. PICKEN artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 8 mawson street - kew (vic). -
Hawthorn Historical Society
Drawing - Property Illustration, 34 Anderson Road, Hawthorn East, 1997
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 34 Anderson Street, Hawthorn East by Margaret Picken.34 Anderson Street, Haw E, Margaret Picken '97. Woodards - Haw Eartist - margaret picken 1950-