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Artwork, other (1252)
Ceramic (762)
Decorative object (668)
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Mixed media (490)
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Print (1645)
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Work on paper (2040)
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Thompson's Foundry Band Inc. (Castlemaine)
Work on paper - Sheet Music for Brass Band, Henry Round et al, Bellini, Circa 1880
This piece was arranged by Henry Round, founder of the of Wright and Round Music Publishers which was then known as the Liverpool Brass Band & Military Journal. The piece is a selection of Vincezo Bellini's work (1801-1835). The featured works include: Il pirata, Beatrice di Tenda, La sonnambula and I puritani21 A4 parts for Brass Band This piece was arranged by Henry Round, founder of the of Wright and Round Music Publishers which was then known as the Liverpool Brass Band & Military Journal. The piece is a selection of Vincezo Bellini's work (1801-1835). The featured works include: Il pirata, Beatrice di Tenda, La sonnambula and I puritaninon-fictionThis piece was arranged by Henry Round, founder of the of Wright and Round Music Publishers which was then known as the Liverpool Brass Band & Military Journal. The piece is a selection of Vincezo Bellini's work (1801-1835). The featured works include: Il pirata, Beatrice di Tenda, La sonnambula and I puritanihenry round, wright and round music publishers, liverpool brass band & military journal, vincezo bellini, italian opera, sonnabbula, puritani, il pirata, beatrice di tenda, sgt a v lee -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 38 Uvadale Grove, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 38 Uvadale Grove, Kew by Margaret Picken.38 UVADALE GVE., KEW / MARGARET PICKEN '94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 38 uvadale grove -- kew (vic.) -
Darebin Art Collection
Painting - Judy Henshaw, Judy Henshaw, Autumn Colours - Whitfield
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Warrnambool and District Historical Society Inc.
Work on paper - Ledger, Warrnambool Photographic Society, Circa 1966
The Warrnambool Camera Club is a group of like -minded people who meet once a month in Dennington. The ledger contains lists of entrants and photographs from International Exhibitions of Photography held from 1966 to 1970. The exhibition was held in January 1966 at the Warrnambool Town Hall. Patrons were the Governor of Victoria Sir Rohan Delacombe and the Hon. H. E. Bolte.The significance of this ledger lies with its links to a local club which is still viable. It also shows the organisation behind holding an International Exhibition.Black leather bound volume with green card inside front and back cover. Contains handwritten entries and a number of brochures, tickets and statements. Modern print 91 Kepler Street, Warrnambool. Telephone 2274.warrnambool, warrnambool photography club, photographs, ledger, international photographic exhibition warrnambool photographic society -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Tray - chrome
Medium sized round chrome tray. Circle pattern on the face of the tray and inscription. Two small handles on both sides.on face: "Back to Tatura" Easter 1959; on back: Morrowchrome plated tray, back to tatura 1959 -
City of Whittlesea Art Collection
Painting - Oil on board, James Waltham Curtis, Road to Whittlesea, circa 1839 – 1901
whittlesea -
Whitehorse Historical Society Inc.
Decorative object - School Trophy, 1970
See Ref. 4302Irregular shaped metal trophy on plastic base. Trophy has illustration of two girls playing softball. A metal strip is attached to the base with 'NDSSSA Softball 2nd Blackburn East 1970' inscribed on it.'NDSSSA Softball 2nd Blackburn East 1970'trophies & awards, education -
Melbourne Tram Museum
Drawing, W. E. Green, "Tram It", c1975?
Drawing - Decal - Iron On transfer - of a cartoon by W. E. Green, WEG featuring a Z class tram, route 96, destination MMTB, and title "Tram It" in reverse. Has instructions for application to a Tee or T shirt or cloth.trams, tramways, z class, cartoons, t shirts, mmtb -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/15 Allambee Avenue, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Benalla Art Gallery
Painting, George W. LAMBERT, The garden at St Luke's Hospital, 1922-23
Born: St Petersburg, Russia 1873; Arrived Australia 1887; Died: 1930InterwarLedger Gift, 1980Garden setting with seated figures and a standing figure depicting a nurse. Bronze brushed gesso frame.Recto: Signed “G.W. LAMBERT.” in black paint l.r.c of composition; Not dated; Not titledgarden, figures, shrubs, chairs, australian art -
Federation University Art Collection
Painting, Allan Bernaldo, 'Sovereign's Escort' by Allan Bernaldo, 1960
Artist's Statement: I spent time visiting the barracks, museums, libraries, gaining information, making special pencil drawings and colour notes, when and where possible. Preparatory drawings for larger paintings were always on detail paper. The reason for this was I could use both sides, correfting mistakes on either side, until a satisfactory end. I use this procedure so that the surface of the painting paper was not effected by erasion. The final drawing was traced on having rubbed a stick of charcoal on the detail paper. I have used this procedure from my early days as a commercial artist. In drawing each horseman fully and tracing each horseman fuly in his place in relation to the whole and rubbibg out the parts covered by the nearer objects. Such essential things as legs and shadows are sure to be in the right place. Most of the pencil drawings of the palace gates, and other features I needed had to be made from a standing position. all these were filed for future reference. Everything had to be in the right proportion to the palace gates. The procedure for the Escort is as follows: If the Life Guards mount the escort an officer of the Blues rides at the right of the coach by invitation. The Guards officer rides on the left. Then follows the Standard flanked by a commissioned officer on the right. The trumpeter on the left. The trumpeter rides on a white horse. He has a selection of twelve different uniforms. After that follows the unit. The stirrups used by the officers are squarish. The troopers stirrups are a conventional form. All personnel riding and on no account rise in the stirrups as normally they would at the trot. This modifies the ragged impression of heads bobbing up haphazardly - their behinds become acclimatized in time." Gift of the Artist, 1981. Allan BERNALDO (05 August 1898-25 June 1988) Born Creswick, Victoria Allan Bernaldo won a scholarship to the Ballarat School of Mines to study Architecture. He received a certificate of merit in 1917, and the Ballarat School of Mines President's medal for the most meritorious Art student. Allan Bernaldo was editor of the Ballarat School of Mines Magazine in 1918. He became known as a commercial artist, teacher and water-colourist who specialiesd in horses and flowers. He died at St. Ronan’s Nursing Home in Armadale, Victoria and was buried at Springvale Botanical Cemetery, with his wife Florence Victoria May Elliott, who predeceased him in 1966. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Gift of Allan BernaldoFramed watercolour painted from materila gathered while the artist was in London during 1952 showing the queen's guards on horseback. art, artwork, bernaldo, allan bernaldo, royalty, guards, watercolour, available -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on paper gippsland, artwork, permanent collection -
National Wool Museum
Work on paper - Men's Village/Travel Uniform Design Drawing, Wendy Powitt, c. 1992
A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic men's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts, a green and yellow striped shirt with the Australian emblem on the right breast of the shirt and a brown leather woven belt. The top of the page shows a detailed drawing of the belt weave with a symbol of Australia as the belt buckle. To the right of the main image is a detailed drawing of the shorts as well as a drawing of a leather pouch that is attached to the belt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Melbourne Tram Museum
Decorative object - Model tram, Siemens, Siemens Melbourne Combino tram, 2009
Model of five section Siemens Melbourne Combino tram, painted or lettered as "Rail Safety Tram 2009" for the 2009 Rail Safety Week. Has an engraved plaque recognising the tram sponsors - V/Line, Fulton Hogan, Coleman Rail, GHD, Transfield Services, PTSV, Yarra Trams and the ARA. The model tramcar has been fixed onto a plastic base which has been made with rails embedded and then covered by a plastic or Perspex case. See Reg Item 100 for the 2006 Centenary tram model.trams, tramways, models, siemens, yarra trams, rail safety -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 6 Bowyer Avenue, Kew, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 6 Bowyer Avenue, Kew, by Margaret Picken.6 BOWYER AVE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 6 bowyer avenue -- kew (vic.) -
Federation University Art Collection
Painting - watercolour on paper, [Woman with a Cat] by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Watercolour portrait of a woman. art, artwork, neville bunning, portrait -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Story of Ballarat's Botanical Gardens and its Statues, From Bush to Begonias
The Story of Ballarat's Botanical Gardens and its Statues. "From Bush to Begonias". Front page.john garner collection, ballarat botanical gardens, statues, gardens, ballarat -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, c.1991-94 c
Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection -
Benalla Art Gallery
Painting, J. A. (James Alfred) TURNER, Homewards, 1889
Born: Yorkshire, England 1850; Arrived Australia: before 1874; Died: 1908RealismLedger Gift, 1975Rural landscape setting with horse, dogs and a figure heading towards a house. Gold brushed grey painted frame.Recto: Signed “J A Turner / 1889” in black paint l.l.c of composition; Not titledlandscape, figure, animals, house, colonial, trees, australian art -
Horsham Regional Art Gallery
Painting, Phyl WATERHOUSE, The islands, n.d
Gift of Mack Jost, 1983oil on board -
City of Whittlesea Art Collection
Painting - Watercolour on Saunders Medium Paper mounted on board, John Borrack, The Farm, South Morang, 1986
This is a conventional watercolour. This fine old farm with its beautiful white barn was a landmark in South Morang until its demolition in the late 1970's. It was one of the first subjects in the area that I painted in the early 1950's. I later learnt from Alan Sumner, friend, painter and onetime head of the National Gallery School, that he constantly painted the same subject, as no doubt did other artists before him. I was quite upset about its demise, with the erection of a service station on the site. The two red gums are still there. In view of the quickening development of the area in which many historic landmarks, buildings and landscapes were disappearing, I painted the picture in my earlier more picturesque style purely to serve as a historical record of another lost legacy of the Plenty Valley. The early afternoon light and shadows through the red gums which frame the barn and outbuildings are all painted with a direct fluency on wet paper, to which the crisper touches were added after the initial stages were dry. The colour scheme evokes a typical summer's day and is uniquely Australian.Part of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrack 86 The Farm, Sth Morangsouth morang -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3/48 Stawell Street, Kew, 1987
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/48 Stawell Street, Kew by Margaret Picken.3/48 STAWELL ST., KEW / MARG. PICKEN '87 artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/48 stawell street - kew (vic) -
Moorabbin Air Museum
Drawing (Item) - Drawings [cut-away] Various WW2 Aircraft & CAC Cicada engine
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Hawthorn Historical Society
Drawing - Property Illustration, 41 Liddiard Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film41 LIDDIARD ST, HAW Margaret Picken ~98 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 5 Hilda Crescent, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.5 HILDA CRES, HAWTHORN Marg Picken ~87 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Vandalism At Gardens. Ballarat Courier, 2/2/1940, Prime Minister's Bust
1 sheet of newspaper copied in heavy black print and divided into 3 columns.The relevant small snippet of information has a blue biro line around it. john garner collection, ballarat, gardens, bust, prime minister, vandalism, courier, 1940 -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 863 Riversdale Road, Camberwell, 2001
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing - CAC Commonwealth Aircraft Corporation, RAAF Engine Maintenance Period Contract
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Mitte December, Tatura, Victoria, December 1940
Dr Leonhard Adam was a Dunera internee in Camp 2RomanticismL.A 1940 Mitte December, Tatura, Victoria -
Horsham Regional Art Gallery
Painting, John LONGSTAFF, Portrait of my son Frank, n.d
Mack Jost Bequest, 2001.oil on canvas