Showing 1055 items matching art
Artwork, other (1213) Ceramic (746) Decorative object (661) Drawing (4552) Mixed media (471) Painting (2350) Print (1648) Sculpture (394) Textile (1022) Work on paper (2003)-
Port Melbourne Historical & Preservation Society
Decorative object - Roundel, concrete, Melbourne Harbor Trust, Centenary Bridge, 1934
Melbourne Harbor Trust monogrammed concrete roundel from pylon of Centenary Bridge, 1934.centenary bridge, celebrations fetes and exhibitions, town planning - proposals shelved - bayside -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Shell Turtles x 2, Turtles
Made by Tom Hunter during WW2 in Papua New Guinea2 Turtles created from a large cowrie shell that is brown spotted. The large shell is connected to four smaller cowrie shells that act as the feet. Then another small shell to be the head. AUnreadable writing on the underbelly of the two turtles written in grey lead. -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Necklace from the Sarah Coventry jewellery range, "Astrology Zodiac" collection, c. 1970s - 1980s, "Astrology Zodiac Cancer the Crab"
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the "Astrology Zodiac Cancer the Crab" necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Aztec/Mayan style pendant design, featuring alternating crabs and masks on a long, looped silver toned chain. On makers mark tag: "MADE IN/CANADA". On reverse of tag: "SC".sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces, zodiac -
Wangaratta Art Gallery
Sculpture, Tulla Carson, Gathering - How to Walk in Two Worlds, 2017
Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery Collection. Purchased with funds from the Friends of Wangaratta Art Gallery.A contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with raw cotton fibre mounted upon a limestone base.sculpture, textile, tulla carson -
Federation University Art Collection
Sculpture, Ian Hemingway, 'Chateau Au Lait' by Ian Hemingway, 2001
Ian HEMINGWAY Ian Hemingway was the head of the University of Ballarat Art School when it was located at Mount Helen Campus. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ian hemingway, hemingway, mixed media, sculpture -
Dandenong/Cranbourne RSL Sub Branch
Decorative object - Embroided Postcards, c.1914-1918
A selection of 15 embroided silk postcards from a soldier named James (Jim). Edges are embossed and a central piece of silk is fastened to each postcard carrying various inscriptions in brightly coloured thread. The designs are mostly floral or patriotic. The silk portion of some postcards contains a pocket in which miniature cards are contained.Front: various including "To my dear mother", "A kiss from France", "To my dear sister" and "From your loving son" Back: various including "My best love to you all at home/from Jim". Postcards addressed to: "Mrs. J Corkish/no. 4 Marsden Terrace/Ramsey" and: "Miss M Corkish" appears to be "C/O Healin (?) Bank/ Revival (?)/Manchester" -
Gippsland Art Gallery
Sculpture, Verstraeton, Marylyn, Dragonfly on Driftwood, 1982
Purchased, 1982Metal, Sterling Silver, Wood, Driftwoodgippsland, artwork, permanent collection -
Federation University Art Collection
Sculpture, [Horse], c2000
Sculpture of a horse's head. If you can assist with information on this artist or artwork please use the email link below.artwork, artist, sculpture, gippsland campus, horse, fauna -
Federation University Art Collection
Sculpture - Artwork -Sculpture, Representation of Das From A Temple in Area, c2000
Clive MURRAY-WHITE (20 February 1946 - ) Born Walton-on-Thames, Surrey, England Arrived Australia 1959 With an impressive career that has included sculpting marble for over 25 years Clive Murray-White has informed his at practice by studying at Brisbane Central Technical College, Guildford School of Art, United Kingdom, Royal Melbourne Institute of Technology and Preston Institute of Technology, Monash University. His early work used welded and cast metal objects. In the 1980s he transitioned to marble sculpture Clive Murray White was Head of Sculpture at the Monash University Churchill (now Federation University Gippsland). He established the Cowwarr Art Space with Carolyn Crossley. Sculpture of a head carved from Cooper's Creek Black Limestone. artwork, artist, sculpture, gippsland campus -
Kew Historical Society Inc
Decorative object - Embroidered tray cloth
Embroidered tray cloth. Pink and yellow flowers in each corner. tray cloths, household textiles -
Wodonga & District Historical Society Inc
Decorative object - Bracelet from the Sarah Coventry jewellery range, "Wood Nymph" collection, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the bracelet has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal bracelet with six small brown oval faux stones"SARAH COV" on the back of the clasp.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, bracelet, bracelets -
Wodonga & District Historical Society Inc
Decorative object - Black and opal chip beads and brooch, 1920s
This unusual jewellery set belonged to the family of Mrs. Jean Raper of Wodonga. It is part of an extensive collection of jewellery items which belonged to her mother and grandmother.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long strand of black beads with embedded opal chips of varied sizes. The front central bead is teardrop shaped and surrounded by 4 large round beads. Beads are strung on a strong dark thread with a plastic screw clasp. The set includes a matching brooch consisting of 3 medium sized and 4 smaller beads attached to a faun gold bar.fashion accessory, women's jewellery -
Heidelberg Golf Club
Decorative object - Badge, Heidelberg Golf Club, Women’s Sunday brooch, 1960c
Small badge worn by associate or lady golfers who played on Sunday. Metal and enamel badge in plastic case; with HGC in centre and Heidelberg Golf Club inscribed around edge. Pin clasp on back. "HGC" and "Heidelberg Golf Club"ladies golf, badges, jeanne bennie, sunday golf, brooches -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Emperor Napoleon Scarf Ring from the Sarah Coventry Jewellery Collection c. 1970s-1980s
As part of the Sarah Coventry collection, the scarf ring has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned Empereur Napoleon Scarf Ring from the Sarah Coventry Jewellery Collection c. 1970s-1980s. Features depiction of Napoleon III on two of the shiny coins, who was the first President of France from 1848 to 1852 and Emperor of the French from 1852 to 1870. The third pictures a stylised lion. No makers markssarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, scarf, scarf ring, scarves -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Rosemarie Reber, Oopsie Daisey 4, 2011
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National Vietnam Veterans Museum (NVVM)
Sculpture - Souvenir, Paper Mache Mask
Decorated mask. Red, black, white, blue, gold. Used in role playing - Catholic school, Ba Rai, Vung Tao prov. Handcraftedmask, hand crafted -
Vision Australia
Sculpture - Object, Tilly Aston relief, 1997
Tilly Aston was the founder of the Association for the Advancement of the Blind, which became the Association for the Blind, Vision Foundation and later Vision Australia. Her work in expanding the options available to blind and vision impaired Victorians triggered the push for similar conditions inter-state, and she was a pioneer force in challenging perceptions of both the sighted and less-sighted communities. This bust of Tilly Aston was donated by Malcolm and Beverley Daubney and unveiled at the 1997 Annual General Meeting for the Association for the Blind (now Vision Australia) on the 19th September 1997.Bronze relief of Tilly AstonMatilda (Tilly) Aston 1873-1947 Founder of the Association for the Blind Generously donated by Malcolm & Beverley Daubney September 1997tilly aston, association for the blind, malcolm daubney -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, c.1991-94 c
Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection -
Robin Boyd Foundation
Decorative object - Model of Carnich Towers, 2017
This scale model is an unbuilt Boyd design for a project names Carnich Towers on 60 Clarendon St, East Melbourne. Boyd's perspective drawings from the late 1960's show the influence of Japanese Metabolist thinking in his late work. This model was created for the House of Ideas exhibition, made by a University of Melbourne, Melbourne School of Design, Masters student.Model of Boyd designed Clarendon St Flats, East Melbourne 1969-1971 (unbuilt)robin boyd -
Bendigo Military Museum
Decorative object - EMBROIDERY, FRAMED, 1917
.1) Made by William TIBBETT No 978 1st AIF while convalescing in hospital in England, also on hospital ship on way to Australia and at out the Army depot in Caulfield 1918. .2) Same inscription as above). Refer 488P for his service history also 573..1) Embroidered Rising Sun badge, mounted & framed. White plain cloth background, King's Crown (multi coloured) & Rising Sun (red/pink) stitched over stitched scroll (glass frame & gold coloured 4 sided frame). .2) Australian Coat of Arms with kangaroo, emu stitched in brown thread, 6 State emblems represented, wattle flowering branches in background on being background cloth, glass in wooden frame.1) “Australian Commonwealth Military Forces”handcrafts- embroidery, military history, rising sun-coat of arms -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Bird and man, 2010
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022cypress -
Wodonga & District Historical Society Inc
Decorative object - Silver and mother of pearl brooch, c1900
This brooch was typical of those produced at the beginning of the 20th century. It belonged to a member of the family of Mrs Jean Raper who donated a collection of assorted jewellery to the Wodonga & District Historical Society Collection.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A round silver brooch with natural coloured mother of pearl centre. The surrounding silver edging of 0.4 width is in a leaf design. The mother of pearl centre is 3 centimetres in diameter.fashion accessory, women's jewellery, vintage fashion jewellery -
Wodonga & District Historical Society Inc
Decorative object - Black Jet beads, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of black jet beads of even size stung on dark coloured twine.fashion accessory, women's jewellery, decorative items -
Whitehorse Historical Society Inc.
Decorative object - Doyley
Round white cotton doyley with deep crocheted border.manchester, table linen, handcrafts, needlework -
Charlton RSL Sub Branch
Decorative object - Large frame of crochet poppies, 5000 Poppy Project, 2015
Large wood and glass frame of crochet poppies to commemorate 100 years since the Gallipoli landingsPresented to RSL by the Charlton community -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Jewellery, Wooden, 1940-1945
Else-Lore Oertel, with her mother, was a German internee in Camp 3A as a child, from 1940-1945. The pendant was made for her & inscribed with her initials.Hand carved wooden heart pendant for use as jewellery. Small hole in carving on decorative piece on top of heart for inserting thread, chain, etc. to wear. Initials in black (ink?) on front."EL"tatura, ww2, camp 3, internment, internee camps, costume, accessory, jewellery, handcrafts, woodcarving, else-lore hukins, oertel -
Whitehorse Historical Society Inc.
Decorative object - Tea-cosy Cover
Hand embroiderered tea-cosy cover - white linen with fully crocheted scalloped lace edging and a mid blue embroidered design based on the Willow Pattern story.The cover is single thickness with identical design on both sides.handcrafts, embroidery, manchester, table linen -
Villa Alba Museum
Decorative object - Curtain trim, 2 stuffed decorative "ropes", 1850-1900
2 long lengths of trim for curtain ensemble; consists of gold-coloured silk satin like a twisted sausage, padded with cottonwool; the twists defined by narrow gold gimp, now tarnished. Length 1 contains 3 sections of upholstery tacks for pinning the draped length in loops over the curtain drops. -
National Wool Museum
Sculpture - Cocoon Sculpture, Kathy Holowko, 2018
Handmade cocoon sculpture made from wool. The sculpture appeared in Kathy Holowko's exhibition "Spidergoat and the Insect Electro" on show at the National Wool Museum from 4th May to 29th July 2018. the sculpture is representative of the other pieces that appeared in the exhibition.The cocoon is constructed with armature wire and pure wool from the National Wool Museum. The wool was looped over the armature wire and hand sewn at each intersecting wire ring.kathy holowko, 2018 -
Villa Alba Museum
Decorative object - Wallpaper, Rural Town, 1850-1859
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes items that provide a local, statewide, national and international context for the development of interior decoration and design in Melbourne. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample c.1850. Designer unknown. Pictorial design of a rural village in English style. Sample from a wallpaper shop in Melbourne of the period.decorative arts & design, wallpapers - 1850s