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Artwork, other (1320)
Ceramic (771)
Decorative object (721)
Drawing (4633)
Mixed media (543)
Painting (2493)
Print (1673)
Sculpture (407)
Textile (1369)
Work on paper (2118)
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Orbost & District Historical Society
Painting - Painting, framed, Oyster Dredging, c.1940s
Painting of five ships at sea, one in foreground is manned. Framed using a small replica life bouy; two crossed flags top centre, one Union Jack flag mid left, one British Naval flag mid right, title 'Oyster Dredging' lower quadrant.OYSTER . DREDGING paintings, decorative life bouys, oyster dredging, fishing, harvesting -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: PAIR OF PINK ORGANZA DOYLEYS, Early 1900's
Textiles. Basically circular in shape, but cut and hemmed in a geometric 16 sided manner. Edges are cut and hemmed in a drawn fabric manner, and this is repeated in a decorative way, in the centre of the doyley, echoing the outer shape of the doyley. ''Spots'' are embroidered in white thread, as are small flowers and leaves, in an arching shape on each side of the central square.textiles, domestic, pair of pink organza doyleys -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 42 Liardet st built environment - domestic, frank gordon real estate, liardet street -
Bendigo Military Museum
Mixed media - ARCHIVE BOX - GRINTON COLLECTION, Miss Jean Grinton, Photographs and Postcards - 1916 to 1919 and Folder c.2009
Items relate to Jack Grinton No 1043, 38th Batt AIF. The photographs were taken during and after WW1. The series of postcards, some of which are labelled, were collected by Grinton. Pictures of 38th Battalion soldiers are depicted on a number of postcards. Other photographs and postcards feature scenes from France and the UK. Part of the Grinton Collection which included hundreds of negatives and developed photos taken by Jack Grinton during WW1. See also 1290.2P and 1291.2P. Refer Cat No 1280 for Jacks service recordBlack three ringed plastic folder in a black plastic box. Folder is divided into labelled sections each of which contains a number of photographs or postcards. Photographs and post cards are housed in clear plastic pockets. A handwritten white label is taped to the spine of the box..1) Each section divider is labelled in blue ink: 'ADDITIONAL PHOTOS', 'PHOTOS WITH WRITING', POSTCARDS', SCHRAPNEL POSTCARDS', HEATHER'S CARDS'. .2) On spine label handwritten in blue ink: ' ADDITIONAL PHOTOS', PHOTOS WITH WRITING', POSTCARDS', SCHRAPNEL POSTCARDS', HEATHER'S CARDS', JEAN GRINTON'.38th battalion, postcards, photography - photographs, books - albums, grinton collection, western front -
Federation University Historical Collection
Drawing - Artwork, Technical Drawings by John Rash, 1954
John Rash is the son of Ballarat signwriter Keith Rash.Nineteen examples of Isometric and technical Drawing by John Rash at the Ballarat Junior Technical School (a division of the Ballarat School of Mines).geometry, drawings, alumni, jphmrash, technical drawing, ballarat junior technical school -
Ballarat Tramway Museum
Drawing - Digital Image, Melbourne and Metropolitan Tramways Board (MMTB), "R2010 - Single Type Truck axle box springs", 1927
The drawing provides details of the two sets of springs that fit on either side of the axle box of a Brill 21E four-wheel truck. Gives load, sizes, and material dimensions. Revision E dated 7-11-1958. Prepared by the MTTB for use on four-wheel trams. Original drawing dated 30/9/1927Yields information about Brill 21E truck axle box springs.Drawing Foolscap size with two punched holes on the left hand side.tramcars, 21e trucks, brill 21e, springs, mmtb -
Clunes Museum
Drawing - TAPESTRY, MADE BY MRS. HOLLY BARKELL
COLOURED TAPESTRY OF LADY SITTING UNDER A TREE. BEING SERENADED BY GENTLEMAN WITH STRINGED INSTRUMENT.local history, handcraft, tapestry, barkell, harris family -
Darebin Art Collection
Painting - Marlene Gilson, The Life and Times of Bundoora Homestead, 2018
"Aunty Marlene Gilson is a proud Wadawaurrung traditional owner and Elder. Her multi-figure paintings work to overturn colonial narratives by re-contextualising the representation of historical events. Learning Wathaurung history from her grandmother, Marlene began painting in 2008 as a form of therapy, while recovering from an illness. She has received considerable accolades and most recently exhibited a series of works in the Sydney Biennale (2018). The artist’s meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Marlene has developed an extensive body of work which relates to her ancestral lands which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Marlene was invited to create a new work for the Darebin Art Collection that either related to the City of Darebin or her traditional lands. She chose the subject of Bundoora Homestead for this new commission and has included First Nations people alongside colonial settlers and members of the Smith Family enabling an opportunity to reflect on the incredible history of Bundoora Homestead and its surrounds. This painting brings Aboriginal people and Colonialists into the one space living harmoniously and in doing so reminds us that reconciliation may be a possibility. ""We visited Bundoora Homestead and farm, what an amazing place. In my research I found that Mr Smith built a stone hut for the Aboriginal people to stay when they visited. They bred cattle and horses, Wallace being the greatest sire in Australia and is buried on the property. They had three gardeners and four children, which I have painted in the garden with Mr and Mrs Smith seated watching the children play. Thank you for allowing me to look into the history of John and Helen Smith. I hope I have captured their life and amazing Homestead and surrounds. 31.8.18""" -
Moorabbin Air Museum
Drawing - CAC Commonwealth Aircraft Corporation, Vampire Power Unit Installation
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Orbost & District Historical Society
Painting, Cameron, Grace (Miss), Circa 1920-1930
Grace Cameron was the daughter of John Cameron who selected the first land on the Snowy River flats. She was the sister of Annie (later Mrs John Gilbert) who was the first white girl born in Orbost.This item is aesthetically significant and shows the skill and craftmanship of the women of the early settler families.Large oblong oil painting on green painted tin with the top and bottom rolled for decoration. Painting of three single petalled pink roses in full bloom with two small buds.tin painting cameron-grace art -
Melbourne Legacy
Drawing, Caricature by Pat Hanna, 1955
A drawing done by artist Pat Hanna and sent to friends at Legacy as a postcard. It could be a self portrait or a caricature of another Legatee. It was stored with other items including a letter to Frank (L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of revues, plays and movies. One of his first revues was performed just after the armistice in France. A popular stage show was 'Diggers' that performed around Australia post-war it was adapted into a film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Cartoon drawing of a man with a monocle, signed Pat Hanna on a postcard.Post card is addressed to 'President and Legatees, Legacy Club, Market St, Melbourne' in blue ink. It is postmarked 29 December 1955 in Melbourne and an Australian 3d postage stamp. Also handwritten is 'Cartoon card by Pat Hanna 1955' in blue pen.hanna, founding legatee -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Untitled, 1983
Charcoal on paperSigned and dated 'Bellany '83' in bottom right corner of drawing. -
Whitehorse Historical Society Inc.
Textile - Length of lace edging
Machine embroidery on netmanchester, trimmings -
Horsham Regional Art Gallery
Mixed media, Gareth SANSOM, Untitled, 2004
Purchased through the Horsham Art Gallery Trust Fund, 2005 -
Latrobe Regional Gallery
Drawing, BELL, George b.1878 Kew, Victoria d. 1966 Toorak, Victoria, Untitled, Not dated
Ink on paper-life drawing, figure drawing, human form, study, body, pose -
Australian Lace Guild - Victorian Branch
Textile - Buckinghamshire Point lace, 19th century
Use - Domestic household trimmingBobbin lace edging -
National Vietnam Veterans Museum (NVVM)
Painting - Painting, Vietnamese scene
See inscription. Gift from Vietnamese Captain to an Australian Captain in 1968Orange, yellow and red colourful Painting. Water scene with ten sampans featured floating: four in foreground and six gathered together in background. Mountain range in background. Three people featured on three sampans. Painting done on board. Wooden frame.Bottom RHS of painting front: "To Capt Goodchild/ From Capt Trung & 10 M.I.D/ June 1968 Vietnam" On frame at back: 5538383 Major Bernard Goodchild 15.01.34 - 01.08.2021, Enlistment date 1965 Discharge 1990, Corps RAAMC, 1st Australian Special Service Civil Affairs Unit, Vietnam (southern zone) 21.06.1967 - 25.06.1968painting, vietnam, goodchild, trung, sampan -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 116 Wattle Valley Road, Camberwell, 1991
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Dandenong/Cranbourne RSL Sub Branch
Painting - We're outa here
Painting showing Helicopters coming into field to evacuate soldiers,-. Peter Scott Co 3RAR VN 1971-Mike Eggleston 2783957 112/250 -
Moorabbin Air Museum
Drawing (Item) - Drawing No A-2283, Packet 2 Bell Target towing gear
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Whitehorse Historical Society Inc.
Painting - Print - Framed
Displayed in original toy cabinet of museum for unknown length of time. Copy of an original lithographBiography of Outhwaite, Ida Sherbourne 188 - 1960 in Supplementary FileBlack and white etched print of children and pixies playing around open fire. Print is set in brown wooden frame. Copy of an original lithograph. The etching is by Ida Rentoul Outhwaite identified by her signature in the top right hand corner covered by the mounting.|On the back of this copy of the etching (the page appears to be cut from a book) is an etching of a koala and a camp fire on which he has brewed billy tea. A sweet four verse poem describing the picture accompanies the etching.|The initials I.S.R.O. are at base of the etchingillustrations, reproductions -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 67 Cookson Street, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Glenelg Shire Council Cultural Collection
Drawing, Free Library and Hall, Portland, 19/01/1948
Drawing, pen, ink and wash, black on ecru, off-white mount, black wooden frame, reflective glass, hanging wire across width of frame, on backFront: 'Free Library and Hall 1860 Portland' - hand written, black ink lower Left hand corner 'K Jack 19.1.48' - hand written black ink, lower Right hand corner Back: Black stamp 'KWD Jack P/L P.O. Box 1 Doreen Vic 3754' - centre back -
Tatura Irrigation & Wartime Camps Museum
Painting, Valma Paterson
Vincenzo Galea was an Italian POW in Camp 13 Murchison. This portrait of Valma Paterson was painted from a photograph supplied by her father George Paterson, a Hygiene Officer with the Australian Army. Oil Portrait on canvas. Olive green background. A young lady with short dark brown hair. Gold highlights near centre part. Dark brown eyes and red lips. Wearing a light pink top with pleats on shoulders.V Galea 23/11/45camp 13, paterson, valma, george, murchison, vincenzo, galea, portrait -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 40 Christowel Street, Camberwell, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Federation University Art Collection
Painting, 'Where Shall I Go?' by David McMaster
David McMASTER David was a student at University of Ballarat (now Federation University) Arts Academy when this work was undertaken. In 2007 David McMaster completed a Bachelor of Visual Arts (Fine Arts) Honours at the University of Ballarat Arts Academy, after undertaking a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat Arts Academy from 2004 to 2006, with major studies in Painting, and minor studies in Ceramics and Papermaking. artwork, artist, david mcmaster, abstract, mcmaster -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1269 Burke Road, Kew, 2003
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1269 Burke Road, Kew by Margaret Picken.1269 BURKE RD., KEW / PICKEN (c) 2003 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1269 burke road -- kew (vic.) -
Darebin Art Collection
Textile - Tara Badcock, Tara Badcock, Teacosy Number 34, Bundoora Homestead, 2007
bundoora homestead -
Bendigo Military Museum
Painting - PAINTING MENIN GATE, FRAMED, post WW1
Colour painting of Menin Gate, Ypres Belgium at midnight by Will Longstaff, Australian Painter & War Artist. Printing mounted on white background with gold painted wooden frame, glass front & white cardboard backing.Black & white stick RHS front bottom & LHS bottom of backing: "No 70" Stamp on back: "Passchendaele Barracks Trust" passchendaele barracks trust, painting, menin gate -
Wangaratta Art Gallery
Painting, Ramon Horsfield, 'Morning Light' OR 'Towards Cathedral Mount', 1996
Rural City of Wangaratta Collection: Grand Winner 1996 Wangaratta Art Show.An oil landscape of rolling hills and a mountain painted in shades of yellow, blue, brown, and grey.Obverse: RAMON HORSFIELD/ (bottom right corner) 1996 Grand Winner - TOWARDS CATHEDRAL MOUNT/ By - RAMON HORSFIELD/ Judge - PAUL McDONALD SMITH/ (plaque on mounting board)wangaratta art gallery, ramon horsfield, landscape, painting