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Artwork, other (1260)
Ceramic (763)
Decorative object (698)
Drawing (4602)
Mixed media (514)
Painting (2472)
Print (1654)
Sculpture (401)
Textile (1394)
Work on paper (2041)
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Moorabbin Air Museum
Work on paper (Collection) - Assorted notes and articles, More Assorted Notes & Articles
Doug Hart CollectionVarious hand written notes, articles and receipts on aviation matters -
Swan Hill Regional Art Gallery
Painting, CAMPBELL, Robert, Old Murray Paddle Steamer Goolwa, 1959
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - charcoal on paper, Craig Gough, From the verandah (from 'Sandringham series'), 1983
charcoal on papersandringham, craig gough, coast, boat, port phillip bay, sailing, half moon bay, ship -
Warrnambool and District Historical Society Inc.
Work on paper - Project, Proudfoot's Boat House, Late 20th century
Proudfoots’ Boathouse was built in 1885 by Thomas Proudfoot and has remained an important historic building in Warrnambool to this day. In the late 20th century the original buildings were lifted and renovated and a new building constructed in front. This material on Proudfoot’s boathouse will be of considerable use for researchers on the buildings, especially the detail on the 1990s renovations and additions.This is a Warrnambool Secondary College school assignment (Claire Isaac) about Proudfoot’s Boathouse in Warrnambool. There are twelve unnumbered typed papers on white paper (A4 size) and five loose newspaper cuttings. The typed pages are outlined in red. Included are black and white photographs (copies) and colour photographs.proudfoot’s boathouse, claire isaac -
Bendigo Art Gallery
Painting, Peter TYNDALL, A Person Looks At A Work Of Art/someone looks at something LOGOS/HA HA/ The Triumph of Charing Cross over Bednego Creek/ (after The Triumph of Christianity over Paganism,/ by Tommaso Siciliano), 1997
Not signed Not datedcontemporary art, conceptual art, australian artist, painting, looking, bendigo, central victoria, charing cross -
Darebin Art Collection
Sculpture - Vipoo Srivilasa, Vipoo Srivilasa, Bundoora Homestead, 2006
bundoora homestead -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on composition board, Clarice Beckett, Sunset across Beaumaris Bay, c.1930-31
oil on composition boardbeaumaris, bay, coast, water, sunset, trees, landscape, clarice beckett, dusk, handrail, beaumaris bay, meldrum school, reflection -
Darebin Art Collection
Painting - Heidi Schoenheimer, Preston Market Flowers, 2023
Heidi Schoenheimer is a painter that captures everyday scenes from her day-to-day. Preston Market Flowers depicts a flower stand at the Preston Markets in 2023, capturing the market at a time that its future was uncertain. The market is an important community resource and gathering place with a rich history. Opened in 1970, the space was designed to be adaptable over time, and featured large open walkways and natural light. The flower stand features flowers typically sold in Melbourne, and reflects the brightness and diversity of Preston Market. -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Oil on linen, Moller, Vera, 'Colette' by Vera Moller, 2003
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting art, artwork, vera moller, moller, imaging the apple, fruit -
Ringwood RSL Sub-Branch
Work on paper - 39th Battalion information, memorabilia
39th Battalion assorted paper. -
Bendigo Art Gallery
Work on paper, Michael DOWNS, Urban Winter, 1990
l.r; DOWNS 90abstract, city, australian artist, collage, urban, winter, season, pathway, house -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Summary of the First History of the Ballarat Botanical Gardens by Roy Mosman 1857-1906, A Brief History of the Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, history, mosman, 1857, 1906 -
Glenelg Shire Council Cultural Collection
Mixed media - Limited Edition 1st Day Cover - Historic Shipwrecks - Admella 150 years, c. 2009
Admella 150 years commemorative stamp -
Gippsland Art Gallery
Painting, Fitzpatrick, Samuel Charles, The Farmyard, 1981
Donated by the artist, 1983Watercolour on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Mixed media, DAVIS, John, Brown snake - fish, 1995
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Castlemaine Art Museum
Painting, George Angas, North Bend of the River Gawler
Gift of Beth Sinclair, 1991 -
Gippsland Art Gallery
Work on Paper, Docking, Shay, River Port, c.1964
Donated by the artist, 1976Pastel on paper on boardgippsland, artwork, permanent collection -
Warrnambool RSL Sub Branch
Work on paper - Poem by Avis Quarrelll, Night at Mera Matruh
see pages 76-77 in Avis Quarrell's book on the history of Warrnambool RSLA response to Private Tom Meagher's sketch (358.1) written in 1958Typed poem framed behind glassC1958 -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Painting, SANTRY, John, The Soldiers, unknown
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Bendigo Historical Society Inc.
Painting - ST GILL GOLDFIELD PRINTS
6 ST Gill prints titled, [1] 'The Foundation of Eaglehawk in 1852. On the reverse of (1) is a pencil drawing named 'The Road To Allandale, Victor Cobb 1932, [2] Road from Forest Creek to Bendigo. [3] Fryers Creek near Castlemaine. [4] Tin Dish Washing. [5] Diggers Licensing Castlemaine Camps. [6] Eaglehawk Gully Bendigo. Reverse stamped Bendigo Branch Royal Historical Society of Victoria, 1959.bendigo, gold mining, s t gill prints -
Federation University Art Collection
Painting - Artwork, 'Looking for God in Abstract Art 2' by Gareth Sansom, 2010
Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage -
Gippsland Art Gallery
Painting, Dowling, Robert, Home Again, 1873
Donated from the estate of Pamela J. Barclay, 2015Oil on canvasgippsland, artwork, permanent collection -
Surrey Hills Historical Society Collection
Work on paper - Digital photograph, George L Coop, Surrey Hills railway station c1958, c1958
The donor George Lister Coop was about 21 years of age when he took this photo. It is one of a small series of photos donated by him that relate to Mont Albert and Surrey Hills stations. He has always had an interest in railways and there are other examples of his documentation of railway history in other collections contributing to this database. R J Mercer was the butcher at 112 Union Road. This property has a long history of being a butcher's shop beginning from c1904. He took over from Edward Lloyd in 1951. Spotless Dry Cleaners were at 104 Union Road.This is an important photo as there are few known colour images of the station prior to the installation of the third line in the early 1970s, which resulted in the demolition of the station built in 1883. It is also significant as a record of the housing along the south side of Stirling Crescent which was later replaced by light industry.A digital colour photo of Surrey Hills railway station taken from the overhead pedestrian footbridge looking towards Canterbury. Both tracks and the verandas on either side of the line can be seen, as can the railway gates in the open position and the signal box, beside which is a large palm tree. A section of red goods vans are positioned in the adjacent goods yard. Some of the businesses and advertising hoardings in Union Road can be seen in the background. These include A Doubleday (real estate agents), R J Mer..., grocer, baker, Spotless Dry Cleaning, Robur tea and Lipton tea (part of only). A number of the Edwardian houses along the south side of Stirling Crescent are also seen.george l coop, surrey hills railway station, goods yard, real estate agent, a doubleday, grocer, baker, union road, stirling crescent, spotless dry cleaning, r j mercer, butcher -
Australian Commando Association - Victoria
Mixed media - From Tidal River to Timbered Knoll, Education Package - From Tidal River to Timbered Knoll, 2019
This training package was produced by AVA Vic for use within the Victorian educational curriculum for years 10 to 12. It is particularly focused on those students who are attending Wilsons Promontory National Park and undertaking educational activities through the Parks Victoria Education Centre. The eight module program and teachers notes provides a historical workbook for students to gain a better understanding of the role of Tidal River as the initial training location for Australian and New Zealand commandos during World War II and the later military operations that were undertaken by commandos during World War II.Using original World War II footage, supplemented by later official record data this video and training package provides unique material regarding the history of Australian special operations during World War II.ww2, world war ii, independent companies, commando companies, australian special forces, tidal river -
City of Greater Geelong
Work on paper - Watercolour, Hugh Guthrie, Queenscliff, 1985
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Clunes Museum
Painting, Jon Crawley, Evening Shadows
Gilt framed watercolour of the Clunes Railway StationNilartist -
Gippsland Art Gallery
Painting, Thomas, Matthew, Blue Windows, 2018
Purchased, 2019Oil on canvasgippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Mixed media, Marion BORGELT, Bottled histories #19, 1999
Gift of Drew Isley, 2001