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Artwork, other (1305)
Ceramic (770)
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Mixed media (540)
Painting (2490)
Print (1673)
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Textile (1402)
Work on paper (2110)
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Darebin Art Collection
Work on paper - Mary Hammond, Mary Hammond, Untitled (Couple with Trolley) '89, 1989
Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s. -
Hymettus Cottage & Garden Ballarat
Work on paper - Booklet, Master of Mosaics
non-fictionmosaics, world war i, aif, ballarat, arthur pickford -
Warrnambool and District Historical Society Inc.
Textile - Wedding dress, Miss Hedrick's dress Shop, 1940's
Through the address on the box, this dress has a local connection. Miss Mavis Hedrick operated a dress salon at 162 Liebig St Warrnambool in the 1940's. Her parents lived at various houses in Warrnambool, including Skene, Spence and Princess Sts. She married John William Freeman in 1942 and left Warrnambool some time after that date. From wedding reports of the day it doesn't seem that this is Miss Hedrick's wedding dress. It seems more likely that it was purchased from her frock salon in Liebig St Warrnambool.While the owner and original wearer of this dress has eluded us, the dress has a strong link to Warrnambool through the original box with its identifying labels. The dress is very much in the style of the era of Miss Hedrick's dress shop..This cream silk wedding dress and slip was donated in original cardboard box with the address written in large letters on the front. The dress is cream silk with gold metallic trim in two lines across the bodice.There are silk covered buttons on the front and back of the bodice and it has a high rounded V neckline.It has long lily point sleeves .There is a side opening with hook and eye fastening.The skirt is cut on the cross and a small train flows from the back of the dress. A simple A line slip accompanies the dress. It has ribbon shoulder straps and the top is edged in a fine narrow lace. The large box is rectangular and grey in colour. The addressee's name is written in large lettering in black (possibly crayon) . A label is pasted to the top right hand corner. A Victorian Railways stamp is loose with the item.On the Box : Miss Hedrick Frock Salon Warrnambool On Label in top RH corner: Mollard & Williams 238 Flinders Lane Melbourne. Stamp: Victorian Railways Parcel stamp 8d Melbournewarrnambool, 1940's wedding dress, mavis hedrick, mollard and williams, 238 flinders lane melbourne, miss hedricks frock salon -
Hymettus Cottage & Garden Ballarat
Work on paper - Ceiling paper, Bedroom ceiling paper
ceiling paper, wallpaper, ballarat, hymettus, -
Robin Boyd Foundation
Work on paper, Dorothy Braund, Sheet of Nine Studies - Figures in Boats, 1974
This artwork was purchased by Patricia Davies (previously Boyd). Nine frames of boats on the sea in blues and brown tones. Signed and dated DOROTHY BRAUND '74 in lower right.dorothy braund, patricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_36 -
Ringwood RSL Sub-Branch
Work on paper - 1915 diary
personal hand written diary ww1 KIA 7th august charge of the nek -
Ringwood RSL Sub-Branch
Work on paper - Newspaper articles.Argus
Printed newspapers -
National Vietnam Veterans Museum (NVVM)
Painting, Fire
An original painting of three soldiers with their hands covering their ears firing a mortarpainting, soldiers, vietnam lest we forget, mortars -
Whitehorse Historical Society Inc.
Textile - Doyley, 21/06/1997 12:00:00 AM
Oval white cotton doyley with crochet edging.handcrafts, needlework, manchester, table linen -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Prime Ministers Avenue, History, The Sculptors and The Prime Ministers, 1997
john garner collection, gardens, ballarat, prime ministers, sculptors, ballarat botanical gardens -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Australian Dictionary of Biography, Thompson, Matilda Louise (1871-1959), 1990. Accessed 26/9/2013
Matilda Thompson was a noted Ballarat businesswoman and philanthropist.Tilly Thompson came to be known especially for her philanthropy after World War 1.1 page. Headings are in blue. Author and title in brown with a select bibliography and citation details at the end of the article.None.john garner, doctor john garner, friends of ballarat botanical gardens, tilly thompson garden, ballarat botanical gardens, avenue of honour, arch of victory, methodist church, e.lucas &co pty.ltd, john garner collection, garner, ballarat -
Gippsland Art Gallery
Painting, Sumner, Alan, Carts at St. Helena, c.1944
Donated from the estate of the artist, 1995Oil on canvasgippsland, artwork, permanent collection -
Clunes Museum
Painting, WILL LONGSTAFF, MENIN GATE AT MIDNIGHT, 1927
COPY OF MENIN GATE HELD AT CLUNES R.S.L. MENIN GATE WAS UNVEILED ON SUNDAY JULY 24th 1927. A MEMORIAL TO THE ARMIES OF BRITISH EMPIRE WHO STOOD THERE 1914 - 1918. AND TO THOSE OF THEIR DEAD WHO HAVE KNOWN NO GRAVE. WILL LONGSTAFF WAS SO MOVED HE MADE THE PAINTING WHICH WAS UNVEILED JULY 27th THE PAINTING IS NOW HANGING IN AUSTRALIAN WAR MEMORIAL IN CANBERRA.BOROUGH OF TALBOT AND CLUNES.1 FRAMED COPY OF PAINTING "MENIN GATE AT MIDNIGHT" .2 DOCUMENT ENTITLED "THE GHOSTS OF MENIN GATE - THE STORY OF CAPTAIN WILL LONGSTAFF'S GREAT ALLEGORICAL PAINTING" 3. FRAMED COPY OF PAINTING "MENIN GATE" BY WILL LONGSTAFF.3 BRASS PLATE ATTACHED TO THE WOODEN FRAME BELOW THE IMAGE INSCRIBED -"MENIN GATE AT MIDNIGHT, COPYRIGHT, RESERVED BY WILL LONGSTAFFWPRESENTED TO THE COMMONWEALTH OF AUSTRALIA BY LORD WOOLLAVINGTON A SECOND BRASS PLATE IS ATTACHED TO THE FRAME AT THE RIGHT HAND SIDE INSCRIBED "PRESENTED TO THE MAYOR CR N. C. FOULKES AND COUNCILLORS OF THE BOROUGH OF CLUNES JULY 1929 .1 BRASS PLATE ATTACHED TO THE WOODEN FRAME BELOW THE IMAGE INSCRIBED "MENIN GATE AT MIDNIGHT"local history, illustration, copy, longstaff, sir john -
Bendigo Art Gallery
Painting, Carl Hoff, The Golden Wedding, 1883
Signed and dated, l.r.,brown oil, "Carl Hoff/83". -
Colac RSL Sub Branch
Textile - Baulch Brothers Welcome Home Banner, Welcome Back Home
Blue Material Banner with Gold LetteringWELCOME BACK HOME TO (check hand written names) OF THE A.I.F. THEY'RE COVERED IN GLORY CAUSE THEY HAD WHAT IT TOOK THROUGH THE QUAGMIRES, THE JUNGLES AND THE RAT HOLES OF TROBRUK -
Bendigo Military Museum
Painting - NAVY PAINTING, FRAMED, 1948
Painting is mounted with light blue border in a brown wooden frame with glass front, cream paper backing & a wire hanging strap. Water colour painting of a warship at sea. The ship is grey with 4 twin main gun turrets. It also holds an Albatross Aircraft, 2 funnels & 2 wireless masts. The painted sky shows patchy clouds, the sea is a blue green colour with small white waves. HMAS Perth Artist Ray Parkin 1948hmas perth, ww2, ran, paintings -
Ararat Gallery TAMA
Textile, Frances Burke, Tiger Lily, 1951
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Darebin Art Collection
Painting - Phuong Ngo, 'Untitled No.1 (Racist Paintings)', 2020
Racist Paintings is a series of works that seek to unpack art history, eugenics, language, and colonialism through the use of hard-edge painting, colonial ethnography and orientalist ideologies. The works seek to do this by combining French colonial postcards from and of Vietnam, lines relating to key colonial structures, and the use of a limited Dulux colour pallet consisting of the colours ‘Pale Oriental’, ‘Oriental Bay’, ‘Oriental Rose’, ‘Oriental Princess’, ‘Oriental Blush’, ‘Oriental Blush Half’, and ‘Oriental Blush Quarter’. -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Charcoal and marker on papergippsland, artwork, permanent collection -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Waranga Basin, Victoria
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Australian Lace Guild - Victorian Branch
Textile - Crochet lace, 1900-1950
Use: DomesticCrochet lace mat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Trees in the Ballarat Botanical Gardens, Classification and Description, Unknown
A detailed list of the trees in the Ballarat Botanical Gardens giving valuable information for the researcher, gardener and tourist.There is a wide variety of trees in the BBG, both rare and common that are of botanical and historical interest.6 pages of grey photocopy, 5 1/2 typed pages, with the classification of trees underlined, the common name given and details about each tree. None.doctor, ballarat botanical gardens, trees, classification of trees in the bbg, information about various trees in the bbg., list of trees in the bbg., john garner collection, gardens, ballarat -
Bendigo Historical Society Inc.
Textile - EMILY NANKIVELL COLLECTION: SCHOOL NEEDLEWORK SAMPLER, 1930's
A school sampler from the 1930's, demonstrating a mastery of numerable sewing skills: Buttonholes- both bound;6 bound buttonholes. Button loop fastening 17 rouleau loops. Seams: Plain flat seam, machine stitched-part neatened by hand, and part neatened by machine. An overlapped flat seam-machine stitched. Fasteners: Press-studs (3) Buttons (4) shanked and f;flat. Metal hook-and-eyes (3), one eye hand stitched, all attached in buttonhole stitch. Pockets: (2) Machine stitched. Collar: (1) Rounded ''Peter Pan"" collar, with bound placket opening, one pearl button, and hand stitched loop. Facings (3). One square, one round, one Vshaped. Pintucks: 4 machine stitched pintucks.textiles, domestic, school needlework sampler 1930's -
Gippsland Art Gallery
Painting, Pattinson, Elizabeth (Betty), Face on the Hill, 1986
Purchased, 1986Oil on boardgippsland, artwork, permanent collection -
Clunes Museum
Mixed media - NATIONAL TRUST AWARD, 2006
SUBMISSION: CLUNES TOURIST & DEVELOPMENT ASSOCIATION PRODUCTION: CTDA MEMBERS TEXT: DR TESS BRADY PHOTOGRAPHY: NEIL NEWITTFOLDER CONTAINING C.D. AND PRINTED AWARD FROM THE NATIONAL TRUST PROVINCIAL VICTORIA HISTORIC TOWNS AWARDS. CATEGORY 1: THE TOWN WITH THE MOST INTACT HERITAGE STREETSCAPE CHARACTERlocal history, documents, awards, town award, ctda -
Federation University Art Collection
Work on paper - Printmaking, D'Esterre, Elaine, 'The Menstrous Eye' by Elaine D'Esterre, 1994
Dr Elaine D'ESTERRE In 1992 Elaine D'Esterre was an awarded a Bachelor of Arts from the University of Ballarat (now Federation University), and the following year a Graduate Diploma. In 2000 she was awarded a Doctor of Philosophy from Deakin University. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. See also 3rd Year Final Exhibition 1992' in Historical collection (005803) If you can assist with information on this artist or artwork please use the comment box below.art, artwork, elaine d'esterre, portrait, alumni -
National Wool Museum
Textile - Travel Rug, Onkaparinga Woollen Mill Company, 1960s
Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Plaid travel rug, double-sided , fringed , brown and orangeThe Seal of Quality/"Onkaparinga" /Pure Wool/Manufactured in Australia by Onkaparinga Woollen Co.Ltd/Owner___wool, blanket, blanket fever, travel rug, onkaparinga -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanic Gardens - Gordon Cottage, Minutes, Ordinary Meeting of Council 20/2/1989, 20/2/1989
5 points are made about Adam Lindsay Gordon Cottage concerning the 'reservation of land, responsibility for the Cottage, restoration of the Cottage and notification of Council approval.This document is proof of Council's approval for the responsibility and restoration of the Adam Lindsay Gordon Cottage in 1989.1 page of typingDate 20/2/1989 stamped righthand top corner. 2 sections 1.4 and 1.6 crossed out diagonally. "Delegation and an illegible word written above item 1.5.john garner, doctor, john garner collection, friends of ballarat botanical gardens, adam lindsay gordon cottage, ymca, y's men's club, gordon cottage committee, australian poet, restoration of the adam lindsay gordon cottage, ballarat city council., ballarat botanical gardens, gardens, ballarat -
Federation University Art Collection
Painting - Oil on board, Neville Bunning, Self Portrait (unfinished) by Neville Bunning, 1997
Neville Bunning taught Sculpture and ceramics at the Ballarat Technical Art School, a division of the Ballarat School of mines, from 1945 until 1964. During that time he formed the Ballarat Artist's Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly column in 'The Courier', where his insightful comments made readers aware of significant trends in art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A framed unfinished portrait by Neville Bunning, teacher of Ceramics at the Ballarat School of Mines. The portrait of the artists shows a camera around his neck, a ceramic pot in one hand, and some of Neville Bunnings paintings in the background.art, artwork, neville bunning, bunning, available -
Darebin Art Collection
Painting - Dianne Selby, Dianne Selby, Rachel and Naomi, 2010
rachel griffiths