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Artwork, other (1304)
Ceramic (767)
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Mixed media (536)
Painting (2489)
Print (1671)
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Work on paper (2106)
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Federation University Art Collection
Painting, Heather O, [Peace Dove] by Heather O, 1990
Heather was a TAFE student at Ballarat when this artwork was completed. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you are able to assist us make contact with the artist Heather O. please leave a message via the comment box below.art, artwork, peace, dove, heather, alumni -
Bendigo Military Museum
Print - PRINT, FRAMED, Framed Print of "An Historical Record of the/Second World European World War"
Coloured framed print of "Historical record of the end of the 2nd European War", has Bendigo Business Adverts Print - black, blue, red print, illustrated with portraits and and flags; and Bendigo Business Advertisements. Frame - timber, mid brown and gold colour marbled effect paint with decorative edge. Glass front. Mount - off white colour cardboard.illustrations-prints, frame accessories; trades - carpentry, ww2, history -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas on board, John Irvine, Mr G.W. Cole, c. 1858
John Irvine, Mr G.W. Cole c. 1858, oil on canvas on board, 110 x 90 cm. Bayside City Council Art and Heritage Collection.oil on canvas on boardgeorge ward cole, st ninian's, portrait, male, john irvine, politician, member of the victorian legislative council, royal navy officer, shipping agent, brighton, g.w. cole, captain -
Federation University Art Collection
Print - Artwork - Printmaking, [Unknown]
If you can provide information on this artist or artwork please use the comment link belowartwork, artist, printmaking, gippsland campus, alumni -
Gippsland Art Gallery
Print, Power, Vanessa (Ness), World Without Oceans, 2013
Donated by Freestone Press, 2016Linocut print on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Withers, Walter, The Yarra near Templestowe, 1898
Donated by M.F. Adeney through the Australian Government Cultural Gifts Program on behalf of the Maddingly Family, 1986Oil on boardgippsland, artwork, permanent collection -
Vision Australia
Textile - Object, Association for the Blind Guiding Light tie
Guiding LIght ties produced by the Association for the Blind.2 navy blue ties with light blue diagonal stripe and guiding light symbol in yellowassociation for the blind, advertising -
Darebin Art Collection
Print - Victor Majzner, Victor Majzner, Images of Tanya (Chapter 4 and 5), 2001
screenprint -
Whitehorse Historical Society Inc.
Textile - Lace Piece
Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece of cream lace used for demonstration purposesFriedrich Seidel, G. m b. H. Plaven I. V. No A11704 5 7-2handcrafts, lacemaking -
Darebin Art Collection
Painting - David McLeod, David McLeod, Submerged, 2012
streets -
Gippsland Art Gallery
Painting, Wallace-Crabbe, Robin, Darlimurla, 1971
Purchased, 2019Oil on canvasgippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, Bilko, 1995
ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 1/30 lower left corner under printed image. -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Jeremy Kibel, Point, 2000
Jeremy Kibel, Point 2000, oil on board, 40 x 50 cm. Bayside City Council Art and Heritage Collection. Donated through the Australian Government’s Cultural Gifts Program by Lion Capital Pty Ltd, 2013oil on boardpainting, abstract, point, jeremy kibel -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Teignmouth, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Print - Framed Fashion Plate, 'The Newest French Fashions', from the Young Englishwoman, 1864, 1864
The first issue of The Young Englishwoman was published in December of 1864 and was directed toward a young, female, middle-class audience and treated mostly household matters such as needlework, recipes, house-hold management tips and fashion. The Young Englishwoman started out as a weekly magazine but, as editors and publishers changed over time, it became a monthly periodical.This items is used to illustrate the popularisation of fashion styles in the 19th centuryFramed fashion plate - 'The Newest French Fashions': modelled for the Young Englishwoman. fashion illustration, young englishwoman -
Latrobe Regional Gallery
Print, DUXBURY, Lesley b. 1950 Lancashire, England. Arrived Australia 1983, Another Day, 2003
Inkjet print 5 edition number 11/40Signed and dated lower right corner. Edition 11/40 in lower left corner.clouds, text, perception, weather, environment, climate -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Ramsgate, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Artwork, [Portrait] by Neville Bunning
Neville Mirvane BUNNING (1902-1990) During World War Two he served with the RAAF. He was an Art Teacher at the Ballarat School of Mines from 05 February 1946 to 22 September 1964. Neville Bunning formed the Ballarat Artist's Society (later the Ballarat Society of Artists), a group that sponsored art and which invited modernist artists to speak to students and to the public of Ballarat. He also wrote a weekly column in the Ballarat Courier. Bunning produced a bust of Australian Prime Minister, The Right Honourable J.A. Lyons from Tasmania, who died in office. Bunning died in Subiaco, Western Australia on 29 April 1990. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a woman surrounded by flowersBlack marker signature on the backart, artwork, neville bunning -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Lulworth Castle, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Rose, David, Perforated Game, 1970
Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Deanne Gilson, Deanne Gilson, Before Joseph Banks, Our Baskets and Plants Held Sacred Knowledge, Chocolate Lily, 2023
“The sweet-smelling chocolate lily is a favourite of mine. It has a scent similar to that of chocolate and can be eaten raw and added to other foods as a decoration on top of cakes. I like it because it is a pretty little plant that you can’t walk by without noticing. The cabbage butterflies are ancestral spirits watching.” — Deanne Gilson In 'Karrap Karrap Beenyak — Flower Baskets of Knowledge', Deanne Gilson depicts dilly bags and baskets drawn from the South Eastern collection of artefacts held within the Melbourne Museum, and gifts from family and friends. They reclaim cultural knowledge, mixing tradition with the lived experiences of her ancestors and re-enriching her life with culture, Country and connection, through the creation of new art. The works highlight the use of Indigenous plants for healing and bush foods, and the Wadawurrung Creation Story and connection to Dja (Country). Dr Deanne Gilson is a proud Wadawurrung woman and an award-winning visual artist living and creating from her ancestral home of Ballarat in Victoria. Her multidisciplinary art practice interrogates the colonial disruption of her family and explores ways in which contemporary art can create a platform towards healing, acceptance and reclaiming cultural identity, often drawing upon traditional knowledges of her ancestors. The Victorian bush where Gilson grew up features predominantly in all of her paintings, alongside many Indigenous plants, trees and birds from her Creation Story. Gilson draws upon layers of tangible and intangible knowledge, she talks about the presence of the intangible as spiritual connections to Country and her ancestors, while the tangible knowledge reflects artefacts and other objects of daily Wadawurrung life. Her works portray a rich cultural history that continues to thrive and grow today despite the restrictions placed on her family by settlement. Gilson’s practice defines Aboriginal women’s business past and present through contemporary art. Traditional marks alongside contemporary marks, link her to the practices of Indigenous mark-making, especially that on her body when in ceremony. Stating that “all of my artworks are an extension of my women’s business and draw on ochre sourced from Wadawurrung Dja (Country)”. The white is used in traditional ceremonies, while the charcoal is a direct link to Gilson’s matriarchal line of her mother’s business. Gilson’s mother, Marlene Gilson, also an artist, gathers charcoal from her daily fire, passing this onto her daughter, extending upon the old and the new ways of sharing knowledge and connection to Country. Painting -
Benalla Art Gallery
Painting, W. B. MCINNES, Volendam fisher folk, Not dated
Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismLedger Gift, 1985Expressive brushstrokes in muted colours of two figures fishing in foreground with buildings, tower and trees in background. Timber frame.Recto: Signed "McINNES" in dark brown oil in l.r.c of composition; Not dated; Not titledpaintings, rural, buildings, figures, clouds -
National Vietnam Veterans Museum (NVVM)
Painting, Framed Painting
Framed painting of nine RAEME Light Aid detachment troopers leaning on a landrover. An ambulance, landrover is in the backgroundraeme lad -
Federation University Art Collection
Painting - Artwork, Bach, Wendy, [Just Left] by Wendy Bach
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted portrait of a man.art, artwork, wendy bach, horsham campus art collection -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - oil, Family Barracks at Camp 3
Vagarini was an Italian painter at Camp 3 Tatura. He was arrested in Palestine and sent to Australia on the Queen Elizabeth.ModernistFour rows of huts. Flower gardens are planted at the front of the first hut. Rows of red dirt in the foreground. Bright blue sky and a large tree growing at the back of the first hut and is in the centre of the picture. R. Wied wrtitten on back of painting.Cesare Vagarini -
Federation University Art Collection
Painting - Painting - acrylic, Ken Kronberger, Untitled by Ken Kronberger, 2009
Kenneth KRONBERGER Ken Kronberger graduated from the University of Ballarat (later Federation University) in 2010 with a Bachelor of Visual Arts (Fine Arts). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Signed lower right corner 'Kronberger'art, artwork, ken kronberger, alumni, available, stencil, sport -
Clunes Museum
Textile - DOYLEY
DONATEDWHITE EMBROIDERED SQUARE DOYLEY - FLORAL DESIGN.local history, handcraft, needlework -
Flagstaff Hill Maritime Museum and Village
Textile - Lace Sample, Late 1800s to 1940s
The sample of crochet lace is an example of a handmade item that would have been used to edge material to create a doily for use around the home.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects.A ring of handmade crochet lace consisting of ten motifs joined in a circle. Mercerised white crochet thread has been used to crochet each motif in an open lace pattern using picot edging to give a floral effect.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted edging -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Kirkby Lonsdale Church Yard, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Beechworth RSL Sub-Branch
Print - Plate Identification Vehicle
This plate was designed to slide into the brackets of a military vehicle for purpose of signifying which regiment was operating it. Square metal plate with regiment sticker. The sticker has one gold horizontal stripe between two green horizontal stripes and features an image of the English Crown above an image of a kangaroo jumping in-front of two crossed swords. brakets, vehicle plate, regiment