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Whitehorse Historical Society Inc.
Textile - Doyley
Embroidered pieces donated by Adele Grey from the collection of Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Art & Crafts SocietyWhite oval shaped dressing table centrepiece. White embroidered flower design. 6cm crochet lace around edgemanchester, table linen -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Clothing in Ancient Rome, Wikipedia, Clothing on Statues in Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, statues, rome, clothing -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, William Eicholtz, The late edition, 2017
Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.bronze Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.sculpture, public art, newspaper, hampton, bayside, william eicholtz, bronze -
Whitehorse Historical Society Inc.
Textile - Milk jug cover
Purchased at a fete by Pat Richardson in the 1990sWidely used in Australian homes to protect milk from insects until the advent of bottled milkWhite crocheted milk jug cover, with blue glass beads at regular intervals around edge to weight the coverdomestic items, food storage & preservation, handcrafts, crocheting or crochet work -
Phillip Island Conservation Society Inc.
Work on paper - Newspaper cutting, Unknown journalist, the Express newspaper, Wonthaggi, "Tourist Curiosity is killing penguins", 30.01.1964
Due to increased numbers of tourists in the post-World War Two era, and the increased popularity of the Penguin Parade, without sufficient public education or protection of the penguin habitat, many Little Penguins perished during the 1960s. Trampling, unsupervised interference with the birds, unrestricted access to their dune habitat, plus predation by foxes, cats and dogs, led to most of the rookeries outside of the Summerland patrolled areas - such as on the west and north Phillip Island coasts, and parts of the south coast - being obliterated by the mid 1970s.this article is highly significant as it was published shortly before the establishment of the Phillip Island Conservation Society Inc in 1968, which commenced agitation to make management of Crown Land by Phillip Island Shire Council and government bodies accountable for protection of wildlife habitat on Phillip Island.photocopy of newspaper cutting. Black print on white paper. 3--1-64phillip island, penguin parade, little penguin, habitat destruction, penguin parade committee, shell house, -
Australian Lace Guild - Victorian Branch
Textile - Cutwork lace, 1580-1620
Use: Domestic: Household trimmingNeedle lace edging -
Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES HANDBAG, 1930's
Textiles. Navy blue and red leather handbag. Body of handbag of navy leather with 2 cm diagonal strips of red leather across each corner front and bag. Side seams have red leather cord trim. Metal frame for opening covered in red leather with gold coloured metal trim on front with push clasp (5 cm x 1 cm) with blue leather trim. Opening tab on front. Inside lined with brown cotton fabric.Central swinging hinged coin purse and one gathered side pocket.Insde purse is a 9.5 cm lead pencil and a pen nib. Manufactured by MILADI HANDBAGS.Cloth label inside bag 'Miladi Handbags'textiles, domestic, ladies navy blue and red leather handbag -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Sitting monkey
Item from an Italian POW held in Camp 13, 1942 to 1946A profile of a monkey sitting with its knees bent and arms resting on the knees Hand painted in brown with ochre face, red lips, ears and fingernails. Inscriptions in White 28-4-42 in front and PARINELLO N. on one side and PRISONER.OF.WAR on the other28-4-42, PARINELLO N., PRISONER OF WARitalian pow's, camp 13 murchison, hand made objects -
Gippsland Art Gallery
Work on Paper, Ryrie, John, The Youngest Some, 2001
Donated by the artist, 2002Pencil on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Death Certificates of People Associated with the Ballarat Botanical Gardens 1880-1910, Medical Diagnosis Related to Contemporary Documentation and Reports
The Death Certificates discussed are of notable people who made important contributions to the establishment and development of the Ballarat Botanical Gardens.The analysis of the death certificates provides insights not only to the practice of medicine at the turn of nineteenth century Ballarat but into the lives and state of health of a few important people at that time.5 typed pages of a talk in black ink.Several "typos" corrected in black biro, pp.2,3,and 4.john garner collection, garner, dr, death, certificate, ballarat botanical gardens, gardens, ballarat, personalities, claxton, ham, mcdonald, morey, rooney, stoddart, thomson, cause of death, statistics -
National Wool Museum
Textile - Quilt, Child's Coverlet, 1930s - 1950s
Child's coverlet made from old blankets and clothing pieces with curtain and blanket backing. Part of the "Wagga" collection. Maker unknown, from the Ballarat area.Child's coverlet made from old blankets and clothing pieces with curtain and blanket backing.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Gippsland, 1981
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Charcoal on papergippsland, artwork, permanent collection -
Ararat Gallery TAMA
Textile, Frances Burke, Links, 1958
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Bialik College
Work on paper (Item) - Bnei Mitzvah 2023 bunting
2023 Year 7 Students created family emblems and/or crests in relation to their Bnei Mitzvah. Some pictures are hand drawn and copied in colour, others are computer generated. Some are original images which others are a composite of online open access material. Four portions are missing, one removed due to mildewbnei mitzvah, hebrew, jewish school, art, display, exhibition -
Wangaratta Art Gallery
Textile, Valerie Kirk, Caught Fish, PANGASIANODON GIGAS, 2010
Caught Fish, PANGASIANODON GIGAS” is a miniature version of the larger tapestry described below and it embodies the same ideas: The giant Mekong Catfish is under threat of extinction due to over-fishing and loss of habitat. It is beleived that the fish used to reach sizes over 3 metres, but the largest recorded catch to date is 2.7 metres – a monster fish caught in Thailand in 2005. As its fame and the mythology surrounding it increases, so does the number of game fishermen keen to land a record catch or earn a sizeable amount of money in the exotic food marketplace. However, the water flow of the river is increasingly more controlled by China, changing the natural habitat of the river. It seems that survival of the great catfish is being left to chance and the fish’s ability to avoid nets, lines and traps in the murky green waters of the Mekong. My exhibition piece is a giant, woven Pangasianodon Gigas – made as a shaped tapestry which will hang the way a fisherman would hold up his catch to display or be photographed as his trophy. The drawing was made from photographs of very large fish I observed in Laos and the detail on the body of the fish is deliberately ambiguous scales/nets. The piece will be woven on cotton seine twine (which was originally made as a string for fish netting) with mixed weft yarns. Artist statement about the work: The final work is an abstraction of fish and nets – an image made with a hand drawn quality suggesting the personal observation that goes with looking and responding with ink on paper. The tapestry technique mimics the original marks to a certain degree but is also very obviously a woven form with its stepped edges and shapes, blending of tones through hachure and broad set of warp and weft.Wangaratta Art Gallery CollectionA small tapestry of a caught fish handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile, fish -
Ringwood RSL Sub-Branch
Work on paper - memorabilia
Souvenir of Jerusalem -
Darebin Art Collection
Textile - Tara Badcock, Tara Badcock, Teacosy Number 34, Bundoora Homestead, 2007
bundoora homestead -
Eltham District Historical Society Inc
Work on paper - Newspaper article, Diamond Valley News, Safety first at village, 23 September 2009
Monterey Cypress Trees have been removed from along Diamond Street, Eltham at the site of the Eltham Retirement Centre (formerly known as Judge Book Village). In 2021, Judge Book is known as St Vincent's Care Services Eltham. judge book memorial village, aged care, melbourne city mission, seniors, nursing home, aged care facility, judgebook, monterey cypress trees, tree removal, robert weller, ken patterson -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace, Late 19th or early 20th Century
Machine made "Chemical" lace motif. Cotton thread embroidered onto a base fabric which is later dissolved away. -
Flagstaff Hill Maritime Museum and Village
Textile - Doily, ca. 1910
This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. Doily,; white cotton fabric circle with crocheted 17 point star shape border. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, needlework, crochet, handmade, craft, manchester, linen, haberdashery -
Gippsland Art Gallery
Sculpture, Woollard, John, Red Gum Bowl, 1983
Purchased with the assistance of the Crafts Board of the Australia Council, 1983Red Gum burlgippsland, artwork, permanent collection -
Gippsland Art Gallery
Work on Paper, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Pencil on papergippsland, artwork, permanent collection -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Ceramic vignette of a caesarean section locked twin childbirth
This is a rare and hazardous obstetric complication, occurring approximately once every 90000 deliveries. It usually results in a low survival rate for the twin that presents first, with a stillborn rate over 50%. This piece is believed to be from South America, and is either from Colombia or Peru.Ceramic childbirth scene with three figures. At centre, a woman lies on a table giving birth. A figure wearing a hat stands to her right, resting their hand on her upper chest in a gesture of support. On her left, a gloved man with receding hairline and a moustache is leaning over her abdomen and is extracting two babies from her womb.obstetric delivery -
Ringwood RSL Sub-Branch
Work on paper - A year 10 Oral history project, Memorabilia
book -
Bendigo Art Gallery
Sculpture, Roderick YUNKAPORTA, Ku, 2012
first nations artist, sculpture, dog, ku, animal, pet -
Australian Lace Guild - Victorian Branch
Textile - Torchon lace
Use: Domestic. Household trimmingBobbin lace insertion -
Australian Lace Guild - Victorian Branch
Textile - Russian lace, Early 20th century
Probably made for the tourist tradeBobbin lace. Triangular piece -
Kew Historical Society Inc
Textile - Bicentennial tapestry, 2. Turinville, 1988
This is one of eight embroidered panels, completed during the 1988 Australian Bi-Centennial, and carried out under the auspices of City of Kew Council and the Kew Historical Society. Nearly 600 residents, including many children, participated in their production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart / Co-ordinator: Dorothy Benyei.1. Turinville. A framed embroidery created by adults and children of the City of Kew as a Bicentennial project, based on a design by the artist Joy Stewart. Five of the six completed embroideries created in the project are/were displayed in the Kew Library. [The five embroidered panels have now been temporarily removed for conservation reasons].Inscription: "TURINVILLE / Early country residence overlooking the Yarra River. Recreational activities of the period included picnics" Embroidered signature of the artist: "(c) JStewart, 1988"bicentennial project (kew), joy stewart, charles grimes expedition, australian bicentennial -
Friends of Ballarat Botanical Gardens History Group
Work on paper - National Trust of Australia (Vic), Register of Significant Trees. Ballarat Botanical Gardens. c1983, Unknown
This National Trust Register of Significant Trees in the Ballarat Botanical Gardens is an important part of Ballarat's history. Unfortunately, since 1983, some of the trees listed have died or been removed.The Ballarat Botanical Gardens has a unique collection of trees which testify to the knowledge and enthusiasm of the Curators, City fathers and Gardeners in their development of the Gardens in earlier years, especially in the nineteenth century.1 sheet of paper with three lists of the trees and the number of them in the Gardens. (1 copy)Draft printed in red under main heading. In black biro, written on the first entry, "no on map". 10th entry (Sierra Redwood) number scribbled over and "outside gate" written. 14th entry (Horizontal Elm) "3 on list, 1dead". 15th entry (Horizontal Elm) "W of 17". ballarat botanical gardens, national trust of australia (vic), register of significant trees, trees, john garner collection, gardens, ballarat -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample